<?xml version="1.0" encoding="utf-8"?>
<rss xmlns:xsd="http://www.w3.org/2001/XMLSchema" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:trackback="http://madskills.com/public/xml/rss/module/trackback/" xmlns:wfw="http://wellformedweb.org/CommentAPI/" xmlns:slash="http://purl.org/rss/1.0/modules/slash/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:pingback="http://madskills.com/public/xml/rss/module/pingback/" version="2.0">
  <channel>
    <title>The Chameleon Net blog</title>
    <link>http://www.chameleonnet.co.uk/blog/</link>
    <description>...spreading *Web Karma*</description>
    <language>en-us</language>
    <copyright>Chameleon Net Ltd</copyright>
    <lastBuildDate>Thu, 28 Jan 2010 15:26:39 GMT</lastBuildDate>
    <generator>newtelligence dasBlog 1.8.5223.2</generator>
    <managingEditor>danm@chameleonnet.co.uk</managingEditor>
    <webMaster>danm@chameleonnet.co.uk</webMaster>
    <item>
      <trackback:ping>http://www.chameleonnet.co.uk/blog/Trackback.aspx?guid=7e7357b8-e3ad-48f2-a067-136f35ee1250</trackback:ping>
      <pingback:server>http://www.chameleonnet.co.uk/blog/pingback.aspx</pingback:server>
      <pingback:target>http://www.chameleonnet.co.uk/blog/PermaLink,guid,7e7357b8-e3ad-48f2-a067-136f35ee1250.aspx</pingback:target>
      <dc:creator>chris@chameleonnet.com (Chris Thorn)</dc:creator>
      <wfw:comment>http://www.chameleonnet.co.uk/blog/CommentView,guid,7e7357b8-e3ad-48f2-a067-136f35ee1250.aspx</wfw:comment>
      <wfw:commentRss>http://www.chameleonnet.co.uk/blog/SyndicationService.asmx/GetEntryCommentsRss?guid=7e7357b8-e3ad-48f2-a067-136f35ee1250</wfw:commentRss>
      <slash:comments>3</slash:comments>
      <body xmlns="http://www.w3.org/1999/xhtml">
        <font face="Verdana">Although the <a href="http://www.apple.com/ipad/">iPad</a> is
   surely going to be a popular way to watch video, play games, surf the web etc., what
   I am really interested in is what it means for the future of the book.  
   <br /><br />
   eBook readers have been slowly been gaining ground, but with the iPad and iBooks store,
   eBooks take another leap forward. Although ebooks are available from multiple online
   retail points, Apple's major centralised ebooks store is the first to present a genuine
   challenge to <a href="http://www.amazon.com/">Amazon</a>. Five of the six major publishing
   houses - Penguin, Harper-Collins, Simon &amp; Schuster, Macmillan and Hachette Book
   Group - have signed up to iBooks. Random House is the lone major yet to sign up. Also
   unlike Amazon, Apple has embraced the open ePub format, bringing an industry standard
   closer to fruition, which is bound to knock down another barrier to widespread adoption
   of using electronic devices to read books.<br /><br />
   Therefore, there can be little doubt that over the next five to ten years, there will
   be a major shift in developed countries from the printed word to the electronically
   created word! More than this, Jobs says that the iPad can read colour photos and video.
   Therefore, the nature of books themselves could change, and the distinctions between
   media categories and formats blur; you can imagine a cooking eBook containing a video
   of the celebrity chef making the recipe along with a link to the chef’s website; or
   a gardening book containing a video of Alan Titchmarsh in action. Maybe new hybrid
   formats might appear in fiction as well softening the line between film, books and
   on-line resources.<br /><br />
   But before I get too carried away, we will have to wait to see what the reading experience
   on the iPad is like. After all, the eBook movement has been underpinned by the development
   of non-backlight, high contract screens using technology like eInk, which is why products
   like the <a href="http://www.barnesandnoble.com/nook/index.asp">Barnes &amp; Noble
   nook</a> use two screens - one eInk screen for reading and a small LCD touchscreen
   for navigation.<br />
   So the jury is out, but whether the iPad is as hugely popular as the iPod and iPhone
   or not, one thing we know for sure is that the electronic “book” is here to stay and
   there is no going back!<br /><br /></font>
        <p>
        </p>
        <img width="0" height="0" src="http://www.chameleonnet.co.uk/blog/aggbug.ashx?id=7e7357b8-e3ad-48f2-a067-136f35ee1250" />
      </body>
      <title>Is the future of the book written in the iPad?</title>
      <guid>http://www.chameleonnet.co.uk/blog/PermaLink,guid,7e7357b8-e3ad-48f2-a067-136f35ee1250.aspx</guid>
      <link>http://www.chameleonnet.co.uk/blog/PermaLink,guid,7e7357b8-e3ad-48f2-a067-136f35ee1250.aspx</link>
      <pubDate>Thu, 28 Jan 2010 15:26:39 GMT</pubDate>
      <description>&lt;font face="Verdana"&gt;Although the &lt;a href="http://www.apple.com/ipad/"&gt;iPad&lt;/a&gt; is
surely going to be a popular way to watch video, play games, surf the web etc., what
I am really interested in is what it means for the future of the book.&amp;nbsp; 
&lt;br&gt;
&lt;br&gt;
eBook readers have been slowly been gaining ground, but with the iPad and iBooks store,
eBooks take another leap forward. Although ebooks are available from multiple online
retail points, Apple's major centralised ebooks store is the first to present a genuine
challenge to &lt;a href="http://www.amazon.com/"&gt;Amazon&lt;/a&gt;. Five of the six major publishing
houses - Penguin, Harper-Collins, Simon &amp;amp; Schuster, Macmillan and Hachette Book
Group - have signed up to iBooks. Random House is the lone major yet to sign up. Also
unlike Amazon, Apple has embraced the open ePub format, bringing an industry standard
closer to fruition, which is bound to knock down another barrier to widespread adoption
of using electronic devices to read books.&lt;br&gt;
&lt;br&gt;
Therefore, there can be little doubt that over the next five to ten years, there will
be a major shift in developed countries from the printed word to the electronically
created word! More than this, Jobs says that the iPad can read colour photos and video.
Therefore, the nature of books themselves could change, and the distinctions between
media categories and formats blur; you can imagine a cooking eBook containing a video
of the celebrity chef making the recipe along with a link to the chef’s website; or
a gardening book containing a video of Alan Titchmarsh in action. Maybe new hybrid
formats might appear in fiction as well softening the line between film, books and
on-line resources.&lt;br&gt;
&lt;br&gt;
But before I get too carried away, we will have to wait to see what the reading experience
on the iPad is like. After all, the eBook movement has been underpinned by the development
of non-backlight, high contract screens using technology like eInk, which is why products
like the &lt;a href="http://www.barnesandnoble.com/nook/index.asp"&gt;Barnes &amp;amp; Noble
nook&lt;/a&gt; use two screens - one eInk screen for reading and a small LCD touchscreen
for navigation.&lt;br&gt;
So the jury is out, but whether the iPad is as hugely popular as the iPod and iPhone
or not, one thing we know for sure is that the electronic “book” is here to stay and
there is no going back!&lt;br&gt;
&lt;br&gt;
&lt;/font&gt;
&lt;p&gt;
&lt;/p&gt;
&lt;img width="0" height="0" src="http://www.chameleonnet.co.uk/blog/aggbug.ashx?id=7e7357b8-e3ad-48f2-a067-136f35ee1250" /&gt;</description>
      <comments>http://www.chameleonnet.co.uk/blog/CommentView,guid,7e7357b8-e3ad-48f2-a067-136f35ee1250.aspx</comments>
      <category>Ebooks;Publishing;Web 2.0</category>
    </item>
    <item>
      <trackback:ping>http://www.chameleonnet.co.uk/blog/Trackback.aspx?guid=8bef38db-82c8-4fd3-9151-554d563e6b0b</trackback:ping>
      <pingback:server>http://www.chameleonnet.co.uk/blog/pingback.aspx</pingback:server>
      <pingback:target>http://www.chameleonnet.co.uk/blog/PermaLink,guid,8bef38db-82c8-4fd3-9151-554d563e6b0b.aspx</pingback:target>
      <dc:creator>richardk@chameleonnet.co.uk (Rich Kirk)</dc:creator>
      <wfw:comment>http://www.chameleonnet.co.uk/blog/CommentView,guid,8bef38db-82c8-4fd3-9151-554d563e6b0b.aspx</wfw:comment>
      <wfw:commentRss>http://www.chameleonnet.co.uk/blog/SyndicationService.asmx/GetEntryCommentsRss?guid=8bef38db-82c8-4fd3-9151-554d563e6b0b</wfw:commentRss>
      <body xmlns="http://www.w3.org/1999/xhtml">Today marks a watershed moment in UK government
   digital policy. With the launch of <a href="http://www.data.gov.uk">data.gov.uk</a>,
   the government has instantly become more accountable, more transparent and more democratic.
   Finally the huge amount of data generated by the public sector has being harnessed
   in such a way that it becomes of real use to citizens like you and me, through the
   medium of web-based apps.<br /><br />
   Data.gov.uk will host a growing number of datasets covering all aspects of public
   sector performance. These can be used to:<br /><br /><ul><li>
         Build web applications that make useful information accessible and relevant to anyone.</li><li>
         Examine the performance of public sector services both nationally and regionally.</li><li>
         Create visualisations that accurately illustrate how social issues affect different
         areas and groups across the UK.</li></ul><br />
   Data Visualisation has been a tactic I’ve been advocating to clients throughout 2009.
   In a world where we are all bombarded with information on a constant basis, visualising
   large amounts of data in one diagram can often help you cut through the noise around
   your chosen subject and instantly get your audience to understand your point.<br /><br />
   Here’s an example: how confused are you about the differences between the parties
   in the upcoming election? Most people can grasp that the biggest issue facing the
   economy is our national deficit and how to cut it, but if you were to listen to Brown,
   Cameron and Clegg waffle on about “real terms increases” and “public spending efficiency
   savings” it would take you a fair while to work out what their real policies were.
   Instead, why not look at the visualisation below culled from party policy documents?
   It certainly helped me get a clearer idea of who I’d vote for.<br /><br /><br /><img src="http://www.chameleonnet.co.uk/blog/content/binary/deficit%20visualisation.JPG" alt="deficit visualisation.JPG" border="0" height="515" width="400" /><br /><br />
   The other great reason for making this data public is the applications it can power.
   The government has realised it will make more progress by crowdsourcing the development
   of these rather than by paying for them to be built. Some great examples such as <a href="http://data.gov.uk/apps/planningalerts">‘PlanningAlerts’
   already appear on data.gov.uk</a>, and some <a href="http://www.showusabetterway.co.uk/call/ideas/index.html">other
   ideas of ways to use government data can be found here</a>.<br /><br />
   Credit to MPs like <a href="http://www.richardallan.org.uk/">Richard Allan</a> and <a href="www.tom-watson.co.uk">Tom
   Watson</a> who pushed for this sort of approach to be adopted by the civil service
   and have worked to make it a reality. With this agenda receiving nothing but rave
   reviews from the tech media and now also mainstream outlets, it’s not hard to envisage
   a world 5 years from now in which open data (not just from government but from private
   companies as well) shapes news stories, informs our everyday decisions and allows
   real political dividing lines to be drawn for all to see on the issues of the day.<br /><br />
   Releasing datasets, doing data visualisation and building apps are all great ways
   of driving online PR and building inbound links to your site: this has obvious knock-on
   benefits for SEO etc. <a href="http://chameleonnet.co.uk/contact.aspx">Get in touch
   if you want to know more</a>.<br /><a href="http://www.bbc.co.uk/blogs/thereporters/rorycellanjones/2010/01/public_data_free_at_last.html"><br />
   BBC blog on the same topic here</a><br /><br /><p></p><img width="0" height="0" src="http://www.chameleonnet.co.uk/blog/aggbug.ashx?id=8bef38db-82c8-4fd3-9151-554d563e6b0b" /></body>
      <title>data.gov.HOORAY</title>
      <guid>http://www.chameleonnet.co.uk/blog/PermaLink,guid,8bef38db-82c8-4fd3-9151-554d563e6b0b.aspx</guid>
      <link>http://www.chameleonnet.co.uk/blog/PermaLink,guid,8bef38db-82c8-4fd3-9151-554d563e6b0b.aspx</link>
      <pubDate>Thu, 21 Jan 2010 12:51:37 GMT</pubDate>
      <description>Today marks a watershed moment in UK government digital policy. With the launch of &lt;a href="http://www.data.gov.uk"&gt;data.gov.uk&lt;/a&gt;,
the government has instantly become more accountable, more transparent and more democratic.
Finally the huge amount of data generated by the public sector has being harnessed
in such a way that it becomes of real use to citizens like you and me, through the
medium of web-based apps.&lt;br&gt;
&lt;br&gt;
Data.gov.uk will host a growing number of datasets covering all aspects of public
sector performance. These can be used to:&lt;br&gt;
&lt;br&gt;
&lt;ul&gt;
   &lt;li&gt;
      Build web applications that make useful information accessible and relevant to anyone.&lt;/li&gt;
   &lt;li&gt;
      Examine the performance of public sector services both nationally and regionally.&lt;/li&gt;
   &lt;li&gt;
      Create visualisations that accurately illustrate how social issues affect different
      areas and groups across the UK.&lt;/li&gt;
&lt;/ul&gt;
&lt;br&gt;
Data Visualisation has been a tactic I’ve been advocating to clients throughout 2009.
In a world where we are all bombarded with information on a constant basis, visualising
large amounts of data in one diagram can often help you cut through the noise around
your chosen subject and instantly get your audience to understand your point.&lt;br&gt;
&lt;br&gt;
Here’s an example: how confused are you about the differences between the parties
in the upcoming election? Most people can grasp that the biggest issue facing the
economy is our national deficit and how to cut it, but if you were to listen to Brown,
Cameron and Clegg waffle on about “real terms increases” and “public spending efficiency
savings” it would take you a fair while to work out what their real policies were.
Instead, why not look at the visualisation below culled from party policy documents?
It certainly helped me get a clearer idea of who I’d vote for.&lt;br&gt;
&lt;br&gt;
&lt;br&gt;
&lt;img src="http://www.chameleonnet.co.uk/blog/content/binary/deficit%20visualisation.JPG" alt="deficit visualisation.JPG" border="0" height="515" width="400"&gt;
&lt;br&gt;
&lt;br&gt;
The other great reason for making this data public is the applications it can power.
The government has realised it will make more progress by crowdsourcing the development
of these rather than by paying for them to be built. Some great examples such as &lt;a href="http://data.gov.uk/apps/planningalerts"&gt;‘PlanningAlerts’
already appear on data.gov.uk&lt;/a&gt;, and some &lt;a href="http://www.showusabetterway.co.uk/call/ideas/index.html"&gt;other
ideas of ways to use government data can be found here&lt;/a&gt;.&lt;br&gt;
&lt;br&gt;
Credit to MPs like &lt;a href="http://www.richardallan.org.uk/"&gt;Richard Allan&lt;/a&gt; and &lt;a href="www.tom-watson.co.uk"&gt;Tom
Watson&lt;/a&gt; who pushed for this sort of approach to be adopted by the civil service
and have worked to make it a reality. With this agenda receiving nothing but rave
reviews from the tech media and now also mainstream outlets, it’s not hard to envisage
a world 5 years from now in which open data (not just from government but from private
companies as well) shapes news stories, informs our everyday decisions and allows
real political dividing lines to be drawn for all to see on the issues of the day.&lt;br&gt;
&lt;br&gt;
Releasing datasets, doing data visualisation and building apps are all great ways
of driving online PR and building inbound links to your site: this has obvious knock-on
benefits for SEO etc. &lt;a href="http://chameleonnet.co.uk/contact.aspx"&gt;Get in touch
if you want to know more&lt;/a&gt;.&lt;br&gt;
&lt;a href="http://www.bbc.co.uk/blogs/thereporters/rorycellanjones/2010/01/public_data_free_at_last.html"&gt;
&lt;br&gt;
BBC blog on the same topic here&lt;/a&gt;
&lt;br&gt;
&lt;br&gt;
&lt;p&gt;
&lt;/p&gt;
&lt;img width="0" height="0" src="http://www.chameleonnet.co.uk/blog/aggbug.ashx?id=8bef38db-82c8-4fd3-9151-554d563e6b0b" /&gt;</description>
      <comments>http://www.chameleonnet.co.uk/blog/CommentView,guid,8bef38db-82c8-4fd3-9151-554d563e6b0b.aspx</comments>
      <category>Non-profit;Online Marketing;Web 2.0</category>
    </item>
    <item>
      <trackback:ping>http://www.chameleonnet.co.uk/blog/Trackback.aspx?guid=17c3f3c1-0a49-4070-9495-41e577a90e09</trackback:ping>
      <pingback:server>http://www.chameleonnet.co.uk/blog/pingback.aspx</pingback:server>
      <pingback:target>http://www.chameleonnet.co.uk/blog/PermaLink,guid,17c3f3c1-0a49-4070-9495-41e577a90e09.aspx</pingback:target>
      <dc:creator>rossm@chameleonnet.co.uk (Ross Miles)</dc:creator>
      <wfw:comment>http://www.chameleonnet.co.uk/blog/CommentView,guid,17c3f3c1-0a49-4070-9495-41e577a90e09.aspx</wfw:comment>
      <wfw:commentRss>http://www.chameleonnet.co.uk/blog/SyndicationService.asmx/GetEntryCommentsRss?guid=17c3f3c1-0a49-4070-9495-41e577a90e09</wfw:commentRss>
      <title>The Publishers, the Internet and the new Decade</title>
      <guid>http://www.chameleonnet.co.uk/blog/PermaLink,guid,17c3f3c1-0a49-4070-9495-41e577a90e09.aspx</guid>
      <link>http://www.chameleonnet.co.uk/blog/PermaLink,guid,17c3f3c1-0a49-4070-9495-41e577a90e09.aspx</link>
      <pubDate>Wed, 13 Jan 2010 16:42:02 GMT</pubDate>
      <description>&lt;p&gt;
   In 2010 publishers everywhere are facing challenges to their business models as the
   power of the internet spreads. In its simplest form it is purely a case of old meets
   new. Traditional print media is struggling to adapt to the digital revolution. 
&lt;/p&gt;
&lt;p&gt;
   One such battleground is the controversy about &lt;a href="http://news.bbc.co.uk/1/hi/technology/6337781.stm"&gt;Digital
   Rights Management (DRM)&lt;/a&gt;. DRM is intended to protect the intellectual property
   from unlawful distribution, but it also restricts what devices can use the content
   to only those that have been authorised. One outspoken critic of DRM is ZDNet’s David
   Berlind who &lt;a href="http://news.zdnet.com/2422-13569_22-156220.html"&gt;prefers the
   acronym C.R.A.P&lt;/a&gt; (Content, Restriction, Annulment, and Protection) as it limits
   cross platform/device sharing, which has the knock on effect of preventing its spread
   via word-of-mouth and viral marketing.&lt;br&gt;
   &lt;br&gt;
   Media mogul Rupert Murdoch, owner of News Corp and Sky News, stands on the other end
   of the spectrum and is currently &lt;a href="http://www.guardian.co.uk/media/2009/nov/09/murdoch-google"&gt;waging
   war against search engines&lt;/a&gt;, but most vocally he is railing against Google, about
   the free distribution of ‘paid-for’ content online. He sees the distribution of News
   Corps content, for free by Google News and similar services as “stealing” and has
   set June 2010 as the date for the removal of all content from Google. 
&lt;/p&gt;
&lt;p&gt;
   While the pros and cons of DRM continue, other publishers are looking on how to embrace
   and enrich their content for a more tech savvy audience. The development of eBooks
   and eReaders is one such area being led by &lt;a href="http://en.wikipedia.org/wiki/Amazon_Kindle"&gt;Amazon’s
   Kindle&lt;/a&gt; but other devices are being announced, such as the Newspaper &amp; Magazine
   friendly &lt;a href="http://mashable.com/2010/01/08/skiff-at-ces/"&gt;Skiff Reader&lt;/a&gt; and
   the &lt;a href="http://www.thebookseller.com/news/108487-interead-announces-more-cool-er-devices.html.rss"&gt;Cool-er
   eReaders with 3G and WiFi connectivity&lt;/a&gt; in the wake of Random House announcing
   $23m in eBook sales off the back of selling 100,000 copies of Dan Brown’s The Lost
   Symbol. There is however one hurdle to overcome with eBooks and that is the ability
   to turn smartphones such as iPhones and Android devices (and their increasing screensizes
   and fast internet connectivity) into eReaders through a simple download. 
&lt;/p&gt;
&lt;p&gt;
   Smartphones are helping some magazine publishers engage their consumers on a whole
   new level. Before I go on, does &lt;a href="http://www.crunchgear.com/wp-content/uploads/2008/01/cat.jpg"&gt;:CueCat&lt;/a&gt; ring
   any bells? 10 years ago, as the last decade started, magazine publishers such as Forbes
   and Wired were sending &lt;a href="http://en.wikipedia.org/wiki/CueCat"&gt;:CueCat devices
   to all their readers&lt;/a&gt; so they could interact with the specially printed barcodes
   in their magazines. As it happens the technology didn’t take off due to the fact the
   :CueCat barcode readers needed a user to be sitting next to their internet-ready computers
   whilst they read the magazine, which limited its usefulness so much so that Gizmodo
   voted the :CueCat the &lt;a href="http://gizmodo.com/5431759/worst-gadgets-gallery/gallery/"&gt;Worst
   Gadget of the Decade&lt;/a&gt;. Fast forward 10 years to the present day where smartphones
   exist and free to download barcode scanners are some of the most oft-used items and
   the field of play has changed... 
&lt;/p&gt;
&lt;p&gt;
   In their March issue &lt;a href="http://graphics8.nytimes.com/images/2010/01/11/business/11mag_CA0/popup-v2.jpg"&gt;Esquire
   magazine will be using barcodes&lt;/a&gt; as part of a feature entitled “30 items a man
   would need to get through life” in order to give further ‘styling advice’ to consumers
   interested in the products shown on the page. Other magazines such as Everyday Food,
   Entertainment Weekly and Star Magazine have used &lt;a href="http://www.spyderlynk.com/how-snaptags-work"&gt;SpyderLynk’s
   SnapTag&lt;/a&gt; technology to engage with readers with more basic phones. The concept
   is that the reader uses the phone’s camera to take a picture of the SnapTag and then
   txt or e-mail it to a specified address to receive more information. This method is
   a little more convoluted possibly but does not require a consumer to download anything
   or be connected to the internet. 
&lt;/p&gt;
&lt;p&gt;
   Also in March 2010 &lt;a href="http://www.nytimes.com/2010/01/11/business/media/11mag.html?pagewanted=2&amp;ref=media"&gt;InStyle
   Magazine will use actual photos of clothing items&lt;/a&gt; themselves, held up to webcams,
   as triggers for 3D videos to load and help readers to put outfits together. Although
   the presentation of the enhanced information will still be atheistically pleasing
   (no black outlines or barcodes necessary) the magazine reader WILL need to be next
   to a computer with a webcam, which was part of the problem with the aforementioned
   :CueCat. (*&lt;a href="http://www.google.com/mobile/goggles/#landmark"&gt;Google Goggles&lt;/a&gt; is
   a ground-breaking, but very new, image search functionality that may eventually eliminate
   any need for unique identifiers*). The December 2009 issue of Esquire saw the publisher
   use the increasingly popular ‘WOW-factor’ of &lt;a href="http://en.wikipedia.org/wiki/Augmented_reality"&gt;Augmented
   Reality (AR)&lt;/a&gt; to enhance reader experiences &lt;a href="http://www.youtube.com/watch?v=LGwHQwgBzSI"&gt;on
   the front cover, in the fashion pages and others&lt;/a&gt; as the publishing industry has
   begun to wake up to the digital challenges of the 21st century. 
&lt;/p&gt;
&lt;p&gt;
   The use of barcode scanners on smartphones is a technology already well embedded in
   Japan where &lt;a href="http://en.wikipedia.org/wiki/QR_Code"&gt;QR codes&lt;/a&gt; (another form
   of barcode) are prevalent in everyday life; &lt;a href="http://www.accele.co.jp/k/k-cab.htm"&gt;on
   taxis&lt;/a&gt;, &lt;a href="http://www.hypulp.com/entries/images/KICX0928.jpg"&gt;in magazines&lt;/a&gt;, &lt;a href="http://en.wikipedia.org/wiki/File:Japan-qr-code-billboard.jpg"&gt;on
   billboards&lt;/a&gt; and even on &lt;a href="http://www.readwriteweb.com/archives/cshirt_remixable_tshirts.php"&gt;t-shirts&lt;/a&gt; so
   when you see someone wearing one you like, you can quickly order your own! It is also
   becoming more common in the Western Hemisphere too as its functionality is included
   in Mobile Apps for &lt;a href="http://www.androidtapp.com/pocket-auctions-for-ebay/"&gt;eBay&lt;/a&gt; (scan
   a regular barcode and then see if the item is listed on eBay), &lt;a href="http://www.amazon.com/gp/anywhere/sms/android"&gt;Amazon&lt;/a&gt; (scan
   a barcode and search for similar items on Amazon) and &lt;a href="http://www.brighthub.com/mobile/google-android/reviews/31314.aspx"&gt;Calorie
   Counter&lt;/a&gt; (scan barcode and get all nutritional information for the food/drink)
   to name a few. 
&lt;/p&gt;
&lt;p&gt;
   So with the numbers of smartphone users skyrocketing and technology such as AR, portable
   internet devices and barcode scanning apps becoming more ingrained into society, why
   is print media still just that, printed media? I’m one of those people that does like
   to hold a tangible item such as a book or magazine when reading, rather than gleaning
   my information from a computerized version or website, but that doesn’t mean I don’t
   want to experience a greater level of interactivity or immersive content! Publishers
   need to be less scared of protecting their content and more concerned with engaging
   their consumers!&lt;br&gt;
&lt;/p&gt;
&lt;img width="0" height="0" src="http://www.chameleonnet.co.uk/blog/aggbug.ashx?id=17c3f3c1-0a49-4070-9495-41e577a90e09" /&gt;</description>
      <comments>http://www.chameleonnet.co.uk/blog/CommentView,guid,17c3f3c1-0a49-4070-9495-41e577a90e09.aspx</comments>
      <category>Ebooks;Mobile Web;Publishing;Web 2.0</category>
    </item>
    <item>
      <trackback:ping>http://www.chameleonnet.co.uk/blog/Trackback.aspx?guid=e3d7456e-241c-4dd9-adac-19f306101cc6</trackback:ping>
      <pingback:server>http://www.chameleonnet.co.uk/blog/pingback.aspx</pingback:server>
      <pingback:target>http://www.chameleonnet.co.uk/blog/PermaLink,guid,e3d7456e-241c-4dd9-adac-19f306101cc6.aspx</pingback:target>
      <dc:creator>richardk@chameleonnet.co.uk (Rich Kirk)</dc:creator>
      <wfw:comment>http://www.chameleonnet.co.uk/blog/CommentView,guid,e3d7456e-241c-4dd9-adac-19f306101cc6.aspx</wfw:comment>
      <wfw:commentRss>http://www.chameleonnet.co.uk/blog/SyndicationService.asmx/GetEntryCommentsRss?guid=e3d7456e-241c-4dd9-adac-19f306101cc6</wfw:commentRss>
      <body xmlns="http://www.w3.org/1999/xhtml">
        <link rel="File-List" href="file:///C:%5CDOCUME%7E1%5CRichard%5CLOCALS%7E1%5CTemp%5Cmsohtmlclip1%5C01%5Cclip_filelist.xml" />
        <link rel="themeData" href="file:///C:%5CDOCUME%7E1%5CRichard%5CLOCALS%7E1%5CTemp%5Cmsohtmlclip1%5C01%5Cclip_themedata.thmx" />
        <link rel="colorSchemeMapping" href="file:///C:%5CDOCUME%7E1%5CRichard%5CLOCALS%7E1%5CTemp%5Cmsohtmlclip1%5C01%5Cclip_colorschememapping.xml" />
        <!--[if gte mso 9]><xml>
 <w:WordDocument>
  <w:View>Normal</w:View>
  <w:Zoom>0</w:Zoom>
  <w:TrackMoves/>
  <w:TrackFormatting/>
  <w:DoNotShowComments/>
  <w:PunctuationKerning/>
  <w:ValidateAgainstSchemas/>
  <w:SaveIfXMLInvalid>false</w:SaveIfXMLInvalid>
  <w:IgnoreMixedContent>false</w:IgnoreMixedContent>
  <w:AlwaysShowPlaceholderText>false</w:AlwaysShowPlaceholderText>
  <w:DoNotPromoteQF/>
  <w:LidThemeOther>EN-US</w:LidThemeOther>
  <w:LidThemeAsian>X-NONE</w:LidThemeAsian>
  <w:LidThemeComplexScript>X-NONE</w:LidThemeComplexScript>
  <w:Compatibility>
   <w:BreakWrappedTables/>
   <w:SnapToGridInCell/>
   <w:WrapTextWithPunct/>
   <w:UseAsianBreakRules/>
   <w:DontGrowAutofit/>
   <w:SplitPgBreakAndParaMark/>
   <w:DontVertAlignCellWithSp/>
   <w:DontBreakConstrainedForcedTables/>
   <w:DontVertAlignInTxbx/>
   <w:Word11KerningPairs/>
   <w:CachedColBalance/>
  </w:Compatibility>
  <m:mathPr>
   <m:mathFont m:val="Cambria Math"/>
   <m:brkBin m:val="before"/>
   <m:brkBinSub m:val="&#45;-"/>
   <m:smallFrac m:val="off"/>
   <m:dispDef/>
   <m:lMargin m:val="0"/>
   <m:rMargin m:val="0"/>
   <m:defJc m:val="centerGroup"/>
   <m:wrapIndent m:val="1440"/>
   <m:intLim m:val="subSup"/>
   <m:naryLim m:val="undOvr"/>
  </m:mathPr></w:WordDocument>
</xml><![endif]-->
        <!--[if gte mso 9]><xml>
 <w:LatentStyles DefLockedState="false" DefUnhideWhenUsed="true"
  DefSemiHidden="true" DefQFormat="false" DefPriority="99"
  LatentStyleCount="267">
  <w:LsdException Locked="false" Priority="0" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Normal"/>
  <w:LsdException Locked="false" Priority="9" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="heading 1"/>
  <w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 2"/>
  <w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 3"/>
  <w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 4"/>
  <w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 5"/>
  <w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 6"/>
  <w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 7"/>
  <w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 8"/>
  <w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 9"/>
  <w:LsdException Locked="false" Priority="39" Name="toc 1"/>
  <w:LsdException Locked="false" Priority="39" Name="toc 2"/>
  <w:LsdException Locked="false" Priority="39" Name="toc 3"/>
  <w:LsdException Locked="false" Priority="39" Name="toc 4"/>
  <w:LsdException Locked="false" Priority="39" Name="toc 5"/>
  <w:LsdException Locked="false" Priority="39" Name="toc 6"/>
  <w:LsdException Locked="false" Priority="39" Name="toc 7"/>
  <w:LsdException Locked="false" Priority="39" Name="toc 8"/>
  <w:LsdException Locked="false" Priority="39" Name="toc 9"/>
  <w:LsdException Locked="false" Priority="35" QFormat="true" Name="caption"/>
  <w:LsdException Locked="false" Priority="10" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Title"/>
  <w:LsdException Locked="false" Priority="1" Name="Default Paragraph Font"/>
  <w:LsdException Locked="false" Priority="11" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Subtitle"/>
  <w:LsdException Locked="false" Priority="22" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Strong"/>
  <w:LsdException Locked="false" Priority="20" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Emphasis"/>
  <w:LsdException Locked="false" Priority="59" SemiHidden="false"
   UnhideWhenUsed="false" Name="Table Grid"/>
  <w:LsdException Locked="false" UnhideWhenUsed="false" Name="Placeholder Text"/>
  <w:LsdException Locked="false" Priority="1" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="No Spacing"/>
  <w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading"/>
  <w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List"/>
  <w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid"/>
  <w:LsdException Locked="false" Priority="63" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 1"/>
  <w:LsdException Locked="false" Priority="64" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 2"/>
  <w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1"/>
  <w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2"/>
  <w:LsdException Locked="false" Priority="67" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 1"/>
  <w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2"/>
  <w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3"/>
  <w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List"/>
  <w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading"/>
  <w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List"/>
  <w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid"/>
  <w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading Accent 1"/>
  <w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List Accent 1"/>
  <w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid Accent 1"/>
  <w:LsdException Locked="false" Priority="63" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 1"/>
  <w:LsdException Locked="false" Priority="64" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 2 Accent 1"/>
  <w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1 Accent 1"/>
  <w:LsdException Locked="false" UnhideWhenUsed="false" Name="Revision"/>
  <w:LsdException Locked="false" Priority="34" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="List Paragraph"/>
  <w:LsdException Locked="false" Priority="29" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Quote"/>
  <w:LsdException Locked="false" Priority="30" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Intense Quote"/>
  <w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2 Accent 1"/>
  <w:LsdException Locked="false" Priority="67" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 1"/>
  <w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 1"/>
  <w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 1"/>
  <w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List Accent 1"/>
  <w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading Accent 1"/>
  <w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List Accent 1"/>
  <w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid Accent 1"/>
  <w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading Accent 2"/>
  <w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List Accent 2"/>
  <w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid Accent 2"/>
  <w:LsdException Locked="false" Priority="63" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 2"/>
  <w:LsdException Locked="false" Priority="64" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 2 Accent 2"/>
  <w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1 Accent 2"/>
  <w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2 Accent 2"/>
  <w:LsdException Locked="false" Priority="67" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 2"/>
  <w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 2"/>
  <w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 2"/>
  <w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List Accent 2"/>
  <w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading Accent 2"/>
  <w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List Accent 2"/>
  <w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid Accent 2"/>
  <w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading Accent 3"/>
  <w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List Accent 3"/>
  <w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid Accent 3"/>
  <w:LsdException Locked="false" Priority="63" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 3"/>
  <w:LsdException Locked="false" Priority="64" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 2 Accent 3"/>
  <w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1 Accent 3"/>
  <w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2 Accent 3"/>
  <w:LsdException Locked="false" Priority="67" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 3"/>
  <w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 3"/>
  <w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 3"/>
  <w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List Accent 3"/>
  <w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading Accent 3"/>
  <w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List Accent 3"/>
  <w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid Accent 3"/>
  <w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading Accent 4"/>
  <w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List Accent 4"/>
  <w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid Accent 4"/>
  <w:LsdException Locked="false" Priority="63" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 4"/>
  <w:LsdException Locked="false" Priority="64" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 2 Accent 4"/>
  <w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1 Accent 4"/>
  <w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2 Accent 4"/>
  <w:LsdException Locked="false" Priority="67" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 4"/>
  <w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 4"/>
  <w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 4"/>
  <w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List Accent 4"/>
  <w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading Accent 4"/>
  <w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List Accent 4"/>
  <w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid Accent 4"/>
  <w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading Accent 5"/>
  <w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List Accent 5"/>
  <w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid Accent 5"/>
  <w:LsdException Locked="false" Priority="63" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 5"/>
  <w:LsdException Locked="false" Priority="64" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 2 Accent 5"/>
  <w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1 Accent 5"/>
  <w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2 Accent 5"/>
  <w:LsdException Locked="false" Priority="67" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 5"/>
  <w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 5"/>
  <w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 5"/>
  <w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List Accent 5"/>
  <w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading Accent 5"/>
  <w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List Accent 5"/>
  <w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid Accent 5"/>
  <w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading Accent 6"/>
  <w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List Accent 6"/>
  <w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid Accent 6"/>
  <w:LsdException Locked="false" Priority="63" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 6"/>
  <w:LsdException Locked="false" Priority="64" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 2 Accent 6"/>
  <w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1 Accent 6"/>
  <w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2 Accent 6"/>
  <w:LsdException Locked="false" Priority="67" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 6"/>
  <w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 6"/>
  <w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 6"/>
  <w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List Accent 6"/>
  <w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading Accent 6"/>
  <w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List Accent 6"/>
  <w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid Accent 6"/>
  <w:LsdException Locked="false" Priority="19" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Subtle Emphasis"/>
  <w:LsdException Locked="false" Priority="21" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Intense Emphasis"/>
  <w:LsdException Locked="false" Priority="31" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Subtle Reference"/>
  <w:LsdException Locked="false" Priority="32" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Intense Reference"/>
  <w:LsdException Locked="false" Priority="33" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Book Title"/>
  <w:LsdException Locked="false" Priority="37" Name="Bibliography"/>
  <w:LsdException Locked="false" Priority="39" QFormat="true" Name="TOC Heading"/>
 </w:LatentStyles>
</xml><![endif]-->
        <style>
          <!--
 /* Font Definitions */
 @font-face
	{font-family:Wingdings;
	panose-1:5 0 0 0 0 0 0 0 0 0;
	mso-font-charset:2;
	mso-generic-font-family:auto;
	mso-font-pitch:variable;
	mso-font-signature:0 268435456 0 0 -2147483648 0;}
@font-face
	{font-family:"Cambria Math";
	panose-1:2 4 5 3 5 4 6 3 2 4;
	mso-font-charset:1;
	mso-generic-font-family:roman;
	mso-font-format:other;
	mso-font-pitch:variable;
	mso-font-signature:0 0 0 0 0 0;}
@font-face
	{font-family:Calibri;
	panose-1:2 15 5 2 2 2 4 3 2 4;
	mso-font-charset:0;
	mso-generic-font-family:swiss;
	mso-font-pitch:variable;
	mso-font-signature:-1610611985 1073750139 0 0 159 0;}
 /* Style Definitions */
 p.MsoNormal, li.MsoNormal, div.MsoNormal
	{mso-style-unhide:no;
	mso-style-qformat:yes;
	mso-style-parent:"";
	mso-margin-top-alt:auto;
	margin-right:0cm;
	mso-margin-bottom-alt:auto;
	margin-left:0cm;
	mso-pagination:widow-orphan;
	font-size:11.0pt;
	font-family:"Calibri","sans-serif";
	mso-ascii-font-family:Calibri;
	mso-ascii-theme-font:minor-latin;
	mso-fareast-font-family:Calibri;
	mso-fareast-theme-font:minor-latin;
	mso-hansi-font-family:Calibri;
	mso-hansi-theme-font:minor-latin;
	mso-bidi-font-family:"Times New Roman";
	mso-bidi-theme-font:minor-bidi;
	mso-ansi-language:EN-GB;}
p.MsoListParagraph, li.MsoListParagraph, div.MsoListParagraph
	{mso-style-priority:34;
	mso-style-unhide:no;
	mso-style-qformat:yes;
	mso-margin-top-alt:auto;
	margin-right:0cm;
	mso-margin-bottom-alt:auto;
	margin-left:36.0pt;
	mso-add-space:auto;
	mso-pagination:widow-orphan;
	font-size:11.0pt;
	font-family:"Calibri","sans-serif";
	mso-ascii-font-family:Calibri;
	mso-ascii-theme-font:minor-latin;
	mso-fareast-font-family:Calibri;
	mso-fareast-theme-font:minor-latin;
	mso-hansi-font-family:Calibri;
	mso-hansi-theme-font:minor-latin;
	mso-bidi-font-family:"Times New Roman";
	mso-bidi-theme-font:minor-bidi;
	mso-ansi-language:EN-GB;}
p.MsoListParagraphCxSpFirst, li.MsoListParagraphCxSpFirst, div.MsoListParagraphCxSpFirst
	{mso-style-priority:34;
	mso-style-unhide:no;
	mso-style-qformat:yes;
	mso-style-type:export-only;
	mso-margin-top-alt:auto;
	margin-right:0cm;
	mso-margin-bottom-alt:auto;
	margin-left:36.0pt;
	mso-add-space:auto;
	mso-pagination:widow-orphan;
	font-size:11.0pt;
	font-family:"Calibri","sans-serif";
	mso-ascii-font-family:Calibri;
	mso-ascii-theme-font:minor-latin;
	mso-fareast-font-family:Calibri;
	mso-fareast-theme-font:minor-latin;
	mso-hansi-font-family:Calibri;
	mso-hansi-theme-font:minor-latin;
	mso-bidi-font-family:"Times New Roman";
	mso-bidi-theme-font:minor-bidi;
	mso-ansi-language:EN-GB;}
p.MsoListParagraphCxSpMiddle, li.MsoListParagraphCxSpMiddle, div.MsoListParagraphCxSpMiddle
	{mso-style-priority:34;
	mso-style-unhide:no;
	mso-style-qformat:yes;
	mso-style-type:export-only;
	mso-margin-top-alt:auto;
	margin-right:0cm;
	mso-margin-bottom-alt:auto;
	margin-left:36.0pt;
	mso-add-space:auto;
	mso-pagination:widow-orphan;
	font-size:11.0pt;
	font-family:"Calibri","sans-serif";
	mso-ascii-font-family:Calibri;
	mso-ascii-theme-font:minor-latin;
	mso-fareast-font-family:Calibri;
	mso-fareast-theme-font:minor-latin;
	mso-hansi-font-family:Calibri;
	mso-hansi-theme-font:minor-latin;
	mso-bidi-font-family:"Times New Roman";
	mso-bidi-theme-font:minor-bidi;
	mso-ansi-language:EN-GB;}
p.MsoListParagraphCxSpLast, li.MsoListParagraphCxSpLast, div.MsoListParagraphCxSpLast
	{mso-style-priority:34;
	mso-style-unhide:no;
	mso-style-qformat:yes;
	mso-style-type:export-only;
	mso-margin-top-alt:auto;
	margin-right:0cm;
	mso-margin-bottom-alt:auto;
	margin-left:36.0pt;
	mso-add-space:auto;
	mso-pagination:widow-orphan;
	font-size:11.0pt;
	font-family:"Calibri","sans-serif";
	mso-ascii-font-family:Calibri;
	mso-ascii-theme-font:minor-latin;
	mso-fareast-font-family:Calibri;
	mso-fareast-theme-font:minor-latin;
	mso-hansi-font-family:Calibri;
	mso-hansi-theme-font:minor-latin;
	mso-bidi-font-family:"Times New Roman";
	mso-bidi-theme-font:minor-bidi;
	mso-ansi-language:EN-GB;}
.MsoChpDefault
	{mso-style-type:export-only;
	mso-default-props:yes;
	mso-ascii-font-family:Calibri;
	mso-ascii-theme-font:minor-latin;
	mso-fareast-font-family:Calibri;
	mso-fareast-theme-font:minor-latin;
	mso-hansi-font-family:Calibri;
	mso-hansi-theme-font:minor-latin;
	mso-bidi-font-family:"Times New Roman";
	mso-bidi-theme-font:minor-bidi;}
.MsoPapDefault
	{mso-style-type:export-only;
	mso-margin-top-alt:auto;
	mso-margin-bottom-alt:auto;}
@page Section1
	{size:612.0pt 792.0pt;
	margin:72.0pt 72.0pt 72.0pt 72.0pt;
	mso-header-margin:36.0pt;
	mso-footer-margin:36.0pt;
	mso-paper-source:0;}
div.Section1
	{page:Section1;}
 /* List Definitions */
 @list l0
	{mso-list-id:560873496;
	mso-list-type:hybrid;
	mso-list-template-ids:980056212 67698689 67698691 67698693 67698689 67698691 67698693 67698689 67698691 67698693;}
@list l0:level1
	{mso-level-number-format:bullet;
	mso-level-text:;
	mso-level-tab-stop:none;
	mso-level-number-position:left;
	text-indent:-18.0pt;
	font-family:Symbol;}
@list l1
	{mso-list-id:1700351742;
	mso-list-type:hybrid;
	mso-list-template-ids:1909200904 67698689 67698691 67698693 67698689 67698691 67698693 67698689 67698691 67698693;}
@list l1:level1
	{mso-level-number-format:bullet;
	mso-level-text:;
	mso-level-tab-stop:none;
	mso-level-number-position:left;
	margin-left:37.5pt;
	text-indent:-18.0pt;
	font-family:Symbol;}
-->
        </style>
        <!--[if gte mso 10]>
<style>
 /* Style Definitions */
 table.MsoNormalTable
	{mso-style-name:"Table Normal";
	mso-tstyle-rowband-size:0;
	mso-tstyle-colband-size:0;
	mso-style-noshow:yes;
	mso-style-priority:99;
	mso-style-qformat:yes;
	mso-style-parent:"";
	mso-padding-alt:0cm 5.4pt 0cm 5.4pt;
	mso-para-margin-top:auto;
	mso-para-margin-right:0cm;
	mso-para-margin-bottom:auto;
	mso-para-margin-left:0cm;
	mso-pagination:widow-orphan;
	font-size:11.0pt;
	font-family:"Calibri","sans-serif";
	mso-ascii-font-family:Calibri;
	mso-ascii-theme-font:minor-latin;
	mso-hansi-font-family:Calibri;
	mso-hansi-theme-font:minor-latin;}
</style>
<![endif]-->I
   have been on leave recently, spending some time on the Isle of Skye in the Hebrides. 
   I went up there to try and finally knock off the <a href="http://bigwalksclub.co.uk/bigwalksclub/cuillin_ridge.htm">traverse
   of the Cuillin Ridge</a>, which I would heartily recommend to anyone who likes the
   outdoors, vertical drops of dizzying proportions, and/or bad weather.<br /><br />
   The traverse is something my Dad had wanted to do for years, and with him being 50
   this year, I had arranged for <a href="http://skyehi.co.uk/">a guide</a> to help us.
   This was my 5th attempt and my Dad’s 7th or 8th; around 90% of attempts fail due to
   awful weather, navigational difficulties and/or lack of fitness, so I was anxious
   to give ourselves the best possible chance.<br /><br />
   Hiring the guide was not cheap and so I’d done it as my Dad’s 50th birthday present.
   I’d also got contributions from a lot of his mates to help with the cost. Herein lay
   a problem; how to give something back to everyone who had donated cash so that they
   felt involved in the trip? I decided to live-blog the 2 day traverse, so people could
   chart our progress from their desks or mobiles whilst we were away.<br /><br />
   Using the <a href="http://iphone.wordpress.org/">Wordpress app</a> and my iPhone,
   I was easily able to update <a href="http://mickis50.wordpress.com/">my Dad’s birthday
   blog</a> from the mountains with notes and photos of our progress, even though I only
   had fairly weak GPRS signal at best (the <b>O</b> symbol next to the normal phone
   signal symbol on your iPhone). If I can get signal in <a href="http://maps.google.co.uk/maps?f=q&amp;source=s_q&amp;hl=en&amp;geocode=&amp;q=cuillin+hills&amp;sll=57.215519,-6.203156&amp;sspn=0.140542,0.43602&amp;ie=UTF8&amp;ll=57.21998,-6.214142&amp;spn=0.140525,0.43602&amp;t=p&amp;z=11">the
   Cuillins, which are about as remote as it gets in the UK</a>, then liveblogging must
   be possible across almost all of the UK!<br /><br />
   Happily the whole thing proved to be a real success. I thought only 10-20 people would
   be interested in the blog, but over 200 absolute unique users were recorded on the
   site in a period of 3 days.<br /><br />
   Being new to live-blogging, I found the main benefits were:<br /><br /><ul><li>
         It has left a record of events that is more genuine and ‘raw’ than a circular email
         sent after the event could be.</li><li>
         People are interested in something they can see developing; most people would have
         found out through word of mouth we had completed our challenge and then not been as
         interested in a subsequent  email account of the trip.</li><li>
         Liveblogging seems to be bleeding edge enough to genuinely capture the interest of
         family / friends</li><li>
         Liveblogging and allowing opportunities for realtime feedback ensures the audience
         feels involved; sending a report after the event implies they missed out.</li></ul><br />
   For digital marketers looking to generate interesting content and create buzz around
   a website liveblogging seems to be a great solution, why sit at your desk and force
   yourself to write a blogpost when you could be more interesting in less words by sharing
   your thoughts or experiences live from an event you / your company is involved in?<br /><br /><b>Top tips for your live blog</b>:<br /><br /><ul><li>
         Alert potentially interested audiences about the broadcast in advance, and also send
         a reminder email / tweet at the start of the broadcast, or just after your first live
         entry has been posted.</li><li>
         If you are using Wordpress make sure you use twitter and facebook blog widgets to
         auto-update your wider social networks with an “I’ve just posted xxxx” link whenever
         the blog is updated.</li><li>
         Keep checking your comments / feedback, if your audience is debating the content of
         the liveblog, reflecting that in future posts will make them feel even more involved
         in the event.</li><li>
         Try to keep in mind the wider purpose of your liveblog and website and whilst you
         have an elevated level of attention from them, ensure you suggest things like donating
         / signing up / purchasing from you.</li></ul>
   In case you missed the link earlier you can still <a href="http://mickis50.wordpress.com">check
   out the live blog of our trip here</a>.<br /><br /><p></p><img src="http://www.chameleonnet.co.uk/blog/content/binary/cuillin.jpg" width="450" border="0" height="338" /><img width="0" height="0" src="http://www.chameleonnet.co.uk/blog/aggbug.ashx?id=e3d7456e-241c-4dd9-adac-19f306101cc6" /></body>
      <title>Liveblogging </title>
      <guid>http://www.chameleonnet.co.uk/blog/PermaLink,guid,e3d7456e-241c-4dd9-adac-19f306101cc6.aspx</guid>
      <link>http://www.chameleonnet.co.uk/blog/PermaLink,guid,e3d7456e-241c-4dd9-adac-19f306101cc6.aspx</link>
      <pubDate>Wed, 05 Aug 2009 10:48:43 GMT</pubDate>
      <description>&lt;link rel="File-List" href="file:///C:%5CDOCUME%7E1%5CRichard%5CLOCALS%7E1%5CTemp%5Cmsohtmlclip1%5C01%5Cclip_filelist.xml"&gt;
&lt;link rel="themeData" href="file:///C:%5CDOCUME%7E1%5CRichard%5CLOCALS%7E1%5CTemp%5Cmsohtmlclip1%5C01%5Cclip_themedata.thmx"&gt;
&lt;link rel="colorSchemeMapping" href="file:///C:%5CDOCUME%7E1%5CRichard%5CLOCALS%7E1%5CTemp%5Cmsohtmlclip1%5C01%5Cclip_colorschememapping.xml"&gt;
&lt;!--[if gte mso 9]&gt;&lt;xml&gt;
 &lt;w:WordDocument&gt;
  &lt;w:View&gt;Normal&lt;/w:View&gt;
  &lt;w:Zoom&gt;0&lt;/w:Zoom&gt;
  &lt;w:TrackMoves/&gt;
  &lt;w:TrackFormatting/&gt;
  &lt;w:DoNotShowComments/&gt;
  &lt;w:PunctuationKerning/&gt;
  &lt;w:ValidateAgainstSchemas/&gt;
  &lt;w:SaveIfXMLInvalid&gt;false&lt;/w:SaveIfXMLInvalid&gt;
  &lt;w:IgnoreMixedContent&gt;false&lt;/w:IgnoreMixedContent&gt;
  &lt;w:AlwaysShowPlaceholderText&gt;false&lt;/w:AlwaysShowPlaceholderText&gt;
  &lt;w:DoNotPromoteQF/&gt;
  &lt;w:LidThemeOther&gt;EN-US&lt;/w:LidThemeOther&gt;
  &lt;w:LidThemeAsian&gt;X-NONE&lt;/w:LidThemeAsian&gt;
  &lt;w:LidThemeComplexScript&gt;X-NONE&lt;/w:LidThemeComplexScript&gt;
  &lt;w:Compatibility&gt;
   &lt;w:BreakWrappedTables/&gt;
   &lt;w:SnapToGridInCell/&gt;
   &lt;w:WrapTextWithPunct/&gt;
   &lt;w:UseAsianBreakRules/&gt;
   &lt;w:DontGrowAutofit/&gt;
   &lt;w:SplitPgBreakAndParaMark/&gt;
   &lt;w:DontVertAlignCellWithSp/&gt;
   &lt;w:DontBreakConstrainedForcedTables/&gt;
   &lt;w:DontVertAlignInTxbx/&gt;
   &lt;w:Word11KerningPairs/&gt;
   &lt;w:CachedColBalance/&gt;
  &lt;/w:Compatibility&gt;
  &lt;m:mathPr&gt;
   &lt;m:mathFont m:val="Cambria Math"/&gt;
   &lt;m:brkBin m:val="before"/&gt;
   &lt;m:brkBinSub m:val="&amp;#45;-"/&gt;
   &lt;m:smallFrac m:val="off"/&gt;
   &lt;m:dispDef/&gt;
   &lt;m:lMargin m:val="0"/&gt;
   &lt;m:rMargin m:val="0"/&gt;
   &lt;m:defJc m:val="centerGroup"/&gt;
   &lt;m:wrapIndent m:val="1440"/&gt;
   &lt;m:intLim m:val="subSup"/&gt;
   &lt;m:naryLim m:val="undOvr"/&gt;
  &lt;/m:mathPr&gt;&lt;/w:WordDocument&gt;
&lt;/xml&gt;&lt;![endif]--&gt;
&lt;!--[if gte mso 9]&gt;&lt;xml&gt;
 &lt;w:LatentStyles DefLockedState="false" DefUnhideWhenUsed="true"
  DefSemiHidden="true" DefQFormat="false" DefPriority="99"
  LatentStyleCount="267"&gt;
  &lt;w:LsdException Locked="false" Priority="0" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Normal"/&gt;
  &lt;w:LsdException Locked="false" Priority="9" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="heading 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 7"/&gt;
  &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 8"/&gt;
  &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 9"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="toc 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="toc 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="toc 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="toc 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="toc 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="toc 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="toc 7"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="toc 8"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="toc 9"/&gt;
  &lt;w:LsdException Locked="false" Priority="35" QFormat="true" Name="caption"/&gt;
  &lt;w:LsdException Locked="false" Priority="10" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Title"/&gt;
  &lt;w:LsdException Locked="false" Priority="1" Name="Default Paragraph Font"/&gt;
  &lt;w:LsdException Locked="false" Priority="11" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Subtitle"/&gt;
  &lt;w:LsdException Locked="false" Priority="22" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Strong"/&gt;
  &lt;w:LsdException Locked="false" Priority="20" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Emphasis"/&gt;
  &lt;w:LsdException Locked="false" Priority="59" SemiHidden="false"
   UnhideWhenUsed="false" Name="Table Grid"/&gt;
  &lt;w:LsdException Locked="false" UnhideWhenUsed="false" Name="Placeholder Text"/&gt;
  &lt;w:LsdException Locked="false" Priority="1" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="No Spacing"/&gt;
  &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading"/&gt;
  &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List"/&gt;
  &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid"/&gt;
  &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List"/&gt;
  &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading"/&gt;
  &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List"/&gt;
  &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid"/&gt;
  &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 2 Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1 Accent 1"/&gt;
  &lt;w:LsdException Locked="false" UnhideWhenUsed="false" Name="Revision"/&gt;
  &lt;w:LsdException Locked="false" Priority="34" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="List Paragraph"/&gt;
  &lt;w:LsdException Locked="false" Priority="29" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Quote"/&gt;
  &lt;w:LsdException Locked="false" Priority="30" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Intense Quote"/&gt;
  &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2 Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 2 Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1 Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2 Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 2 Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1 Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2 Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 2 Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1 Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2 Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 2 Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1 Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2 Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 2 Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1 Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2 Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="19" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Subtle Emphasis"/&gt;
  &lt;w:LsdException Locked="false" Priority="21" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Intense Emphasis"/&gt;
  &lt;w:LsdException Locked="false" Priority="31" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Subtle Reference"/&gt;
  &lt;w:LsdException Locked="false" Priority="32" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Intense Reference"/&gt;
  &lt;w:LsdException Locked="false" Priority="33" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Book Title"/&gt;
  &lt;w:LsdException Locked="false" Priority="37" Name="Bibliography"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" QFormat="true" Name="TOC Heading"/&gt;
 &lt;/w:LatentStyles&gt;
&lt;/xml&gt;&lt;![endif]--&gt;&lt;style&gt;
&lt;!--
 /* Font Definitions */
 @font-face
	{font-family:Wingdings;
	panose-1:5 0 0 0 0 0 0 0 0 0;
	mso-font-charset:2;
	mso-generic-font-family:auto;
	mso-font-pitch:variable;
	mso-font-signature:0 268435456 0 0 -2147483648 0;}
@font-face
	{font-family:"Cambria Math";
	panose-1:2 4 5 3 5 4 6 3 2 4;
	mso-font-charset:1;
	mso-generic-font-family:roman;
	mso-font-format:other;
	mso-font-pitch:variable;
	mso-font-signature:0 0 0 0 0 0;}
@font-face
	{font-family:Calibri;
	panose-1:2 15 5 2 2 2 4 3 2 4;
	mso-font-charset:0;
	mso-generic-font-family:swiss;
	mso-font-pitch:variable;
	mso-font-signature:-1610611985 1073750139 0 0 159 0;}
 /* Style Definitions */
 p.MsoNormal, li.MsoNormal, div.MsoNormal
	{mso-style-unhide:no;
	mso-style-qformat:yes;
	mso-style-parent:"";
	mso-margin-top-alt:auto;
	margin-right:0cm;
	mso-margin-bottom-alt:auto;
	margin-left:0cm;
	mso-pagination:widow-orphan;
	font-size:11.0pt;
	font-family:"Calibri","sans-serif";
	mso-ascii-font-family:Calibri;
	mso-ascii-theme-font:minor-latin;
	mso-fareast-font-family:Calibri;
	mso-fareast-theme-font:minor-latin;
	mso-hansi-font-family:Calibri;
	mso-hansi-theme-font:minor-latin;
	mso-bidi-font-family:"Times New Roman";
	mso-bidi-theme-font:minor-bidi;
	mso-ansi-language:EN-GB;}
p.MsoListParagraph, li.MsoListParagraph, div.MsoListParagraph
	{mso-style-priority:34;
	mso-style-unhide:no;
	mso-style-qformat:yes;
	mso-margin-top-alt:auto;
	margin-right:0cm;
	mso-margin-bottom-alt:auto;
	margin-left:36.0pt;
	mso-add-space:auto;
	mso-pagination:widow-orphan;
	font-size:11.0pt;
	font-family:"Calibri","sans-serif";
	mso-ascii-font-family:Calibri;
	mso-ascii-theme-font:minor-latin;
	mso-fareast-font-family:Calibri;
	mso-fareast-theme-font:minor-latin;
	mso-hansi-font-family:Calibri;
	mso-hansi-theme-font:minor-latin;
	mso-bidi-font-family:"Times New Roman";
	mso-bidi-theme-font:minor-bidi;
	mso-ansi-language:EN-GB;}
p.MsoListParagraphCxSpFirst, li.MsoListParagraphCxSpFirst, div.MsoListParagraphCxSpFirst
	{mso-style-priority:34;
	mso-style-unhide:no;
	mso-style-qformat:yes;
	mso-style-type:export-only;
	mso-margin-top-alt:auto;
	margin-right:0cm;
	mso-margin-bottom-alt:auto;
	margin-left:36.0pt;
	mso-add-space:auto;
	mso-pagination:widow-orphan;
	font-size:11.0pt;
	font-family:"Calibri","sans-serif";
	mso-ascii-font-family:Calibri;
	mso-ascii-theme-font:minor-latin;
	mso-fareast-font-family:Calibri;
	mso-fareast-theme-font:minor-latin;
	mso-hansi-font-family:Calibri;
	mso-hansi-theme-font:minor-latin;
	mso-bidi-font-family:"Times New Roman";
	mso-bidi-theme-font:minor-bidi;
	mso-ansi-language:EN-GB;}
p.MsoListParagraphCxSpMiddle, li.MsoListParagraphCxSpMiddle, div.MsoListParagraphCxSpMiddle
	{mso-style-priority:34;
	mso-style-unhide:no;
	mso-style-qformat:yes;
	mso-style-type:export-only;
	mso-margin-top-alt:auto;
	margin-right:0cm;
	mso-margin-bottom-alt:auto;
	margin-left:36.0pt;
	mso-add-space:auto;
	mso-pagination:widow-orphan;
	font-size:11.0pt;
	font-family:"Calibri","sans-serif";
	mso-ascii-font-family:Calibri;
	mso-ascii-theme-font:minor-latin;
	mso-fareast-font-family:Calibri;
	mso-fareast-theme-font:minor-latin;
	mso-hansi-font-family:Calibri;
	mso-hansi-theme-font:minor-latin;
	mso-bidi-font-family:"Times New Roman";
	mso-bidi-theme-font:minor-bidi;
	mso-ansi-language:EN-GB;}
p.MsoListParagraphCxSpLast, li.MsoListParagraphCxSpLast, div.MsoListParagraphCxSpLast
	{mso-style-priority:34;
	mso-style-unhide:no;
	mso-style-qformat:yes;
	mso-style-type:export-only;
	mso-margin-top-alt:auto;
	margin-right:0cm;
	mso-margin-bottom-alt:auto;
	margin-left:36.0pt;
	mso-add-space:auto;
	mso-pagination:widow-orphan;
	font-size:11.0pt;
	font-family:"Calibri","sans-serif";
	mso-ascii-font-family:Calibri;
	mso-ascii-theme-font:minor-latin;
	mso-fareast-font-family:Calibri;
	mso-fareast-theme-font:minor-latin;
	mso-hansi-font-family:Calibri;
	mso-hansi-theme-font:minor-latin;
	mso-bidi-font-family:"Times New Roman";
	mso-bidi-theme-font:minor-bidi;
	mso-ansi-language:EN-GB;}
.MsoChpDefault
	{mso-style-type:export-only;
	mso-default-props:yes;
	mso-ascii-font-family:Calibri;
	mso-ascii-theme-font:minor-latin;
	mso-fareast-font-family:Calibri;
	mso-fareast-theme-font:minor-latin;
	mso-hansi-font-family:Calibri;
	mso-hansi-theme-font:minor-latin;
	mso-bidi-font-family:"Times New Roman";
	mso-bidi-theme-font:minor-bidi;}
.MsoPapDefault
	{mso-style-type:export-only;
	mso-margin-top-alt:auto;
	mso-margin-bottom-alt:auto;}
@page Section1
	{size:612.0pt 792.0pt;
	margin:72.0pt 72.0pt 72.0pt 72.0pt;
	mso-header-margin:36.0pt;
	mso-footer-margin:36.0pt;
	mso-paper-source:0;}
div.Section1
	{page:Section1;}
 /* List Definitions */
 @list l0
	{mso-list-id:560873496;
	mso-list-type:hybrid;
	mso-list-template-ids:980056212 67698689 67698691 67698693 67698689 67698691 67698693 67698689 67698691 67698693;}
@list l0:level1
	{mso-level-number-format:bullet;
	mso-level-text:;
	mso-level-tab-stop:none;
	mso-level-number-position:left;
	text-indent:-18.0pt;
	font-family:Symbol;}
@list l1
	{mso-list-id:1700351742;
	mso-list-type:hybrid;
	mso-list-template-ids:1909200904 67698689 67698691 67698693 67698689 67698691 67698693 67698689 67698691 67698693;}
@list l1:level1
	{mso-level-number-format:bullet;
	mso-level-text:;
	mso-level-tab-stop:none;
	mso-level-number-position:left;
	margin-left:37.5pt;
	text-indent:-18.0pt;
	font-family:Symbol;}
--&gt;
&lt;/style&gt;
&lt;!--[if gte mso 10]&gt;
&lt;style&gt;
 /* Style Definitions */
 table.MsoNormalTable
	{mso-style-name:"Table Normal";
	mso-tstyle-rowband-size:0;
	mso-tstyle-colband-size:0;
	mso-style-noshow:yes;
	mso-style-priority:99;
	mso-style-qformat:yes;
	mso-style-parent:"";
	mso-padding-alt:0cm 5.4pt 0cm 5.4pt;
	mso-para-margin-top:auto;
	mso-para-margin-right:0cm;
	mso-para-margin-bottom:auto;
	mso-para-margin-left:0cm;
	mso-pagination:widow-orphan;
	font-size:11.0pt;
	font-family:"Calibri","sans-serif";
	mso-ascii-font-family:Calibri;
	mso-ascii-theme-font:minor-latin;
	mso-hansi-font-family:Calibri;
	mso-hansi-theme-font:minor-latin;}
&lt;/style&gt;
&lt;![endif]--&gt;I
have been on leave recently, spending some time on the Isle of Skye in the Hebrides.&amp;nbsp;
I went up there to try and finally knock off the &lt;a href="http://bigwalksclub.co.uk/bigwalksclub/cuillin_ridge.htm"&gt;traverse
of the Cuillin Ridge&lt;/a&gt;, which I would heartily recommend to anyone who likes the
outdoors, vertical drops of dizzying proportions, and/or bad weather.&lt;br&gt;
&lt;br&gt;
The traverse is something my Dad had wanted to do for years, and with him being 50
this year, I had arranged for &lt;a href="http://skyehi.co.uk/"&gt;a guide&lt;/a&gt; to help us.
This was my 5th attempt and my Dad’s 7th or 8th; around 90% of attempts fail due to
awful weather, navigational difficulties and/or lack of fitness, so I was anxious
to give ourselves the best possible chance.&lt;br&gt;
&lt;br&gt;
Hiring the guide was not cheap and so I’d done it as my Dad’s 50th birthday present.
I’d also got contributions from a lot of his mates to help with the cost. Herein lay
a problem; how to give something back to everyone who had donated cash so that they
felt involved in the trip? I decided to live-blog the 2 day traverse, so people could
chart our progress from their desks or mobiles whilst we were away.&lt;br&gt;
&lt;br&gt;
Using the &lt;a href="http://iphone.wordpress.org/"&gt;Wordpress app&lt;/a&gt; and my iPhone,
I was easily able to update &lt;a href="http://mickis50.wordpress.com/"&gt;my Dad’s birthday
blog&lt;/a&gt; from the mountains with notes and photos of our progress, even though I only
had fairly weak GPRS signal at best (the &lt;b&gt;O&lt;/b&gt; symbol next to the normal phone
signal symbol on your iPhone). If I can get signal in &lt;a href="http://maps.google.co.uk/maps?f=q&amp;amp;source=s_q&amp;amp;hl=en&amp;amp;geocode=&amp;amp;q=cuillin+hills&amp;amp;sll=57.215519,-6.203156&amp;amp;sspn=0.140542,0.43602&amp;amp;ie=UTF8&amp;amp;ll=57.21998,-6.214142&amp;amp;spn=0.140525,0.43602&amp;amp;t=p&amp;amp;z=11"&gt;the
Cuillins, which are about as remote as it gets in the UK&lt;/a&gt;, then liveblogging must
be possible across almost all of the UK!&lt;br&gt;
&lt;br&gt;
Happily the whole thing proved to be a real success. I thought only 10-20 people would
be interested in the blog, but over 200 absolute unique users were recorded on the
site in a period of 3 days.&lt;br&gt;
&lt;br&gt;
Being new to live-blogging, I found the main benefits were:&lt;br&gt;
&lt;br&gt;
&lt;ul&gt;
   &lt;li&gt;
      It has left a record of events that is more genuine and ‘raw’ than a circular email
      sent after the event could be.&lt;/li&gt;
   &lt;li&gt;
      People are interested in something they can see developing; most people would have
      found out through word of mouth we had completed our challenge and then not been as
      interested in a subsequent&amp;nbsp; email account of the trip.&lt;/li&gt;
   &lt;li&gt;
      Liveblogging seems to be bleeding edge enough to genuinely capture the interest of
      family / friends&lt;/li&gt;
   &lt;li&gt;
      Liveblogging and allowing opportunities for realtime feedback ensures the audience
      feels involved; sending a report after the event implies they missed out.&lt;/li&gt;
&lt;/ul&gt;
&lt;br&gt;
For digital marketers looking to generate interesting content and create buzz around
a website liveblogging seems to be a great solution, why sit at your desk and force
yourself to write a blogpost when you could be more interesting in less words by sharing
your thoughts or experiences live from an event you / your company is involved in?&lt;br&gt;
&lt;br&gt;
&lt;b&gt;Top tips for your live blog&lt;/b&gt;:&lt;br&gt;
&lt;br&gt;
&lt;ul&gt;
   &lt;li&gt;
      Alert potentially interested audiences about the broadcast in advance, and also send
      a reminder email / tweet at the start of the broadcast, or just after your first live
      entry has been posted.&lt;/li&gt;
   &lt;li&gt;
      If you are using Wordpress make sure you use twitter and facebook blog widgets to
      auto-update your wider social networks with an “I’ve just posted xxxx” link whenever
      the blog is updated.&lt;/li&gt;
   &lt;li&gt;
      Keep checking your comments / feedback, if your audience is debating the content of
      the liveblog, reflecting that in future posts will make them feel even more involved
      in the event.&lt;/li&gt;
   &lt;li&gt;
      Try to keep in mind the wider purpose of your liveblog and website and whilst you
      have an elevated level of attention from them, ensure you suggest things like donating
      / signing up / purchasing from you.&lt;/li&gt;
&lt;/ul&gt;
In case you missed the link earlier you can still &lt;a href="http://mickis50.wordpress.com"&gt;check
out the live blog of our trip here&lt;/a&gt;.&lt;br&gt;
&lt;br&gt;
&lt;p&gt;
&lt;/p&gt;
&lt;img src="http://www.chameleonnet.co.uk/blog/content/binary/cuillin.jpg" width="450" border="0" height="338"&gt;&lt;img width="0" height="0" src="http://www.chameleonnet.co.uk/blog/aggbug.ashx?id=e3d7456e-241c-4dd9-adac-19f306101cc6" /&gt;</description>
      <comments>http://www.chameleonnet.co.uk/blog/CommentView,guid,e3d7456e-241c-4dd9-adac-19f306101cc6.aspx</comments>
      <category>Mobile Web;Online Marketing;Web 2.0;What we're up to</category>
    </item>
    <item>
      <trackback:ping>http://www.chameleonnet.co.uk/blog/Trackback.aspx?guid=4e4c09ba-3fad-4b49-8c39-896c750afa7a</trackback:ping>
      <pingback:server>http://www.chameleonnet.co.uk/blog/pingback.aspx</pingback:server>
      <pingback:target>http://www.chameleonnet.co.uk/blog/PermaLink,guid,4e4c09ba-3fad-4b49-8c39-896c750afa7a.aspx</pingback:target>
      <dc:creator>louiser@chameleonnet.com (Louise Ryan)</dc:creator>
      <wfw:comment>http://www.chameleonnet.co.uk/blog/CommentView,guid,4e4c09ba-3fad-4b49-8c39-896c750afa7a.aspx</wfw:comment>
      <wfw:commentRss>http://www.chameleonnet.co.uk/blog/SyndicationService.asmx/GetEntryCommentsRss?guid=4e4c09ba-3fad-4b49-8c39-896c750afa7a</wfw:commentRss>
      <body xmlns="http://www.w3.org/1999/xhtml">I wanted to write this blog post as a follow
   up to my technology trends presentation i gave at Chameleon's client seminar held
   on the 29th April 2009.  I'm going to touch on the issues I talked about, but
   mostly I want to give you some further reading and funky examples on some of the subjects
   I discussed.<br /><br /><h3>Mobile
   </h3>
   Firstly I talked about how until very recently it was pretty tricky to develop web
   sites for mobile devices.  The huge variety of devices and hence different capabilities,
   screen sizes meant that to target mobile web users would mean rather a large investment. 
   Over the last year or so that has changed with the release of much improved mobile
   devices which include great browsers e.g. Safari on the iPhone and Opera on the BlackBerry. 
   Mobile web use is increasing massively and is going to influence almost every decision
   you make about your organisation’s web presence in the future.  Jon von Tetzchner
   (CEO of Opera) thinks that mobiles are in fact going to become the <a href="http://www.opera.com/press/releases/2009/02/25/">'primary
   device for web usage in most of the world'</a>.<br /><br />
   With all this improved web browsing technology, do we need to bother creating a mobile
   targeted web site?  Usability guru Jacob Nielsen thinks so - read up on his feelings
   in his <a href="http://www.useit.com/alertbox/mobile-usability.html">Feb. 2009 Mobile
   Usability Test Findings report</a>.<br /><br />
   What do we need to consider when building a mobile web site?  The primary concern
   is your users goals and motivations.  They're likely to be different if they're
   browsing from a mobile device than if they are browsing your site via a desktop. 
   Here's a selection of other top tips:<br /><ul><li>
         Short URLs</li><li>
         Get rid of big logo/brand statements at top of page</li><li>
         Avoid plugins</li><li>
         Minimise data size</li><li>
         No popup windows</li><li>
         Forms – minimise user input – use defaults (radio buttons rather than text-input fields)</li></ul><br /><h3>Geotagging
   </h3>
   This is the process of adding geographical coordinates to various media or data items. 
   For example, in the seminar I talked about how MSF are geotagging their letters from
   the field.  Here's the <a href="http://www.msf.org.uk/chad.focus">focus on Chad </a>example
   I used in my seminar. 
   <br /><br />
   Want to get some geotags for your data? <a href="http://mygeoposition.com/">MyGeoPosition</a> is
   a great website to help you look up the coordinates you need.<br /><br /><h3>Microformats
   </h3>
   Please do take a look at the <a href="http://en.Wikipedia.org/wiki/Microformats">Wikipedia
   entry describing microformats</a>.  This will give you a good idea of what they
   are and how you might be able to use them in your website.  If you want to see
   them in action and use the Firefox browser then do download the fab <a href="https://addons.mozilla.org/en-US/firefox/addon/4106">Operator
   extension</a>.<br /><br /><h3>Multi-touch
   </h3>
   Move-stuff-around-with-yours-hands-coolness.  Hopefully meaning death to the
   wrist killing mouse and much slicker user interfaces in the future.  Check out
   the <a href="http://en.Wikipedia.org/wiki/Multi-touch">Wikipedia entry on Multi-touch</a> and
   then take a look at<a href="http://www.youtube.com/watch?v=l2oMmCyiJZA"> this video
   on YouTube</a><a href="http://www.youtube.com/watch?v=l2oMmCyiJZA"></a>to see what
   the fuss is about.  <br /><br /><h3>Web as service platform
   </h3>
   All the big players out there are really opening up their systems so they can be accessed
   and used from all over the place.  Let’s take Facebook as a classic example. 
   Since its success it has been criticized for being a ‘walled garden’.  Developers
   could only work within its confines.  It's now embracing the open web and has
   launched an API called <a href="http://mashable.com/2009/04/27/facebook-open-stream-api-the-next-huge-platform/">Open
   Stream</a>.  This means that developers can create apps that interact with Facebook
   on other websites, via desktops widgets etc.  Facebook has probably recognised
   that it needed to take this step to survive!  Expect to start seeing these widgets
   soon.<br /><a href="http://www.micropersuasion.com/2008/03/the-future-is-w.html">Steve Rubel
   summarises the situation nicely in this article</a>.<br /><br /><h3>Augmented Reality
   </h3>
   Augmented reality (AR) is a field of computer research which deals with the combination
   of real-world and computer-generated data (virtual reality), where computer graphics
   objects are blended into real footage in real time - from <a href="http://en.Wikipedia.org/wiki/Augmented_reality">Wikipedia</a>. 
   Far easier to demonstrate than describe - check out the example videos below<br /><br />
   Lego box models come to life: <a href="http://www.youtube.com/watch?v=8UxWkZtUKaI">http://www.youtube.com/watch?v=8UxWkZtUKaI</a><br />
   AR on your mobile: <a href="http://www.youtube.com/watch?v=T4FAKjfppp0">http://www.youtube.com/watch?v=T4FAKjfppp0</a><br />
   Just for fun: <a href="http://www.youtube.com/watch?v=TW6_X9qBeds">http://www.youtube.com/watch?v=TW6_X9qBeds</a><br /><br />
   We can build this type of stuff in Flash and have already put a prototype together
   in the office!<br /><br />
   That's it! This article has turned out much larger than anticipated (and I didn't
   even mention twitter!) but with all the exciting new concepts and technologies out
   there I didn't want to skip anything!<p></p><img width="0" height="0" src="http://www.chameleonnet.co.uk/blog/aggbug.ashx?id=4e4c09ba-3fad-4b49-8c39-896c750afa7a" /></body>
      <title>Focus on... Technology trends</title>
      <guid>http://www.chameleonnet.co.uk/blog/PermaLink,guid,4e4c09ba-3fad-4b49-8c39-896c750afa7a.aspx</guid>
      <link>http://www.chameleonnet.co.uk/blog/PermaLink,guid,4e4c09ba-3fad-4b49-8c39-896c750afa7a.aspx</link>
      <pubDate>Tue, 05 May 2009 14:14:37 GMT</pubDate>
      <description>I wanted to write this blog post as a follow up to my technology trends presentation i gave at Chameleon's client seminar held on the 29th April 2009.&amp;nbsp; I'm going to touch on the issues I talked about, but mostly I want to give you some further reading and funky examples on some of the subjects I discussed.&lt;br&gt;
&lt;br&gt;
&lt;h3&gt;Mobile
&lt;/h3&gt;
Firstly I talked about how until very recently it was pretty tricky to develop web
sites for mobile devices.&amp;nbsp; The huge variety of devices and hence different capabilities,
screen sizes meant that to target mobile web users would mean rather a large investment.&amp;nbsp;
Over the last year or so that has changed with the release of much improved mobile
devices which include great browsers e.g. Safari on the iPhone and Opera on the BlackBerry.&amp;nbsp;
Mobile web use is increasing massively and is going to influence almost every decision
you make about your organisation’s web presence in the future.&amp;nbsp; Jon von Tetzchner
(CEO of Opera) thinks that mobiles are in fact going to become the &lt;a href="http://www.opera.com/press/releases/2009/02/25/"&gt;'primary
device for web usage in most of the world'&lt;/a&gt;.&lt;br&gt;
&lt;br&gt;
With all this improved web browsing technology, do we need to bother creating a mobile
targeted web site?&amp;nbsp; Usability guru Jacob Nielsen thinks so - read up on his feelings
in his &lt;a href="http://www.useit.com/alertbox/mobile-usability.html"&gt;Feb. 2009 Mobile
Usability Test Findings report&lt;/a&gt;.&lt;br&gt;
&lt;br&gt;
What do we need to consider when building a mobile web site?&amp;nbsp; The primary concern
is your users goals and motivations.&amp;nbsp; They're likely to be different if they're
browsing from a mobile device than if they are browsing your site via a desktop.&amp;nbsp;
Here's a selection of other top tips:&lt;br&gt;
&lt;ul&gt;
   &lt;li&gt;
      Short URLs&lt;/li&gt;
   &lt;li&gt;
      Get rid of big logo/brand statements at top of page&lt;/li&gt;
   &lt;li&gt;
      Avoid plugins&lt;/li&gt;
   &lt;li&gt;
      Minimise data size&lt;/li&gt;
   &lt;li&gt;
      No popup windows&lt;/li&gt;
   &lt;li&gt;
      Forms – minimise user input – use defaults (radio buttons rather than text-input fields)&lt;/li&gt;
&lt;/ul&gt;
&lt;br&gt;
&lt;h3&gt;Geotagging
&lt;/h3&gt;
This is the process of adding geographical coordinates to various media or data items.&amp;nbsp;
For example, in the seminar I talked about how MSF are geotagging their letters from
the field.&amp;nbsp; Here's the &lt;a href="http://www.msf.org.uk/chad.focus"&gt;focus on Chad &lt;/a&gt;example
I used in my seminar. 
&lt;br&gt;
&lt;br&gt;
Want to get some geotags for your data? &lt;a href="http://mygeoposition.com/"&gt;MyGeoPosition&lt;/a&gt; is
a great website to help you look up the coordinates you need.&lt;br&gt;
&lt;br&gt;
&lt;h3&gt;Microformats
&lt;/h3&gt;
Please do take a look at the &lt;a href="http://en.Wikipedia.org/wiki/Microformats"&gt;Wikipedia
entry describing microformats&lt;/a&gt;.&amp;nbsp; This will give you a good idea of what they
are and how you might be able to use them in your website.&amp;nbsp; If you want to see
them in action and use the Firefox browser then do download the fab &lt;a href="https://addons.mozilla.org/en-US/firefox/addon/4106"&gt;Operator
extension&lt;/a&gt;.&lt;br&gt;
&lt;br&gt;
&lt;h3&gt;Multi-touch
&lt;/h3&gt;
Move-stuff-around-with-yours-hands-coolness.&amp;nbsp; Hopefully meaning death to the
wrist killing mouse and much slicker user interfaces in the future.&amp;nbsp; Check out
the &lt;a href="http://en.Wikipedia.org/wiki/Multi-touch"&gt;Wikipedia entry on Multi-touch&lt;/a&gt; and
then take a look at&lt;a href="http://www.youtube.com/watch?v=l2oMmCyiJZA"&gt; this video
on YouTube&lt;/a&gt;&lt;a href="http://www.youtube.com/watch?v=l2oMmCyiJZA"&gt; &lt;/a&gt;to see what
the fuss is about. &amp;nbsp;&lt;br&gt;
&lt;br&gt;
&lt;h3&gt;Web as service platform
&lt;/h3&gt;
All the big players out there are really opening up their systems so they can be accessed
and used from all over the place.&amp;nbsp; Let’s take Facebook as a classic example.&amp;nbsp;
Since its success it has been criticized for being a ‘walled garden’.&amp;nbsp; Developers
could only work within its confines.&amp;nbsp; It's now embracing the open web and has
launched an API called &lt;a href="http://mashable.com/2009/04/27/facebook-open-stream-api-the-next-huge-platform/"&gt;Open
Stream&lt;/a&gt;.&amp;nbsp; This means that developers can create apps that interact with Facebook
on other websites, via desktops widgets etc.&amp;nbsp; Facebook has probably recognised
that it needed to take this step to survive!&amp;nbsp; Expect to start seeing these widgets
soon.&lt;br&gt;
&lt;a href="http://www.micropersuasion.com/2008/03/the-future-is-w.html"&gt;Steve Rubel
summarises the situation nicely in this article&lt;/a&gt;.&lt;br&gt;
&lt;br&gt;
&lt;h3&gt;Augmented Reality
&lt;/h3&gt;
Augmented reality (AR) is a field of computer research which deals with the combination
of real-world and computer-generated data (virtual reality), where computer graphics
objects are blended into real footage in real time - from &lt;a href="http://en.Wikipedia.org/wiki/Augmented_reality"&gt;Wikipedia&lt;/a&gt;.&amp;nbsp;
Far easier to demonstrate than describe - check out the example videos below&lt;br&gt;
&lt;br&gt;
Lego box models come to life: &lt;a href="http://www.youtube.com/watch?v=8UxWkZtUKaI"&gt;http://www.youtube.com/watch?v=8UxWkZtUKaI&lt;/a&gt;
&lt;br&gt;
AR on your mobile: &lt;a href="http://www.youtube.com/watch?v=T4FAKjfppp0"&gt;http://www.youtube.com/watch?v=T4FAKjfppp0&lt;/a&gt;
&lt;br&gt;
Just for fun: &lt;a href="http://www.youtube.com/watch?v=TW6_X9qBeds"&gt;http://www.youtube.com/watch?v=TW6_X9qBeds&lt;/a&gt;
&lt;br&gt;
&lt;br&gt;
We can build this type of stuff in Flash and have already put a prototype together
in the office!&lt;br&gt;
&lt;br&gt;
That's it! This article has turned out much larger than anticipated (and I didn't
even mention twitter!) but with all the exciting new concepts and technologies out
there I didn't want to skip anything!&lt;p&gt;
&lt;/p&gt;
&lt;img width="0" height="0" src="http://www.chameleonnet.co.uk/blog/aggbug.ashx?id=4e4c09ba-3fad-4b49-8c39-896c750afa7a" /&gt;</description>
      <comments>http://www.chameleonnet.co.uk/blog/CommentView,guid,4e4c09ba-3fad-4b49-8c39-896c750afa7a.aspx</comments>
      <category>Facebook;Mobile Web;Web 2.0;Web Usability</category>
    </item>
    <item>
      <trackback:ping>http://www.chameleonnet.co.uk/blog/Trackback.aspx?guid=9196fa52-2e32-4b38-8053-c3e5140d8cc4</trackback:ping>
      <pingback:server>http://www.chameleonnet.co.uk/blog/pingback.aspx</pingback:server>
      <pingback:target>http://www.chameleonnet.co.uk/blog/PermaLink,guid,9196fa52-2e32-4b38-8053-c3e5140d8cc4.aspx</pingback:target>
      <dc:creator>danm@chameleonnet.com (Dan Martin)</dc:creator>
      <wfw:comment>http://www.chameleonnet.co.uk/blog/CommentView,guid,9196fa52-2e32-4b38-8053-c3e5140d8cc4.aspx</wfw:comment>
      <wfw:commentRss>http://www.chameleonnet.co.uk/blog/SyndicationService.asmx/GetEntryCommentsRss?guid=9196fa52-2e32-4b38-8053-c3e5140d8cc4</wfw:commentRss>
      <body xmlns="http://www.w3.org/1999/xhtml">I have been reading with interest the online
   discussion over <a href="http://www.scribd.com/">Scribd.com</a><br /><br />
   If you're unfamiliar with it... in their words 'Scribd began with a simple observation
   – that there's a writer in all of us. Today, Scribd is the place where you publish,
   discover and discuss original writings and documents.' Surely a laudable, innocuous-sounding
   concept?<br /><br />
   The answer is less than straightforward. In effect what Scribd is providing is a mechanism
   for users to upload and tag content for others to consume and download. It's firmly
   aimed, supposedly, at self-publishers or content-owners.<br /><br />
   Of course, unauthorised copyrighted content is cropping up all over the place on Scribd.
   So as you might imagine it's attracting a lot of interest in the publishing sector.
   Two of the latest pieces are <a href="http://www.thebookseller.com/blogs/81676-scribd-unlimited.html">Alison
   Flood's appraisal on thebookseller.com</a> last week and <a href="http://www.guardian.co.uk/books/2009/mar/30/scribd-rowling-free-book-outrage">this
   article in the Guardian</a>.<br /><br />
   For me the real issue surrounding Scribd is the user's responsibility for their own
   actions, and it's as old as the web. For year's there has been an issue with people
   posting stuff that they either don't have the rights to legally, or they shouldn't
   in someone else's opinion.<br /><br />
   Scribd make it clear the resonsibilty is in the hands of users when it comes to posting
   content. See their <a href="http://support.scribd.com/forums/33939/entries/25459">general
   terms</a>. It has also said publicly that it does not police the site - it expects
   the community to do that itself - but will remove content on request.<br /><br />
   Which means that so long as they are seen to be acting on information provided to
   them by those who have an issue with certain content in a reasonable timeframe, then
   they are acting within their stated remit. And it's true that most reports I have
   seen online suggest their staff are friendly and react quickly.<br /><br />
   But the problem lies in the passive nature of this moderation. It wrestles the onus
   onto content owners, who no doubt have better things to do, to check to see if their
   content has been illegally posted. And of course users can always put the content
   back up again! OK, there are automatic checks, but users are canny and have plenty
   of tricks to get around those, if they are that way inclined. 
   <br /><br />
   Such automatic checking, without active moderation, is only as good as the technology
   it uses, which is always flawed by its nature. 
   <br /><br />
   In many ways it is similar to implementing a automatic system to vet out <i>unacceptable</i> words,
   such as swearing or racist terms, but not imposing any checks on the context or purpose
   of all the <i>acceptable</i> words, and so can miss things like harrassment or bullying,
   or even simple stuff like deliberate mispellings to 'get around the bots'.<br /><br />
   Of course I'm not in a position to comment on the quality or otherwise of Scribd's
   auto-checking of copyrighted works. But it's clear to see where the gap lies, no matter
   how good their systems. I've seen plenty of content posted that looks copyrighted
   to me, big titles by well known authors, and I'd suspect that some of that content
   was not posted with the right authority. Have a browse and see for yourselves.<br /><br />
   So what's the solution? Stop file sharing sites? Well that's just never going to happen.
   For every Scribd there are dozens of 'underground' sites, torrent networks, etc. Give
   up content rights altogether? No publisher will, or should, ever do that - it's their
   product.<br /><br />
   Where the real solution lies IMO is in understanding users and then providing a compelling
   proposition to the market. Sites like Scribd thrive not just because people want stuff
   for free, but also because there's a genuine demand for the content itself.<br /><br />
   People are willing to pay for products if they value the content and feel the price
   is acceptable. Ask yourself, is the hardback jacket price a suitable price point for
   a new e-book?<br /><br />
   They are even more willing to pay if they get something they couldn't get elsewhere,
   like goodies or extras. Just think how much money is spent every year on repackaged
   DVD box sets with the latest special features, director commentaries, and cool new
   boxes.<br /><br />
   'Honesty box' experiements, like with <a href="http://news.bbc.co.uk/1/hi/entertainment/7037219.stm">Radiohead's
   last album launch</a>, have also proved people understand the value of the artist
   and their need to make money from their works too.<br /><br />
   If publishers can get their digital content strategy right, then legit sites like
   Scribd, file sharing networks and so on, will keep on going but pose only a minor
   threat to the markets publishers need to survive. 
   <br /><br />
   And in some cases, free content on those sites can even stimulate demand for the genuine
   article, reaching audiences that may never have paid in the first instance, but whose
   appetites have been whetted by a freebie.<br /><br /><p></p><img width="0" height="0" src="http://www.chameleonnet.co.uk/blog/aggbug.ashx?id=9196fa52-2e32-4b38-8053-c3e5140d8cc4" /></body>
      <title>Scribd - friend or foe to publishers?</title>
      <guid>http://www.chameleonnet.co.uk/blog/PermaLink,guid,9196fa52-2e32-4b38-8053-c3e5140d8cc4.aspx</guid>
      <link>http://www.chameleonnet.co.uk/blog/PermaLink,guid,9196fa52-2e32-4b38-8053-c3e5140d8cc4.aspx</link>
      <pubDate>Mon, 06 Apr 2009 15:30:42 GMT</pubDate>
      <description>I have been reading with interest the online discussion over &lt;a href="http://www.scribd.com/"&gt;Scribd.com&lt;/a&gt;
&lt;br&gt;
&lt;br&gt;
If you're unfamiliar with it... in their words 'Scribd began with a simple observation
– that there's a writer in all of us. Today, Scribd is the place where you publish,
discover and discuss original writings and documents.' Surely a laudable, innocuous-sounding
concept?&lt;br&gt;
&lt;br&gt;
The answer is less than straightforward. In effect what Scribd is providing is a mechanism
for users to upload and tag content for others to consume and download. It's firmly
aimed, supposedly, at self-publishers or content-owners.&lt;br&gt;
&lt;br&gt;
Of course, unauthorised copyrighted content is cropping up all over the place on Scribd.
So as you might imagine it's attracting a lot of interest in the publishing sector.
Two of the latest pieces are &lt;a href="http://www.thebookseller.com/blogs/81676-scribd-unlimited.html"&gt;Alison
Flood's appraisal on thebookseller.com&lt;/a&gt; last week and &lt;a href="http://www.guardian.co.uk/books/2009/mar/30/scribd-rowling-free-book-outrage"&gt;this
article in the Guardian&lt;/a&gt;.&lt;br&gt;
&lt;br&gt;
For me the real issue surrounding Scribd is the user's responsibility for their own
actions, and it's as old as the web. For year's there has been an issue with people
posting stuff that they either don't have the rights to legally, or they shouldn't
in someone else's opinion.&lt;br&gt;
&lt;br&gt;
Scribd make it clear the resonsibilty is in the hands of users when it comes to posting
content. See their &lt;a href="http://support.scribd.com/forums/33939/entries/25459"&gt;general
terms&lt;/a&gt;. It has also said publicly that it does not police the site - it expects
the community to do that itself - but will remove content on request.&lt;br&gt;
&lt;br&gt;
Which means that so long as they are seen to be acting on information provided to
them by those who have an issue with certain content in a reasonable timeframe, then
they are acting within their stated remit. And it's true that most reports I have
seen online suggest their staff are friendly and react quickly.&lt;br&gt;
&lt;br&gt;
But the problem lies in the passive nature of this moderation. It wrestles the onus
onto content owners, who no doubt have better things to do, to check to see if their
content has been illegally posted. And of course users can always put the content
back up again! OK, there are automatic checks, but users are canny and have plenty
of tricks to get around those, if they are that way inclined. 
&lt;br&gt;
&lt;br&gt;
Such automatic checking, without active moderation, is only as good as the technology
it uses, which is always flawed by its nature. 
&lt;br&gt;
&lt;br&gt;
In many ways it is similar to implementing a automatic system to vet out &lt;i&gt;unacceptable&lt;/i&gt; words,
such as swearing or racist terms, but not imposing any checks on the context or purpose
of all the &lt;i&gt;acceptable&lt;/i&gt; words, and so can miss things like harrassment or bullying,
or even simple stuff like deliberate mispellings to 'get around the bots'.&lt;br&gt;
&lt;br&gt;
Of course I'm not in a position to comment on the quality or otherwise of Scribd's
auto-checking of copyrighted works. But it's clear to see where the gap lies, no matter
how good their systems. I've seen plenty of content posted that looks copyrighted
to me, big titles by well known authors, and I'd suspect that some of that content
was not posted with the right authority. Have a browse and see for yourselves.&lt;br&gt;
&lt;br&gt;
So what's the solution? Stop file sharing sites? Well that's just never going to happen.
For every Scribd there are dozens of 'underground' sites, torrent networks, etc. Give
up content rights altogether? No publisher will, or should, ever do that - it's their
product.&lt;br&gt;
&lt;br&gt;
Where the real solution lies IMO is in understanding users and then providing a compelling
proposition to the market. Sites like Scribd thrive not just because people want stuff
for free, but also because there's a genuine demand for the content itself.&lt;br&gt;
&lt;br&gt;
People are willing to pay for products if they value the content and feel the price
is acceptable. Ask yourself, is the hardback jacket price a suitable price point for
a new e-book?&lt;br&gt;
&lt;br&gt;
They are even more willing to pay if they get something they couldn't get elsewhere,
like goodies or extras. Just think how much money is spent every year on repackaged
DVD box sets with the latest special features, director commentaries, and cool new
boxes.&lt;br&gt;
&lt;br&gt;
'Honesty box' experiements, like with &lt;a href="http://news.bbc.co.uk/1/hi/entertainment/7037219.stm"&gt;Radiohead's
last album launch&lt;/a&gt;, have also proved people understand the value of the artist
and their need to make money from their works too.&lt;br&gt;
&lt;br&gt;
If publishers can get their digital content strategy right, then legit sites like
Scribd, file sharing networks and so on, will keep on going but pose only a minor
threat to the markets publishers need to survive. 
&lt;br&gt;
&lt;br&gt;
And in some cases, free content on those sites can even stimulate demand for the genuine
article, reaching audiences that may never have paid in the first instance, but whose
appetites have been whetted by a freebie.&lt;br&gt;
&lt;br&gt;
&lt;p&gt;
&lt;/p&gt;
&lt;img width="0" height="0" src="http://www.chameleonnet.co.uk/blog/aggbug.ashx?id=9196fa52-2e32-4b38-8053-c3e5140d8cc4" /&gt;</description>
      <comments>http://www.chameleonnet.co.uk/blog/CommentView,guid,9196fa52-2e32-4b38-8053-c3e5140d8cc4.aspx</comments>
      <category>UGC;Web 2.0;Publishing;Ebooks</category>
    </item>
    <item>
      <trackback:ping>http://www.chameleonnet.co.uk/blog/Trackback.aspx?guid=b94ed602-e102-4833-91ee-2c7130297d72</trackback:ping>
      <pingback:server>http://www.chameleonnet.co.uk/blog/pingback.aspx</pingback:server>
      <pingback:target>http://www.chameleonnet.co.uk/blog/PermaLink,guid,b94ed602-e102-4833-91ee-2c7130297d72.aspx</pingback:target>
      <dc:creator>louiser@chameleonnet.com (Louise Ryan)</dc:creator>
      <wfw:comment>http://www.chameleonnet.co.uk/blog/CommentView,guid,b94ed602-e102-4833-91ee-2c7130297d72.aspx</wfw:comment>
      <wfw:commentRss>http://www.chameleonnet.co.uk/blog/SyndicationService.asmx/GetEntryCommentsRss?guid=b94ed602-e102-4833-91ee-2c7130297d72</wfw:commentRss>
      <slash:comments>1</slash:comments>
      <body xmlns="http://www.w3.org/1999/xhtml">In November last year I took the mad decision
   to enter the 2009 Paris marathon - to be held this year on the 5th April.  I
   can't say that I'm particularly looking forward to it but I have enjoyed elements
   of my training.  Two things have kept me going.<br /><p><b>My running gadgets</b><br /></p><p>
      Of course being a software developer I am naturally a bit of a geek (only a very little
      bit though of course). Therefore when I do my running training I must have either
      my iPod or iPhone with me.  Obviously they keep me sane by enabling me to listen
      to music, podcasts and audiobooks during my training but they also record my progress. 
      Here's a quick overview of how they work:<br /></p><b><br />
   Nike+ for my iPod</b><br />
   This consists of a wee little accelerometer that you can attach to or pop in your
   running shoes and a Nike+ receiver which you attach to your iPod.  It records
   how far and how fast you are running or walking.  You can then sync this data
   with your Nike+ account via iTunes and get a marvelous little summary of how your
   training is progressing and a breakdown of each run.  <a href="http://twitpic.com/28sis" target="_blank">Here's
   a pic from the Nike+ website for you to take a look at</a>.  I'm a bit of a fan
   of RIA (<a href="http://en.wikipedia.org/wiki/Rich_Internet_application" target="_blank">Rich
   Internet Applications</a>) and really like how the site utilises Flash in a useful
   and very pretty fashion.  The main disadvantage of the Nike+ system is that it’s
   not totally accurate but I can live with that as it still gives me a good idea of
   how I'm doing.<br /><br /><b>RunKeeper for my iPhone</b><br />
   I love my iPhone. Probably too much.  This free app is the thing I show to my
   friends when I want to impress them with how cool the iPhone is.  <a href="http://www.runkeeper.com/" target="_blank">RunKeeper</a> uses
   the iPhones GPS (<a href="http://en.wikipedia.org/wiki/GPS" target="_blank">Global
   Positioning System</a>) capabilities to track your run, or in fact your walk, cycle,
   sky, whatever.  Then when you have finished your run you can view a highly accurate
   breakdown of not only your time and pace but also your route via clever use of the
   Google maps API.  You can also view this same data on the web using the RunKeeper
   dashboard site.  <a href="http://twitpic.com/1jtq7" target="_blank">Here's a
   pic to give you an idea</a>.  You can share runs with friends and also have RunKeeper
   auto-tweet your twitter account with your run data!  This kind of really useful
   mashup application gets me all excited about web development!  However, GPS tracking
   apps also have all manner of privacy implications - for example, in this article I
   have linked to a picture of my run rather than sharing the run itself (which you can
   do via the RunKeeper dashboard) because I don't really want the world to know where
   I started and finished.<br /><br />
   It does get you thinking about the world of possibilities that GPS tracking opens
   up though.  At the moment you can only provide <a href="http://en.wikipedia.org/wiki/Geo_targeting" target="_blank">geo
   targeted</a> content via websites by inspecting the users incoming IP address or by
   asking the user to tell you where they are.  However, with more and more mobile
   devices supporting GPS being available more possibilities open up for useful applications
   of this marvelous technology.<br /><br />
   Finally this brings me to the second thing that is keeping me going through training
   - I'm raising cash for MSF (Médecins Sans Frontières).  I realised what amazing
   work this charity does when I worked on their website last year.  In emergencies
   and their aftermath, MSF rehabilitates and runs hospitals and clinics, performs surgery,
   battles epidemics, carries out vaccination campaigns, operates feeding centres for
   malnourished children and offers mental health care. When needed, MSF also constructs
   wells, dispenses clean drinking water, and provides shelter materials like blankets
   and plastic sheeting.<br /><br />
   If you've enjoyed reading about my pain or would like to help MSF please <a href="http://www.justgiving.com/louiseryan2009">sponsor
   me</a> or donate directly to MSF via their <a href="http://www.msf.org.uk/supportus.aspx">website</a>.<br /><br /><b>Useful resources:</b><br /><br />
   Nike+iPod: <a href="http://en.wikipedia.org/wiki/Nike%2BiPod">http://en.wikipedia.org/wiki/Nike%2BiPod</a><br />
   RunKeeper: <a href="http://www.runkeeper.com/">http://www.runkeeper.com/</a><br />
   Sponsor me via Justgiving: <a href="http://www.justgiving.com/louiseryan2009">http://www.justgiving.com/louiseryan2009</a><br />
   Médecins Sans Frontières UK: <a href="http://www.msf.org.uk/">http://www.msf.org.uk/</a><p></p><img width="0" height="0" src="http://www.chameleonnet.co.uk/blog/aggbug.ashx?id=b94ed602-e102-4833-91ee-2c7130297d72" /></body>
      <title>Paris Marathon</title>
      <guid>http://www.chameleonnet.co.uk/blog/PermaLink,guid,b94ed602-e102-4833-91ee-2c7130297d72.aspx</guid>
      <link>http://www.chameleonnet.co.uk/blog/PermaLink,guid,b94ed602-e102-4833-91ee-2c7130297d72.aspx</link>
      <pubDate>Thu, 19 Mar 2009 16:24:30 GMT</pubDate>
      <description>In November last year I took the mad decision to enter the 2009 Paris marathon - to be held this year on the 5th April.&amp;nbsp; I can't say that I'm particularly looking forward to it but I have enjoyed elements of my training.&amp;nbsp; Two things have kept me going.&lt;br&gt;
&lt;p&gt;
   &lt;b&gt;My running gadgets&lt;/b&gt;
   &lt;br&gt;
&lt;/p&gt;
&lt;p&gt;
   Of course being a software developer I am naturally a bit of a geek (only a very little
   bit though of course). Therefore when I do my running training I must have either
   my iPod or iPhone with me.&amp;nbsp; Obviously they keep me sane by enabling me to listen
   to music, podcasts and audiobooks during my training but they also record my progress.&amp;nbsp;
   Here's a quick overview of how they work:&lt;br&gt;
&lt;/p&gt;
&lt;b&gt;
&lt;br&gt;
Nike+ for my iPod&lt;/b&gt;
&lt;br&gt;
This consists of a wee little accelerometer that you can attach to or pop in your
running shoes and a Nike+ receiver which you attach to your iPod.&amp;nbsp; It records
how far and how fast you are running or walking.&amp;nbsp; You can then sync this data
with your Nike+ account via iTunes and get a marvelous little summary of how your
training is progressing and a breakdown of each run.&amp;nbsp; &lt;a href="http://twitpic.com/28sis" target="_blank"&gt;Here's
a pic from the Nike+ website for you to take a look at&lt;/a&gt;.&amp;nbsp; I'm a bit of a fan
of RIA (&lt;a href="http://en.wikipedia.org/wiki/Rich_Internet_application" target="_blank"&gt;Rich
Internet Applications&lt;/a&gt;) and really like how the site utilises Flash in a useful
and very pretty fashion.&amp;nbsp; The main disadvantage of the Nike+ system is that it’s
not totally accurate but I can live with that as it still gives me a good idea of
how I'm doing.&lt;br&gt;
&lt;br&gt;
&lt;b&gt;RunKeeper for my iPhone&lt;/b&gt;
&lt;br&gt;
I love my iPhone. Probably too much.&amp;nbsp; This free app is the thing I show to my
friends when I want to impress them with how cool the iPhone is.&amp;nbsp; &lt;a href="http://www.runkeeper.com/" target="_blank"&gt;RunKeeper&lt;/a&gt; uses
the iPhones GPS (&lt;a href="http://en.wikipedia.org/wiki/GPS" target="_blank"&gt;Global
Positioning System&lt;/a&gt;) capabilities to track your run, or in fact your walk, cycle,
sky, whatever.&amp;nbsp; Then when you have finished your run you can view a highly accurate
breakdown of not only your time and pace but also your route via clever use of the
Google maps API.&amp;nbsp; You can also view this same data on the web using the RunKeeper
dashboard site.&amp;nbsp; &lt;a href="http://twitpic.com/1jtq7" target="_blank"&gt;Here's a
pic to give you an idea&lt;/a&gt;.&amp;nbsp; You can share runs with friends and also have RunKeeper
auto-tweet your twitter account with your run data!&amp;nbsp; This kind of really useful
mashup application gets me all excited about web development!&amp;nbsp; However, GPS tracking
apps also have all manner of privacy implications - for example, in this article I
have linked to a picture of my run rather than sharing the run itself (which you can
do via the RunKeeper dashboard) because I don't really want the world to know where
I started and finished.&lt;br&gt;
&lt;br&gt;
It does get you thinking about the world of possibilities that GPS tracking opens
up though.&amp;nbsp; At the moment you can only provide &lt;a href="http://en.wikipedia.org/wiki/Geo_targeting" target="_blank"&gt;geo
targeted&lt;/a&gt; content via websites by inspecting the users incoming IP address or by
asking the user to tell you where they are.&amp;nbsp; However, with more and more mobile
devices supporting GPS being available more possibilities open up for useful applications
of this marvelous technology.&lt;br&gt;
&lt;br&gt;
Finally this brings me to the second thing that is keeping me going through training
- I'm raising cash for MSF (Médecins Sans Frontières).&amp;nbsp; I realised what amazing
work this charity does when I worked on their website last year.&amp;nbsp; In emergencies
and their aftermath, MSF rehabilitates and runs hospitals and clinics, performs surgery,
battles epidemics, carries out vaccination campaigns, operates feeding centres for
malnourished children and offers mental health care. When needed, MSF also constructs
wells, dispenses clean drinking water, and provides shelter materials like blankets
and plastic sheeting.&lt;br&gt;
&lt;br&gt;
If you've enjoyed reading about my pain or would like to help MSF please &lt;a href="http://www.justgiving.com/louiseryan2009"&gt;sponsor
me&lt;/a&gt; or donate directly to MSF via their &lt;a href="http://www.msf.org.uk/supportus.aspx"&gt;website&lt;/a&gt;.&lt;br&gt;
&lt;br&gt;
&lt;b&gt;Useful resources:&lt;/b&gt;
&lt;br&gt;
&lt;br&gt;
Nike+iPod: &lt;a href="http://en.wikipedia.org/wiki/Nike%2BiPod"&gt;http://en.wikipedia.org/wiki/Nike%2BiPod&lt;/a&gt;
&lt;br&gt;
RunKeeper: &lt;a href="http://www.runkeeper.com/"&gt;http://www.runkeeper.com/&lt;/a&gt;
&lt;br&gt;
Sponsor me via Justgiving: &lt;a href="http://www.justgiving.com/louiseryan2009"&gt;http://www.justgiving.com/louiseryan2009&lt;/a&gt;
&lt;br&gt;
Médecins Sans Frontières UK: &lt;a href="http://www.msf.org.uk/"&gt;http://www.msf.org.uk/&lt;/a&gt;
&lt;p&gt;
&lt;/p&gt;
&lt;img width="0" height="0" src="http://www.chameleonnet.co.uk/blog/aggbug.ashx?id=b94ed602-e102-4833-91ee-2c7130297d72" /&gt;</description>
      <comments>http://www.chameleonnet.co.uk/blog/CommentView,guid,b94ed602-e102-4833-91ee-2c7130297d72.aspx</comments>
      <category>Charity;Mobile Web;Non-profit;Twitter;Web 2.0;What we're up to</category>
    </item>
    <item>
      <trackback:ping>http://www.chameleonnet.co.uk/blog/Trackback.aspx?guid=59ff7eab-fe5f-482e-aaae-f8d0d4032393</trackback:ping>
      <pingback:server>http://www.chameleonnet.co.uk/blog/pingback.aspx</pingback:server>
      <pingback:target>http://www.chameleonnet.co.uk/blog/PermaLink,guid,59ff7eab-fe5f-482e-aaae-f8d0d4032393.aspx</pingback:target>
      <dc:creator>richardk@chameleonnet.co.uk (Rich Kirk)</dc:creator>
      <wfw:comment>http://www.chameleonnet.co.uk/blog/CommentView,guid,59ff7eab-fe5f-482e-aaae-f8d0d4032393.aspx</wfw:comment>
      <wfw:commentRss>http://www.chameleonnet.co.uk/blog/SyndicationService.asmx/GetEntryCommentsRss?guid=59ff7eab-fe5f-482e-aaae-f8d0d4032393</wfw:commentRss>
      <body xmlns="http://www.w3.org/1999/xhtml">
        <font size="2" face="Verdana">Like everyone
   in the digital marketing space, here at Chameleon Net we are twitter junkies. Even
   our <a href="http://twitter.com/boardofshame">table football has its own feed</a>!
   The phenomenal growth the service has enjoyed over the last 5 – 6 months means that
   Twitter is the platform switched-on marketers are buzzing about right now. However,
   as with any service growing at an exponential rate, there are problems. <a href="http://www.twitip.com/twitter-bubble/">This
   recent article</a> warning of a “Twitter bubble” summed up some of our fears about
   the service and the industry springing up around it. The challenge Chameleon faces
   is to make Twitter part of the range of e-marketing services we offer to clients,
   in a way that can best guarantee a good ROI for both our clients and ourselves.<br /><br />
   Many of our more forward thinking clients have expressed an interest in developing
   a Twitter account, and as a result this week we launched <a href="http://twitter.com/driversjonas">Drivers
   Jonas on Twitter</a>. DJ is a commercial property consultancy turning over nearly
   £100m per year and employing over 700 staff, yet they remain remarkably agile when
   it comes to marketing their website. We're excited about this project because we feel
   that with the right aims and expectations, a B2B Twitter feed can easily harness all
   the best aspects of Micro-blogging.<br /><br />
   As a B2B company Drivers Jonas is using Twitter to provide the company with a more
   human face than their corporate website can, as well as develop their reputation as
   a ‘thought leader’ within the property industry. We believe that in time, being active
   on Twitter will help Drivers Jonas unearth business leads, connect and interact with
   potential new recruits (especially undergraduates), as well as doing more routine
   things like publicising DJ events. One thing Drivers Jonas recognises is that Twitter
   isn’t a marketplace in which to sell, it’s a watering hole at which they can meet
   their stakeholders; something I believe is vital to good big-business tweeting.<br /><br />
   We’ve also envisaged that in the absence of a DJ blog (which would be time consuming
   and difficult to operate in line with internal compliance procedures) the Twitter
   feed could be used as a rapid response in the case of a major PR event. This flexibility
   is something many B2B companies would love to have; for some blogging is the answer,
   but for marketers at larger companies getting sign-off for a controversial blog post
   is ‘worst nightmare’ territory. Twitter restricts you to 140 characters, and at the
   same time, restricts the barriers to getting a message out into the public domain.<br /><br />
   I hope to blog again with more on this project as it develops, as I think it will
   provide some interesting insights into ‘corporate tweeting’. In the meantime, if your
   company thinks they could benefit from being on Twitter, but want a helping hand building
   a business case and launching an account, get in touch.<br /></font>
        <br />
        <p>
        </p>
        <img width="0" height="0" src="http://www.chameleonnet.co.uk/blog/aggbug.ashx?id=59ff7eab-fe5f-482e-aaae-f8d0d4032393" />
      </body>
      <title>Twitter For B2B Websites</title>
      <guid>http://www.chameleonnet.co.uk/blog/PermaLink,guid,59ff7eab-fe5f-482e-aaae-f8d0d4032393.aspx</guid>
      <link>http://www.chameleonnet.co.uk/blog/PermaLink,guid,59ff7eab-fe5f-482e-aaae-f8d0d4032393.aspx</link>
      <pubDate>Fri, 06 Mar 2009 11:27:39 GMT</pubDate>
      <description>&lt;font size="2" face="Verdana"&gt;Like everyone in the digital marketing space, here at
Chameleon Net we are twitter junkies. Even our &lt;a href="http://twitter.com/boardofshame"&gt;table
football has its own feed&lt;/a&gt;! The phenomenal growth the service has enjoyed over
the last 5 – 6 months means that Twitter is the platform switched-on marketers are
buzzing about right now. However, as with any service growing at an exponential rate,
there are problems. &lt;a href="http://www.twitip.com/twitter-bubble/"&gt;This recent article&lt;/a&gt; warning
of a “Twitter bubble” summed up some of our fears about the service and the industry
springing up around it. The challenge Chameleon faces is to make Twitter part of the
range of e-marketing services we offer to clients, in a way that can best guarantee
a good ROI for both our clients and ourselves.&lt;br&gt;
&lt;br&gt;
Many of our more forward thinking clients have expressed an interest in developing
a Twitter account, and as a result this week we launched &lt;a href="http://twitter.com/driversjonas"&gt;Drivers
Jonas on Twitter&lt;/a&gt;. DJ is a commercial property consultancy turning over nearly
£100m per year and employing over 700 staff, yet they remain remarkably agile when
it comes to marketing their website. We're excited about this project because we feel
that with the right aims and expectations, a B2B Twitter feed can easily harness all
the best aspects of Micro-blogging.&lt;br&gt;
&lt;br&gt;
As a B2B company Drivers Jonas is using Twitter to provide the company with a more
human face than their corporate website can, as well as develop their reputation as
a ‘thought leader’ within the property industry. We believe that in time, being active
on Twitter will help Drivers Jonas unearth business leads, connect and interact with
potential new recruits (especially undergraduates), as well as doing more routine
things like publicising DJ events. One thing Drivers Jonas recognises is that Twitter
isn’t a marketplace in which to sell, it’s a watering hole at which they can meet
their stakeholders; something I believe is vital to good big-business tweeting.&lt;br&gt;
&lt;br&gt;
We’ve also envisaged that in the absence of a DJ blog (which would be time consuming
and difficult to operate in line with internal compliance procedures) the Twitter
feed could be used as a rapid response in the case of a major PR event. This flexibility
is something many B2B companies would love to have; for some blogging is the answer,
but for marketers at larger companies getting sign-off for a controversial blog post
is ‘worst nightmare’ territory. Twitter restricts you to 140 characters, and at the
same time, restricts the barriers to getting a message out into the public domain.&lt;br&gt;
&lt;br&gt;
I hope to blog again with more on this project as it develops, as I think it will
provide some interesting insights into ‘corporate tweeting’. In the meantime, if your
company thinks they could benefit from being on Twitter, but want a helping hand building
a business case and launching an account, get in touch.&lt;br&gt;
&lt;/font&gt;
&lt;br&gt;
&lt;p&gt;
&lt;/p&gt;
&lt;img width="0" height="0" src="http://www.chameleonnet.co.uk/blog/aggbug.ashx?id=59ff7eab-fe5f-482e-aaae-f8d0d4032393" /&gt;</description>
      <comments>http://www.chameleonnet.co.uk/blog/CommentView,guid,59ff7eab-fe5f-482e-aaae-f8d0d4032393.aspx</comments>
      <category>Online Marketing;Reputation Management;Social Networking;Twitter;Web 2.0;What we're up to</category>
    </item>
    <item>
      <trackback:ping>http://www.chameleonnet.co.uk/blog/Trackback.aspx?guid=72d497e5-4773-42c6-92a9-4f197bddbae5</trackback:ping>
      <pingback:server>http://www.chameleonnet.co.uk/blog/pingback.aspx</pingback:server>
      <pingback:target>http://www.chameleonnet.co.uk/blog/PermaLink,guid,72d497e5-4773-42c6-92a9-4f197bddbae5.aspx</pingback:target>
      <dc:creator>surajs@chameleonnet.co.uk (Suraj Shah)</dc:creator>
      <wfw:comment>http://www.chameleonnet.co.uk/blog/CommentView,guid,72d497e5-4773-42c6-92a9-4f197bddbae5.aspx</wfw:comment>
      <wfw:commentRss>http://www.chameleonnet.co.uk/blog/SyndicationService.asmx/GetEntryCommentsRss?guid=72d497e5-4773-42c6-92a9-4f197bddbae5</wfw:commentRss>
      <slash:comments>1</slash:comments>
      <title>Seminar on Digital Student Recruitment - an overview</title>
      <guid>http://www.chameleonnet.co.uk/blog/PermaLink,guid,72d497e5-4773-42c6-92a9-4f197bddbae5.aspx</guid>
      <link>http://www.chameleonnet.co.uk/blog/PermaLink,guid,72d497e5-4773-42c6-92a9-4f197bddbae5.aspx</link>
      <pubDate>Wed, 25 Feb 2009 11:36:38 GMT</pubDate>
      <description>&lt;p&gt;
   Chameleon Net held a seminar on Digital Student Recruitment for the higher education
   sector yesterday, Tuesday 24th February 2009.
&lt;/p&gt;
&lt;p&gt;
   Drew Davies, Head of Online Marketing at Chameleon Net spoke about Search Engine Optimisation
   (SEO) strategies for student recruitment.
&lt;/p&gt;
&lt;p&gt;
   Helen Aspell, Head of Digital at the Equality and Human Rights Commission and former
   Head of Digital Marketing at University of Southampton, spoke about User Experience,
   the heart of an engaging digital presence.
&lt;/p&gt;
&lt;p&gt;
   Drew Davies then spoke about Protecting Your Online Brand, where he shared a case
   study of the work Chameleon Net has done with Barnardo's UK on their opinion-polarising
   "Break the Cycle" campaign.
&lt;/p&gt;
&lt;center&gt;
   &lt;object width="425" height="344"&gt;
      &lt;param name="movie" value="http://www.youtube.com/v/3bFdz6tqBv4&amp;hl=en&amp;fs=1&amp;rel=0&amp;color1=0x234900&amp;color2=0x4e9e00"&gt;&gt;
      &lt;param name="allowFullScreen" value="true"&gt;&gt;
      &lt;param name="allowscriptaccess" value="always"&gt;&gt;&lt;embed src="http://www.youtube.com/v/3bFdz6tqBv4&amp;hl=en&amp;fs=1&amp;rel=0&amp;color1=0x234900&amp;color2=0x4e9e00" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="425" height="344"&gt;&lt;/embed&gt;
   &lt;/object&gt;
&lt;/center&gt;
&lt;p&gt;
   The seminar was well-received with feedback such as "Very useful &amp; thought provoking",
   "Excellent - one of the best I've been to", "Impressive venue and tasty danish pastries
   in the break!", "Stimulating &amp; Exciting", "Very well organised &amp; professional", "Engaging
   &amp; felt very current" and "Very interesting, frightening &amp; enlightening!"
&lt;/p&gt;
&lt;p&gt;
   More on Chameleon Net's work in the higher education sector can be found at &lt;a href="http://www.chameleonnet.co.uk/education"&gt;www.chameleonnet.co.uk/education&lt;/a&gt;
&lt;/p&gt;
&lt;img width="0" height="0" src="http://www.chameleonnet.co.uk/blog/aggbug.ashx?id=72d497e5-4773-42c6-92a9-4f197bddbae5" /&gt;</description>
      <comments>http://www.chameleonnet.co.uk/blog/CommentView,guid,72d497e5-4773-42c6-92a9-4f197bddbae5.aspx</comments>
      <category>Events;Higher Education;Online Marketing;Reputation Management;Social Networking;Web 2.0</category>
    </item>
    <item>
      <trackback:ping>http://www.chameleonnet.co.uk/blog/Trackback.aspx?guid=4af56aae-dcc1-4151-862d-0817bca7475b</trackback:ping>
      <pingback:server>http://www.chameleonnet.co.uk/blog/pingback.aspx</pingback:server>
      <pingback:target>http://www.chameleonnet.co.uk/blog/PermaLink,guid,4af56aae-dcc1-4151-862d-0817bca7475b.aspx</pingback:target>
      <dc:creator>rossm@chameleonnet.co.uk (Ross Miles)</dc:creator>
      <wfw:comment>http://www.chameleonnet.co.uk/blog/CommentView,guid,4af56aae-dcc1-4151-862d-0817bca7475b.aspx</wfw:comment>
      <wfw:commentRss>http://www.chameleonnet.co.uk/blog/SyndicationService.asmx/GetEntryCommentsRss?guid=4af56aae-dcc1-4151-862d-0817bca7475b</wfw:commentRss>
      <slash:comments>1</slash:comments>
      <title>The Rise of Twitter</title>
      <guid>http://www.chameleonnet.co.uk/blog/PermaLink,guid,4af56aae-dcc1-4151-862d-0817bca7475b.aspx</guid>
      <link>http://www.chameleonnet.co.uk/blog/PermaLink,guid,4af56aae-dcc1-4151-862d-0817bca7475b.aspx</link>
      <pubDate>Tue, 17 Feb 2009 15:22:22 GMT</pubDate>
      <description>&lt;p&gt;
   &lt;font face=Tahoma color=#000000&gt;Social Media is a fast-growing and rapidly evolving
   beast, and the latest website to be the darling of the Google Generation is micro-blogging
   site Twitter. The idea is simple, you have 140 characters, including spaces, to answer
   the question- &lt;strong&gt;&lt;em&gt;What are you doing now?&lt;/em&gt;&lt;/strong&gt; This however, as with
   all things Web 2.0, doesn’t tell the full story. Twitter acts as a bulletin board
   as well, where titbits of information, via links, can be shared between users. UK
   Celebrities such as Jonathon Ross, Stephen Fry and John Cleese are all advocates,
   and Barack Obama used it during his election campaign to motivate the masses (he has
   over 144,000 followers). Twitter has seen its popularity grow 10-fold in the UK in
   the past year and traffic rise 750% in the US where it is know a more visited site
   than Digg. As I write this blog post just under 2 million tweets are being submitted
   worldwide every day! &lt;/font&gt;
&lt;/p&gt;
&lt;p&gt;
   &lt;font face=Tahoma color=#000000&gt;&lt;/font&gt; 
&lt;/p&gt;
&lt;p&gt;
   &lt;font color=#000000&gt;&lt;font face=Tahoma&gt;Whilst to ‘outsiders’ it might seem a trivial
   and almost pointless service, only for users with high levels of deluded self-importance,
   but Twitter played notable roles during a several significant events in the past 4
   months. The part Twitter played in providing break-neck speed updates on the Mumbai
   terror attacks in November led Forbes Magazine to write &lt;strong&gt;Mumbai: Twitter’s
   Moment&lt;/strong&gt;. Before News services had broken the event on television Tweeps such
   as &lt;/font&gt;&lt;a href="http://twitter.com/rakesh314"&gt;&lt;font face=Tahoma&gt;@rakesh314 &lt;/font&gt;&lt;/a&gt;&lt;font face=Tahoma&gt;posted &lt;em&gt;“I'm
   hearing news of gun-firing in Mumbai. Can anyone confirm?”&lt;/em&gt;. Updates from people
   involved even led to an internet myth that the terrorists themselves were following
   events on Twitter itself to counter the actions of the forces sent in to stop them. &lt;/font&gt;&lt;/font&gt;
&lt;/p&gt;
&lt;p&gt;
   &lt;font face=Tahoma color=#000000&gt;&lt;/font&gt; 
&lt;/p&gt;
&lt;p&gt;
   &lt;font color=#000000&gt;&lt;font face=Tahoma&gt;The much more recent plane crash into the Hudson
   River was another example of Tweeps providing a rapid reaction. One Twitterer, &lt;/font&gt;&lt;a href="http://twitter.com/jkrums"&gt;&lt;font face=Tahoma&gt;@jkrums&lt;/font&gt;&lt;/a&gt;&lt;font face=Tahoma&gt;,
   took a picture of the half-submerged aircraft with passengers standing on the wing
   from a passing-by ferry which quickly went viral and eventually landed him an interview
   on CNBC. Others tweeted about how they stood watching the drama from their office
   blocks. What was the most notable though was the integrity of the tweet-reporting
   which cited accurate numbers and stories relating to the event as information about
   what had happened disseminated among users. &lt;/font&gt;&lt;/font&gt;
&lt;/p&gt;
&lt;p&gt;
   &lt;font face=Tahoma color=#000000&gt;&lt;/font&gt; 
&lt;/p&gt;
&lt;p&gt;
   &lt;font color=#000000&gt;&lt;font face=Tahoma&gt;As great as all this impartiality and interactivity
   sounds, how can Twitter serve the business community? And that’s exactly the point,
   this notion of impartial interactivity. Twitter provides a transparent window into
   an organisation for the consumer, a portal in which to directly interact. Several
   brands are using it as such a device to. &lt;/font&gt;&lt;a href="http://twitter.com/ScottMonty"&gt;&lt;font face=Tahoma&gt;@ScottMonty &lt;/font&gt;&lt;/a&gt;&lt;font face=Tahoma&gt;is
   the face of car manufacturer, Ford, on Twitter (who have multiple employee accounts)
   and says &lt;em&gt;“It’s part of a larger social media strategy to humanize the Ford brand
   and put consumers in touch with Ford employees”&lt;/em&gt;. Lisa Kim &lt;/font&gt;&lt;a href="http://twitter.com/Americanapparel"&gt;&lt;font face=Tahoma&gt;@AmericanApparel &lt;/font&gt;&lt;/a&gt;&lt;font face=Tahoma&gt;is
   the Website Manager for American Apparel and is another advocate of Twitter as a way
   of increasing customer care, &lt;em&gt;“We saw a tweet from someone who received less than
   stellar customer service at a store in Canada &amp; we got in touch with them to sort
   it out.”&lt;/em&gt; Children’s Charity Barnardo’s used Twitter alongside their blog to engage
   the media storm around their controversial ‘Break the cycle’ ad campaign (managed
   by Chameleon Net) so successfully that Barnardo’s own staff kept abreast of the situation
   by following the charity’s own Twitter feed. Higher Education Institutions are now
   looking at using Twitter as a Personal Learning Network in which students can ask
   questions of their peers and teachers in order to increase feedback and accessibility. &lt;/font&gt;&lt;/font&gt;
&lt;/p&gt;
&lt;p&gt;
   &lt;font face=Tahoma color=#000000&gt;&lt;/font&gt; 
&lt;/p&gt;
&lt;p&gt;
   &lt;font face=Tahoma color=#000000&gt;Twitter is quickly evolving to become fundamental
   in the development of any digital strategy and with its thrust into the UK lime-light
   thanks to varying celebrity endorsements, its popularity is only set to grow. Businesses
   need to educate themselves and start twittering soon or risk being left behind by
   more media-savvy rivals.&lt;/font&gt;
&lt;/p&gt;
&lt;p&gt;
   &lt;font face=Tahoma&gt;&lt;/font&gt; 
&lt;/p&gt;
&lt;p&gt;
   &lt;font face=Tahoma size=1&gt;CREDIT TO:&lt;br&gt;
   &lt;br&gt;
   &lt;/font&gt;&lt;a href="http://www.brandrepublic.com/Revolution/News/875017/Celebs-start-tweeting-Twitters-UK-popularity-rises-10-fold-year/"&gt;&lt;font face=Tahoma size=1&gt;http://www.brandrepublic.com/Revolution/News/875017/Celebs-start-tweeting-Twitters-UK-popularity-rises-10-fold-year/&lt;/font&gt;&lt;/a&gt;
&lt;/p&gt;
&lt;p&gt;
   &lt;a href="http://nielsen-online.com/blog/2009/01/16/tweeting-the-us-airways-flight-1549-plane-crash/"&gt;&lt;font face=Tahoma size=1&gt;http://nielsen-online.com/blog/2009/01/16/tweeting-the-us-airways-flight-1549-plane-crash/&lt;/font&gt;&lt;/a&gt;
&lt;/p&gt;
&lt;p&gt;
   &lt;a href="http://popacular.com/gigatweet/analytics.php"&gt;&lt;font face=Tahoma size=1&gt;http://popacular.com/gigatweet/analytics.php&lt;/font&gt;&lt;/a&gt;
&lt;/p&gt;
&lt;p&gt;
   &lt;a href="http://www.nytimes.com/2008/09/07/magazine/07awareness-t.html"&gt;&lt;font face=Tahoma size=1&gt;http://www.nytimes.com/2008/09/07/magazine/07awareness-t.html&lt;/font&gt;&lt;/a&gt;
&lt;/p&gt;
&lt;p&gt;
   &lt;a href="http://www.bbc.co.uk/blogs/technology/2008/12/twitter_the_mumbai_myths.html"&gt;&lt;font face=Tahoma size=1&gt;http://www.bbc.co.uk/blogs/technology/2008/12/twitter_the_mumbai_myths.html&lt;/font&gt;&lt;/a&gt;
   &lt;br&gt;
&lt;/p&gt;
&lt;img width="0" height="0" src="http://www.chameleonnet.co.uk/blog/aggbug.ashx?id=4af56aae-dcc1-4151-862d-0817bca7475b" /&gt;</description>
      <comments>http://www.chameleonnet.co.uk/blog/CommentView,guid,4af56aae-dcc1-4151-862d-0817bca7475b.aspx</comments>
      <category>Online Marketing;Reputation Management;Social Networking;Twitter;Web 2.0</category>
    </item>
    <item>
      <trackback:ping>http://www.chameleonnet.co.uk/blog/Trackback.aspx?guid=4baddf85-4d4e-4623-8aa1-d223fdd69952</trackback:ping>
      <pingback:server>http://www.chameleonnet.co.uk/blog/pingback.aspx</pingback:server>
      <pingback:target>http://www.chameleonnet.co.uk/blog/PermaLink,guid,4baddf85-4d4e-4623-8aa1-d223fdd69952.aspx</pingback:target>
      <dc:creator>jeremyd@chameleonnet.com (Jeremy Davis)</dc:creator>
      <wfw:comment>http://www.chameleonnet.co.uk/blog/CommentView,guid,4baddf85-4d4e-4623-8aa1-d223fdd69952.aspx</wfw:comment>
      <wfw:commentRss>http://www.chameleonnet.co.uk/blog/SyndicationService.asmx/GetEntryCommentsRss?guid=4baddf85-4d4e-4623-8aa1-d223fdd69952</wfw:commentRss>
      <title>Audio Books – Who’s Listening?</title>
      <guid>http://www.chameleonnet.co.uk/blog/PermaLink,guid,4baddf85-4d4e-4623-8aa1-d223fdd69952.aspx</guid>
      <link>http://www.chameleonnet.co.uk/blog/PermaLink,guid,4baddf85-4d4e-4623-8aa1-d223fdd69952.aspx</link>
      <pubDate>Mon, 10 Nov 2008 15:12:18 GMT</pubDate>
      <description>&lt;link rel="File-List" href="file:///C:%5CDOCUME%7E1%5CJEREMY%7E1%5CLOCALS%7E1%5CTemp%5Cmsohtmlclip1%5C01%5Cclip_filelist.xml"&gt;
&lt;link rel="themeData" href="file:///C:%5CDOCUME%7E1%5CJEREMY%7E1%5CLOCALS%7E1%5CTemp%5Cmsohtmlclip1%5C01%5Cclip_themedata.thmx"&gt;
&lt;link rel="colorSchemeMapping" href="file:///C:%5CDOCUME%7E1%5CJEREMY%7E1%5CLOCALS%7E1%5CTemp%5Cmsohtmlclip1%5C01%5Cclip_colorschememapping.xml"&gt;
&lt;!--[if gte mso 9]&gt;&lt;xml&gt;
 &lt;w:WordDocument&gt;
  &lt;w:View&gt;Normal&lt;/w:View&gt;
  &lt;w:Zoom&gt;0&lt;/w:Zoom&gt;
  &lt;w:TrackMoves/&gt;
  &lt;w:TrackFormatting/&gt;
  &lt;w:DoNotShowRevisions/&gt;
  &lt;w:DoNotPrintRevisions/&gt;
  &lt;w:DoNotShowMarkup/&gt;
  &lt;w:DoNotShowComments/&gt;
  &lt;w:DoNotShowInsertionsAndDeletions/&gt;
  &lt;w:DoNotShowPropertyChanges/&gt;
  &lt;w:PunctuationKerning/&gt;
  &lt;w:ValidateAgainstSchemas/&gt;
  &lt;w:SaveIfXMLInvalid&gt;false&lt;/w:SaveIfXMLInvalid&gt;
  &lt;w:IgnoreMixedContent&gt;false&lt;/w:IgnoreMixedContent&gt;
  &lt;w:AlwaysShowPlaceholderText&gt;false&lt;/w:AlwaysShowPlaceholderText&gt;
  &lt;w:DoNotPromoteQF/&gt;
  &lt;w:LidThemeOther&gt;EN-US&lt;/w:LidThemeOther&gt;
  &lt;w:LidThemeAsian&gt;X-NONE&lt;/w:LidThemeAsian&gt;
  &lt;w:LidThemeComplexScript&gt;X-NONE&lt;/w:LidThemeComplexScript&gt;
  &lt;w:Compatibility&gt;
   &lt;w:BreakWrappedTables/&gt;
   &lt;w:SnapToGridInCell/&gt;
   &lt;w:WrapTextWithPunct/&gt;
   &lt;w:UseAsianBreakRules/&gt;
   &lt;w:DontGrowAutofit/&gt;
   &lt;w:SplitPgBreakAndParaMark/&gt;
   &lt;w:DontVertAlignCellWithSp/&gt;
   &lt;w:DontBreakConstrainedForcedTables/&gt;
   &lt;w:DontVertAlignInTxbx/&gt;
   &lt;w:Word11KerningPairs/&gt;
   &lt;w:CachedColBalance/&gt;
  &lt;/w:Compatibility&gt;
  &lt;w:BrowserLevel&gt;MicrosoftInternetExplorer4&lt;/w:BrowserLevel&gt;
  &lt;m:mathPr&gt;
   &lt;m:mathFont m:val="Cambria Math"/&gt;
   &lt;m:brkBin m:val="before"/&gt;
   &lt;m:brkBinSub m:val="&amp;#45;-"/&gt;
   &lt;m:smallFrac m:val="off"/&gt;
   &lt;m:dispDef/&gt;
   &lt;m:lMargin m:val="0"/&gt;
   &lt;m:rMargin m:val="0"/&gt;
   &lt;m:defJc m:val="centerGroup"/&gt;
   &lt;m:wrapIndent m:val="1440"/&gt;
   &lt;m:intLim m:val="subSup"/&gt;
   &lt;m:naryLim m:val="undOvr"/&gt;
  &lt;/m:mathPr&gt;&lt;/w:WordDocument&gt;
&lt;/xml&gt;&lt;![endif]--&gt;
&lt;!--[if gte mso 9]&gt;&lt;xml&gt;
 &lt;w:LatentStyles DefLockedState="false" DefUnhideWhenUsed="true"
  DefSemiHidden="true" DefQFormat="false" DefPriority="99"
  LatentStyleCount="267"&gt;
  &lt;w:LsdException Locked="false" Priority="0" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Normal"/&gt;
  &lt;w:LsdException Locked="false" Priority="9" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="heading 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 7"/&gt;
  &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 8"/&gt;
  &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 9"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="toc 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="toc 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="toc 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="toc 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="toc 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="toc 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="toc 7"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="toc 8"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="toc 9"/&gt;
  &lt;w:LsdException Locked="false" Priority="35" QFormat="true" Name="caption"/&gt;
  &lt;w:LsdException Locked="false" Priority="10" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Title"/&gt;
  &lt;w:LsdException Locked="false" Priority="1" Name="Default Paragraph Font"/&gt;
  &lt;w:LsdException Locked="false" Priority="11" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Subtitle"/&gt;
  &lt;w:LsdException Locked="false" Priority="0" Name="Hyperlink"/&gt;
  &lt;w:LsdException Locked="false" Priority="22" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Strong"/&gt;
  &lt;w:LsdException Locked="false" Priority="20" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Emphasis"/&gt;
  &lt;w:LsdException Locked="false" Priority="59" SemiHidden="false"
   UnhideWhenUsed="false" Name="Table Grid"/&gt;
  &lt;w:LsdException Locked="false" UnhideWhenUsed="false" Name="Placeholder Text"/&gt;
  &lt;w:LsdException Locked="false" Priority="1" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="No Spacing"/&gt;
  &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading"/&gt;
  &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List"/&gt;
  &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid"/&gt;
  &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List"/&gt;
  &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading"/&gt;
  &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List"/&gt;
  &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid"/&gt;
  &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 2 Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1 Accent 1"/&gt;
  &lt;w:LsdException Locked="false" UnhideWhenUsed="false" Name="Revision"/&gt;
  &lt;w:LsdException Locked="false" Priority="34" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="List Paragraph"/&gt;
  &lt;w:LsdException Locked="false" Priority="29" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Quote"/&gt;
  &lt;w:LsdException Locked="false" Priority="30" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Intense Quote"/&gt;
  &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2 Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 2 Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1 Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2 Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 2 Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1 Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2 Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 2 Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1 Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2 Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 2 Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1 Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2 Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 2 Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1 Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2 Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="19" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Subtle Emphasis"/&gt;
  &lt;w:LsdException Locked="false" Priority="21" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Intense Emphasis"/&gt;
  &lt;w:LsdException Locked="false" Priority="31" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Subtle Reference"/&gt;
  &lt;w:LsdException Locked="false" Priority="32" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Intense Reference"/&gt;
  &lt;w:LsdException Locked="false" Priority="33" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Book Title"/&gt;
  &lt;w:LsdException Locked="false" Priority="37" Name="Bibliography"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" QFormat="true" Name="TOC Heading"/&gt;
 &lt;/w:LatentStyles&gt;
&lt;/xml&gt;&lt;![endif]--&gt;&lt;style&gt;
&lt;!--
 /* Font Definitions */
 @font-face
	{font-family:"Cambria Math";
	panose-1:2 4 5 3 5 4 6 3 2 4;
	mso-font-charset:0;
	mso-generic-font-family:roman;
	mso-font-pitch:variable;
	mso-font-signature:-1610611985 1107304683 0 0 159 0;}
@font-face
	{font-family:Verdana;
	panose-1:2 11 6 4 3 5 4 4 2 4;
	mso-font-charset:0;
	mso-generic-font-family:swiss;
	mso-font-pitch:variable;
	mso-font-signature:536871559 0 0 0 415 0;}
@font-face
	{font-family:Times-Bold;
	panose-1:0 0 0 0 0 0 0 0 0 0;
	mso-font-charset:0;
	mso-generic-font-family:auto;
	mso-font-format:other;
	mso-font-pitch:auto;
	mso-font-signature:3 0 0 0 1 0;}
 /* Style Definitions */
 p.MsoNormal, li.MsoNormal, div.MsoNormal
	{mso-style-unhide:no;
	mso-style-qformat:yes;
	mso-style-parent:"";
	margin:0cm;
	margin-bottom:.0001pt;
	line-height:140%;
	mso-pagination:widow-orphan;
	font-size:10.0pt;
	mso-bidi-font-size:12.0pt;
	font-family:"Verdana","sans-serif";
	mso-fareast-font-family:"Times New Roman";
	mso-bidi-font-family:"Times New Roman";
	color:#333333;
	letter-spacing:.2pt;}
a:link, span.MsoHyperlink
	{mso-style-unhide:no;
	mso-ansi-font-size:11.0pt;
	font-family:"Verdana","sans-serif";
	mso-ascii-font-family:Verdana;
	mso-hansi-font-family:Verdana;
	color:#377399;
	text-underline:#2DA5D0;
	text-decoration:underline;
	text-underline:single;}
a:visited, span.MsoHyperlinkFollowed
	{mso-style-noshow:yes;
	mso-style-priority:99;
	color:purple;
	mso-themecolor:followedhyperlink;
	text-decoration:underline;
	text-underline:single;}
.MsoChpDefault
	{mso-style-type:export-only;
	mso-default-props:yes;
	font-size:10.0pt;
	mso-ansi-font-size:10.0pt;
	mso-bidi-font-size:10.0pt;}
@page Section1
	{size:612.0pt 792.0pt;
	margin:72.0pt 72.0pt 72.0pt 72.0pt;
	mso-header-margin:36.0pt;
	mso-footer-margin:36.0pt;
	mso-paper-source:0;}
div.Section1
	{page:Section1;}
 /* List Definitions */
 @list l0
	{mso-list-id:1163086877;
	mso-list-type:hybrid;
	mso-list-template-ids:183804226 -1944524846 67698713 67698715 67698703 67698713 67698715 67698703 67698713 67698715;}
@list l0:level1
	{mso-level-tab-stop:none;
	mso-level-number-position:left;
	margin-left:21.0pt;
	text-indent:-18.0pt;}
ol
	{margin-bottom:0cm;}
ul
	{margin-bottom:0cm;}
--&gt;
&lt;/style&gt;
&lt;!--[if gte mso 10]&gt;
&lt;style&gt;
 /* Style Definitions */
 table.MsoNormalTable
	{mso-style-name:"Table Normal";
	mso-tstyle-rowband-size:0;
	mso-tstyle-colband-size:0;
	mso-style-noshow:yes;
	mso-style-priority:99;
	mso-style-qformat:yes;
	mso-style-parent:"";
	mso-padding-alt:0cm 5.4pt 0cm 5.4pt;
	mso-para-margin:0cm;
	mso-para-margin-bottom:.0001pt;
	mso-pagination:widow-orphan;
	font-size:10.0pt;
	font-family:"Times New Roman","serif";}
&lt;/style&gt;
&lt;![endif]--&gt;My
Dimbleby mission continues. Seriously, David, look over your shoulder and you will
see me there…albeit with the need of the Hubble telescope.&lt;br&gt;
&lt;br&gt;
I was invited to be a panel member for The Bookseller’s “&lt;a href="http://www.thebookseller.com/documents/UserContributed/file/Audio%20Programme%20Oct%2022.pdf"&gt;Audio
Revolution 2008&lt;/a&gt;” – a one-day Publishing industry seminar focussing on all things
audio book-related.&lt;br&gt;
&lt;br&gt;
My session was the last of the day and I must say that it showed in some of the faces
but nonetheless Jo Henry chaired an interesting discussion about how audio books could/should
be marketed. 
&lt;br&gt;
&lt;br&gt;
I was representing the web marketing side of things, with Tony Lynch of &lt;a href="http://www.gospoken.com/"&gt;Gospoken&lt;/a&gt; making
an excellent case for the viability of audio books on mobile phones and Madeline Milne
of &lt;a href="http://www.emusic.com/"&gt;e-Music&lt;/a&gt; discussing the success of their subscription-based
download model.&lt;br&gt;
&lt;br&gt;
It was difficult to do justice to this very broad topic in fifty minutes and I was
very surprised at how few questions the panel got from the floor. I think this represented
a general feeling that I got from the afternoon. No one was really talking about marketing
audio books. By which I mean getting them out there and selling them.&lt;br&gt;
&lt;br&gt;
I spent the afternoon thinking that audio books are like this little-known secret
and it surprises me that the industry isn’t shouting about them more. I mean, they
are really great!&lt;br&gt;
&lt;br&gt;
I was speaking to one of our recent recruits at Chameleon Net – young, early twenties,
bright – and, as if it was the most normal thing in the world, he said “I don’t like
reading books, but I really like audio books. I wouldn’t read a book on the train
but I just put on an audio book – it’s great.”&lt;br&gt;
&lt;br&gt;
And there it was…a new market for publishers. So why, I wonder, isn’t the industry
shouting from the rooftops about this amazing format that means people who don’t like
reading can enjoy books? I mean, some people are just mainly auditory – that’s how
they like to learn and that’s how they like to consume information.&lt;br&gt;
&lt;br&gt;
Surely the industry should be running massive campaigns about audio books?! Publishers
should be giving some away as tasters…get people using them! 
&lt;br&gt;
&lt;br&gt;
I think if the publishing industry could unite, get over all the internal issues like
audio book rights, royalties, investment in recordings, etc and just get the message
of audio books out there, the response would be huge! Just get people aware of them,
using them, liking them. There’s a market out there and most of them don’t think about
audio books. And they are not all old women and travelling sales reps.&lt;br&gt;
&lt;br&gt;
So, “quit your whingeing” I hear you cry “and do something to help”. Ok then, I will.
Here are my top ten tips for marketing and selling audio books:&lt;br&gt;
&lt;br&gt;
1.&amp;nbsp;&amp;nbsp; &amp;nbsp;Get all over social networks – they are still the fastest growing
sites in the UK and your target market is using them every day. Sometimes for hours
and often when they should be working. Create groups, use Facebook advertising, run
competitions, give-aways (i.e. free downloads)&lt;br&gt;
&lt;br&gt;
2.&amp;nbsp;&amp;nbsp; &amp;nbsp;Use ePR (or an agency that knows how to use it :)) to target
key influential bloggers and get them blogging about you and your products. Credibility
online is everything and all votes are not created equal. Make powerful friends and
work together.&lt;br&gt;
&lt;br&gt;
3.&amp;nbsp;&amp;nbsp; &amp;nbsp;Get all over search engines. By which I mean Google. They have
nearly 90% of UK searches and 94% of people use it, all of whom are qualified as having
an informational need (otherwise they wouldn’t be searching). Where else would you
want to advertise? Do this by PPC ads and also by optimising for organic search results
(see below).&lt;br&gt;
&lt;br&gt;
4.&amp;nbsp;&amp;nbsp; &amp;nbsp;Optimise for natural search. This gets its own number coz it’s
so important. It’s by far the best ROI when it comes to search engine marketing and
every day that you don’t do it and your competitors do, the lower you will show up
in the searches. In natural SEO, doing nothing just means you keep getting lower.
More of this below….&lt;br&gt;
&lt;br&gt;
5.&amp;nbsp;&amp;nbsp; &amp;nbsp;Use metadata: use target key words to describe your audio files
and make sure they are on optimised pages: page titles, H1 tags, alt tags, copy, etc.
SE’s can’t listen to audio books (yet…I’m not kidding, speech recognition software
is getting better and Google may soon be able to index the spoken word) so give them
lots of thematically-relevant content to help them.&lt;br&gt;
&lt;br&gt;
6.&amp;nbsp;&amp;nbsp; &amp;nbsp;Think Accessibility. Audio books have a perfect market in people
with visual impairments. Make sure your site works for screen readers. If you’re not
sure, get an audit (“from us” is the answer to your next question).&lt;br&gt;
&lt;br&gt;
7.&amp;nbsp;&amp;nbsp; &amp;nbsp;Speaking of sites…get a good one. There’s no point spending time
and money marketing products if your site is rubbish at converting visitors to customers.
You’ll lose sales and damage your brand in the process. Make sure your site makes
buying mind-numbingly easy. Joyful even. People should leave your site happier than
when they arrived. If not, your site is letting you and them down. I mean, nobody
likes to be made to work hard to buy something – it’s just not polite.&lt;br&gt;
&lt;br&gt;
8.&amp;nbsp;&amp;nbsp; &amp;nbsp;Don’t worry about DRM. There are so few audio books out there
that there is not much of a market in illegal copies 9unlike music). It’s about creating
the market at the moment – better to have a million audio books out there with 10
per cent buying them than ten thousand with 100% of them buying. DRM can always be
adopted later.&lt;br&gt;
&lt;br&gt;
9.&amp;nbsp;&amp;nbsp; &amp;nbsp;Create added-value content. Like extras on DVDs…publishers can
offer something more than the retailers…exclusive interviews with the author, an introduction,
an otherwise unpublished epi/prologue, etc. This will really help the ePR and build
buzz.&lt;br&gt;
&lt;br&gt;
10.&amp;nbsp;&amp;nbsp; &amp;nbsp;Sell ‘em direct. Find out what your customers like and talk
to them about it. Don’t let Amazon have all the fun.&lt;br&gt;
&lt;br&gt;
&lt;br&gt;
Of course audio books are part of a seismic shift in the Publishing sector that is
happening in order to adapt to digital content and multiple delivery platforms and
formats. 
&lt;br&gt;
&lt;br&gt;
For an excellent analysis of these changes, I recommend Sara Lloyd’s insightful article
“&lt;a href="http://thedigitalist.net/wp-content/uploads/2008/05/a-book-publishers-manifesto-for-the-21st-century.pdf"&gt;A
book publisher’s manifesto for the 21st century&lt;/a&gt;”. 
&lt;br&gt;
&lt;br&gt;
If you are a publisher and want to know more of our thoughts on this and other Publishing-related
topics, you may want to attend our free seminar: &lt;a href="http://www.chameleonnet.co.uk/Publishers"&gt;Quick
Web Wins for Publishers&lt;/a&gt;, on Tuesday 25th November at London Chamber of Commerce,
EC4. There’ll be exclusive content and an opportunity to ask us questions.&lt;br&gt;
&lt;br&gt;
&lt;p class="MsoNormal" style="margin-left: 3pt;"&gt;
   &lt;span style="" lang="EN-GB"&gt;
   &lt;o:p&gt;&lt;/o:p&gt;
   &lt;/span&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;/p&gt;
&lt;img width="0" height="0" src="http://www.chameleonnet.co.uk/blog/aggbug.ashx?id=4baddf85-4d4e-4623-8aa1-d223fdd69952" /&gt;</description>
      <comments>http://www.chameleonnet.co.uk/blog/CommentView,guid,4baddf85-4d4e-4623-8aa1-d223fdd69952.aspx</comments>
      <category>Facebook;Online Marketing;PPC;Social Networking;Web 2.0</category>
    </item>
    <item>
      <trackback:ping>http://www.chameleonnet.co.uk/blog/Trackback.aspx?guid=61fdc8f8-7db6-420b-880f-562a222f2ade</trackback:ping>
      <pingback:server>http://www.chameleonnet.co.uk/blog/pingback.aspx</pingback:server>
      <pingback:target>http://www.chameleonnet.co.uk/blog/PermaLink,guid,61fdc8f8-7db6-420b-880f-562a222f2ade.aspx</pingback:target>
      <dc:creator>stephen@actualmarketing.co.uk (Steve Thorn)</dc:creator>
      <wfw:comment>http://www.chameleonnet.co.uk/blog/CommentView,guid,61fdc8f8-7db6-420b-880f-562a222f2ade.aspx</wfw:comment>
      <wfw:commentRss>http://www.chameleonnet.co.uk/blog/SyndicationService.asmx/GetEntryCommentsRss?guid=61fdc8f8-7db6-420b-880f-562a222f2ade</wfw:commentRss>
      <title>The President of New Media</title>
      <guid>http://www.chameleonnet.co.uk/blog/PermaLink,guid,61fdc8f8-7db6-420b-880f-562a222f2ade.aspx</guid>
      <link>http://www.chameleonnet.co.uk/blog/PermaLink,guid,61fdc8f8-7db6-420b-880f-562a222f2ade.aspx</link>
      <pubDate>Thu, 23 Oct 2008 11:33:27 GMT</pubDate>
      <description>&lt;p class=MsoNormal style="MARGIN: 0cm 0cm 0pt"&gt;
   &lt;b style="mso-bidi-font-weight: normal"&gt;&lt;span style="FONT-FAMILY: 'Arial','sans-serif'; mso-ansi-language: EN-GB"&gt;&lt;font color=#000000&gt;&lt;font face=Verdana&gt;&lt;?xml:namespace prefix = o ns = "urn:schemas-microsoft-com:office:office" /&gt;The
   President of New Media&lt;o:p&gt;&lt;/o:p&gt;
   &lt;/font&gt;&lt;/font&gt;&lt;/span&gt;&lt;/b&gt;
&lt;/p&gt;
&lt;p class=MsoNormal style="MARGIN: 0cm 0cm 0pt"&gt;
   &lt;span style="FONT-FAMILY: 'Arial','sans-serif'; mso-ansi-language: EN-GB"&gt;
   &lt;o:p&gt;
      &lt;font face=Verdana color=#000000&gt;&amp;nbsp;&lt;/font&gt;
   &lt;/o:p&gt;
   &lt;/span&gt;
&lt;/p&gt;
&lt;p class=MsoNormal style="MARGIN: 0cm 0cm 0pt"&gt;
   &lt;span style="FONT-FAMILY: 'Arial','sans-serif'; mso-ansi-language: EN-GB"&gt;&lt;font color=#000000&gt;&lt;font face=Verdana&gt;Maybe
   it’s my age but for the first time ever I’ve found myself following the developments
   of the US Presidential Elections.&lt;o:p&gt;&lt;/o:p&gt;
   &lt;/font&gt;&lt;/font&gt;&lt;/span&gt;
&lt;/p&gt;
&lt;p class=MsoNormal style="MARGIN: 0cm 0cm 0pt"&gt;
   &lt;span style="FONT-FAMILY: 'Arial','sans-serif'; mso-ansi-language: EN-GB"&gt;
   &lt;o:p&gt;
      &lt;font face=Verdana color=#000000&gt;&amp;nbsp;&lt;/font&gt;
   &lt;/o:p&gt;
   &lt;/span&gt;
&lt;/p&gt;
&lt;p class=MsoNormal style="MARGIN: 0cm 0cm 0pt"&gt;
   &lt;span style="FONT-FAMILY: 'Arial','sans-serif'; mso-ansi-language: EN-GB"&gt;&lt;font color=#000000&gt;&lt;font face=Verdana&gt;With
   just&amp;nbsp;five days to go, the coverage on the BBC has been up to its usual standards,
   but I’ve been intrigued enough by the characters of the main players to have a look
   at their websites and see how they’re using the web to spread their message.&lt;o:p&gt;&lt;/o:p&gt;
   &lt;/font&gt;&lt;/font&gt;&lt;/span&gt;
&lt;/p&gt;
&lt;p class=MsoNormal style="MARGIN: 0cm 0cm 0pt"&gt;
   &lt;span style="FONT-FAMILY: 'Arial','sans-serif'; mso-ansi-language: EN-GB"&gt;
   &lt;o:p&gt;
      &lt;font face=Verdana color=#000000&gt;&amp;nbsp;&lt;/font&gt;
   &lt;/o:p&gt;
   &lt;/span&gt;
&lt;/p&gt;
&lt;p class=MsoNormal style="MARGIN: 0cm 0cm 0pt"&gt;
   &lt;span style="FONT-FAMILY: 'Arial','sans-serif'; mso-ansi-language: EN-GB"&gt;&lt;font face=Verdana color=#000000&gt;Arriving
   at the McCain site, &lt;/font&gt;&lt;a href="http://www.johnmccain.com/"&gt;&lt;font face=Verdana&gt;www.johnmccain.com&lt;/font&gt;&lt;/a&gt;&lt;font color=#000000&gt;&lt;font face=Verdana&gt;,
   I was greeted with a streamed video of the hopeful candidate that opens with the words
   (rather worryingly seeing as he’s also a Republican), “The last eight years haven’t
   worked very well have they?”&lt;o:p&gt;&lt;/o:p&gt;
   &lt;/font&gt;&lt;/font&gt;&lt;/span&gt;
&lt;/p&gt;
&lt;p class=MsoNormal style="MARGIN: 0cm 0cm 0pt"&gt;
   &lt;span style="FONT-FAMILY: 'Arial','sans-serif'; mso-ansi-language: EN-GB"&gt;
   &lt;o:p&gt;
      &lt;font face=Verdana color=#000000&gt;&amp;nbsp;&lt;/font&gt;
   &lt;/o:p&gt;
   &lt;/span&gt;
&lt;/p&gt;
&lt;p class=MsoNormal style="MARGIN: 0cm 0cm 0pt"&gt;
   &lt;span style="FONT-FAMILY: 'Arial','sans-serif'; mso-ansi-language: EN-GB"&gt;&lt;font face=Verdana color=#000000&gt;Unfortunately
   there isn’t a Sarah Palin gallery online (I did search for one, perhaps another indication
   of my advancing years) and I got quickly bored with the site and wandered off into
   the Web to see what else I could find. The most engaging item was the Republicans’
   YouTube video satirising the ‘holiness’ of the Obama campaign (see more at &lt;/font&gt;&lt;a href="http://news.bbc.co.uk/1/hi/technology/"&gt;&lt;font face=Verdana&gt;http://news.bbc.co.uk/1/hi/technology/&lt;/font&gt;&lt;/a&gt;&lt;font color=#000000&gt;&lt;font face=Verdana&gt;)
   being currently embroiled in a row over copyright.&lt;o:p&gt;&lt;/o:p&gt;
   &lt;/font&gt;&lt;/font&gt;&lt;/span&gt;
&lt;/p&gt;
&lt;p class=MsoNormal style="MARGIN: 0cm 0cm 0pt"&gt;
   &lt;span style="FONT-FAMILY: 'Arial','sans-serif'; mso-ansi-language: EN-GB"&gt;
   &lt;o:p&gt;
      &lt;font face=Verdana color=#000000&gt;&amp;nbsp;&lt;/font&gt;
   &lt;/o:p&gt;
   &lt;/span&gt;
&lt;/p&gt;
&lt;p class=MsoNormal style="MARGIN: 0cm 0cm 0pt"&gt;
   &lt;span style="FONT-FAMILY: 'Arial','sans-serif'; mso-ansi-language: EN-GB"&gt;&lt;font face=Verdana color=#000000&gt;Heading
   on over to the Democratic camp, I found &lt;/font&gt;&lt;a href="http://www.barackobama.com"&gt;&lt;font face=Verdana&gt;www.barackobama.com&lt;/font&gt;&lt;/a&gt;&lt;font color=#000000&gt;&lt;font face=Verdana&gt; much
   more new media savvy with lots of exciting, dynamic web content including BarrackTV,
   the RoadBlog, Obama Mobile, the choice of sixteen social network links and a button
   inviting me to ‘Donate Today and receive a free Obama car magnet’!&lt;o:p&gt;&lt;/o:p&gt;
   &lt;/font&gt;&lt;/font&gt;&lt;/span&gt;
&lt;/p&gt;
&lt;p class=MsoNormal style="MARGIN: 0cm 0cm 0pt"&gt;
   &lt;span style="FONT-FAMILY: 'Arial','sans-serif'; mso-ansi-language: EN-GB"&gt;
   &lt;o:p&gt;
      &lt;font face=Verdana color=#000000&gt;&amp;nbsp;&lt;/font&gt;
   &lt;/o:p&gt;
   &lt;/span&gt;
&lt;/p&gt;
&lt;p class=MsoNormal style="MARGIN: 0cm 0cm 0pt"&gt;
   &lt;span style="FONT-FAMILY: 'Arial','sans-serif'; mso-ansi-language: EN-GB"&gt;&lt;font face=Verdana color=#000000&gt;Obama
   has also used new media to target likely pockets of supporters including the Latino
   vote - &lt;/font&gt;&lt;a href="http://www.vivaobama08.com/"&gt;&lt;font face=Verdana&gt;www.vivaobama08.com&lt;/font&gt;&lt;/a&gt;&lt;font color=#000000&gt;&lt;font face=Verdana&gt; features
   perhaps the only Mariachi song to include a mention of healthcare legislation.&lt;o:p&gt;&lt;/o:p&gt;
   &lt;/font&gt;&lt;/font&gt;&lt;/span&gt;
&lt;/p&gt;
&lt;p class=MsoNormal style="MARGIN: 0cm 0cm 0pt"&gt;
   &lt;span style="FONT-FAMILY: 'Arial','sans-serif'; mso-ansi-language: EN-GB"&gt;
   &lt;o:p&gt;
      &lt;font face=Verdana color=#000000&gt;&amp;nbsp;&lt;/font&gt;
   &lt;/o:p&gt;
   &lt;/span&gt;
&lt;/p&gt;
&lt;p class=MsoNormal style="MARGIN: 0cm 0cm 0pt"&gt;
   &lt;span style="FONT-FAMILY: 'Arial','sans-serif'; mso-ansi-language: EN-GB"&gt;&lt;font color=#000000&gt;&lt;font face=Verdana&gt;All
   good multimedia stuff. Not only that, but whatever the outcome Barack will go down
   in history as the first President to use video game advertising to spread the message
   (‘Guitar Hero’ and ‘Burnout Paradise’). This is aimed at a target audience of 18-34
   year olds in 10 key States before the election.&lt;o:p&gt;&lt;/o:p&gt;
   &lt;/font&gt;&lt;/font&gt;&lt;/span&gt;
&lt;/p&gt;
&lt;p class=MsoNormal style="MARGIN: 0cm 0cm 0pt"&gt;
   &lt;span style="FONT-FAMILY: 'Arial','sans-serif'; mso-ansi-language: EN-GB"&gt;
   &lt;o:p&gt;
      &lt;font face=Verdana color=#000000&gt;&amp;nbsp;&lt;/font&gt;
   &lt;/o:p&gt;
   &lt;/span&gt;
&lt;/p&gt;
&lt;p class=MsoNormal style="MARGIN: 0cm 0cm 0pt"&gt;
   &lt;span style="FONT-FAMILY: 'Arial','sans-serif'; mso-ansi-language: EN-GB"&gt;&lt;font face=Verdana color=#000000&gt;And
   finally, a 10-second search on YouTube came up with the song “I’ve got a crush on
   Obama” which has so far received 10 million views. A truly terrible video, only lifted
   by the magnificent lyric halfway through: “You’re into border security, let’s break
   the border ‘tween you and me”.&lt;span style="mso-spacerun: yes"&gt;&amp;nbsp; &lt;/span&gt;Enjoy. &lt;/font&gt;&lt;a href="http://uk.youtube.com/watch?v=wKsoXHYICqU"&gt;&lt;font face=Verdana&gt;http://uk.youtube.com/watch?v=wKsoXHYICqU&lt;/font&gt;&lt;/a&gt;&lt;/span&gt;
&lt;/p&gt;
&lt;img width="0" height="0" src="http://www.chameleonnet.co.uk/blog/aggbug.ashx?id=61fdc8f8-7db6-420b-880f-562a222f2ade" /&gt;</description>
      <comments>http://www.chameleonnet.co.uk/blog/CommentView,guid,61fdc8f8-7db6-420b-880f-562a222f2ade.aspx</comments>
      <category>Online Marketing;Press;Web 2.0;YouTube</category>
    </item>
    <item>
      <trackback:ping>http://www.chameleonnet.co.uk/blog/Trackback.aspx?guid=6697ba06-b8e4-49ad-8f2c-34151810f17e</trackback:ping>
      <pingback:server>http://www.chameleonnet.co.uk/blog/pingback.aspx</pingback:server>
      <pingback:target>http://www.chameleonnet.co.uk/blog/PermaLink,guid,6697ba06-b8e4-49ad-8f2c-34151810f17e.aspx</pingback:target>
      <dc:creator>lucie@actualmarketing.co.uk (Lucie Bickerdike)</dc:creator>
      <wfw:comment>http://www.chameleonnet.co.uk/blog/CommentView,guid,6697ba06-b8e4-49ad-8f2c-34151810f17e.aspx</wfw:comment>
      <wfw:commentRss>http://www.chameleonnet.co.uk/blog/SyndicationService.asmx/GetEntryCommentsRss?guid=6697ba06-b8e4-49ad-8f2c-34151810f17e</wfw:commentRss>
      <body xmlns="http://www.w3.org/1999/xhtml">
        <p>
      Like Suraj, I’ve been thinking a lot about online PR recently. 
   </p>
        <p>
      Public Relations traditionally holds a reputation management role, making sure its
      organisation is kept in the public eye, regarded positively and protected from the
      damage caused by public criticism. Crucially, the internet offers companies the opportunity
      to engage with their target audiences in new and exciting, more productive ways –
      but it also gives consumers a platform from which to vent about poor experiences,
      and negative reports can spread like wildfire. I need say no more than ‘Dell Hell’.
   </p>
        <p>
      This topic was touched upon by one of the speakers at a CIPR conference I attended
      this week, and the Q&amp;A session was indicative of how wary much of the PR industry
      still is on the subject of online PR. One exec said that her company had so far omitted
      any online activity from their communications strategies, but that they had realised
      they really should get involved. However, her particular organisation was subject
      to a certain amount of public criticism. Her question was this: if we begin communicating
      with our audience online, will we be opening ourselves up to more criticism and will
      we in fact be focusing people on the negative story?
   </p>
        <p>
      Of course, the answer was this. People are talking about you online, positively or
      negatively, anyway – would you rather stick your head in the sand and let the conversation
      go on without you, or engage in it and take some control of the messages being circulated?
   </p>
        <p>
      I think an important point to make about PR is that it’s not always just about the
      protection and management of company reputation. Yes, a company’s reputation is arguably
      its most valuable asset – after all, consumers listen to each other and if they’re
      all slagging you off you’re unlikely to make enough money to survive. But PR can also
      be used to communicate with customers on a more equal level, where you’re not trying
      to impose your own interpretation of their needs upon them, but really listening to
      them and building their feedback into your product or service.
   </p>
        <p>
      The internet offers some exciting possibilities for companies wanting to place customer
      requirements at the centre of their business. If you do it right, you can get valuable
      feedback from your target audience that would cost you thousands in focus groups and
      surveys. Perhaps this is the most valuable PR opportunity presented by new media at
      the moment.
   </p>
        <p>
      The fact remains that organisations can no longer hide from the fact that the web
      now has the power to make or break them. The ‘blogosphere’ should be ignored at their
      peril.
   </p>
        <img width="0" height="0" src="http://www.chameleonnet.co.uk/blog/aggbug.ashx?id=6697ba06-b8e4-49ad-8f2c-34151810f17e" />
      </body>
      <title>The Blogosphere: Friend and Foe</title>
      <guid>http://www.chameleonnet.co.uk/blog/PermaLink,guid,6697ba06-b8e4-49ad-8f2c-34151810f17e.aspx</guid>
      <link>http://www.chameleonnet.co.uk/blog/PermaLink,guid,6697ba06-b8e4-49ad-8f2c-34151810f17e.aspx</link>
      <pubDate>Tue, 14 Oct 2008 10:57:30 GMT</pubDate>
      <description>&lt;p&gt;
   Like Suraj, I’ve been thinking a lot about online PR recently. 
&lt;/p&gt;
&lt;p&gt;
   Public Relations traditionally holds a reputation management role, making sure its
   organisation is kept in the public eye, regarded positively and protected from the
   damage caused by public criticism. Crucially, the internet offers companies the opportunity
   to engage with their target audiences in new and exciting, more productive ways –
   but it also gives consumers a platform from which to vent about poor experiences,
   and negative reports can spread like wildfire. I need say no more than ‘Dell Hell’.
&lt;/p&gt;
&lt;p&gt;
   This topic was touched upon by one of the speakers at a CIPR conference I attended
   this week, and the Q&amp;amp;A session was indicative of how wary much of the PR industry
   still is on the subject of online PR. One exec said that her company had so far omitted
   any online activity from their communications strategies, but that they had realised
   they really should get involved. However, her particular organisation was subject
   to a certain amount of public criticism. Her question was this: if we begin communicating
   with our audience online, will we be opening ourselves up to more criticism and will
   we in fact be focusing people on the negative story?
&lt;/p&gt;
&lt;p&gt;
   Of course, the answer was this. People are talking about you online, positively or
   negatively, anyway – would you rather stick your head in the sand and let the conversation
   go on without you, or engage in it and take some control of the messages being circulated?
&lt;/p&gt;
&lt;p&gt;
   I think an important point to make about PR is that it’s not always just about the
   protection and management of company reputation. Yes, a company’s reputation is arguably
   its most valuable asset – after all, consumers listen to each other and if they’re
   all slagging you off you’re unlikely to make enough money to survive. But PR can also
   be used to communicate with customers on a more equal level, where you’re not trying
   to impose your own interpretation of their needs upon them, but really listening to
   them and building their feedback into your product or service.
&lt;/p&gt;
&lt;p&gt;
   The internet offers some exciting possibilities for companies wanting to place customer
   requirements at the centre of their business. If you do it right, you can get valuable
   feedback from your target audience that would cost you thousands in focus groups and
   surveys. Perhaps this is the most valuable PR opportunity presented by new media at
   the moment.
&lt;/p&gt;
&lt;p&gt;
   The fact remains that organisations can no longer hide from the fact that the web
   now has the power to make or break them. The ‘blogosphere’ should be ignored at their
   peril.
&lt;/p&gt;
&lt;img width="0" height="0" src="http://www.chameleonnet.co.uk/blog/aggbug.ashx?id=6697ba06-b8e4-49ad-8f2c-34151810f17e" /&gt;</description>
      <comments>http://www.chameleonnet.co.uk/blog/CommentView,guid,6697ba06-b8e4-49ad-8f2c-34151810f17e.aspx</comments>
      <category>Blog News;Online Marketing;Social Networking;Web 2.0;Reputation Management</category>
    </item>
    <item>
      <trackback:ping>http://www.chameleonnet.co.uk/blog/Trackback.aspx?guid=c2dabe97-4ea7-4df3-9cb0-ee0acb7ade2c</trackback:ping>
      <pingback:server>http://www.chameleonnet.co.uk/blog/pingback.aspx</pingback:server>
      <pingback:target>http://www.chameleonnet.co.uk/blog/PermaLink,guid,c2dabe97-4ea7-4df3-9cb0-ee0acb7ade2c.aspx</pingback:target>
      <dc:creator>jeremyd@chameleonnet.com (Jeremy Davis)</dc:creator>
      <wfw:comment>http://www.chameleonnet.co.uk/blog/CommentView,guid,c2dabe97-4ea7-4df3-9cb0-ee0acb7ade2c.aspx</wfw:comment>
      <wfw:commentRss>http://www.chameleonnet.co.uk/blog/SyndicationService.asmx/GetEntryCommentsRss?guid=c2dabe97-4ea7-4df3-9cb0-ee0acb7ade2c</wfw:commentRss>
      <body xmlns="http://www.w3.org/1999/xhtml">In my ongoing mission to become the David
   Dimbleby of the Web Industry (and beyond?) I recently spent an afternoon chairing
   a “Question Time” style event for movers and shakers in the UK publishing industry:
   “Digitise or Die” was the inaugural annual event run by <a href="http://www.thebookseller.com/">The
   Bookseller</a>, the leading trade publication for the book industry, with the sole
   intention of focusing on the issues facing the book business in the digital age. And
   issues there are. 
   <br /><br />
   Pretty much ever since Gutenberg invented the printing press in 1440, the only way
   you and I could get our hands on a book would be if a Publisher printed it (the only
   way to create multiple copies on anything like a large scale) and a bookseller sold
   it to us. Simple. Oh yes, and of course and author needs to write it. 
   <br /><br />
   So, publishers find authors, groom them, coach them and generally hone their talent
   so as to (hopefully) create not only a great piece of writing but also a rampant commercial
   success. Of course the publishers would have to kiss a few frogs but hey, sometimes
   when you get your prince he turns out to be a darned good catch (JK Rowling, Terry
   Pratchett, Dan Brown anyone?) 
   <br /><br />
   So, that model’s clear: Publisher finds the creative talent, publishes the work, markets
   it, sells it to retailers and then you and I buy it. Hang on a minute…that sounds
   familiar…creative talent…publisher…seller…consumer…Ah yes I’ve got it! It’s the music
   business! 
   <br /><br />
   And that is essentially the problem facing the book business – how to not do what
   the music business did. In the digital age the roles are unclear: anyone can be an
   author (just add talent), publish a book, mass produce it, reach an audience (if it’s
   any good) and distribute it worldwide, absolutely free. 
   <br /><br />
   Perhaps books are just content, and the web is very good at distributing that for
   free. So who’s going to pay for it? Yes, the book business is probably going through
   its biggest change in over 500 years, when Gutenburg, quill in hand, said to himself
   “there MUST be an easier way of doing this!”. Anyway, back to my Dimbleby impersonation....<br /><br />
   With research done and cue cards in hand, off I went. There were several speakers
   in the morning and then my session was in the afternoon. Tension was in the air…what
   does the future hold? speakers included Jason Hanley from Google (who are digitising
   content at a rate of knots) and he aptly demonstrated the speed at which the internet,
   in only 15 years, has been able to reach an audience of 1.5billion – way faster than
   the decades it took TV or radio to reach anything like those numbers. Yes, the internet
   is REALLY good at delivering content.<br /><br />
   All in all the event was developing a fairly dramatic atmosphere and like any drama
   there had to be a bad guy. And there was. Enter, stage left, <a href="http://andrewkeen.typepad.com/">Andrew
   Keen</a>, self proclaimed “Anti-Christ of Silicon Valley” and both irreverently funny
   and deadly serious all at the same time. And his message? That book publishing is
   finished as a business, either for the publishers or the authors. Content has gone
   digital and digital content (as the music business is finding out to its cost) is
   largely free on the web. 
   <br /><br />
   As a popular author himself he should know – most of his money, he says, comes from
   live appearances (c.f. Madonna, Rolling Stones?), not book sales. Although a word
   of qualification here: as far as I know Andrew has one popular book to his name and
   that’s hardly a career. Most creative artists would expect to have to produce a substantial
   body of popular work before they can think about retiring…but I digress. And so to
   the afternoon session.... 
   <br /><br />
   In front of an audience of book industry bods I chair an interesting discussion that
   ranges from the role of the author to the role of the high street bookseller. My fellow
   panellists included <a href="http://andrewkeen.typepad.com/">Andrew Keen</a>, Kieron
   Smith (MD of <a href="http://www.bookrabbit.com">BookRabbit.com</a>) and <a href="http://www.fusionview.co.uk/yang-may-ooi/">Yang
   May Ooi</a>, who introduced interesting ideas about how the nature of storytelling
   has changed with the digital age – maybe the book is a format from another time. 
   <br /><br />
   Our session was then followed by an excellent presentation by our very own Drew Davies
   who gave the audience a whistlestop tour of effective SEO techniques. 
   <br /><br />
   One thing was very plain throughout the day: Change is afoot. There is fear. There
   is excitement, anxiety, confusion and (as in all times of change) opportunity. My
   sense is that there will indeed be winners and losers in the publishing sector over
   the next few years and the landscape may look very different. 
   <br /><br />
   When the dust settles we will see who grasped the opportunities for delivering high
   quality digital products in a way that consumers want. Content is here to stay and
   if it’s good enough I think people will pay for it too. The challenge that faces the
   book business (and the music business) I think is how to position itself so that it
   adds value, not just the mechanism for distributing content. Value is always attractive....<br /><br />
   Next question…ah yes…the man at the back with the yellow tie…yes you, sir! <img width="0" height="0" src="http://www.chameleonnet.co.uk/blog/aggbug.ashx?id=c2dabe97-4ea7-4df3-9cb0-ee0acb7ade2c" /></body>
      <title>Digitise or Die (or “Much Ado About Digital”)</title>
      <guid>http://www.chameleonnet.co.uk/blog/PermaLink,guid,c2dabe97-4ea7-4df3-9cb0-ee0acb7ade2c.aspx</guid>
      <link>http://www.chameleonnet.co.uk/blog/PermaLink,guid,c2dabe97-4ea7-4df3-9cb0-ee0acb7ade2c.aspx</link>
      <pubDate>Mon, 11 Aug 2008 15:12:00 GMT</pubDate>
      <description>In my ongoing mission to become the David Dimbleby of the Web Industry (and beyond?) I recently spent an afternoon chairing a “Question Time” style event for movers and shakers in the UK publishing industry: “Digitise or Die” was the inaugural annual event run by &lt;a href="http://www.thebookseller.com/"&gt;The
Bookseller&lt;/a&gt;, the leading trade publication for the book industry, with the sole
intention of focusing on the issues facing the book business in the digital age. And
issues there are. 
&lt;br&gt;
&lt;br&gt;
Pretty much ever since Gutenberg invented the printing press in 1440, the only way
you and I could get our hands on a book would be if a Publisher printed it (the only
way to create multiple copies on anything like a large scale) and a bookseller sold
it to us. Simple. Oh yes, and of course and author needs to write it. 
&lt;br&gt;
&lt;br&gt;
So, publishers find authors, groom them, coach them and generally hone their talent
so as to (hopefully) create not only a great piece of writing but also a rampant commercial
success. Of course the publishers would have to kiss a few frogs but hey, sometimes
when you get your prince he turns out to be a darned good catch (JK Rowling, Terry
Pratchett, Dan Brown anyone?) 
&lt;br&gt;
&lt;br&gt;
So, that model’s clear: Publisher finds the creative talent, publishes the work, markets
it, sells it to retailers and then you and I buy it. Hang on a minute…that sounds
familiar…creative talent…publisher…seller…consumer…Ah yes I’ve got it! It’s the music
business! 
&lt;br&gt;
&lt;br&gt;
And that is essentially the problem facing the book business – how to not do what
the music business did. In the digital age the roles are unclear: anyone can be an
author (just add talent), publish a book, mass produce it, reach an audience (if it’s
any good) and distribute it worldwide, absolutely free. 
&lt;br&gt;
&lt;br&gt;
Perhaps books are just content, and the web is very good at distributing that for
free. So who’s going to pay for it? Yes, the book business is probably going through
its biggest change in over 500 years, when Gutenburg, quill in hand, said to himself
“there MUST be an easier way of doing this!”. Anyway, back to my Dimbleby impersonation....&lt;br&gt;
&lt;br&gt;
With research done and cue cards in hand, off I went. There were several speakers
in the morning and then my session was in the afternoon. Tension was in the air…what
does the future hold? speakers included Jason Hanley from Google (who are digitising
content at a rate of knots) and he aptly demonstrated the speed at which the internet,
in only 15 years, has been able to reach an audience of 1.5billion – way faster than
the decades it took TV or radio to reach anything like those numbers. Yes, the internet
is REALLY good at delivering content.&lt;br&gt;
&lt;br&gt;
All in all the event was developing a fairly dramatic atmosphere and like any drama
there had to be a bad guy. And there was. Enter, stage left, &lt;a href="http://andrewkeen.typepad.com/"&gt;Andrew
Keen&lt;/a&gt;, self proclaimed “Anti-Christ of Silicon Valley” and both irreverently funny
and deadly serious all at the same time. And his message? That book publishing is
finished as a business, either for the publishers or the authors. Content has gone
digital and digital content (as the music business is finding out to its cost) is
largely free on the web. 
&lt;br&gt;
&lt;br&gt;
As a popular author himself he should know – most of his money, he says, comes from
live appearances (c.f. Madonna, Rolling Stones?), not book sales. Although a word
of qualification here: as far as I know Andrew has one popular book to his name and
that’s hardly a career. Most creative artists would expect to have to produce a substantial
body of popular work before they can think about retiring…but I digress. And so to
the afternoon session.... 
&lt;br&gt;
&lt;br&gt;
In front of an audience of book industry bods I chair an interesting discussion that
ranges from the role of the author to the role of the high street bookseller. My fellow
panellists included &lt;a href="http://andrewkeen.typepad.com/"&gt;Andrew Keen&lt;/a&gt;, Kieron
Smith (MD of &lt;a href="http://www.bookrabbit.com"&gt;BookRabbit.com&lt;/a&gt;) and &lt;a href="http://www.fusionview.co.uk/yang-may-ooi/"&gt;Yang
May Ooi&lt;/a&gt;, who introduced interesting ideas about how the nature of storytelling
has changed with the digital age – maybe the book is a format from another time. 
&lt;br&gt;
&lt;br&gt;
Our session was then followed by an excellent presentation by our very own Drew Davies
who gave the audience a whistlestop tour of effective SEO techniques. 
&lt;br&gt;
&lt;br&gt;
One thing was very plain throughout the day: Change is afoot. There is fear. There
is excitement, anxiety, confusion and (as in all times of change) opportunity. My
sense is that there will indeed be winners and losers in the publishing sector over
the next few years and the landscape may look very different. 
&lt;br&gt;
&lt;br&gt;
When the dust settles we will see who grasped the opportunities for delivering high
quality digital products in a way that consumers want. Content is here to stay and
if it’s good enough I think people will pay for it too. The challenge that faces the
book business (and the music business) I think is how to position itself so that it
adds value, not just the mechanism for distributing content. Value is always attractive....&lt;br&gt;
&lt;br&gt;
Next question…ah yes…the man at the back with the yellow tie…yes you, sir! &lt;img width="0" height="0" src="http://www.chameleonnet.co.uk/blog/aggbug.ashx?id=c2dabe97-4ea7-4df3-9cb0-ee0acb7ade2c" /&gt;</description>
      <comments>http://www.chameleonnet.co.uk/blog/CommentView,guid,c2dabe97-4ea7-4df3-9cb0-ee0acb7ade2c.aspx</comments>
      <category>Blog News;Events;Online Marketing;Press;Social Networking;UGC;Web 2.0;What we're up to</category>
    </item>
    <item>
      <trackback:ping>http://www.chameleonnet.co.uk/blog/Trackback.aspx?guid=b089116c-2713-4c5e-be4f-83cefccab16d</trackback:ping>
      <pingback:server>http://www.chameleonnet.co.uk/blog/pingback.aspx</pingback:server>
      <pingback:target>http://www.chameleonnet.co.uk/blog/PermaLink,guid,b089116c-2713-4c5e-be4f-83cefccab16d.aspx</pingback:target>
      <dc:creator>surajs@chameleonnet.co.uk (Suraj Shah)</dc:creator>
      <wfw:comment>http://www.chameleonnet.co.uk/blog/CommentView,guid,b089116c-2713-4c5e-be4f-83cefccab16d.aspx</wfw:comment>
      <wfw:commentRss>http://www.chameleonnet.co.uk/blog/SyndicationService.asmx/GetEntryCommentsRss?guid=b089116c-2713-4c5e-be4f-83cefccab16d</wfw:commentRss>
      <slash:comments>1</slash:comments>
      <body xmlns="http://www.w3.org/1999/xhtml">When you offer a service or sell a product,
   either people are talking about you, or no-one is. If they’re talking about your brand,
   it may be positive or it may be negative. If no-one’s talking about you, perhaps they
   should be. 
   <br /><br />
   There are many examples where a brand’s reputation has been massively damaged, simply
   because a negative mention of a brand snowballed and was not spotted in time. 
   <br /><br />
   One such example is when a blogger from America bought a computer from the large computer
   manufacturer Dell in 2005 and paid for a four year home service support plan. Soon
   after, when the machine needed seeing to, Dell told him to return the computer, which
   left him without the machine for 10 days. When he wrote a short blog post about the
   poor service, it generated over 200 comments within a few days. This then resulted
   in 10 follow up posts and over 2500 comments that sparked so much opinion that it
   led to the phrase “Dell Hell” becoming a household term. Imagine is this post had
   been spotted in time – perhaps the massive damage that the brand received could have
   been limited. 
   <br /><br />
   Following an internal training session on Brand Identity Tracking run by our Head
   of Online Marketing, Drew Davies, I thought I’d write and share a few notes about
   how to discover what people are saying about a particular brand, how that can be tracked
   over time, and how the information can be used to improve brand identity. 
   <br /><h4>Why Do Companies Choose To Track Their Brands? 
   </h4>
   Companies generally want their brand tracked for predominantly one of four reasons:<br /><ol><li>
         New product / service: The company is launching a new product in the marketplace and
         wants to see the attention the brand will be getting online over time.<br /><br /></li><li>
         Bad reviews: A brand has been getting bad reviews on the web, and the company would
         like to see the extent of that damage done to the brand.<br /><br /></li><li>
         Good reviews: The brand is already receiving positive reviews on the web, and the
         company would like to see what is being said and use it to create more products and
         engage with the happy consumers.<br /><br /></li><li>
         No reviews: The brand has been around for a while, but the company feels that nobody’s
         talking about it, and so that company wants to see where their competitors are being
         talked about and work out how to enter those forums. 
         <br /></li></ol><h4>How To Benchmark Your Online Reputation
   </h4>
   We use a three step process here at Chameleon Net to benchmark the online reputation
   of our clients’ brands: 
   <br /><br />
   Step #1: GATHER – scouting the web for mentions of specific keywords relating to the
   brand in question, and recording how positive or negative the conversations are about
   the brand. Keywords here would include variations of the brand name, categories, and
   competitor brand names where appropriate. 
   <br /><br />
   Step #2: ANALYSE – working out what the comments mean according to pre-defined metrics,
   and benchmarking this information over time and against competitors. 
   <br /><br />
   Step #3: ENGAGE – making amends where there are grievances about the brand, and reinforcing
   positive comments about the brand on behalf of the client. 
   <br /><h4>Tracking Your Online Brand Identity – For Free! 
   </h4>
   There are already a number of free tools that companies can use to find out what people
   are saying about their brand online. Tools offered by Google include:<br /><ul><li>
         Google Search: visit <a href="http://www.google.co.uk">http://www.google.co.uk</a>,
         type in the name of the brand into the search box, and see a list of the websites
         that mention your brand. 
         <br /><br /></li><li>
         Google Blog Search: visit <a href="http://blogsearch.google.com">http://blogsearch.google.com</a>,
         type in the name of the brand in the search box, and see a list of the blogs that
         mention your brand, along with the date of when it was mentioned. 
         <br /><br /></li><li>
         Google Alerts: visit <a href="http://www.google.com/alerts">http://www.google.com/alerts</a> and
         sign up for alerts that will notify you by email about the latest web and news pages
         that mention your brand. </li></ul><h4>Limitations of using these free tools for tracking your online brand identity 
      <br /></h4><p>
      If you have a good internal team who have plenty of time on their hands, information
      on conversations about the brand can be gathered fairly simply using the free tools
      listed above. 
      <br /></p><p>
      However, although the tools are good for finding the raw data, that’s where it stops.
      The next step is to analyse the gathered data with metrics to make sense of it, which
      requires a natural human touch. 
      <br /></p><p>
      Recently we tracked the brand identity of one of our clients in the not-for-profit
      sector who wanted to see how they are perceived online. We benchmarked our findings
      over time, and against similar charities in the sector. 
      <br /></p><h4>Engaging: handling negative comments 
      <br /></h4><p>
      So what happens if you discover negatives comments about your brand? What can you
      do to recover from an online reputation crisis?
   </p><p>
      The article at <a href="http://www.marketingpilgrim.com/2008/01/five-steps-for-recovering-from-an-online-reputation-crisis.html">http://www.marketingpilgrim.com/2008/01/five-steps-for-recovering-from-an-online-reputation-crisis.html</a> suggests
      the following steps: 
      <br /></p><ol><li>
         Respond from the top 
      </li><li>
         Admit your mistakes and apologise 
      </li><li>
         Host the conversation 
      </li><li>
         Seek resolution 
      </li><li>
         Turn detractors into evangelists 
         <br /></li></ol><p>
      To recover from even the severest of mistakes, base your crisis communication on sincerity,
      transparency, and consistency. 
      <br /></p><h4>Engaging: encouraging more positive comments 
      <br /></h4><p>
      Suppose you find positive mentions of your brand at the websites and blogs that you
      find, how do you leverage that? 
      <br /></p><p>
      Simply go to those websites and say “thank you” in the comments section. Then suggest
      other innovative ways that your product or service can be used. 
      <br /></p><h4>Engaging: starting a conversation 
      <br /></h4><p>
      Sometimes, you’ll look around the web and find that no-one’s talking about your brand.
      What can you do there to create positive exposure? 
      <br /></p><p>
      Well first highlight where you want to be mentioned, and then build an innovative
      ePR campaign to get more people talking about your brand. 
      <br /></p><p>
      Chameleon Net ran an <a href="http://chameleonnet.co.uk/news_item.aspx?id=47">ePR
      campaign</a> to launch ‘The Survival Kit’ – a cookware kit developed in a collaboration
      between Jamie Oliver and Tefal. <a href="http://chameleonnet.co.uk/contact.aspx">Get
      in touch with us</a> to request our ePR case studies. 
      <br /></p><h4>Is ‘Online Reputation Management’ ethical? 
      <br /></h4><p>
      Some may refer to this process as controlling their message, while others may look
      upon it as ‘gaming the system’. What do you think? Is online reputation management
      ethical? 
   </p><img width="0" height="0" src="http://www.chameleonnet.co.uk/blog/aggbug.ashx?id=b089116c-2713-4c5e-be4f-83cefccab16d" /></body>
      <title>How To Manage Your Online Reputation</title>
      <guid>http://www.chameleonnet.co.uk/blog/PermaLink,guid,b089116c-2713-4c5e-be4f-83cefccab16d.aspx</guid>
      <link>http://www.chameleonnet.co.uk/blog/PermaLink,guid,b089116c-2713-4c5e-be4f-83cefccab16d.aspx</link>
      <pubDate>Tue, 05 Aug 2008 16:29:44 GMT</pubDate>
      <description>When you offer a service or sell a product, either people are talking about you, or no-one is. If they’re talking about your brand, it may be positive or it may be negative. If no-one’s talking about you, perhaps they should be. &lt;br&gt;
&lt;br&gt;
There are many examples where a brand’s reputation has been massively damaged, simply
because a negative mention of a brand snowballed and was not spotted in time. 
&lt;br&gt;
&lt;br&gt;
One such example is when a blogger from America bought a computer from the large computer
manufacturer Dell in 2005 and paid for a four year home service support plan. Soon
after, when the machine needed seeing to, Dell told him to return the computer, which
left him without the machine for 10 days. When he wrote a short blog post about the
poor service, it generated over 200 comments within a few days. This then resulted
in 10 follow up posts and over 2500 comments that sparked so much opinion that it
led to the phrase “Dell Hell” becoming a household term. Imagine is this post had
been spotted in time – perhaps the massive damage that the brand received could have
been limited. 
&lt;br&gt;
&lt;br&gt;
Following an internal training session on Brand Identity Tracking run by our Head
of Online Marketing, Drew Davies, I thought I’d write and share a few notes about
how to discover what people are saying about a particular brand, how that can be tracked
over time, and how the information can be used to improve brand identity. 
&lt;br&gt;
&lt;h4&gt;Why Do Companies Choose To Track Their Brands? 
&lt;/h4&gt;
Companies generally want their brand tracked for predominantly one of four reasons:&lt;br&gt;
&lt;ol&gt;
   &lt;li&gt;
      New product / service: The company is launching a new product in the marketplace and
      wants to see the attention the brand will be getting online over time.&lt;br&gt;
      &lt;br&gt;
   &lt;li&gt;
      Bad reviews: A brand has been getting bad reviews on the web, and the company would
      like to see the extent of that damage done to the brand.&lt;br&gt;
      &lt;br&gt;
   &lt;li&gt;
      Good reviews: The brand is already receiving positive reviews on the web, and the
      company would like to see what is being said and use it to create more products and
      engage with the happy consumers.&lt;br&gt;
      &lt;br&gt;
   &lt;li&gt;
      No reviews: The brand has been around for a while, but the company feels that nobody’s
      talking about it, and so that company wants to see where their competitors are being
      talked about and work out how to enter those forums. 
      &lt;br&gt;
   &lt;/li&gt;
&lt;/ol&gt;
&lt;h4&gt;How To Benchmark Your Online Reputation
&lt;/h4&gt;
We use a three step process here at Chameleon Net to benchmark the online reputation
of our clients’ brands: 
&lt;br&gt;
&lt;br&gt;
Step #1: GATHER – scouting the web for mentions of specific keywords relating to the
brand in question, and recording how positive or negative the conversations are about
the brand. Keywords here would include variations of the brand name, categories, and
competitor brand names where appropriate. 
&lt;br&gt;
&lt;br&gt;
Step #2: ANALYSE – working out what the comments mean according to pre-defined metrics,
and benchmarking this information over time and against competitors. 
&lt;br&gt;
&lt;br&gt;
Step #3: ENGAGE – making amends where there are grievances about the brand, and reinforcing
positive comments about the brand on behalf of the client. 
&lt;br&gt;
&lt;h4&gt;Tracking Your Online Brand Identity – For Free! 
&lt;/h4&gt;
There are already a number of free tools that companies can use to find out what people
are saying about their brand online. Tools offered by Google include:&lt;br&gt;
&lt;ul&gt;
   &lt;li&gt;
      Google Search: visit &lt;a href="http://www.google.co.uk"&gt;http://www.google.co.uk&lt;/a&gt;,
      type in the name of the brand into the search box, and see a list of the websites
      that mention your brand. 
      &lt;br&gt;
      &lt;br&gt;
   &lt;li&gt;
      Google Blog Search: visit &lt;a href="http://blogsearch.google.com"&gt;http://blogsearch.google.com&lt;/a&gt;,
      type in the name of the brand in the search box, and see a list of the blogs that
      mention your brand, along with the date of when it was mentioned. 
      &lt;br&gt;
      &lt;br&gt;
   &lt;li&gt;
      Google Alerts: visit &lt;a href="http://www.google.com/alerts"&gt;http://www.google.com/alerts&lt;/a&gt; and
      sign up for alerts that will notify you by email about the latest web and news pages
      that mention your brand.&amp;nbsp;&lt;/li&gt;
&lt;/ul&gt;
&lt;h4&gt;Limitations of using these free tools for tracking your online brand identity 
   &lt;br&gt;
&lt;/h4&gt;
&lt;p&gt;
   If you have a good internal team who have plenty of time on their hands, information
   on conversations about the brand can be gathered fairly simply using the free tools
   listed above. 
   &lt;br&gt;
&lt;/p&gt;
&lt;p&gt;
   However, although the tools are good for finding the raw data, that’s where it stops.
   The next step is to analyse the gathered data with metrics to make sense of it, which
   requires a natural human touch. 
   &lt;br&gt;
&lt;/p&gt;
&lt;p&gt;
   Recently we tracked the brand identity of one of our clients in the not-for-profit
   sector who wanted to see how they are perceived online. We benchmarked our findings
   over time, and against similar charities in the sector. 
   &lt;br&gt;
&lt;/p&gt;
&lt;h4&gt;Engaging: handling negative comments 
   &lt;br&gt;
&lt;/h4&gt;
&lt;p&gt;
   So what happens if you discover negatives comments about your brand? What can you
   do to recover from an online reputation crisis?
&lt;/p&gt;
&lt;p&gt;
   The article at &lt;a href="http://www.marketingpilgrim.com/2008/01/five-steps-for-recovering-from-an-online-reputation-crisis.html"&gt;http://www.marketingpilgrim.com/2008/01/five-steps-for-recovering-from-an-online-reputation-crisis.html&lt;/a&gt; suggests
   the following steps: 
   &lt;br&gt;
&lt;/p&gt;
&lt;ol&gt;
   &lt;li&gt;
      Respond from the top 
   &lt;li&gt;
      Admit your mistakes and apologise 
   &lt;li&gt;
      Host the conversation 
   &lt;li&gt;
      Seek resolution 
   &lt;li&gt;
      Turn detractors into evangelists 
      &lt;br&gt;
   &lt;/li&gt;
&lt;/ol&gt;
&lt;p&gt;
   To recover from even the severest of mistakes, base your crisis communication on sincerity,
   transparency, and consistency. 
   &lt;br&gt;
&lt;/p&gt;
&lt;h4&gt;Engaging: encouraging more positive comments 
   &lt;br&gt;
&lt;/h4&gt;
&lt;p&gt;
   Suppose you find positive mentions of your brand at the websites and blogs that you
   find, how do you leverage that? 
   &lt;br&gt;
&lt;/p&gt;
&lt;p&gt;
   Simply go to those websites and say “thank you” in the comments section. Then suggest
   other innovative ways that your product or service can be used. 
   &lt;br&gt;
&lt;/p&gt;
&lt;h4&gt;Engaging: starting a conversation 
   &lt;br&gt;
&lt;/h4&gt;
&lt;p&gt;
   Sometimes, you’ll look around the web and find that no-one’s talking about your brand.
   What can you do there to create positive exposure? 
   &lt;br&gt;
&lt;/p&gt;
&lt;p&gt;
   Well first highlight where you want to be mentioned, and then build an innovative
   ePR campaign to get more people talking about your brand. 
   &lt;br&gt;
&lt;/p&gt;
&lt;p&gt;
   Chameleon Net ran an &lt;a href="http://chameleonnet.co.uk/news_item.aspx?id=47"&gt;ePR
   campaign&lt;/a&gt; to launch ‘The Survival Kit’ – a cookware kit developed in a collaboration
   between Jamie Oliver and Tefal. &lt;a href="http://chameleonnet.co.uk/contact.aspx"&gt;Get
   in touch with us&lt;/a&gt; to request our ePR case studies. 
   &lt;br&gt;
&lt;/p&gt;
&lt;h4&gt;Is ‘Online Reputation Management’ ethical? 
   &lt;br&gt;
&lt;/h4&gt;
&lt;p&gt;
   Some may refer to this process as controlling their message, while others may look
   upon it as ‘gaming the system’. What do you think? Is online reputation management
   ethical? 
&lt;/p&gt;
&lt;img width="0" height="0" src="http://www.chameleonnet.co.uk/blog/aggbug.ashx?id=b089116c-2713-4c5e-be4f-83cefccab16d" /&gt;</description>
      <comments>http://www.chameleonnet.co.uk/blog/CommentView,guid,b089116c-2713-4c5e-be4f-83cefccab16d.aspx</comments>
      <category>Online Marketing;UGC;Web 2.0</category>
    </item>
    <item>
      <trackback:ping>http://www.chameleonnet.co.uk/blog/Trackback.aspx?guid=c50a6b13-a897-4573-82a6-24d92d86ba63</trackback:ping>
      <pingback:server>http://www.chameleonnet.co.uk/blog/pingback.aspx</pingback:server>
      <pingback:target>http://www.chameleonnet.co.uk/blog/PermaLink,guid,c50a6b13-a897-4573-82a6-24d92d86ba63.aspx</pingback:target>
      <dc:creator>stephen@actualmarketing.co.uk (Steve Thorn)</dc:creator>
      <wfw:comment>http://www.chameleonnet.co.uk/blog/CommentView,guid,c50a6b13-a897-4573-82a6-24d92d86ba63.aspx</wfw:comment>
      <wfw:commentRss>http://www.chameleonnet.co.uk/blog/SyndicationService.asmx/GetEntryCommentsRss?guid=c50a6b13-a897-4573-82a6-24d92d86ba63</wfw:commentRss>
      <title>Will the semantic web save the planet?</title>
      <guid>http://www.chameleonnet.co.uk/blog/PermaLink,guid,c50a6b13-a897-4573-82a6-24d92d86ba63.aspx</guid>
      <link>http://www.chameleonnet.co.uk/blog/PermaLink,guid,c50a6b13-a897-4573-82a6-24d92d86ba63.aspx</link>
      <pubDate>Tue, 29 Jul 2008 09:38:57 GMT</pubDate>
      <description>&lt;sup&gt; 
&lt;p&gt;
   &lt;font color=#000000&gt;Last week I attended the annual Digital Marketing Conference in
   Cambridge to hear what those with a vested interest in the rise and rise of the Internet
   had to say about the digital future for all of us.&lt;/font&gt;
&lt;/p&gt;
&lt;p&gt;
   &lt;font color=#000000&gt;Presentations were on subjects like the power of mash-ups, the
   belated arrival of the mobile revolution, the next generation of web connectivity
   and the dawn of ‘intelligent agents’ on the web. (As a side note, watch out for that
   phrase, ‘intelligent agents’ - I predict we’ll hear more and more about the chips
   and processors behind the web descending upon humankind and making our lives ever
   simpler).&lt;/font&gt;
&lt;/p&gt;
&lt;p&gt;
   &lt;font color=#000000&gt;This wasn’t the first time in the week that the emerging revolution
   in internet and mobile communications was brought home to me. Just the day before,
   on Radio 4 Today programme, Tim Berners-Lee had been talking about the future of the
   web – and how the progress being made on the development of the semantic web will
   reduce the workload on our poor human brains. &lt;/font&gt;
&lt;/p&gt;
&lt;p&gt;
   &lt;font color=#000000&gt;Two days later Apple launched its clever new iPhone 3G with camera,
   satnav and push e-mail. The device was greeted by Tom Dunmore, writing on Stuff.tv:
   "I can prove that the iPhone 3G is 31% better than the original. That's 31% better
   than the Best Thing Ever." Blimey.&lt;/font&gt;
&lt;/p&gt;
&lt;p&gt;
   &lt;font color=#000000&gt;And then to finish the week we wrapped up the work on&amp;nbsp;a couple
   of&amp;nbsp;recent news stories&amp;nbsp;for Chameleon Net (you knew I’d get a plug in there
   somewhere), both of which demonstrate ways the internet is being deployed for social
   and environmental good.&lt;/font&gt;
&lt;/p&gt;
&lt;p&gt;
   &lt;font color=#000000&gt;First, there was the news that they’d been working on a ‘mash-up’
   of data drawn into the Medicins Sans Frontiers website where the extraordinary work
   of the agency in remote field locations was brought elegantly to life through the
   plotting of those locations on Google Earth maps. This reflects MSF’s philosophy of
   ‘temoigner’ (act as witness) brought firmly into the 21st century. (By way of complete
   digression, that’s also the title of a book by Nicholas Sarkozy!)&lt;/font&gt;
&lt;/p&gt;
&lt;p&gt;
   &lt;font color=#000000&gt;Secondly there was, on the face of it, the not-very-sexy news
   that Chameleon Net have been working with the Yorkshire and Humber Regional Environment
   Forum (YHREF) and Yorkshire Futures to create a dynamic shared&amp;nbsp;online&amp;nbsp;diary
   for environmental groups and those working on regional information sharing.&lt;/font&gt;
&lt;/p&gt;
&lt;p&gt;
   &lt;font color=#000000&gt;With their newly joined-up ability these groups can work together
   to ensure that environmental issues and concerns can now have greater impact on the
   local, regional&amp;nbsp;and national agenda. I’d give that a ‘hurrah’.&lt;/font&gt;
&lt;/p&gt;
&lt;p&gt;
   &lt;font color=#000000&gt;From all I’ve learnt recently about the rise of the semantic web
   intelligently connecting like-minded global communities, added to the long-awaited
   mobile revolution to help disseminate their joined-up thinking, I can’t think how
   else we’re going to effectively communicate the changes we need to make to our society
   to increase the planet’s survival.&lt;/font&gt;
&lt;/p&gt;
&lt;p&gt;
   &lt;font color=#000000&gt;Let’s just hope Tim Berners-Lee gets a move on – the clock’s ticking.&lt;/font&gt;
&lt;/p&gt;
&lt;p&gt;
   &lt;em&gt;Steve&amp;nbsp;is MD at marketing and PR consultancy the Actual &lt;font color=#000000&gt;group
   (&lt;/font&gt;&lt;/em&gt;&lt;a href="http://www.chameleonnet.co.uk/blog/ct.ashx?id=44bc2b96-43bc-48df-9654-05db7ab76e12&amp;amp;url=http%3a%2f%2fwww.actualgroup.co.uk" ?&gt;&lt;em&gt;&lt;font color=#000000&gt;www.actualgroup.co.uk&lt;/font&gt;&lt;/em&gt;&lt;/a&gt;&lt;em&gt;&lt;font color=#000000&gt;)&lt;/font&gt;&lt;/em&gt;
&lt;/p&gt;
&lt;/sup&gt;&lt;img width="0" height="0" src="http://www.chameleonnet.co.uk/blog/aggbug.ashx?id=c50a6b13-a897-4573-82a6-24d92d86ba63" /&gt;</description>
      <comments>http://www.chameleonnet.co.uk/blog/CommentView,guid,c50a6b13-a897-4573-82a6-24d92d86ba63.aspx</comments>
      <category>Charity;Green News;Non-profit;Press;Social Networking;Web 2.0</category>
    </item>
    <item>
      <trackback:ping>http://www.chameleonnet.co.uk/blog/Trackback.aspx?guid=e5bc1891-1353-4b6b-9087-6ecd9259b98b</trackback:ping>
      <pingback:server>http://www.chameleonnet.co.uk/blog/pingback.aspx</pingback:server>
      <pingback:target>http://www.chameleonnet.co.uk/blog/PermaLink,guid,e5bc1891-1353-4b6b-9087-6ecd9259b98b.aspx</pingback:target>
      <dc:creator>danm@chameleonnet.com (Dan Martin)</dc:creator>
      <wfw:comment>http://www.chameleonnet.co.uk/blog/CommentView,guid,e5bc1891-1353-4b6b-9087-6ecd9259b98b.aspx</wfw:comment>
      <wfw:commentRss>http://www.chameleonnet.co.uk/blog/SyndicationService.asmx/GetEntryCommentsRss?guid=e5bc1891-1353-4b6b-9087-6ecd9259b98b</wfw:commentRss>
      <body xmlns="http://www.w3.org/1999/xhtml">I thought it might be useful to create
   an area where we can compile and keep track of any websites that mention/report on
   Chameleon Net's activity. Mainly news sites and online press.<br /><br />
   So in the spirit of web 2.0 I've set up a <a href="http://del.icio.us">de.licio.us</a> account
   to bookmark such bits and pieces. 
   <br /><br />
   Feel free to check it out: <a href="http://del.icio.us/danm_chameleon">http://del.icio.us/danm_chameleon</a>.<br /><p></p><img width="0" height="0" src="http://www.chameleonnet.co.uk/blog/aggbug.ashx?id=e5bc1891-1353-4b6b-9087-6ecd9259b98b" /></body>
      <title>Chameleon Net in the news - online</title>
      <guid>http://www.chameleonnet.co.uk/blog/PermaLink,guid,e5bc1891-1353-4b6b-9087-6ecd9259b98b.aspx</guid>
      <link>http://www.chameleonnet.co.uk/blog/PermaLink,guid,e5bc1891-1353-4b6b-9087-6ecd9259b98b.aspx</link>
      <pubDate>Thu, 31 Jan 2008 17:29:17 GMT</pubDate>
      <description>I thought it might be useful to create an area where we can compile and keep track of any websites that mention/report on Chameleon Net's activity. Mainly news sites and online press.&lt;br&gt;
&lt;br&gt;
So in the spirit of web 2.0 I've set up a &lt;a href="http://del.icio.us"&gt;de.licio.us&lt;/a&gt; account
to bookmark such bits and pieces. 
&lt;br&gt;
&lt;br&gt;
Feel free to check it out: &lt;a href="http://del.icio.us/danm_chameleon"&gt;http://del.icio.us/danm_chameleon&lt;/a&gt;.&lt;br&gt;
&lt;p&gt;
&lt;/p&gt;
&lt;img width="0" height="0" src="http://www.chameleonnet.co.uk/blog/aggbug.ashx?id=e5bc1891-1353-4b6b-9087-6ecd9259b98b" /&gt;</description>
      <comments>http://www.chameleonnet.co.uk/blog/CommentView,guid,e5bc1891-1353-4b6b-9087-6ecd9259b98b.aspx</comments>
      <category>Web 2.0;What we're up to;Press</category>
    </item>
    <item>
      <trackback:ping>http://www.chameleonnet.co.uk/blog/Trackback.aspx?guid=504ff90a-207d-4ba1-b55e-58443b0531b9</trackback:ping>
      <pingback:server>http://www.chameleonnet.co.uk/blog/pingback.aspx</pingback:server>
      <pingback:target>http://www.chameleonnet.co.uk/blog/PermaLink,guid,504ff90a-207d-4ba1-b55e-58443b0531b9.aspx</pingback:target>
      <dc:creator>kelm@chameleonnet.com (Kel Miah)</dc:creator>
      <wfw:comment>http://www.chameleonnet.co.uk/blog/CommentView,guid,504ff90a-207d-4ba1-b55e-58443b0531b9.aspx</wfw:comment>
      <wfw:commentRss>http://www.chameleonnet.co.uk/blog/SyndicationService.asmx/GetEntryCommentsRss?guid=504ff90a-207d-4ba1-b55e-58443b0531b9</wfw:commentRss>
      <slash:comments>1</slash:comments>
      <title>“Facebook” ad platform to be popular in 2008</title>
      <guid>http://www.chameleonnet.co.uk/blog/PermaLink,guid,504ff90a-207d-4ba1-b55e-58443b0531b9.aspx</guid>
      <link>http://www.chameleonnet.co.uk/blog/PermaLink,guid,504ff90a-207d-4ba1-b55e-58443b0531b9.aspx</link>
      <pubDate>Tue, 08 Jan 2008 11:00:02 GMT</pubDate>
      <description>

&lt;p class="MsoNormal"&gt;
   &lt;font color="#000000" face="Verdana" size="2"&gt;&lt;span lang="EN-US"&gt;2007 showed phenomenal
   growth for “Facebook”, by the end of the year it had 7.6M active 
   &lt;st1:place w:st="on"&gt;
      &lt;st1:country-region w:st="on"&gt;UK&lt;/st1:country-region&gt;
   &lt;/st1:place&gt;
   users, that’s 12.5% of the population. With so many active users participating on
   the social networking site some form of advertising system to target these users was
   inevitable.&lt;/span&gt;&lt;/font&gt;
&lt;/p&gt;
&lt;p class="MsoNormal"&gt;
   &lt;font color="#000000" face="Verdana" size="2"&gt;&lt;span lang="EN-US"&gt;
   &lt;o:p&gt;&lt;/o:p&gt;
   Social networks such as Facebook create groups of niche users by gathering some personal
   information about them, such as hobbies, interests, marital status, and age. This
   information is primarily used to provide users with a compelling and interactive experience,
   but they also help build an advertising profile.&lt;/span&gt;&lt;/font&gt;
&lt;/p&gt;
&lt;p class="MsoNormal"&gt;
   &lt;font color="#000000" face="Verdana" size="2"&gt;&lt;span lang="EN-US"&gt;
   &lt;o:p&gt;&lt;/o:p&gt;
   What these niche groups create is the opportunity to target very specific audiences
   with relevant ads which they may find interesting. As an advertiser you would expect
   more ROI or a higher click through rate if your ads were being served to pre qualified
   traffic.&lt;/span&gt;&lt;/font&gt;
&lt;/p&gt;
&lt;p class="MsoNormal"&gt;
   &lt;font color="#000000" face="Verdana" size="2"&gt;&lt;span lang="EN-US"&gt;
   &lt;o:p&gt;&lt;/o:p&gt;
   Facebook’s ad platform consists of 3 major types of platforms, Facebook Pages, Facebook
   Social ads, and Facebook Beacon. &lt;/span&gt;&lt;/font&gt;
&lt;/p&gt;
&lt;ul style="margin-top: 0in;" type="disc"&gt;
   &lt;li class="MsoNormal" style=""&gt;
      &lt;font color="#000000" face="Verdana" size="2"&gt;&lt;b style=""&gt;&lt;span lang="EN-US"&gt;Facebook
      Pages&lt;/span&gt;&lt;/b&gt;&lt;span lang="EN-US"&gt; - &lt;/span&gt;&lt;span style="line-height: 140%;" lang="EN-US"&gt;allows
      brands to have profile pages on in the same way that users have them.&lt;o:p&gt;&lt;/o:p&gt;
      &lt;/span&gt;&lt;/font&gt;
   &lt;/li&gt;
   &lt;li class="MsoNormal" style=""&gt;
      &lt;font color="#000000" face="Verdana" size="2"&gt;&lt;b style=""&gt;&lt;span style="line-height: 140%;" lang="EN-US"&gt;Facebook
      Social Ads&lt;/span&gt;&lt;/b&gt;&lt;span style="line-height: 140%;" lang="EN-US"&gt; - allows advertisers
      to use the full range of profile information to target people by age, gender, relationship
      status, location, and so on.&lt;o:p&gt;&lt;/o:p&gt;
      &lt;/span&gt;&lt;/font&gt;
   &lt;/li&gt;
   &lt;li class="MsoNormal" style=""&gt;
      &lt;font color="#000000" face="Verdana" size="2"&gt;&lt;b style=""&gt;&lt;span style="line-height: 140%;" lang="EN-US"&gt;Facebook
      Beacon&lt;/span&gt;&lt;/b&gt;&lt;span style="line-height: 140%;" lang="EN-US"&gt; - is a widget-like
      system being adopted on 44 third party partner sites. Activities on sites using Beacon
      will flow back into a Facebook user's News Feed or Mini-Feed, allowing their friends
      to know some of what they did at that site.&lt;o:p&gt;&lt;/o:p&gt;
      &lt;/span&gt;&lt;/font&gt;
   &lt;/li&gt;
&lt;/ul&gt;
&lt;p class="MsoNormal"&gt;
   &lt;font color="#000000" face="Verdana" size="2"&gt;&lt;span style="line-height: 140%;" lang="EN-US"&gt;
   &lt;o:p&gt;&lt;/o:p&gt;
   The basic principle of the advertising platform is similar to conventional platforms,
   using Cost Per Click (CPC) and Cost Per Impression (CPM) pricing models.&lt;o:p&gt;&lt;/o:p&gt;
   &lt;/span&gt;&lt;/font&gt;
&lt;/p&gt;
&lt;p class="MsoNormal"&gt;
   &lt;font color="#000000" face="Verdana" size="2"&gt;&lt;span lang="EN-US"&gt;
   &lt;o:p&gt;&lt;/o:p&gt;
   I can imagine a lot of 
   &lt;st1:place w:st="on"&gt;
      &lt;st1:country-region w:st="on"&gt;UK&lt;/st1:country-region&gt;
   &lt;/st1:place&gt;
   advertisers experimenting and trialing the Facebook ad system, and just as Facebook
   demonstrated phenomenal growth in 2007 I believe their ad system will prove very popular
   in 2008.&lt;/span&gt;&lt;/font&gt;
&lt;/p&gt;
&lt;p class="MsoNormal"&gt;
   &lt;font color="#000000" face="Verdana" size="2"&gt;&lt;span lang="EN-US"&gt;
   &lt;o:p&gt;&lt;/o:p&gt;
   I expect users to be highly receptive to these form of ads, my first impressions are
   that the ads to not lower the user experience and because the ads are highly targeted
   the users see them less as advertising and more as recommendations.&lt;/span&gt;&lt;/font&gt;
&lt;/p&gt;
&lt;p class="MsoNormal"&gt;
   &lt;font color="#000000" face="Verdana" size="2"&gt;&lt;span lang="EN-US"&gt;
   &lt;o:p&gt;&lt;/o:p&gt;
   If one of the user’s hobbies is listed as reading comic books and Formula 1 racing,
   then ads for Formula 1 merchandise and reviews about the newest comic book will be
   seen as recommendations rather than traditional advertising.&lt;/span&gt;&lt;/font&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;/p&gt;
&lt;img width="0" height="0" src="http://www.chameleonnet.co.uk/blog/aggbug.ashx?id=504ff90a-207d-4ba1-b55e-58443b0531b9" /&gt;</description>
      <comments>http://www.chameleonnet.co.uk/blog/CommentView,guid,504ff90a-207d-4ba1-b55e-58443b0531b9.aspx</comments>
      <category>Facebook;Online Marketing;Social Networking;Web 2.0</category>
    </item>
    <item>
      <trackback:ping>http://www.chameleonnet.co.uk/blog/Trackback.aspx?guid=afd20f79-086d-470a-9fd1-6a188185da05</trackback:ping>
      <pingback:server>http://www.chameleonnet.co.uk/blog/pingback.aspx</pingback:server>
      <pingback:target>http://www.chameleonnet.co.uk/blog/PermaLink,guid,afd20f79-086d-470a-9fd1-6a188185da05.aspx</pingback:target>
      <dc:creator>donnaa@chameleonnet.com (Donna Adams)</dc:creator>
      <wfw:comment>http://www.chameleonnet.co.uk/blog/CommentView,guid,afd20f79-086d-470a-9fd1-6a188185da05.aspx</wfw:comment>
      <wfw:commentRss>http://www.chameleonnet.co.uk/blog/SyndicationService.asmx/GetEntryCommentsRss?guid=afd20f79-086d-470a-9fd1-6a188185da05</wfw:commentRss>
      <slash:comments>1</slash:comments>
      <body xmlns="http://www.w3.org/1999/xhtml">
        <p>
      Does anyone recall those childhood Christmassy charity drives? You know, those ‘Sponsor
      me to eat 10 mince pies’ type of things.
   </p>
        <p>
      You were cajoled into walking around in the bleak mid winter weather, knocking door
      to door with a soggy piece of paper asking for sponsorship – only to have to go through
      the same dreary saga after the event itself just to collect the money? – All that,
      and I don’t even like mince pies!!
   </p>
        <p>
      Well, what with the latest in internet trends, social networking and fancy applications,
      fundraising has never been so easy – or fun for that matter!  You no longer have
      to brave the extremes (until the event itself that is!) You can do all your fundraising
      and collecting online from the comfort of which ever festive environment you prefer. 
   </p>
        <p>
      I recently decided to take on the challenge of cycling from Vietnam to Cambodia (much
      better than 10 mince pies, I know!) In my efforts to raise as much as possible I have
      been throwing myself into web 2.0 as only an online marketer knows how!
   </p>
        <p>
      Websites like <a href="http://www.justgiving.com/">Just Giving</a> offer you
      a secure online sponsor form and a quick and easy transaction process – they charge
      a small percentage, but allow you to claim gift aid and better yet they send the money
      direct to the charity on your behalf!  You may also have noticed a number of
      the bigger charities, like our client <a href="http://www.unicef.org.uk/myfundraising/index.aspx">UNICEF</a>,
      creating personal fundraising portals for themselves, where all the money goes straight
      to them.
   </p>
        <p>
      Once you’ve got your interactive sponsor form then why not utilise another one of
      our web 2.0 friends – You Tube.  Create a video, post it on You Tube and promote
      your event.  It will spread the word quicker than your waist line spreads at
      Christmas! – Take a look at <a href="http://www.youtube.com/watch?v=XfV_FCA3_oI">my
      You Tube effort</a> – it’s worth a hearty chuckle or two! 
   </p>
        <p>
      Try creating a Facebook group to publicise your event, post pictures of your training
      and links to your sponsor form. <a href="http://www.facebook.com/group.php?gid=5150579933&amp;ref=mf">My
      group</a> is a right little hub of activity with 77 supporters to date!
   </p>
        <p>
      I’ve been fundraising for a few months and am already 64% on the way to my target
      – Facebook has introduced me to other supporters of the charity I am cycling for and
      I’ve even had sponsors from some very generous people that I don’t know!
   </p>
        <p>
      So if you’re in need of a boost to your door to door fundraising then I say ‘give
      online a go’. If you’re interested in taking on a charity challenge take a look at
      what’s on offer from <a href="http://www.daleychallenges.org.uk/">Barnardo’s</a>,
      and if you want to <a href="http://www.daysechain.com">sponsor me</a> then make a
      swift visit to <a href="http://www.daysechain.com">my website</a>!<br /></p>
        <img width="0" height="0" src="http://www.chameleonnet.co.uk/blog/aggbug.ashx?id=afd20f79-086d-470a-9fd1-6a188185da05" />
      </body>
      <title>'Tis the season to give online...</title>
      <guid>http://www.chameleonnet.co.uk/blog/PermaLink,guid,afd20f79-086d-470a-9fd1-6a188185da05.aspx</guid>
      <link>http://www.chameleonnet.co.uk/blog/PermaLink,guid,afd20f79-086d-470a-9fd1-6a188185da05.aspx</link>
      <pubDate>Mon, 10 Dec 2007 13:05:45 GMT</pubDate>
      <description>&lt;p&gt;
   Does anyone recall those childhood Christmassy charity drives? You know, those ‘Sponsor
   me to eat 10 mince pies’ type of things.
&lt;/p&gt;
&lt;p&gt;
   You were cajoled into walking around in the bleak mid winter weather, knocking door
   to door with a soggy piece of paper asking for sponsorship – only to have to go through
   the same dreary saga after the event itself just to collect the money? – All that,
   and I don’t even like mince pies!!
&lt;/p&gt;
&lt;p&gt;
   Well, what with the latest in internet trends, social networking and fancy applications,
   fundraising has never been so easy – or fun for that matter!&amp;nbsp; You no longer have
   to brave the extremes (until the event itself that is!) You can do all your fundraising
   and collecting online from the comfort of which ever festive environment you prefer. 
&lt;/p&gt;
&lt;p&gt;
   I recently decided to take on the challenge of cycling from Vietnam to Cambodia (much
   better than 10 mince pies, I know!) In my efforts to raise as much as possible I have
   been throwing myself into web 2.0 as only an online marketer knows how!
&lt;/p&gt;
&lt;p&gt;
   Websites like &lt;a href="http://www.justgiving.com/"&gt;Just Giving&lt;/a&gt;&amp;nbsp;offer you
   a secure online sponsor form and a quick and easy transaction process – they charge
   a small percentage, but allow you to claim gift aid and better yet they send the money
   direct to the charity on your behalf!&amp;nbsp; You may also have noticed a number of
   the bigger charities, like our client &lt;a href="http://www.unicef.org.uk/myfundraising/index.aspx"&gt;UNICEF&lt;/a&gt;,
   creating personal fundraising portals for themselves, where all the money goes straight
   to them.
&lt;/p&gt;
&lt;p&gt;
   Once you’ve got your interactive sponsor form then why not utilise another one of
   our web 2.0 friends – You Tube.&amp;nbsp; Create a video, post it on You Tube and promote
   your event.&amp;nbsp; It will spread the word quicker than your waist line spreads at
   Christmas! – Take a look at &lt;a href="http://www.youtube.com/watch?v=XfV_FCA3_oI"&gt;my
   You Tube effort&lt;/a&gt; – it’s worth a hearty chuckle or two! 
&lt;/p&gt;
&lt;p&gt;
   Try creating a Facebook group to publicise your event, post pictures of your training
   and links to your sponsor form. &lt;a href="http://www.facebook.com/group.php?gid=5150579933&amp;amp;ref=mf"&gt;My
   group&lt;/a&gt; is a right little hub of activity with 77 supporters to date!
&lt;/p&gt;
&lt;p&gt;
   I’ve been fundraising for a few months and am already 64% on the way to my target
   – Facebook has introduced me to other supporters of the charity I am cycling for and
   I’ve even had sponsors from some very generous people that I don’t know!
&lt;/p&gt;
&lt;p&gt;
   So if you’re in need of a boost to your door to door fundraising then I say ‘give
   online a go’. If you’re interested in taking on a charity challenge take a look at
   what’s on offer from &lt;a href="http://www.daleychallenges.org.uk/"&gt;Barnardo’s&lt;/a&gt;,
   and if you want to &lt;a href="http://www.daysechain.com"&gt;sponsor me&lt;/a&gt; then make a
   swift visit to &lt;a href="http://www.daysechain.com"&gt;my website&lt;/a&gt;!&lt;br&gt;
&lt;/p&gt;
&lt;img width="0" height="0" src="http://www.chameleonnet.co.uk/blog/aggbug.ashx?id=afd20f79-086d-470a-9fd1-6a188185da05" /&gt;</description>
      <comments>http://www.chameleonnet.co.uk/blog/CommentView,guid,afd20f79-086d-470a-9fd1-6a188185da05.aspx</comments>
      <category>Facebook;Social Networking;Web 2.0</category>
    </item>
    <item>
      <trackback:ping>http://www.chameleonnet.co.uk/blog/Trackback.aspx?guid=3c8fb6dd-2205-4c3e-afe3-dbf1dc422b6d</trackback:ping>
      <pingback:server>http://www.chameleonnet.co.uk/blog/pingback.aspx</pingback:server>
      <pingback:target>http://www.chameleonnet.co.uk/blog/PermaLink,guid,3c8fb6dd-2205-4c3e-afe3-dbf1dc422b6d.aspx</pingback:target>
      <dc:creator>danm@chameleonnet.com (Dan Martin)</dc:creator>
      <wfw:comment>http://www.chameleonnet.co.uk/blog/CommentView,guid,3c8fb6dd-2205-4c3e-afe3-dbf1dc422b6d.aspx</wfw:comment>
      <wfw:commentRss>http://www.chameleonnet.co.uk/blog/SyndicationService.asmx/GetEntryCommentsRss?guid=3c8fb6dd-2205-4c3e-afe3-dbf1dc422b6d</wfw:commentRss>
      <slash:comments>7</slash:comments>
      <body xmlns="http://www.w3.org/1999/xhtml">You may know that this December we have
   launched a seasonal desktop widget - <a href="http://www.chameleonnet.co.uk/widget/install.html"><b>the
   Karma Calendar.</b></a><br /><br />
   The widget is your portal to top tips, fun items, blog posts, and even some Chameleon
   pressies all the way up to Christmas, updated daily to your desktop.<br /><br />
   You can get it here: <a href="http://www.chameleonnet.co.uk/widget/install.html">http://www.chameleonnet.co.uk/widget/install.html</a><br /><br />
   What's more - <b>this is a call for <i>your</i> Top Tips...</b><br /><br />
   Got a favourite web technique or an online marketing ace up your sleeve? Don't be
   selfish, it's nearly christmas, share it in the comment trail on this blog post and
   the best ones will make it onto the widget feed as a 'Guest Top Tip' to everyone's
   desktop.<br /><br />
   In the spirit of things, here's a top tip from me too...<br /><br /><b>Top 3 Browser Keyboard Shortcuts </b>(feel free to disagree!)<br /><br />
   Working on a laptop, I don't always have a mouse with me and trackpads are fiddly.
   Keyboard to the rescue though:<br /><br />
   1. I reckon tabbed browsing cuts down my web surfing time by at least 5%. <b>CTRL
   + T </b>opens you a new tab in all current versions of IE, FireFox and Opera. Nice.
   (plus CTRL + F4 to close a tab is handy)<br /><br />
   2. Wearing your 'W' key down to a nub entering web addresses? Bit of a lazy typist?
   Type the main bit of the domain you want and then <b>CTRL + Enter</b> will stick the
   'www' subdomain and the '.com' top level domain round it for you. (If, like me, you're
   UK based, in FireFox you can <a href="http://www.howtogeek.com/howto/internet/firefox/change-ctrlenter-behavior-in-firefox/">change
   the way this behaves to add .co.uk instead</a> - credit to the 'How-To Geek').<br /><br />
   3. Need to get home quick? <b>ALT + Enter</b> takes you to your browser homepage.
   For quick searching, I use Google as my homepage because the cursor focuses on the
   search field on page load - so ALT + Enter allows me to type my search without moving
   the mouse - even quicker than me using the google search bar embedded in the browser. 
   <br /><br />
   ...Looking forward to hearing your top tips!<br /><br />
   Dan<br /><br /><br /><p></p><img width="0" height="0" src="http://www.chameleonnet.co.uk/blog/aggbug.ashx?id=3c8fb6dd-2205-4c3e-afe3-dbf1dc422b6d" /></body>
      <title>Widget Top Tips Download + Add Your Suggestions</title>
      <guid>http://www.chameleonnet.co.uk/blog/PermaLink,guid,3c8fb6dd-2205-4c3e-afe3-dbf1dc422b6d.aspx</guid>
      <link>http://www.chameleonnet.co.uk/blog/PermaLink,guid,3c8fb6dd-2205-4c3e-afe3-dbf1dc422b6d.aspx</link>
      <pubDate>Fri, 07 Dec 2007 16:17:56 GMT</pubDate>
      <description>You may know that this December we have launched a seasonal desktop widget - &lt;a href="http://www.chameleonnet.co.uk/widget/install.html"&gt;&lt;b&gt;the
Karma Calendar.&lt;/b&gt;&lt;/a&gt;
&lt;br&gt;
&lt;br&gt;
The widget is your portal to top tips, fun items, blog posts, and even some Chameleon
pressies all the way up to Christmas, updated daily to your desktop.&lt;br&gt;
&lt;br&gt;
You can get it here: &lt;a href="http://www.chameleonnet.co.uk/widget/install.html"&gt;http://www.chameleonnet.co.uk/widget/install.html&lt;/a&gt;
&lt;br&gt;
&lt;br&gt;
What's more - &lt;b&gt;this is a call for &lt;i&gt;your&lt;/i&gt; Top Tips...&lt;/b&gt; 
&lt;br&gt;
&lt;br&gt;
Got a favourite web technique or an online marketing ace up your sleeve? Don't be
selfish, it's nearly christmas, share it in the comment trail on this blog post and
the best ones will make it onto the widget feed as a 'Guest Top Tip' to everyone's
desktop.&lt;br&gt;
&lt;br&gt;
In the spirit of things, here's a top tip from me too...&lt;br&gt;
&lt;br&gt;
&lt;b&gt;Top 3 Browser Keyboard Shortcuts &lt;/b&gt;(feel free to disagree!)&lt;br&gt;
&lt;br&gt;
Working on a laptop, I don't always have a mouse with me and trackpads are fiddly.
Keyboard to the rescue though:&lt;br&gt;
&lt;br&gt;
1. I reckon tabbed browsing cuts down my web surfing time by at least 5%. &lt;b&gt;CTRL
+ T &lt;/b&gt;opens you a new tab in all current versions of IE, FireFox and Opera. Nice.
(plus CTRL + F4 to close a tab is handy)&lt;br&gt;
&lt;br&gt;
2. Wearing your 'W' key down to a nub entering web addresses? Bit of a lazy typist?
Type the main bit of the domain you want and then &lt;b&gt;CTRL + Enter&lt;/b&gt; will stick the
'www' subdomain and the '.com' top level domain round it for you. (If, like me, you're
UK based, in FireFox you can &lt;a href="http://www.howtogeek.com/howto/internet/firefox/change-ctrlenter-behavior-in-firefox/"&gt;change
the way this behaves to add .co.uk instead&lt;/a&gt; - credit to the 'How-To Geek').&lt;br&gt;
&lt;br&gt;
3. Need to get home quick? &lt;b&gt;ALT + Enter&lt;/b&gt; takes you to your browser homepage.
For quick searching, I use Google as my homepage because the cursor focuses on the
search field on page load - so ALT + Enter allows me to type my search without moving
the mouse - even quicker than me using the google search bar embedded in the browser. 
&lt;br&gt;
&lt;br&gt;
...Looking forward to hearing your top tips!&lt;br&gt;
&lt;br&gt;
Dan&lt;br&gt;
&lt;br&gt;
&lt;br&gt;
&lt;p&gt;
&lt;/p&gt;
&lt;img width="0" height="0" src="http://www.chameleonnet.co.uk/blog/aggbug.ashx?id=3c8fb6dd-2205-4c3e-afe3-dbf1dc422b6d" /&gt;</description>
      <comments>http://www.chameleonnet.co.uk/blog/CommentView,guid,3c8fb6dd-2205-4c3e-afe3-dbf1dc422b6d.aspx</comments>
      <category>Web 2.0;widgets</category>
    </item>
    <item>
      <trackback:ping>http://www.chameleonnet.co.uk/blog/Trackback.aspx?guid=20c28353-1b8d-4d8f-82e0-913cb6248a1d</trackback:ping>
      <pingback:server>http://www.chameleonnet.co.uk/blog/pingback.aspx</pingback:server>
      <pingback:target>http://www.chameleonnet.co.uk/blog/PermaLink,guid,20c28353-1b8d-4d8f-82e0-913cb6248a1d.aspx</pingback:target>
      <dc:creator>danm@chameleonnet.com (Dan Martin)</dc:creator>
      <wfw:comment>http://www.chameleonnet.co.uk/blog/CommentView,guid,20c28353-1b8d-4d8f-82e0-913cb6248a1d.aspx</wfw:comment>
      <wfw:commentRss>http://www.chameleonnet.co.uk/blog/SyndicationService.asmx/GetEntryCommentsRss?guid=20c28353-1b8d-4d8f-82e0-913cb6248a1d</wfw:commentRss>
      <slash:comments>1</slash:comments>
      <body xmlns="http://www.w3.org/1999/xhtml">I thought it'd be worth outlining three
   particular areas discussed in conversations at breaks and during the Q&amp;amp;A slots
   at the end of each session at the recent seminar.<br /><br />
   Attendees were asking:<br /><br />
   1. Should we set up a corporate Facebook profile?<br /><br />
   2. What are the pros and cons of implementing AdSense on our site?<br /><br />
   3. How much of a risk is it to allow UGC on our site and deal with negative comments?<br /><br />
   So here are some thoughts...<br /><br /><br />
   1. <b>Facebook</b>. Clearly this is one of the most popular online social spaces going
   at the moment, and naturally companies want to know if it's appropriate for them to
   get set up with a presence on Facebook. 
   <br /><br />
   The simple answer is to decide whether or not you have anything useful to contribute
   in the context of connecting individuals within your company with the other individuals
   using Facebook to communicate. 
   <br /><br />
   If the answer is a strong 'yes' then it may well be worth looking at what you might
   achieve and how.<br /><br />
   If the answer is a 'maybe' or a 'no', then I'd question whether it is of value, because
   the risks of blundering in and making yourself unpopular, or of spending budget on
   something that delivers poor return, could rule it out as an avenue. 
   <br /><br />
   Even if you don't set up a Facebook profile, one thing is for sure though: your target
   audience is out there networking, so it is definitely worth considering which methods
   could work for you to communicate directly with them, something we are helping a number
   of clients work out.<br /><br />
   If you haven't given much thought to whether it's appropriate or not, but are pressing
   on regardless, it probably won't end well!<br /><br /><br />
   2. <b>AdSense</b>. Monetising your website can be an attractive proposition, and <a href="http://www.google.com/adsense">Google's
   AdSense</a> (the system whereby you can opt to display adverts through <a href="https://adwords.google.co.uk/select/home">Google's
   AdWords</a> programme on your website) is one of the main options.<br /><br />
   Our experience is that AdSense is limited in how effective it can be to generate income,
   and that ensuring that appropriate ads appear on your site can require a significant
   management overhead.<br /><br />
   Here are some specific criteria to help determine whether AdWords can be of benefit
   to you...<br /><br />
   1. You run a site in an industry where people are used to seeing advertising (e.g.
   magazine style content). This will mean people find them less intrusive and that a
   portion of your visitors will have a propensity to convert.<br /><br />
   2. You have enough traffic to make it financially viable. There's no sense in spending
   a lot of time and resource managing the ads if there is not enough revenue in it to
   make that profitable.<br /><br />
   3. You are willing to accept that ultimately you do not have total control of some
   content that is displayed on your site.<br /><br />
   4. You are also willing to accept that, despite the tweaks that can be made to the
   visual format of Google Ads, some visitors will find their experience devalued, given
   the presence of AdSense on many poor quality, cheap and 'spammy' sites, and possibly
   will think less of your brand.<br /><br />
   The short answer is that there are a few situations where we would recommend AdSense
   is used, but they are exactly that - few.<br /><br />
   However, if you want to look at the revenue streams through on-site advertising, a
   more worthwhile option could be either niche providers who specialise in syndicating
   certain types of advertising, or to set up your own ad management functionality and
   solicit ads yourself, and only select those you feel are a good match for your site's
   content. It may require a little extra effort and cost up front, but you get greater
   control, and of course you get to keep all the income too.<br /><br />
   3. <b>User Generated Content (UGC)</b>. 
   <br /><br />
   In our view, getting involved with user generated content is one of the great opportunities
   of doing business on the new web.<br /><br />
   The reason for this is that it creates a dialogue between you and people you communicate
   with, and it shows to everyone you engage with that you are a transparent, customer-facing
   organisation that is happy to talk to people, confident about its product or service,
   and comfortable with dealing with all situations, both positive and negative.<br /><br />
   OK, negative comments about your brand can be a bit scary, because if you allow people
   to post content on your site, they may well say what they think, so some companies
   are understandably nervous of this. 
   <br /><br /><i>But the greatest risk is not participating. </i><br /><br />
   People will make their thoughts known online whether you like it or not. They are
   probably talking about you right now. Do you know what they are saying? And if so,
   would it be appropriate to join in? 
   <br /><br />
   At least on your own site you know how people are feeling and what they are saying
   to each other. So why not be part of that conversation, and fix problems when they
   go wrong. If you do that, not only have you engineered a 'brand success' with an individual
   when you remedy an issue, but everyone involved in the dialogue can see it too.<br /><p><br /></p><img width="0" height="0" src="http://www.chameleonnet.co.uk/blog/aggbug.ashx?id=20c28353-1b8d-4d8f-82e0-913cb6248a1d" /></body>
      <title>'New Web' seminar - three hot discussion points</title>
      <guid>http://www.chameleonnet.co.uk/blog/PermaLink,guid,20c28353-1b8d-4d8f-82e0-913cb6248a1d.aspx</guid>
      <link>http://www.chameleonnet.co.uk/blog/PermaLink,guid,20c28353-1b8d-4d8f-82e0-913cb6248a1d.aspx</link>
      <pubDate>Fri, 23 Nov 2007 00:29:00 GMT</pubDate>
      <description>I thought it'd be worth outlining three particular areas discussed in conversations at breaks and during the
Q&amp;amp;amp;A slots at the end of each session at the recent seminar.&lt;br&gt;
&lt;br&gt;
Attendees were asking:&lt;br&gt;
&lt;br&gt;
1. Should we set up a corporate Facebook profile?&lt;br&gt;
&lt;br&gt;
2. What are the pros and cons of implementing AdSense on our site?&lt;br&gt;
&lt;br&gt;
3. How much of a risk is it to allow UGC on our site and deal with negative comments?&lt;br&gt;
&lt;br&gt;
So here are some thoughts...&lt;br&gt;
&lt;br&gt;
&lt;br&gt;
1. &lt;b&gt;Facebook&lt;/b&gt;. Clearly this is one of the most popular online social spaces going
at the moment, and naturally companies want to know if it's appropriate for them to
get set up with a presence on Facebook. 
&lt;br&gt;
&lt;br&gt;
The simple answer is to decide whether or not you have anything useful to contribute
in the context of connecting individuals within your company with the other individuals
using Facebook to communicate. 
&lt;br&gt;
&lt;br&gt;
If the answer is a strong 'yes' then it may well be worth looking at what you might
achieve and how.&lt;br&gt;
&lt;br&gt;
If the answer is a 'maybe' or a 'no', then I'd question whether it is of value, because
the risks of blundering in and making yourself unpopular, or of spending budget on
something that delivers poor return, could rule it out as an avenue. 
&lt;br&gt;
&lt;br&gt;
Even if you don't set up a Facebook profile, one thing is for sure though: your target
audience is out there networking, so it is definitely worth considering which methods
could work for you to communicate directly with them, something we are helping a number
of clients work out.&lt;br&gt;
&lt;br&gt;
If you haven't given much thought to whether it's appropriate or not, but are pressing
on regardless, it probably won't end well!&lt;br&gt;
&lt;br&gt;
&lt;br&gt;
2. &lt;b&gt;AdSense&lt;/b&gt;. Monetising your website can be an attractive proposition, and &lt;a href="http://www.google.com/adsense"&gt;Google's
AdSense&lt;/a&gt; (the system whereby you can opt to display adverts through &lt;a href="https://adwords.google.co.uk/select/home"&gt;Google's
AdWords&lt;/a&gt; programme on your website) is one of the main options.&lt;br&gt;
&lt;br&gt;
Our experience is that AdSense is limited in how effective it can be to generate income,
and that ensuring that appropriate ads appear on your site can require a significant
management overhead.&lt;br&gt;
&lt;br&gt;
Here are some specific criteria to help determine whether AdWords can be of benefit
to you...&lt;br&gt;
&lt;br&gt;
1. You run a site in an industry where people are used to seeing advertising (e.g.
magazine style content). This will mean people find them less intrusive and that a
portion of your visitors will have a propensity to convert.&lt;br&gt;
&lt;br&gt;
2. You have enough traffic to make it financially viable. There's no sense in spending
a lot of time and resource managing the ads if there is not enough revenue in it to
make that profitable.&lt;br&gt;
&lt;br&gt;
3. You are willing to accept that ultimately you do not have total control of some
content that is displayed on your site.&lt;br&gt;
&lt;br&gt;
4. You are also willing to accept that, despite the tweaks that can be made to the
visual format of Google Ads, some visitors will find their experience devalued, given
the presence of AdSense on many poor quality, cheap and 'spammy' sites, and possibly
will think less of your brand.&lt;br&gt;
&lt;br&gt;
The short answer is that there are a few situations where we would recommend AdSense
is used, but they are exactly that - few.&lt;br&gt;
&lt;br&gt;
However, if you want to look at the revenue streams through on-site advertising, a
more worthwhile option could be either niche providers who specialise in syndicating
certain types of advertising, or to set up your own ad management functionality and
solicit ads yourself, and only select those you feel are a good match for your site's
content. It may require a little extra effort and cost up front, but you get greater
control, and of course you get to keep all the income too.&lt;br&gt;
&lt;br&gt;
3. &lt;b&gt;User Generated Content (UGC)&lt;/b&gt;. 
&lt;br&gt;
&lt;br&gt;
In our view, getting involved with user generated content is one of the great opportunities
of doing business on the new web.&lt;br&gt;
&lt;br&gt;
The reason for this is that it creates a dialogue between you and people you communicate
with, and it shows to everyone you engage with that you are a transparent, customer-facing
organisation that is happy to talk to people, confident about its product or service,
and comfortable with dealing with all situations, both positive and negative.&lt;br&gt;
&lt;br&gt;
OK, negative comments about your brand can be a bit scary, because if you allow people
to post content on your site, they may well say what they think, so some companies
are understandably nervous of this. 
&lt;br&gt;
&lt;br&gt;
&lt;i&gt;But the greatest risk is not participating. &lt;/i&gt;
&lt;br&gt;
&lt;br&gt;
People will make their thoughts known online whether you like it or not. They are
probably talking about you right now. Do you know what they are saying? And if so,
would it be appropriate to join in? 
&lt;br&gt;
&lt;br&gt;
At least on your own site you know how people are feeling and what they are saying
to each other. So why not be part of that conversation, and fix problems when they
go wrong. If you do that, not only have you engineered a 'brand success' with an individual
when you remedy an issue, but everyone involved in the dialogue can see it too.&lt;br&gt;
&lt;p&gt;
   &lt;br&gt;
&lt;/p&gt;
&lt;img width="0" height="0" src="http://www.chameleonnet.co.uk/blog/aggbug.ashx?id=20c28353-1b8d-4d8f-82e0-913cb6248a1d" /&gt;</description>
      <comments>http://www.chameleonnet.co.uk/blog/CommentView,guid,20c28353-1b8d-4d8f-82e0-913cb6248a1d.aspx</comments>
      <category>Events;Social Networking;Web 2.0;Facebook;AdSense;UGC</category>
    </item>
    <item>
      <trackback:ping>http://www.chameleonnet.co.uk/blog/Trackback.aspx?guid=cc86575f-4487-4494-8271-4e0035210379</trackback:ping>
      <pingback:server>http://www.chameleonnet.co.uk/blog/pingback.aspx</pingback:server>
      <pingback:target>http://www.chameleonnet.co.uk/blog/PermaLink,guid,cc86575f-4487-4494-8271-4e0035210379.aspx</pingback:target>
      <dc:creator>danm@chameleonnet.com (Dan Martin)</dc:creator>
      <wfw:comment>http://www.chameleonnet.co.uk/blog/CommentView,guid,cc86575f-4487-4494-8271-4e0035210379.aspx</wfw:comment>
      <wfw:commentRss>http://www.chameleonnet.co.uk/blog/SyndicationService.asmx/GetEntryCommentsRss?guid=cc86575f-4487-4494-8271-4e0035210379</wfw:commentRss>
      <slash:comments>3</slash:comments>
      <body xmlns="http://www.w3.org/1999/xhtml">Just a quick thank you to all who attended
   the latest in our series of free educational seminars on Thursday 11th October at
   The Groucho Club in Soho.<br /><br />
   The event was titled: Debunking New Web Myths - The Realities of Commercial Success
   with Web 2.0. 
   <br /><br />
   We felt Web 2.0 had been in circulation long enough now to warrant a bit of scrunitising,
   breaking down the fact and fiction, and making some sense out of what is effectively
   the Internet's buzzword du jour.<br /><br />
   We really felt the seminar was a great success, in fact our most subscribed to date
   with around 60 attendees, particularly important when trying out a new topic and slant. 
   <br /><br />
   It seems that sentiment was echoed by the attendees, especially those who have kindly
   allowed us to publicise their comments, such as Catherine Demajo, Head of Magazine
   Marketing at <a href="http://www.timeout.com">Time Out</a> who thought it was “a great
   seminar”, Andrew Oldfield, Website Resources Manager at <a href="http://www.housingcorp.gov.uk">The
   Housing Corporation</a> who thought it was “fantastically useful”, and Emma Simon,
   Marketing Director at <a href="http://www.walkerbooks.co.uk">Walker Books</a> who
   said we were “engaging, enthusiastic and informative”.<br /><br />
   It's great you guys felt the seminar was suitably valuable to share those comments
   with a wider audience. We appreciate it too, so - thanks!<br /><br />
   We'll be running the seminar again very soon, so keep your eyes peeled...<br /><br />
   (BTW, I'll be submitting a specific post or two on more topical seminar-related stuff
   over the coming days.)<br /><p></p><img width="0" height="0" src="http://www.chameleonnet.co.uk/blog/aggbug.ashx?id=cc86575f-4487-4494-8271-4e0035210379" /></body>
      <title>'New Web' seminar - quick update</title>
      <guid>http://www.chameleonnet.co.uk/blog/PermaLink,guid,cc86575f-4487-4494-8271-4e0035210379.aspx</guid>
      <link>http://www.chameleonnet.co.uk/blog/PermaLink,guid,cc86575f-4487-4494-8271-4e0035210379.aspx</link>
      <pubDate>Mon, 22 Oct 2007 23:20:37 GMT</pubDate>
      <description>Just a quick thank you to all who attended the latest in our series of free educational seminars on Thursday 11th October at The Groucho Club in Soho.&lt;br&gt;
&lt;br&gt;
The event was titled: Debunking New Web Myths - The Realities of Commercial Success
with Web 2.0. 
&lt;br&gt;
&lt;br&gt;
We felt Web 2.0 had been in circulation long enough now to warrant a bit of scrunitising,
breaking down the fact and fiction, and making some sense out of what is effectively
the Internet's buzzword du jour.&lt;br&gt;
&lt;br&gt;
We really felt the seminar was a great success, in fact our most subscribed to date
with around 60 attendees, particularly important when trying out a new topic and slant. 
&lt;br&gt;
&lt;br&gt;
It seems that sentiment was echoed by the attendees, especially those who have kindly
allowed us to publicise their comments, such as Catherine Demajo, Head of Magazine
Marketing at &lt;a href="http://www.timeout.com"&gt;Time Out&lt;/a&gt; who thought it was “a great
seminar”, Andrew Oldfield, Website Resources Manager at &lt;a href="http://www.housingcorp.gov.uk"&gt;The
Housing Corporation&lt;/a&gt; who thought it was “fantastically useful”, and Emma Simon,
Marketing Director at &lt;a href="http://www.walkerbooks.co.uk"&gt;Walker Books&lt;/a&gt; who
said we were “engaging, enthusiastic and informative”.&lt;br&gt;
&lt;br&gt;
It's great you guys felt the seminar was suitably valuable to share those comments
with a wider audience. We appreciate it too, so - thanks!&lt;br&gt;
&lt;br&gt;
We'll be running the seminar again very soon, so keep your eyes peeled...&lt;br&gt;
&lt;br&gt;
(BTW, I'll be submitting a specific post or two on more topical seminar-related stuff
over the coming days.)&lt;br&gt;
&lt;p&gt;
&lt;/p&gt;
&lt;img width="0" height="0" src="http://www.chameleonnet.co.uk/blog/aggbug.ashx?id=cc86575f-4487-4494-8271-4e0035210379" /&gt;</description>
      <comments>http://www.chameleonnet.co.uk/blog/CommentView,guid,cc86575f-4487-4494-8271-4e0035210379.aspx</comments>
      <category>Events;Social Networking;Web 2.0</category>
    </item>
  </channel>
</rss>