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    <title>The Chameleon Net blog</title>
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    <description>...spreading *Web Karma*</description>
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      <dc:creator>rossm@chameleonnet.co.uk (Ross Miles)</dc:creator>
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      <body xmlns="http://www.w3.org/1999/xhtml">The general consensus is that no matter
   how good your idea, strategy or marketing campaign, without KPIs or specific goals
   it is hard to qualify the success of what you have done. Also, when it comes to social
   media activity RoI is notoriously hard to measure. 
   <br /><br />
   So how much is a positive mention on Twitter really worth to your brand or product?
   If you cannot measure something and assign it a monetary value, does that then make
   the actions that caused the comments harder to justify? Why am I even asking these
   questions!? Well I recently attended a networking event for people in the digital
   and eCommerce industries in the guise of a poker evening, paid for by my employers
   under the agreement that I was to return and blog about my experiences, so let me
   continue… 
   <br /><br />
   The event was definitely well received. It ran smoothly and was carefully organised
   with the 60 players drawing their table numbers before play started, with professional
   dealers on each table. The venue was pleasant, centrally located and the staff were
   always accommodating. We got a free drink, some dinner and the cash prizes were certainly
   well received by the top 6 finishers. I thoroughly enjoyed myself and am already looking
   forward to its next incarnation later in the year. I should probably add a qualifier
   that I finished in the money and went home with a tidy profit. However, regardless
   of my financial gains I enjoyed the experience and would happily attend again. But
   was the event a success? 
   <br /><br />
   Strictly speaking we were at an industry networking event. Before we were seated and
   the first cards were dealt, people seemed to keep themselves to themselves, with the
   conversation limited to colleagues advising less experienced colleagues on the rules
   of Texas Hold ‘em. As soon as our chips were on the felt steely glares were exchanged
   and any chatter between players became poker related. 
   <br /><br />
   After one hour we broke for the buffet dinner where people joked about the lack of
   networking taking place around the tables and the serious nature of play! However,
   this did prove to be an ice-breaker to allow us to at least exchange business cards. 
   <br /><br />
   After around another 30 minutes of play ‘Barry the Broker’ jokingly introduced himself
   and laughed at how we hadn’t even told each other our names after an hour and a half
   of play! As the hands went on and players dwindled the tension on the tables led to
   more banter, but again, it wasn’t as if we were discussing possible business partnerships
   as the re-raises went in. 
   <br /><br />
   By the time we reached the final table of 10 rapport had been built through shared
   experiences and bad beats. Even some of the players who had been eliminated were hanging
   around, gathering around the table watching as we duelled out the final hands as the
   blinds and antes escalated at an alarming rate. It was around this point that I began
   to realise that by virtue of staying alive by the skin of my teeth a few times and
   making some outrageous bluffs (which I then showed) I had become a recognised figure
   at the table which put me in the enviable position of being ‘rememberable’, which
   is surely the purpose of such an event for me! 
   <br /><br />
   The morning after I made an effort to track down anyone tweeting about the event,
   send a quick e-mail to those I exchanged business cards with and added one contact
   on Linkedin. People tweeting about the event were positive and even those that mentioned
   their losses did so punctuated with emoticons. Did I uncover any immediate opportunities
   for Chameleon Net on the night? No. Did I leave enough of an impression for people
   to remember me? I hope so… I just have to hope they also remember I work for a Digital
   Solutions Agency! 
   <br /><br />
   So why the intro about measuring success and RoI? Well I was trying understand if
   the poker night was a success in terms of it being a networking event. Strictly speaking
   on traditional criteria it would be hard to say yes, but in those difficult to define,
   social-esque ways, it was. My positive feelings towards the event organisers have
   increased. No-one I encountered had a negative word to say about of the event. I did
   hand my business card out to several people, some of who eventually saw me make some
   ballsy bluffs on the final table (all-in three times in a row with 2 6, 2 3 and 2
   7 on flagrant steals!) which meant I was someone they now remembered rather than just
   a random card in their pocket the next day. 
   <br /><br />
   In the same way that it can be hard to quantify my success with interaction via social
   media, it is difficult for me to quantify my success in selling Chameleon Net during
   that evening, but what I did do was establish personal connections with people on
   a real one-to-one basis, which hopefully makes me an approachable person when their
   company needs a digital solution. 
   <br /><br /><object width="450" height="278"><param name="movie" value="http://www.youtube.com/v/ypmfs3z8esI&amp;hl=en_GB&amp;fs=1?color1=0x234900&amp;color2=0x4e9e00" /><param name="allowFullScreen" value="true" /><param name="allowscriptaccess" value="always" /><embed src="http://www.youtube.com/v/ypmfs3z8esI&amp;hl=en_GB&amp;fs=1?color1=0x234900&amp;color2=0x4e9e00" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="450" height="278"></embed></object><img width="0" height="0" src="http://www.chameleonnet.co.uk/blog/aggbug.ashx?id=ef1c10f1-c148-4d7a-baaf-83f844480b0f" /></body>
      <title>The Un-Measurable Success of a Profitable Poker Night</title>
      <guid>http://www.chameleonnet.co.uk/blog/PermaLink,guid,ef1c10f1-c148-4d7a-baaf-83f844480b0f.aspx</guid>
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      <pubDate>Thu, 01 Jul 2010 13:00:44 GMT</pubDate>
      <description>The general consensus is that no matter how good your idea, strategy or marketing campaign, without KPIs or specific goals it is hard to qualify the success of what you have done. Also, when it comes to social media activity RoI is notoriously hard to measure.
&lt;br&gt;
&lt;br&gt;
So how much is a positive mention on Twitter really worth to your brand or product?
If you cannot measure something and assign it a monetary value, does that then make
the actions that caused the comments harder to justify? Why am I even asking these
questions!? Well I recently attended a networking event for people in the digital
and eCommerce industries in the guise of a poker evening, paid for by my employers
under the agreement that I was to return and blog about my experiences, so let me
continue… 
&lt;br&gt;
&lt;br&gt;
The event was definitely well received. It ran smoothly and was carefully organised
with the 60 players drawing their table numbers before play started, with professional
dealers on each table. The venue was pleasant, centrally located and the staff were
always accommodating. We got a free drink, some dinner and the cash prizes were certainly
well received by the top 6 finishers. I thoroughly enjoyed myself and am already looking
forward to its next incarnation later in the year. I should probably add a qualifier
that I finished in the money and went home with a tidy profit. However, regardless
of my financial gains I enjoyed the experience and would happily attend again. But
was the event a success? 
&lt;br&gt;
&lt;br&gt;
Strictly speaking we were at an industry networking event. Before we were seated and
the first cards were dealt, people seemed to keep themselves to themselves, with the
conversation limited to colleagues advising less experienced colleagues on the rules
of Texas Hold ‘em. As soon as our chips were on the felt steely glares were exchanged
and any chatter between players became poker related. 
&lt;br&gt;
&lt;br&gt;
After one hour we broke for the buffet dinner where people joked about the lack of
networking taking place around the tables and the serious nature of play! However,
this did prove to be an ice-breaker to allow us to at least exchange business cards. 
&lt;br&gt;
&lt;br&gt;
After around another 30 minutes of play ‘Barry the Broker’ jokingly introduced himself
and laughed at how we hadn’t even told each other our names after an hour and a half
of play! As the hands went on and players dwindled the tension on the tables led to
more banter, but again, it wasn’t as if we were discussing possible business partnerships
as the re-raises went in. 
&lt;br&gt;
&lt;br&gt;
By the time we reached the final table of 10 rapport had been built through shared
experiences and bad beats. Even some of the players who had been eliminated were hanging
around, gathering around the table watching as we duelled out the final hands as the
blinds and antes escalated at an alarming rate. It was around this point that I began
to realise that by virtue of staying alive by the skin of my teeth a few times and
making some outrageous bluffs (which I then showed) I had become a recognised figure
at the table which put me in the enviable position of being ‘rememberable’, which
is surely the purpose of such an event for me! 
&lt;br&gt;
&lt;br&gt;
The morning after I made an effort to track down anyone tweeting about the event,
send a quick e-mail to those I exchanged business cards with and added one contact
on Linkedin. People tweeting about the event were positive and even those that mentioned
their losses did so punctuated with emoticons. Did I uncover any immediate opportunities
for Chameleon Net on the night? No. Did I leave enough of an impression for people
to remember me? I hope so… I just have to hope they also remember I work for a Digital
Solutions Agency! 
&lt;br&gt;
&lt;br&gt;
So why the intro about measuring success and RoI? Well I was trying understand if
the poker night was a success in terms of it being a networking event. Strictly speaking
on traditional criteria it would be hard to say yes, but in those difficult to define,
social-esque ways, it was. My positive feelings towards the event organisers have
increased. No-one I encountered had a negative word to say about of the event. I did
hand my business card out to several people, some of who eventually saw me make some
ballsy bluffs on the final table (all-in three times in a row with 2 6, 2 3 and 2
7 on flagrant steals!) which meant I was someone they now remembered rather than just
a random card in their pocket the next day. 
&lt;br&gt;
&lt;br&gt;
In the same way that it can be hard to quantify my success with interaction via social
media, it is difficult for me to quantify my success in selling Chameleon Net during
that evening, but what I did do was establish personal connections with people on
a real one-to-one basis, which hopefully makes me an approachable person when their
company needs a digital solution. 
&lt;br&gt;
&lt;br&gt;
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      <comments>http://www.chameleonnet.co.uk/blog/CommentView,guid,ef1c10f1-c148-4d7a-baaf-83f844480b0f.aspx</comments>
      <category>Events;Online Marketing;Social Networking;Twitter;What we're up to</category>
    </item>
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      <dc:creator>richardk@chameleonnet.co.uk (Rich Kirk)</dc:creator>
      <wfw:comment>http://www.chameleonnet.co.uk/blog/CommentView,guid,a0c5d655-9973-47a0-99ea-7d0dd05971e8.aspx</wfw:comment>
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      <slash:comments>2</slash:comments>
      <body xmlns="http://www.w3.org/1999/xhtml">
        <p>
          <i>This topic was covered at yesterday's <a href="http://www.chameleonnet.co.uk/moneytalks/">"Money
      Talks" seminar</a>. I said I would post some info on how you can segment your mobile
      users within Google Analytics; well here it is! What appears below is cut from an
      article I wrote for Marketing Pilgrim in the States. <a href="http://www.marketingpilgrim.com/2009/06/how-to-kick-ass-with-a-mobile-website.html">You
      can check out the full article here</a>.</i>
          <br />
        </p>
        <p>
          <u>
            <b>Understanding Mobile Users: Entry Level</b>
          </u>
        </p>
        <p>
      Even if you feel the implementation of a mobile strategy is a long way off for your
      company, and you have no technical skills whatsoever, there is no excuse for not starting
      to try and get a handle on who your mobile users are, and how they interact with your
      site. This is a customer segment that will grow in the future.
   </p>
        <p>
      Demographics You can easily build up a picture of mobile web users through the plethora
      of surveys currently being released. Here are a few recent stats:
   </p>
        <ul>
          <li>
         74% of iPhone users are over the age of 25, (31% are 35-49) and more than 70% of iPhone
         users are male. [<a href="http://www.intomobile.com/2009/06/16/survey-mobile-internet-trumps-des%20ktop-surfing-for-iphone-users.html">see
         here</a>]</li>
          <li>
         64% of key decision makers in marketing departments are using mobiles to view emails
         [<a href="http://econsultancy.com/blog/4040-marketers-should-design-emails-for-m%20obiles-survey">see
         here</a>]</li>
          <li>
         Leading mobile browsing systems worldwide (May 09) = iPhone/iPod Touch 37.2%, Opera
         24.6%, Nokia 17.9%. [<a href="http://www.fiercemobilecontent.com/story/opera-surpasses-iphone-mobile%20-browser-lead/2009-06-04">see
         here</a>]</li>
          <li>
         In 2008 61% of all smartphone owners had a household income of greater than $70000,
         compared to just 49% of normal mobile owners. [<a href="http://www.trendbird.co.kr/attach/1/1151789636.gif">see
         here</a>]</li>
          <li>
         40% of “smartphoners” in ‘08 would access the internet at least once a week on their
         device, (78% for iPhone owners specifically). [<a href="http://www.trendbird.co.kr/attach/1/1201262381.gif">see
         here</a>]</li>
        </ul>
        <p>
      Behaviour as well as looking at the demographics of people browsing the mobile web,
      it’s also vital to understand their goals are likely to be different to those of folks
      browsing on a computer. Conversion points for mobile users are often basic things
      such as finding a shop location, contact information, or viewing product details.
      Generally speaking goals are more immediate and information based. More traditional
      goals such as purchasing or accessing documents will only be undertaken as a last
      resort where a computer is unavailable.
   </p>
        <p>
      Mobile users break down into three rough categories:
   </p>
        <ul>
          <li>
         “Time to burn”: browsing between events / meetings etc: your goal is to offer bite
         sized chunks of interesting content in order to attract repeat visits later via traditional
         browsing methods.</li>
          <li>
         “Monitors”: Users who browse your site for specific data that changes over time: stocks
         and shares, sports scores etc. Identify the information on your site which gets repeat
         visits and make it as easily accessible as possible.</li>
          <li>
         “Need it Now”: Live information e.g. running information, store locations, opening
         hours etc should all be easily accessible from your mobile homepage for those people
         who are relying on your brand rather than just browsing.</li>
        </ul>
        <p>
      Understanding the key differences between your mobile and traditional users should
      directly inform the architecture of the mobile version of your site. For instance:
      An airline may focus on selling tickets online, but its mobile site should focus more
      on check in information, live flight times, and airport locations for people who are
      about to fly. Similarly, a financial services company might view their website as
      a place for prospective customers to research their products, but their mobile site
      could add value by offering simple services to existing customers e.g. balance checks.
   </p>
        <p>
      With a bit more budget you can start to build up data specific to your organisation.
      Marketers should be equipped with smartphones, as using a mobile browser is the best
      way to understand and discover the difficulties and opportunities surrounding your
      brand and the mobile web.
   </p>
        <p>
          <u>
            <b>Understanding Mobile Users: Intermediate / Advanced Level</b>
          </u>
        </p>
        <p>
      Google Analytics provides a segment for iPhone users, but a broader mobile segment
      for analysing this traffic would be preferential. The most obvious way to construct
      this segment is by grouping together the different types of mobile browsers currently
      on offer, but this list is ever-changing and many of these browsers are poor at executing
      JavaScript: mobile data will be missed altogether and the segment will be less accurate.
      [<a href="http://www.brysonmeunier.com/mobile-analytics-with-google-analytics/"> more
      info here</a>]
   </p>
        <p>
      A better option is to construct a GA segment based around screen resolution, as there
      is a greater accuracy of data collection:
   </p>
        <ul>
          <li>
         Open a new custom segment within your GA dashboard</li>
          <li>
         Select “screen resolution” as the segment’s dimension. You can find this by drilling
         down on “Systems”.</li>
          <li>
         Select the match type “Matches Regular Expression”</li>
          <li>
         Paste the following regex into the next field: (^[1-2]?[0-9]?[0-9]|^3[0-1][0-9]|^320)x([1-3]?[0-9]?[0-9]$|4[0-7][0-9]
         $|480$ )</li>
        </ul>
        <p>
      For the more advanced technicians amongst you the installation of mobile-specific
      tracking software is a further option, however this can be costly and difficult to
      integrate with GA. <a href="http://bango.com/products/analytics/default.aspx">Bango
      Analytics</a>, <a href="http://www.mobilytics.net/">Mobilytics</a> and <a href="http://www.amethon.com/">Amethon</a> are
      key players in this sector.
   </p>
        <p>
          <b>UPDATE APRIL 2010:</b> GA now offers mobile website tracking for FREE.<br /></p>
        <p>
      Once mobile users behaviour on your site is isolated marketers are able to analyse
      top content, entry and exit points, site search, etc. It is crucial to try and understand
      mobile user’s goals this data. These goals will define the architecture of your mobile
      site.
   </p>
        <p>
          <i>I hope that's useful: Try applying this segment to your website and looking at
      monthly visitor numbers over the past 18 months: usually a pretty telling statistic.</i>
        </p>
        <p>
          <i>If you're struggling to get buy-in for a mobile site, why not sit your boss down,
      give them an iphone and get them to complete a key user action on your site?! - better
      still set them a time limit of the average time it takes a desk-bound user to complete
      that goal.</i>
          <br />
        </p>
        <p>
        </p>
        <img width="0" height="0" src="http://www.chameleonnet.co.uk/blog/aggbug.ashx?id=a0c5d655-9973-47a0-99ea-7d0dd05971e8" />
      </body>
      <title>Top Tips For Understanding Mobile Users</title>
      <guid>http://www.chameleonnet.co.uk/blog/PermaLink,guid,a0c5d655-9973-47a0-99ea-7d0dd05971e8.aspx</guid>
      <link>http://www.chameleonnet.co.uk/blog/PermaLink,guid,a0c5d655-9973-47a0-99ea-7d0dd05971e8.aspx</link>
      <pubDate>Fri, 23 Apr 2010 09:24:18 GMT</pubDate>
      <description>&lt;p&gt;
   &lt;i&gt;This topic was covered at yesterday's &lt;a href="http://www.chameleonnet.co.uk/moneytalks/"&gt;"Money
   Talks" seminar&lt;/a&gt;. I said I would post some info on how you can segment your mobile
   users within Google Analytics; well here it is! What appears below is cut from an
   article I wrote for Marketing Pilgrim in the States. &lt;a href="http://www.marketingpilgrim.com/2009/06/how-to-kick-ass-with-a-mobile-website.html"&gt;You
   can check out the full article here&lt;/a&gt;.&lt;/i&gt;
   &lt;br&gt;
&lt;/p&gt;
&lt;p&gt;
   &lt;u&gt;&lt;b&gt;Understanding Mobile Users: Entry Level&lt;/b&gt;&lt;/u&gt;
&lt;/p&gt;
&lt;p&gt;
   Even if you feel the implementation of a mobile strategy is a long way off for your
   company, and you have no technical skills whatsoever, there is no excuse for not starting
   to try and get a handle on who your mobile users are, and how they interact with your
   site. This is a customer segment that will grow in the future.
&lt;/p&gt;
&lt;p&gt;
   Demographics You can easily build up a picture of mobile web users through the plethora
   of surveys currently being released. Here are a few recent stats:
&lt;/p&gt;
&lt;ul&gt;
   &lt;li&gt;
      74% of iPhone users are over the age of 25, (31% are 35-49) and more than 70% of iPhone
      users are male. [&lt;a href="http://www.intomobile.com/2009/06/16/survey-mobile-internet-trumps-des%20ktop-surfing-for-iphone-users.html"&gt;see
      here&lt;/a&gt;]&lt;/li&gt;
   &lt;li&gt;
      64% of key decision makers in marketing departments are using mobiles to view emails
      [&lt;a href="http://econsultancy.com/blog/4040-marketers-should-design-emails-for-m%20obiles-survey"&gt;see
      here&lt;/a&gt;]&lt;/li&gt;
   &lt;li&gt;
      Leading mobile browsing systems worldwide (May 09) = iPhone/iPod Touch 37.2%, Opera
      24.6%, Nokia 17.9%. [&lt;a href="http://www.fiercemobilecontent.com/story/opera-surpasses-iphone-mobile%20-browser-lead/2009-06-04"&gt;see
      here&lt;/a&gt;]&lt;/li&gt;
   &lt;li&gt;
      In 2008 61% of all smartphone owners had a household income of greater than $70000,
      compared to just 49% of normal mobile owners. [&lt;a href="http://www.trendbird.co.kr/attach/1/1151789636.gif"&gt;see
      here&lt;/a&gt;]&lt;/li&gt;
   &lt;li&gt;
      40% of “smartphoners” in ‘08 would access the internet at least once a week on their
      device, (78% for iPhone owners specifically). [&lt;a href="http://www.trendbird.co.kr/attach/1/1201262381.gif"&gt;see
      here&lt;/a&gt;]&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;
   Behaviour as well as looking at the demographics of people browsing the mobile web,
   it’s also vital to understand their goals are likely to be different to those of folks
   browsing on a computer. Conversion points for mobile users are often basic things
   such as finding a shop location, contact information, or viewing product details.
   Generally speaking goals are more immediate and information based. More traditional
   goals such as purchasing or accessing documents will only be undertaken as a last
   resort where a computer is unavailable.
&lt;/p&gt;
&lt;p&gt;
   Mobile users break down into three rough categories:
&lt;/p&gt;
&lt;ul&gt;
   &lt;li&gt;
      “Time to burn”: browsing between events / meetings etc: your goal is to offer bite
      sized chunks of interesting content in order to attract repeat visits later via traditional
      browsing methods.&lt;/li&gt;
   &lt;li&gt;
      “Monitors”: Users who browse your site for specific data that changes over time: stocks
      and shares, sports scores etc. Identify the information on your site which gets repeat
      visits and make it as easily accessible as possible.&lt;/li&gt;
   &lt;li&gt;
      “Need it Now”: Live information e.g. running information, store locations, opening
      hours etc should all be easily accessible from your mobile homepage for those people
      who are relying on your brand rather than just browsing.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;
   Understanding the key differences between your mobile and traditional users should
   directly inform the architecture of the mobile version of your site. For instance:
   An airline may focus on selling tickets online, but its mobile site should focus more
   on check in information, live flight times, and airport locations for people who are
   about to fly. Similarly, a financial services company might view their website as
   a place for prospective customers to research their products, but their mobile site
   could add value by offering simple services to existing customers e.g. balance checks.
&lt;/p&gt;
&lt;p&gt;
   With a bit more budget you can start to build up data specific to your organisation.
   Marketers should be equipped with smartphones, as using a mobile browser is the best
   way to understand and discover the difficulties and opportunities surrounding your
   brand and the mobile web.
&lt;/p&gt;
&lt;p&gt;
   &lt;u&gt;&lt;b&gt;Understanding Mobile Users: Intermediate / Advanced Level&lt;/b&gt;&lt;/u&gt;
&lt;/p&gt;
&lt;p&gt;
   Google Analytics provides a segment for iPhone users, but a broader mobile segment
   for analysing this traffic would be preferential. The most obvious way to construct
   this segment is by grouping together the different types of mobile browsers currently
   on offer, but this list is ever-changing and many of these browsers are poor at executing
   JavaScript: mobile data will be missed altogether and the segment will be less accurate.
   [&lt;a href="http://www.brysonmeunier.com/mobile-analytics-with-google-analytics/"&gt; more
   info here&lt;/a&gt;]
&lt;/p&gt;
&lt;p&gt;
   A better option is to construct a GA segment based around screen resolution, as there
   is a greater accuracy of data collection:
&lt;/p&gt;
&lt;ul&gt;
   &lt;li&gt;
      Open a new custom segment within your GA dashboard&lt;/li&gt;
   &lt;li&gt;
      Select “screen resolution” as the segment’s dimension. You can find this by drilling
      down on “Systems”.&lt;/li&gt;
   &lt;li&gt;
      Select the match type “Matches Regular Expression”&lt;/li&gt;
   &lt;li&gt;
      Paste the following regex into the next field: (^[1-2]?[0-9]?[0-9]|^3[0-1][0-9]|^320)x([1-3]?[0-9]?[0-9]$|4[0-7][0-9]
      $|480$ )&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;
   For the more advanced technicians amongst you the installation of mobile-specific
   tracking software is a further option, however this can be costly and difficult to
   integrate with GA. &lt;a href="http://bango.com/products/analytics/default.aspx"&gt;Bango
   Analytics&lt;/a&gt;, &lt;a href="http://www.mobilytics.net/"&gt;Mobilytics&lt;/a&gt; and &lt;a href="http://www.amethon.com/"&gt;Amethon&lt;/a&gt; are
   key players in this sector.
&lt;/p&gt;
&lt;p&gt;
   &lt;b&gt;UPDATE APRIL 2010:&lt;/b&gt; GA now offers mobile website tracking for FREE.&lt;br&gt;
&lt;/p&gt;
&lt;p&gt;
   Once mobile users behaviour on your site is isolated marketers are able to analyse
   top content, entry and exit points, site search, etc. It is crucial to try and understand
   mobile user’s goals this data. These goals will define the architecture of your mobile
   site.
&lt;/p&gt;
&lt;p&gt;
   &lt;i&gt;I hope that's useful: Try applying this segment to your website and looking at
   monthly visitor numbers over the past 18 months: usually a pretty telling statistic.&lt;/i&gt;
&lt;/p&gt;
&lt;p&gt;
   &lt;i&gt;If you're struggling to get buy-in for a mobile site, why not sit your boss down,
   give them an iphone and get them to complete a key user action on your site?! - better
   still set them a time limit of the average time it takes a desk-bound user to complete
   that goal.&lt;/i&gt;
   &lt;br&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;/p&gt;
&lt;img width="0" height="0" src="http://www.chameleonnet.co.uk/blog/aggbug.ashx?id=a0c5d655-9973-47a0-99ea-7d0dd05971e8" /&gt;</description>
      <comments>http://www.chameleonnet.co.uk/blog/CommentView,guid,a0c5d655-9973-47a0-99ea-7d0dd05971e8.aspx</comments>
      <category>Charity;Events;Higher Education;Mobile Web;Non-profit;Online Marketing;Web Usability</category>
    </item>
    <item>
      <trackback:ping>http://www.chameleonnet.co.uk/blog/Trackback.aspx?guid=0ac6e066-7883-4e67-af75-dcea527beff5</trackback:ping>
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      <dc:creator>richardk@chameleonnet.co.uk (Rich Kirk)</dc:creator>
      <wfw:comment>http://www.chameleonnet.co.uk/blog/CommentView,guid,0ac6e066-7883-4e67-af75-dcea527beff5.aspx</wfw:comment>
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      <body xmlns="http://www.w3.org/1999/xhtml">
        <font face="Verdana">You’ll actually build
   your first campaigns before you’re account has been signed off by Google: this is
   because  submission of well-targeted campaigns that meet Google Grant’s criteria
   is a requirement for receiving The Grant.<br /><br /></font>
        <p>
          <b>
            <font face="Verdana">So what key areas should I cover with my first few campaigns? </font>
          </b>
        </p>
        <font face="Verdana">I’d advise that to start with, you should just cover a few topics,
   so that you can get your final application off to Google with the minimum of fuss.
   You need to impress the people upstairs with the first part of any marketing camapign
   so not spreading yourself too thinly is vital.<br /><br />
   You could <b>start with a campaign focussed around your brand and the main topics
   that your organisation is focussed upon</b>. I would have an Ad Group and associated
   keywords for each of these topic, as it allows you to create specific ad variants
   based around that theme. Most donations that you receive from PPC traffic will be
   triggered by people searching these terms so it’s important to get them live and start
   optimising as soon as possible.<br /><br />
   A couple of tips:<br /></font>
        <ol>
          <li>
            <font face="Verdana">If part of your brand name is common to other popular culture
         terms, <b>ensure you use negative match keywords to stop your ad being shown unnecessarily.</b> E.g.
         if your charity was called “Lost Children” and your brand campaign targeted keywords
         broadly similar to this you would negative match terms like “lost property”, “lost
         tv” etc to ensure you weren’t paying for irrelevant clicks.</font>
          </li>
          <li>
            <font face="Verdana">
              <b>Include as many misspellings and acronym keywords for your
         charity as possible</b> to your “brand terms” ad group: this will ensure you reach
         as many of the people searching for you as possible. Take a look at your site’s entrance
         keywords in Google Analytics for inspiration. (remember to filter out non brand terms
         to save time)</font>
          </li>
        </ol>
        <font face="Verdana">It’s also worthwhile to create another AdWords campaign for promoting
   specific fundraising drives or “take action” campaigns. Your ads here should try to
   contain a call to action; remember you can fully customise the display URL in your
   ad so this is a bit of extra space to incorporate messaging if you’re struggling with
   the 95 character limit on the ad.<br /><br />
   So there we have it: try to <b>focus your first campaigns on your brand, your primary
   issues and your current campaigns</b> and you should have a solid platform to work
   off. 
   <br /><br /><b>Next time I’ll be talking about how to track your AdWords / Google Grant activity
   against tangible goals</b> such as donation, newsletter signup, form downloads etc.
   Add our RSS feed to your reader so you don’t miss out.<br /><i><br /></i></font>
        <h3>
          <font face="Verdana">
            <i>Rich will be speaking at our seminar <a href="http://www.chameleonnet.co.uk/moneytalks/">“Money
      Talks”</a> for charities on April 22nd. <a href="http://www.chameleonnet.co.uk/moneytalks/">You
      should sign up to come along!</a></i>
          </font>
        </h3>
        <br />
        <p>
        </p>
        <img width="0" height="0" src="http://www.chameleonnet.co.uk/blog/aggbug.ashx?id=0ac6e066-7883-4e67-af75-dcea527beff5" />
      </body>
      <title>Google Grants Blog 2: Your first campaigns</title>
      <guid>http://www.chameleonnet.co.uk/blog/PermaLink,guid,0ac6e066-7883-4e67-af75-dcea527beff5.aspx</guid>
      <link>http://www.chameleonnet.co.uk/blog/PermaLink,guid,0ac6e066-7883-4e67-af75-dcea527beff5.aspx</link>
      <pubDate>Thu, 15 Apr 2010 09:08:23 GMT</pubDate>
      <description>&lt;font face="Verdana"&gt;You’ll actually build your first campaigns before you’re account
has been signed off by Google: this is because&amp;nbsp; submission of well-targeted campaigns
that meet Google Grant’s criteria is a requirement for receiving The Grant.&lt;br&gt;
&lt;br&gt;
&lt;/font&gt;
&lt;p&gt;
   &lt;b&gt;&lt;font face="Verdana"&gt;So what key areas should I cover with my first few campaigns? &lt;/font&gt;&lt;/b&gt;
&lt;/p&gt;
&lt;font face="Verdana"&gt;I’d advise that to start with, you should just cover a few topics,
so that you can get your final application off to Google with the minimum of fuss.
You need to impress the people upstairs with the first part of any marketing camapign
so not spreading yourself too thinly is vital.&lt;br&gt;
&lt;br&gt;
You could &lt;b&gt;start with a campaign focussed around your brand and the main topics
that your organisation is focussed upon&lt;/b&gt;. I would have an Ad Group and associated
keywords for each of these topic, as it allows you to create specific ad variants
based around that theme. Most donations that you receive from PPC traffic will be
triggered by people searching these terms so it’s important to get them live and start
optimising as soon as possible.&lt;br&gt;
&lt;br&gt;
A couple of tips:&lt;br&gt;
&lt;/font&gt;
&lt;ol&gt;
   &lt;li&gt;
      &lt;font face="Verdana"&gt;If part of your brand name is common to other popular culture
      terms, &lt;b&gt;ensure you use negative match keywords to stop your ad being shown unnecessarily.&lt;/b&gt; E.g.
      if your charity was called “Lost Children” and your brand campaign targeted keywords
      broadly similar to this you would negative match terms like “lost property”, “lost
      tv” etc to ensure you weren’t paying for irrelevant clicks.&lt;/font&gt;
   &lt;/li&gt;
   &lt;li&gt;
      &lt;font face="Verdana"&gt;&lt;b&gt;Include as many misspellings and acronym keywords for your
      charity as possible&lt;/b&gt; to your “brand terms” ad group: this will ensure you reach
      as many of the people searching for you as possible. Take a look at your site’s entrance
      keywords in Google Analytics for inspiration. (remember to filter out non brand terms
      to save time)&lt;/font&gt;
   &lt;/li&gt;
&lt;/ol&gt;
&lt;font face="Verdana"&gt;It’s also worthwhile to create another AdWords campaign for promoting
specific fundraising drives or “take action” campaigns. Your ads here should try to
contain a call to action; remember you can fully customise the display URL in your
ad so this is a bit of extra space to incorporate messaging if you’re struggling with
the 95 character limit on the ad.&lt;br&gt;
&lt;br&gt;
So there we have it: try to &lt;b&gt;focus your first campaigns on your brand, your primary
issues and your current campaigns&lt;/b&gt; and you should have a solid platform to work
off. 
&lt;br&gt;
&lt;br&gt;
&lt;b&gt;Next time I’ll be talking about how to track your AdWords / Google Grant activity
against tangible goals&lt;/b&gt; such as donation, newsletter signup, form downloads etc.
Add our RSS feed to your reader so you don’t miss out.&lt;br&gt;
&lt;i&gt;
&lt;br&gt;
&lt;/i&gt;&lt;/font&gt;
&lt;h3&gt;&lt;font face="Verdana"&gt;&lt;i&gt;Rich will be speaking at our seminar &lt;a href="http://www.chameleonnet.co.uk/moneytalks/"&gt;“Money
   Talks”&lt;/a&gt; for charities on April 22nd. &lt;a href="http://www.chameleonnet.co.uk/moneytalks/"&gt;You
   should sign up to come along!&lt;/a&gt;&lt;/i&gt;&lt;/font&gt;
&lt;/h3&gt;
&lt;br&gt;
&lt;p&gt;
&lt;/p&gt;
&lt;img width="0" height="0" src="http://www.chameleonnet.co.uk/blog/aggbug.ashx?id=0ac6e066-7883-4e67-af75-dcea527beff5" /&gt;</description>
      <comments>http://www.chameleonnet.co.uk/blog/CommentView,guid,0ac6e066-7883-4e67-af75-dcea527beff5.aspx</comments>
      <category>Charity;Google Grant;Non-profit;Online Marketing;PPC</category>
    </item>
    <item>
      <trackback:ping>http://www.chameleonnet.co.uk/blog/Trackback.aspx?guid=493ad694-308f-4762-8b44-eb67fbd99037</trackback:ping>
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      <dc:creator>richardk@chameleonnet.co.uk (Rich Kirk)</dc:creator>
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        <p class="MsoNormal" style="text-align: justify;">
          <font face="Verdana" size="2">The Google Grant is a free search advertising programme
      that affords charities and non-profits nearly $10000/month in Google Adwords budget. <a href="http://chameleonnet.co.uk/PPC_management_google_grants.aspx">At
      Chameleon Net we provide Google Grant help and  assistance to charities</a> like
      The RNID, The Anthony Nolan Trust and Friends of the Earth. In this series I hope
      to talk about how your charity can apply for, and get value from the Google Grant.
      In our experience <b>The Grant is a fantastic channel for revenue generation</b> whether
      you’re a small charity or a major UK non-profit.</font>
        </p>
        <p class="MsoNormal" style="text-align: justify;">
          <font face="Verdana" size="2">Sponsored search results are a form of advertising delivered
      via Google AdWords. They look like this: 
      <br /></font>
        </p>
        <p class="MsoNormal" style="text-align: justify;">
          <font face="Verdana" size="2">
            <img src="http://www.chameleonnet.co.uk/blog/content/binary/google%20SERP%202.JPG" alt="google SERP 2.JPG" width="480" border="0" height="185" />
            <br />
          </font>
        </p>
        <p class="MsoNormal" style="text-align: justify;">
          <font face="Verdana" size="2">You find these ads at the right hand side of top of
      a search engine results page (SERP). Your ad’s position is determined by the relevancy
      of your ad to the keyword searched for, and your bid for that particular keyword (aka
      search term or query). If your ad is clicked, you will be charged by Google. However,
      a<b> Google Grantee receives $10000 of clicks a month for free. </b></font>
        </p>
        <p class="MsoNormal" style="text-align: justify;">
          <b>
            <i>
              <font face="Verdana" size="2">Just think of all those terms you’d love your
      charity to rank number 1 for… a Google Grant would allow you almost unlimited budget
      to chase that coveted top spot.</font>
            </i>
          </b>
        </p>
        <p class="MsoNormal" style="text-align: justify;">
          <font face="Verdana" size="2">So how does your charity go about getting one? A Google
      Grant application can take a long time - sometimes nearly 6 months! (Charities who
      have utilised our services have found we speed up this process dramatically). A Google
      Grant application falls into 2 stages: </font>
        </p>
        <ol>
          <li>
            <font face="Verdana" size="2">Proving your eligibility to Google</font>
          </li>
          <li>
            <font face="Verdana" size="2">Submitting a well structured and targeted set of AdWords
         campaigns </font>
          </li>
        </ol>
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        </p>
        <p class="MsoNormal" style="text-align: justify;">
          <font face="Verdana" size="2">Passing stage 1 is fairly simple, and most charities
      should be able to get through this bit. The key thing is to prove you are a charity
      and that you actively campaign and have planned resource to manage AdWords on a regular
      basis.</font>
        </p>
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          <font face="Verdana" size="2">To pass stage 2 is more difficult, and often this is
      where we see charities struggle, so you’ll probably need someone with experience to
      help you. <b>You will need to submit an application that conforms with the extensive
      Google Grants checklist.</b> Examples of the sorts of thing Google is looking for
      include an account that is well structured around keyword themes and relevant landing
      pages, applied geographical and language targeting, and keyword bids that utilises
      multiple match types to ensure ads are only delivered where they are appropriate.</font>
        </p>
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          <font face="Verdana" size="2">To someone with a good amount of AdWords experience,
      creating and submitting an account that meets The Grant guidelines is not a difficult
      task, but we’ve seen many charities have their attempts rejected by Google, and as
      the Google Grants team is made up of volunteers it can take a long time for the resubmitted
      account to be evaluated. Ultimately, it is in a charity’s best interest to get the
      account right first time, so <b>make sure you have access to knowledgeable AdWords
      resource before applying.</b></font>
        </p>
        <h2 class="MsoNormal" style="text-align: justify;">
          <font face="Verdana" size="2">
            <b>Next
      time...<br /></b>
          </font>
        </h2>
        <p class="MsoNormal" style="text-align: justify;">
          <font face="Verdana" size="2">
            <b>
            </b>...I’ll be looking at setting up your account
      in more detail and some of the areas you should target first with your Google Grant
      for maximum RoI.</font>
        </p>
        <i>
          <font face="Verdana" size="2">Rich will be talking in detail about maximising RoI
   from search marketing at our FREE seminar “MoneyTalks” on April 22nd. <b><a href="http://www.chameleonnet.co.uk/moneytalks/default.aspx">You
   should sign up for a place here!</a></b></font>
        </i>
        <p>
        </p>
        <img width="0" height="0" src="http://www.chameleonnet.co.uk/blog/aggbug.ashx?id=493ad694-308f-4762-8b44-eb67fbd99037" />
      </body>
      <title>Google Grants 101: "What is The Google Grant?"</title>
      <guid>http://www.chameleonnet.co.uk/blog/PermaLink,guid,493ad694-308f-4762-8b44-eb67fbd99037.aspx</guid>
      <link>http://www.chameleonnet.co.uk/blog/PermaLink,guid,493ad694-308f-4762-8b44-eb67fbd99037.aspx</link>
      <pubDate>Fri, 26 Mar 2010 12:32:09 GMT</pubDate>
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   &lt;w:Word11KerningPairs/&gt;
   &lt;w:CachedColBalance/&gt;
  &lt;/w:Compatibility&gt;
  &lt;m:mathPr&gt;
   &lt;m:mathFont m:val="Cambria Math"/&gt;
   &lt;m:brkBin m:val="before"/&gt;
   &lt;m:brkBinSub m:val="&amp;#45;-"/&gt;
   &lt;m:smallFrac m:val="off"/&gt;
   &lt;m:dispDef/&gt;
   &lt;m:lMargin m:val="0"/&gt;
   &lt;m:rMargin m:val="0"/&gt;
   &lt;m:defJc m:val="centerGroup"/&gt;
   &lt;m:wrapIndent m:val="1440"/&gt;
   &lt;m:intLim m:val="subSup"/&gt;
   &lt;m:naryLim m:val="undOvr"/&gt;
  &lt;/m:mathPr&gt;&lt;/w:WordDocument&gt;
&lt;/xml&gt;&lt;![endif]--&gt;
&lt;!--[if gte mso 9]&gt;&lt;xml&gt;
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  DefSemiHidden="true" DefQFormat="false" DefPriority="99"
  LatentStyleCount="267"&gt;
  &lt;w:LsdException Locked="false" Priority="0" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Normal"/&gt;
  &lt;w:LsdException Locked="false" Priority="9" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="heading 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 7"/&gt;
  &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 8"/&gt;
  &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 9"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="toc 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="toc 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="toc 3"/&gt;
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  &lt;w:LsdException Locked="false" Priority="39" Name="toc 9"/&gt;
  &lt;w:LsdException Locked="false" Priority="35" QFormat="true" Name="caption"/&gt;
  &lt;w:LsdException Locked="false" Priority="10" SemiHidden="false"
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  &lt;w:LsdException Locked="false" Priority="1" Name="Default Paragraph Font"/&gt;
  &lt;w:LsdException Locked="false" Priority="11" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Subtitle"/&gt;
  &lt;w:LsdException Locked="false" Priority="22" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Strong"/&gt;
  &lt;w:LsdException Locked="false" Priority="20" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Emphasis"/&gt;
  &lt;w:LsdException Locked="false" Priority="59" SemiHidden="false"
   UnhideWhenUsed="false" Name="Table Grid"/&gt;
  &lt;w:LsdException Locked="false" UnhideWhenUsed="false" Name="Placeholder Text"/&gt;
  &lt;w:LsdException Locked="false" Priority="1" SemiHidden="false"
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  &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading"/&gt;
  &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List"/&gt;
  &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid"/&gt;
  &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List"/&gt;
  &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading"/&gt;
  &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List"/&gt;
  &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid"/&gt;
  &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 2 Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1 Accent 1"/&gt;
  &lt;w:LsdException Locked="false" UnhideWhenUsed="false" Name="Revision"/&gt;
  &lt;w:LsdException Locked="false" Priority="34" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="List Paragraph"/&gt;
  &lt;w:LsdException Locked="false" Priority="29" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Quote"/&gt;
  &lt;w:LsdException Locked="false" Priority="30" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Intense Quote"/&gt;
  &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2 Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"
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  &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 1"/&gt;
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   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"
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  &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid Accent 1"/&gt;
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   UnhideWhenUsed="false" Name="Light Shading Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 2 Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1 Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2 Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 2 Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1 Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2 Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 2 Accent 4"/&gt;
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   UnhideWhenUsed="false" Name="Medium List 1 Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2 Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading Accent 5"/&gt;
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   UnhideWhenUsed="false" Name="Light List Accent 5"/&gt;
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   UnhideWhenUsed="false" Name="Light Grid Accent 5"/&gt;
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   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 5"/&gt;
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   UnhideWhenUsed="false" Name="Medium Shading 2 Accent 5"/&gt;
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   UnhideWhenUsed="false" Name="Medium List 1 Accent 5"/&gt;
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   UnhideWhenUsed="false" Name="Medium List 2 Accent 5"/&gt;
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   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 5"/&gt;
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   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 5"/&gt;
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   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 5"/&gt;
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   UnhideWhenUsed="false" Name="Dark List Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List Accent 5"/&gt;
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   UnhideWhenUsed="false" Name="Colorful Grid Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 2 Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1 Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2 Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="19" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Subtle Emphasis"/&gt;
  &lt;w:LsdException Locked="false" Priority="21" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Intense Emphasis"/&gt;
  &lt;w:LsdException Locked="false" Priority="31" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Subtle Reference"/&gt;
  &lt;w:LsdException Locked="false" Priority="32" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Intense Reference"/&gt;
  &lt;w:LsdException Locked="false" Priority="33" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Book Title"/&gt;
  &lt;w:LsdException Locked="false" Priority="37" Name="Bibliography"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" QFormat="true" Name="TOC Heading"/&gt;
 &lt;/w:LatentStyles&gt;
&lt;/xml&gt;&lt;![endif]--&gt;&lt;style&gt;
&lt;!--
 /* Font Definitions */
 @font-face
	{font-family:Wingdings;
	panose-1:5 0 0 0 0 0 0 0 0 0;
	mso-font-charset:2;
	mso-generic-font-family:auto;
	mso-font-pitch:variable;
	mso-font-signature:0 268435456 0 0 -2147483648 0;}
@font-face
	{font-family:"Cambria Math";
	panose-1:2 4 5 3 5 4 6 3 2 4;
	mso-font-charset:1;
	mso-generic-font-family:roman;
	mso-font-format:other;
	mso-font-pitch:variable;
	mso-font-signature:0 0 0 0 0 0;}
@font-face
	{font-family:Calibri;
	panose-1:2 15 5 2 2 2 4 3 2 4;
	mso-font-charset:0;
	mso-generic-font-family:swiss;
	mso-font-pitch:variable;
	mso-font-signature:-1610611985 1073750139 0 0 159 0;}
 /* Style Definitions */
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	{mso-style-unhide:no;
	mso-style-qformat:yes;
	mso-style-parent:"";
	mso-margin-top-alt:auto;
	margin-right:0cm;
	mso-margin-bottom-alt:auto;
	margin-left:0cm;
	mso-pagination:widow-orphan;
	font-size:11.0pt;
	font-family:"Calibri","sans-serif";
	mso-ascii-font-family:Calibri;
	mso-ascii-theme-font:minor-latin;
	mso-fareast-font-family:Calibri;
	mso-fareast-theme-font:minor-latin;
	mso-hansi-font-family:Calibri;
	mso-hansi-theme-font:minor-latin;
	mso-bidi-font-family:"Times New Roman";
	mso-bidi-theme-font:minor-bidi;
	mso-ansi-language:EN-GB;}
p.MsoListParagraph, li.MsoListParagraph, div.MsoListParagraph
	{mso-style-priority:34;
	mso-style-unhide:no;
	mso-style-qformat:yes;
	mso-margin-top-alt:auto;
	margin-right:0cm;
	mso-margin-bottom-alt:auto;
	margin-left:36.0pt;
	mso-add-space:auto;
	mso-pagination:widow-orphan;
	font-size:11.0pt;
	font-family:"Calibri","sans-serif";
	mso-ascii-font-family:Calibri;
	mso-ascii-theme-font:minor-latin;
	mso-fareast-font-family:Calibri;
	mso-fareast-theme-font:minor-latin;
	mso-hansi-font-family:Calibri;
	mso-hansi-theme-font:minor-latin;
	mso-bidi-font-family:"Times New Roman";
	mso-bidi-theme-font:minor-bidi;
	mso-ansi-language:EN-GB;}
p.MsoListParagraphCxSpFirst, li.MsoListParagraphCxSpFirst, div.MsoListParagraphCxSpFirst
	{mso-style-priority:34;
	mso-style-unhide:no;
	mso-style-qformat:yes;
	mso-style-type:export-only;
	mso-margin-top-alt:auto;
	margin-right:0cm;
	mso-margin-bottom-alt:auto;
	margin-left:36.0pt;
	mso-add-space:auto;
	mso-pagination:widow-orphan;
	font-size:11.0pt;
	font-family:"Calibri","sans-serif";
	mso-ascii-font-family:Calibri;
	mso-ascii-theme-font:minor-latin;
	mso-fareast-font-family:Calibri;
	mso-fareast-theme-font:minor-latin;
	mso-hansi-font-family:Calibri;
	mso-hansi-theme-font:minor-latin;
	mso-bidi-font-family:"Times New Roman";
	mso-bidi-theme-font:minor-bidi;
	mso-ansi-language:EN-GB;}
p.MsoListParagraphCxSpMiddle, li.MsoListParagraphCxSpMiddle, div.MsoListParagraphCxSpMiddle
	{mso-style-priority:34;
	mso-style-unhide:no;
	mso-style-qformat:yes;
	mso-style-type:export-only;
	mso-margin-top-alt:auto;
	margin-right:0cm;
	mso-margin-bottom-alt:auto;
	margin-left:36.0pt;
	mso-add-space:auto;
	mso-pagination:widow-orphan;
	font-size:11.0pt;
	font-family:"Calibri","sans-serif";
	mso-ascii-font-family:Calibri;
	mso-ascii-theme-font:minor-latin;
	mso-fareast-font-family:Calibri;
	mso-fareast-theme-font:minor-latin;
	mso-hansi-font-family:Calibri;
	mso-hansi-theme-font:minor-latin;
	mso-bidi-font-family:"Times New Roman";
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&lt;p class="MsoNormal" style="text-align: justify;"&gt;
   &lt;font face="Verdana" size="2"&gt;The Google Grant is a free search advertising programme
   that affords charities and non-profits nearly $10000/month in Google Adwords budget. &lt;a href="http://chameleonnet.co.uk/PPC_management_google_grants.aspx"&gt;At
   Chameleon Net we provide Google Grant help and&amp;nbsp; assistance to charities&lt;/a&gt; like
   The RNID, The Anthony Nolan Trust and Friends of the Earth. In this series I hope
   to talk about how your charity can apply for, and get value from the Google Grant.
   In our experience &lt;b&gt;The Grant is a fantastic channel for revenue generation&lt;/b&gt; whether
   you’re a small charity or a major UK non-profit.&lt;/font&gt;
&lt;/p&gt;
&lt;p class="MsoNormal" style="text-align: justify;"&gt;
   &lt;font face="Verdana" size="2"&gt;Sponsored search results are a form of advertising delivered
   via Google AdWords. They look like this: 
   &lt;br&gt;
   &lt;/font&gt;
&lt;/p&gt;
&lt;p class="MsoNormal" style="text-align: justify;"&gt;
   &lt;font face="Verdana" size="2"&gt;&lt;img src="http://www.chameleonnet.co.uk/blog/content/binary/google%20SERP%202.JPG" alt="google SERP 2.JPG" width="480" border="0" height="185"&gt;
   &lt;br&gt;
   &lt;/font&gt;
&lt;/p&gt;
&lt;p class="MsoNormal" style="text-align: justify;"&gt;
   &lt;font face="Verdana" size="2"&gt;You find these ads at the right hand side of top of
   a search engine results page (SERP). Your ad’s position is determined by the relevancy
   of your ad to the keyword searched for, and your bid for that particular keyword (aka
   search term or query). If your ad is clicked, you will be charged by Google. However,
   a&lt;b&gt; Google Grantee receives $10000 of clicks a month for free. &lt;/b&gt;&lt;/font&gt;
&lt;/p&gt;
&lt;p class="MsoNormal" style="text-align: justify;"&gt;
   &lt;b&gt;&lt;i&gt;&lt;font face="Verdana" size="2"&gt;Just think of all those terms you’d love your
   charity to rank number 1 for… a Google Grant would allow you almost unlimited budget
   to chase that coveted top spot.&lt;/font&gt;&lt;/i&gt;&lt;/b&gt;
&lt;/p&gt;
&lt;p class="MsoNormal" style="text-align: justify;"&gt;
   &lt;font face="Verdana" size="2"&gt;So how does your charity go about getting one? A Google
   Grant application can take a long time - sometimes nearly 6 months! (Charities who
   have utilised our services have found we speed up this process dramatically). A Google
   Grant application falls into 2 stages: &lt;/font&gt;
&lt;/p&gt;
&lt;ol&gt;
   &lt;li&gt;
      &lt;font face="Verdana" size="2"&gt;Proving your eligibility to Google&lt;/font&gt;
   &lt;/li&gt;
   &lt;li&gt;
      &lt;font face="Verdana" size="2"&gt;Submitting a well structured and targeted set of AdWords
      campaigns &lt;/font&gt;
   &lt;/li&gt;
&lt;/ol&gt;
&lt;p class="MsoListParagraphCxSpLast" style="text-align: justify; text-indent: -18pt;"&gt;
   &lt;!--[endif]--&gt;
&lt;/p&gt;
&lt;p class="MsoNormal" style="text-align: justify;"&gt;
   &lt;font face="Verdana" size="2"&gt;Passing stage 1 is fairly simple, and most charities
   should be able to get through this bit. The key thing is to prove you are a charity
   and that you actively campaign and have planned resource to manage AdWords on a regular
   basis.&lt;/font&gt;
&lt;/p&gt;
&lt;p class="MsoNormal" style="text-align: justify;"&gt;
   &lt;font face="Verdana" size="2"&gt;To pass stage 2 is more difficult, and often this is
   where we see charities struggle, so you’ll probably need someone with experience to
   help you. &lt;b&gt;You will need to submit an application that conforms with the extensive
   Google Grants checklist.&lt;/b&gt; Examples of the sorts of thing Google is looking for
   include an account that is well structured around keyword themes and relevant landing
   pages, applied geographical and language targeting, and keyword bids that utilises
   multiple match types to ensure ads are only delivered where they are appropriate.&lt;/font&gt;
&lt;/p&gt;
&lt;p class="MsoNormal" style="text-align: justify;"&gt;
   &lt;font face="Verdana" size="2"&gt;To someone with a good amount of AdWords experience,
   creating and submitting an account that meets The Grant guidelines is not a difficult
   task, but we’ve seen many charities have their attempts rejected by Google, and as
   the Google Grants team is made up of volunteers it can take a long time for the resubmitted
   account to be evaluated. Ultimately, it is in a charity’s best interest to get the
   account right first time, so &lt;b&gt;make sure you have access to knowledgeable AdWords
   resource before applying.&lt;/b&gt;&lt;/font&gt;
&lt;/p&gt;
&lt;h2 class="MsoNormal" style="text-align: justify;"&gt;&lt;font face="Verdana" size="2"&gt;&lt;b&gt;Next
   time...&lt;br&gt;
   &lt;/b&gt;&lt;/font&gt;
&lt;/h2&gt;
&lt;p class="MsoNormal" style="text-align: justify;"&gt;
   &lt;font face="Verdana" size="2"&gt;&lt;b&gt;&lt;/b&gt;...I’ll be looking at setting up your account
   in more detail and some of the areas you should target first with your Google Grant
   for maximum RoI.&lt;/font&gt;
&lt;/p&gt;
&lt;i&gt;&lt;font face="Verdana" size="2"&gt;Rich will be talking in detail about maximising RoI
from search marketing at our FREE seminar “MoneyTalks” on April 22nd. &lt;b&gt;&lt;a href="http://www.chameleonnet.co.uk/moneytalks/default.aspx"&gt;You
should sign up for a place here!&lt;/a&gt;&lt;/b&gt;&lt;/font&gt;&lt;/i&gt;
&lt;p&gt;
&lt;/p&gt;
&lt;img width="0" height="0" src="http://www.chameleonnet.co.uk/blog/aggbug.ashx?id=493ad694-308f-4762-8b44-eb67fbd99037" /&gt;</description>
      <comments>http://www.chameleonnet.co.uk/blog/CommentView,guid,493ad694-308f-4762-8b44-eb67fbd99037.aspx</comments>
      <category>Charity;Google Grant;Non-profit;Online Marketing;PPC</category>
    </item>
    <item>
      <trackback:ping>http://www.chameleonnet.co.uk/blog/Trackback.aspx?guid=15f82e00-e843-46e5-b20f-648f9f1eaf4d</trackback:ping>
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      <dc:creator>danm@chameleonnet.com (Dan Martin)</dc:creator>
      <wfw:comment>http://www.chameleonnet.co.uk/blog/CommentView,guid,15f82e00-e843-46e5-b20f-648f9f1eaf4d.aspx</wfw:comment>
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      <slash:comments>1</slash:comments>
      <body xmlns="http://www.w3.org/1999/xhtml">In case you missed it, here’s my article
   that appeared in the 5th February issue of the <a href="http://www.thebookseller.com">Bookseller</a>,
   entitled ‘The Long Game’:<br /><br />
   There is an interesting discussion taking place at the moment on how useful social
   media is as a marketing tool for those in the book trade.<br /><br />
   While many in the sector feel that the potential of sites such as Twitter and Facebook
   to fuel sales of books is limited, others see social networking playing a huge role
   in publishers’ and booksellers’ marketing strategies.<br /><br />
   Many readers agree with this latter view, with many having acted – and spent money
   – as a result of recommendations made across the social networks.<br /><br />
   One crucial factor that is extremely important in this equation is that social media
   is a communications mechanism in which you can have a constructive dialogue with people.
   Sales and marketing impact can be a consequence of an effective social media engagement
   strategy. That is to say, sales and marketing results are a secondary, but still very
   much ‘real-world’, effect of social engagement.<br /><br />
   Fortunately what most people on both sides of the debate recognise is that social
   media as a marketing channel is still in its infancy. Couple this with the fact that
   technologies, particularly those that integrate different channels, support digital
   products, and are based on mobile devices, are still young, and what you have is a
   vibrant and constantly evolving environment.<br /><br /><b>The challenge of influence</b><br />
   As many brand owners now recognise, social media has deprived them of the ability
   to reliably control the conversation. No longer can they dictate the agenda as they
   could with TV, radio, press ads and the first generation of websites. One of the first
   rules of embracing social media is to acknowledge, and embrace, this loss of control. 
   <br /><br />
   At first glance, the social media landscape appears as a bewildering array of separate
   channels offering access to distinct audiences. Your average Twitter user, we are
   told, is older and more likely to be male than his Facebook counterpart, though the
   age gap is closing. Bebo and Piczo by comparison are significantly more popular than
   Facebook amongst the under-18s. Within these communities a range of forums, groups,
   fan pages and other facilities is to be found, allowing like-minded individuals to
   connect and share their views on a range of interests. 
   <br /><br />
   Participating in – and influencing - these threads, as well as contributing to conversations
   taking place on one’s own website, is a challenge for even the most assiduous of online
   marketers in the publishing sector. Even more disturbing is the potential risk that
   something might go wrong in the communication, making the community turns on its host.<br /><br />
   The publisher, with its access to authors, critics, readers and the wider public,
   is in an ideal position to build and place itself at the hub of this resource. One
   way to mobilise this advantage is to create a distinct online destination that enables
   conversations about authors and publications taking place across the internet, and
   externally-created user generated content, to be brought into a single site. 
   <br /><br />
   We are increasingly seeing organisations appoint Community Managers, staff occupying
   a role that encapsulates a participation-rich model of interaction where book clubs,
   blogging and forum discussion can all be steered by the Publisher. This role fits
   perfectly with such ‘destination sites’.<br /><br />
   And far from competing with the established channels such as Facebook and Twitter,
   your sites can connect and draw content in from them. This enables readers to stay
   a part of, and post content at, the sites they are most comfortable with and still
   be part of the conversation on your site. It is also possible, meanwhile, to create
   a social media environment within an existing website that connects to social network
   sites in a way that’s appealing and seamless to readers, for instance by allowing
   them to log into your site with their Facebook credentials.<br /><br />
   The idea of a social media focal point, either within your main site or as a separate
   destination site, creates opportunities for publishers and booksellers of all sizes
   to get closer to their target audiences, develop brand identity and grow their online
   presence. For publishers, it also re-invigorates their original role – that of a creative
   selector, an authoritative commentator, a lens for talent – something that is hard
   to find amongst the sheer quantity of content that exists online.<br /><br />
   And it doesn’t need to be prohibitively expensive. Many publishers have already invested
   in interactive functionality within their websites – and many more are gearing up
   to do so in the knowledge that the initial outlay will generate valuable dividends,
   and be offset by repeated PR campaigns in support of an extensive backlist and constantly
   flowing number of new publications.<br /><br /><b>Linkage</b><br />
   None of which means, of course, that publishers should abandon their existing activities
   on social media sites. Quite the contrary: the interactive element to their own sites
   will benefit from the linkage between their presence on Facebook, Twitter, LastFM,
   Bebo, You Tube.<br /><br />
   All of which means that, a concerted social media strategy, supported by your own
   tailored web presence, offers an excellent way to bring authors and readers closer
   together - with the publisher and/or bookseller at the heart of the dialogue.<br /><br />
   And a final cautionary word - it is, however, a mistake to expect an immediate and
   direct increase in sales as a result of engagement. Consider engagement the 
   initial goal and decide how much you value it. Using interactive channels to show
   a human face, join in conversations, get to know communities and add value to users’
   experiences takes time. The rewards however, such as trust, customer loyalty, consolidated
   brand positioning and the resulting sales uplift are similarly long term.<br /><br /><p></p><img width="0" height="0" src="http://www.chameleonnet.co.uk/blog/aggbug.ashx?id=15f82e00-e843-46e5-b20f-648f9f1eaf4d" /></body>
      <title>Are publishers getting the most out of social media?</title>
      <guid>http://www.chameleonnet.co.uk/blog/PermaLink,guid,15f82e00-e843-46e5-b20f-648f9f1eaf4d.aspx</guid>
      <link>http://www.chameleonnet.co.uk/blog/PermaLink,guid,15f82e00-e843-46e5-b20f-648f9f1eaf4d.aspx</link>
      <pubDate>Tue, 02 Mar 2010 14:53:25 GMT</pubDate>
      <description>In case you missed it, here’s my article that appeared in the 5th February issue of the &lt;a href="http://www.thebookseller.com"&gt;Bookseller&lt;/a&gt;,
entitled ‘The Long Game’:&lt;br&gt;
&lt;br&gt;
There is an interesting discussion taking place at the moment on how useful social
media is as a marketing tool for those in the book trade.&lt;br&gt;
&lt;br&gt;
While many in the sector feel that the potential of sites such as Twitter and Facebook
to fuel sales of books is limited, others see social networking playing a huge role
in publishers’ and booksellers’ marketing strategies.&lt;br&gt;
&lt;br&gt;
Many readers agree with this latter view, with many having acted – and spent money
– as a result of recommendations made across the social networks.&lt;br&gt;
&lt;br&gt;
One crucial factor that is extremely important in this equation is that social media
is a communications mechanism in which you can have a constructive dialogue with people.
Sales and marketing impact can be a consequence of an effective social media engagement
strategy. That is to say, sales and marketing results are a secondary, but still very
much ‘real-world’, effect of social engagement.&lt;br&gt;
&lt;br&gt;
Fortunately what most people on both sides of the debate recognise is that social
media as a marketing channel is still in its infancy. Couple this with the fact that
technologies, particularly those that integrate different channels, support digital
products, and are based on mobile devices, are still young, and what you have is a
vibrant and constantly evolving environment.&lt;br&gt;
&lt;br&gt;
&lt;b&gt;The challenge of influence&lt;/b&gt;
&lt;br&gt;
As many brand owners now recognise, social media has deprived them of the ability
to reliably control the conversation. No longer can they dictate the agenda as they
could with TV, radio, press ads and the first generation of websites. One of the first
rules of embracing social media is to acknowledge, and embrace, this loss of control. 
&lt;br&gt;
&lt;br&gt;
At first glance, the social media landscape appears as a bewildering array of separate
channels offering access to distinct audiences. Your average Twitter user, we are
told, is older and more likely to be male than his Facebook counterpart, though the
age gap is closing. Bebo and Piczo by comparison are significantly more popular than
Facebook amongst the under-18s. Within these communities a range of forums, groups,
fan pages and other facilities is to be found, allowing like-minded individuals to
connect and share their views on a range of interests. 
&lt;br&gt;
&lt;br&gt;
Participating in – and influencing - these threads, as well as contributing to conversations
taking place on one’s own website, is a challenge for even the most assiduous of online
marketers in the publishing sector. Even more disturbing is the potential risk that
something might go wrong in the communication, making the community turns on its host.&lt;br&gt;
&lt;br&gt;
The publisher, with its access to authors, critics, readers and the wider public,
is in an ideal position to build and place itself at the hub of this resource. One
way to mobilise this advantage is to create a distinct online destination that enables
conversations about authors and publications taking place across the internet, and
externally-created user generated content, to be brought into a single site. 
&lt;br&gt;
&lt;br&gt;
We are increasingly seeing organisations appoint Community Managers, staff occupying
a role that encapsulates a participation-rich model of interaction where book clubs,
blogging and forum discussion can all be steered by the Publisher. This role fits
perfectly with such ‘destination sites’.&lt;br&gt;
&lt;br&gt;
And far from competing with the established channels such as Facebook and Twitter,
your sites can connect and draw content in from them. This enables readers to stay
a part of, and post content at, the sites they are most comfortable with and still
be part of the conversation on your site. It is also possible, meanwhile, to create
a social media environment within an existing website that connects to social network
sites in a way that’s appealing and seamless to readers, for instance by allowing
them to log into your site with their Facebook credentials.&lt;br&gt;
&lt;br&gt;
The idea of a social media focal point, either within your main site or as a separate
destination site, creates opportunities for publishers and booksellers of all sizes
to get closer to their target audiences, develop brand identity and grow their online
presence. For publishers, it also re-invigorates their original role – that of a creative
selector, an authoritative commentator, a lens for talent – something that is hard
to find amongst the sheer quantity of content that exists online.&lt;br&gt;
&lt;br&gt;
And it doesn’t need to be prohibitively expensive. Many publishers have already invested
in interactive functionality within their websites – and many more are gearing up
to do so in the knowledge that the initial outlay will generate valuable dividends,
and be offset by repeated PR campaigns in support of an extensive backlist and constantly
flowing number of new publications.&lt;br&gt;
&lt;br&gt;
&lt;b&gt;Linkage&lt;/b&gt;
&lt;br&gt;
None of which means, of course, that publishers should abandon their existing activities
on social media sites. Quite the contrary: the interactive element to their own sites
will benefit from the linkage between their presence on Facebook, Twitter, LastFM,
Bebo, You Tube.&lt;br&gt;
&lt;br&gt;
All of which means that, a concerted social media strategy, supported by your own
tailored web presence, offers an excellent way to bring authors and readers closer
together - with the publisher and/or bookseller at the heart of the dialogue.&lt;br&gt;
&lt;br&gt;
And a final cautionary word - it is, however, a mistake to expect an immediate and
direct increase in sales as a result of engagement. Consider engagement the&amp;nbsp;
initial goal and decide how much you value it. Using interactive channels to show
a human face, join in conversations, get to know communities and add value to users’
experiences takes time. The rewards however, such as trust, customer loyalty, consolidated
brand positioning and the resulting sales uplift are similarly long term.&lt;br&gt;
&lt;br&gt;
&lt;p&gt;
&lt;/p&gt;
&lt;img width="0" height="0" src="http://www.chameleonnet.co.uk/blog/aggbug.ashx?id=15f82e00-e843-46e5-b20f-648f9f1eaf4d" /&gt;</description>
      <comments>http://www.chameleonnet.co.uk/blog/CommentView,guid,15f82e00-e843-46e5-b20f-648f9f1eaf4d.aspx</comments>
      <category>Ebooks;Online Marketing;Publishing;Social Networking</category>
    </item>
    <item>
      <trackback:ping>http://www.chameleonnet.co.uk/blog/Trackback.aspx?guid=8bef38db-82c8-4fd3-9151-554d563e6b0b</trackback:ping>
      <pingback:server>http://www.chameleonnet.co.uk/blog/pingback.aspx</pingback:server>
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      <dc:creator>richardk@chameleonnet.co.uk (Rich Kirk)</dc:creator>
      <wfw:comment>http://www.chameleonnet.co.uk/blog/CommentView,guid,8bef38db-82c8-4fd3-9151-554d563e6b0b.aspx</wfw:comment>
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      <body xmlns="http://www.w3.org/1999/xhtml">Today marks a watershed moment in UK government
   digital policy. With the launch of <a href="http://www.data.gov.uk">data.gov.uk</a>,
   the government has instantly become more accountable, more transparent and more democratic.
   Finally the huge amount of data generated by the public sector has being harnessed
   in such a way that it becomes of real use to citizens like you and me, through the
   medium of web-based apps.<br /><br />
   Data.gov.uk will host a growing number of datasets covering all aspects of public
   sector performance. These can be used to:<br /><br /><ul><li>
         Build web applications that make useful information accessible and relevant to anyone.</li><li>
         Examine the performance of public sector services both nationally and regionally.</li><li>
         Create visualisations that accurately illustrate how social issues affect different
         areas and groups across the UK.</li></ul><br />
   Data Visualisation has been a tactic I’ve been advocating to clients throughout 2009.
   In a world where we are all bombarded with information on a constant basis, visualising
   large amounts of data in one diagram can often help you cut through the noise around
   your chosen subject and instantly get your audience to understand your point.<br /><br />
   Here’s an example: how confused are you about the differences between the parties
   in the upcoming election? Most people can grasp that the biggest issue facing the
   economy is our national deficit and how to cut it, but if you were to listen to Brown,
   Cameron and Clegg waffle on about “real terms increases” and “public spending efficiency
   savings” it would take you a fair while to work out what their real policies were.
   Instead, why not look at the visualisation below culled from party policy documents?
   It certainly helped me get a clearer idea of who I’d vote for.<br /><br /><br /><img src="http://www.chameleonnet.co.uk/blog/content/binary/deficit%20visualisation.JPG" alt="deficit visualisation.JPG" border="0" height="515" width="400" /><br /><br />
   The other great reason for making this data public is the applications it can power.
   The government has realised it will make more progress by crowdsourcing the development
   of these rather than by paying for them to be built. Some great examples such as <a href="http://data.gov.uk/apps/planningalerts">‘PlanningAlerts’
   already appear on data.gov.uk</a>, and some <a href="http://www.showusabetterway.co.uk/call/ideas/index.html">other
   ideas of ways to use government data can be found here</a>.<br /><br />
   Credit to MPs like <a href="http://www.richardallan.org.uk/">Richard Allan</a> and <a href="www.tom-watson.co.uk">Tom
   Watson</a> who pushed for this sort of approach to be adopted by the civil service
   and have worked to make it a reality. With this agenda receiving nothing but rave
   reviews from the tech media and now also mainstream outlets, it’s not hard to envisage
   a world 5 years from now in which open data (not just from government but from private
   companies as well) shapes news stories, informs our everyday decisions and allows
   real political dividing lines to be drawn for all to see on the issues of the day.<br /><br />
   Releasing datasets, doing data visualisation and building apps are all great ways
   of driving online PR and building inbound links to your site: this has obvious knock-on
   benefits for SEO etc. <a href="http://chameleonnet.co.uk/contact.aspx">Get in touch
   if you want to know more</a>.<br /><a href="http://www.bbc.co.uk/blogs/thereporters/rorycellanjones/2010/01/public_data_free_at_last.html"><br />
   BBC blog on the same topic here</a><br /><br /><p></p><img width="0" height="0" src="http://www.chameleonnet.co.uk/blog/aggbug.ashx?id=8bef38db-82c8-4fd3-9151-554d563e6b0b" /></body>
      <title>data.gov.HOORAY</title>
      <guid>http://www.chameleonnet.co.uk/blog/PermaLink,guid,8bef38db-82c8-4fd3-9151-554d563e6b0b.aspx</guid>
      <link>http://www.chameleonnet.co.uk/blog/PermaLink,guid,8bef38db-82c8-4fd3-9151-554d563e6b0b.aspx</link>
      <pubDate>Thu, 21 Jan 2010 12:51:37 GMT</pubDate>
      <description>Today marks a watershed moment in UK government digital policy. With the launch of &lt;a href="http://www.data.gov.uk"&gt;data.gov.uk&lt;/a&gt;,
the government has instantly become more accountable, more transparent and more democratic.
Finally the huge amount of data generated by the public sector has being harnessed
in such a way that it becomes of real use to citizens like you and me, through the
medium of web-based apps.&lt;br&gt;
&lt;br&gt;
Data.gov.uk will host a growing number of datasets covering all aspects of public
sector performance. These can be used to:&lt;br&gt;
&lt;br&gt;
&lt;ul&gt;
   &lt;li&gt;
      Build web applications that make useful information accessible and relevant to anyone.&lt;/li&gt;
   &lt;li&gt;
      Examine the performance of public sector services both nationally and regionally.&lt;/li&gt;
   &lt;li&gt;
      Create visualisations that accurately illustrate how social issues affect different
      areas and groups across the UK.&lt;/li&gt;
&lt;/ul&gt;
&lt;br&gt;
Data Visualisation has been a tactic I’ve been advocating to clients throughout 2009.
In a world where we are all bombarded with information on a constant basis, visualising
large amounts of data in one diagram can often help you cut through the noise around
your chosen subject and instantly get your audience to understand your point.&lt;br&gt;
&lt;br&gt;
Here’s an example: how confused are you about the differences between the parties
in the upcoming election? Most people can grasp that the biggest issue facing the
economy is our national deficit and how to cut it, but if you were to listen to Brown,
Cameron and Clegg waffle on about “real terms increases” and “public spending efficiency
savings” it would take you a fair while to work out what their real policies were.
Instead, why not look at the visualisation below culled from party policy documents?
It certainly helped me get a clearer idea of who I’d vote for.&lt;br&gt;
&lt;br&gt;
&lt;br&gt;
&lt;img src="http://www.chameleonnet.co.uk/blog/content/binary/deficit%20visualisation.JPG" alt="deficit visualisation.JPG" border="0" height="515" width="400"&gt;
&lt;br&gt;
&lt;br&gt;
The other great reason for making this data public is the applications it can power.
The government has realised it will make more progress by crowdsourcing the development
of these rather than by paying for them to be built. Some great examples such as &lt;a href="http://data.gov.uk/apps/planningalerts"&gt;‘PlanningAlerts’
already appear on data.gov.uk&lt;/a&gt;, and some &lt;a href="http://www.showusabetterway.co.uk/call/ideas/index.html"&gt;other
ideas of ways to use government data can be found here&lt;/a&gt;.&lt;br&gt;
&lt;br&gt;
Credit to MPs like &lt;a href="http://www.richardallan.org.uk/"&gt;Richard Allan&lt;/a&gt; and &lt;a href="www.tom-watson.co.uk"&gt;Tom
Watson&lt;/a&gt; who pushed for this sort of approach to be adopted by the civil service
and have worked to make it a reality. With this agenda receiving nothing but rave
reviews from the tech media and now also mainstream outlets, it’s not hard to envisage
a world 5 years from now in which open data (not just from government but from private
companies as well) shapes news stories, informs our everyday decisions and allows
real political dividing lines to be drawn for all to see on the issues of the day.&lt;br&gt;
&lt;br&gt;
Releasing datasets, doing data visualisation and building apps are all great ways
of driving online PR and building inbound links to your site: this has obvious knock-on
benefits for SEO etc. &lt;a href="http://chameleonnet.co.uk/contact.aspx"&gt;Get in touch
if you want to know more&lt;/a&gt;.&lt;br&gt;
&lt;a href="http://www.bbc.co.uk/blogs/thereporters/rorycellanjones/2010/01/public_data_free_at_last.html"&gt;
&lt;br&gt;
BBC blog on the same topic here&lt;/a&gt;
&lt;br&gt;
&lt;br&gt;
&lt;p&gt;
&lt;/p&gt;
&lt;img width="0" height="0" src="http://www.chameleonnet.co.uk/blog/aggbug.ashx?id=8bef38db-82c8-4fd3-9151-554d563e6b0b" /&gt;</description>
      <comments>http://www.chameleonnet.co.uk/blog/CommentView,guid,8bef38db-82c8-4fd3-9151-554d563e6b0b.aspx</comments>
      <category>Non-profit;Online Marketing;Web 2.0</category>
    </item>
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      <trackback:ping>http://www.chameleonnet.co.uk/blog/Trackback.aspx?guid=673b1152-db1a-46bc-ba1f-e815c2b359c4</trackback:ping>
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      <dc:creator>richardk@chameleonnet.co.uk (Rich Kirk)</dc:creator>
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        <font face="Tahoma">Two
   weeks into the New Year and already Christmas feels a lifetime ago. For many marketers,
   January is a quiet month, with conventional wisdom saying that apart from a few obvious
   products (gym memberships, savings accounts etc) acquisition / sales will be average
   at best given the previous months gluttony.<br /><br />
   However, January is a really exciting month for charity marketers, especially those
   dedicating time and resource to the web. We run the pay-per-click search advertising
   for several charities, and <b>we always see an uplift in the number of donations made
   in the weeks following 1st January</b>. These conversions will usually originate from
   a brand keyword search, or a search on the issue your charity is associated with,
   suggesting that these January donors are aware of who you are and / or what you do,
   and have been triggered by the passing of the New Year to give you some cash. Whether
   this is driven by Christmas guilt or a desire to start a new year on the right foot
   matters little, what matters is that as a charity you take advantage of it.<br /><br />
   Here’s our top tips:<br /><br /><b>Defer December spend</b>: that Christmas campaign you were thinking of running?
   Save it! People are stressed, busy, preoccupied and generally frazzled in the run
   up to Christmas. Your message may achieve greater penetration and be afforded more
   thought in the New Year<br /><br /><b>Target your warm leads</b>: cross reference the following:<br /></font>
        <ul>
          <li>
            <font face="Tahoma">newsletter subscribers</font>
          </li>
          <li>
            <font face="Tahoma">people who’ve signed your petitions</font>
          </li>
          <li>
            <font face="Tahoma">people who have fundraised for you </font>
          </li>
          <li>
            <font face="Tahoma">people who have sponsored your fundraisers </font>
          </li>
        </ul>
        <font face="Tahoma">with your list of regular givers. Those people that aren’t giving
   via direct debit are a good group to target with email, social networking or even
   offline material around the 1st January.<br /><br /><b>Ramp up your PPC budget for the month and spend it effectively</b>: Have you checked
   your AdWords scheduling recently? Do you know if your daily budget enables your ads
   to be shown 24 hours a day? Do you use bid adjustment to spend your budget at the
   most profitable times of day? Failure to do these things may mean your organisation
   misses out on a great deal of potential regular givers through a lack of visibility
   in search results.<br /><br />
   For many charities, January will be a peak time for getting people to sign up to do
   various <b>fundraising events in 2010</b>. The London Marathon is one particularly
   lucrative opportunity. As a result however, competition in search results amongst
   charities is extreme. First page bid estimate for “2010 London marathon” in Adwords
   right now is $1.25, and $1.50 for “london marathon charity”. Maybe 1 in 100 people
   who clicked on your ad for that term would download an application, so <b>now is the
   time to investigate the long tail of keywords</b> for events like this, especially
   if your budget is not very big. Keyword research should inform not only your PPC campaigns
   but also SEO. Whilst there is little point aiming for a top 3 spot in the “London
   Marathon” SERP, you could get a real win optimising around “run the London Marathon
   for charity”.<br /><br />
   Finally, a word on <b>improving website performance</b>, with special regard to acquiring
   regular givers. Recent research shows that the way you present amounts of money on
   your site affects the number of people who convert. 3 price formats were tested in
   the study: 
   <br /></font>
        <ol>
          <li>
            <font face="Tahoma">Dollars and cents numerical format with a dollar sign ($00.00)</font>
          </li>
          <li>
            <font face="Tahoma">Numerical format without a dollar sign (00.)</font>
          </li>
          <li>
            <font face="Tahoma">Scripted or written-out prices (zero dollars).</font>
          </li>
        </ol>
        <font face="Tahoma">It was found that adopting option 2 led to significantly more
   acquisition. Even if you have the most convoluted CMS, testing this would not be a
   great deal of work. We recommend trying an A/B test using Google Website Optimiser
   if you want to improve your site's performance: delivering a percentage increase in
   donations would be great way to start your organisation’s year!<br /><br />
   Of course, our top tip is to get in touch with Chameleon Net if you think we could
   help you with search marketing or website improvement!<br /></font>
        <br />
        <p>
        </p>
        <img width="0" height="0" src="http://www.chameleonnet.co.uk/blog/aggbug.ashx?id=673b1152-db1a-46bc-ba1f-e815c2b359c4" />
      </body>
      <title>Top Tips For Charity Digital Marketers: Jan 2010</title>
      <guid>http://www.chameleonnet.co.uk/blog/PermaLink,guid,673b1152-db1a-46bc-ba1f-e815c2b359c4.aspx</guid>
      <link>http://www.chameleonnet.co.uk/blog/PermaLink,guid,673b1152-db1a-46bc-ba1f-e815c2b359c4.aspx</link>
      <pubDate>Tue, 19 Jan 2010 13:54:16 GMT</pubDate>
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&lt;![endif]--&gt;&lt;font face="Tahoma"&gt;Two
weeks into the New Year and already Christmas feels a lifetime ago. For many marketers,
January is a quiet month, with conventional wisdom saying that apart from a few obvious
products (gym memberships, savings accounts etc) acquisition / sales will be average
at best given the previous months gluttony.&lt;br&gt;
&lt;br&gt;
However, January is a really exciting month for charity marketers, especially those
dedicating time and resource to the web. We run the pay-per-click search advertising
for several charities, and &lt;b&gt;we always see an uplift in the number of donations made
in the weeks following 1st January&lt;/b&gt;. These conversions will usually originate from
a brand keyword search, or a search on the issue your charity is associated with,
suggesting that these January donors are aware of who you are and / or what you do,
and have been triggered by the passing of the New Year to give you some cash. Whether
this is driven by Christmas guilt or a desire to start a new year on the right foot
matters little, what matters is that as a charity you take advantage of it.&lt;br&gt;
&lt;br&gt;
Here’s our top tips:&lt;br&gt;
&lt;br&gt;
&lt;b&gt;Defer December spend&lt;/b&gt;: that Christmas campaign you were thinking of running?
Save it! People are stressed, busy, preoccupied and generally frazzled in the run
up to Christmas. Your message may achieve greater penetration and be afforded more
thought in the New Year&lt;br&gt;
&lt;br&gt;
&lt;b&gt;Target your warm leads&lt;/b&gt;: cross reference the following:&lt;br&gt;
&lt;/font&gt;
&lt;ul&gt;
   &lt;li&gt;
      &lt;font face="Tahoma"&gt;newsletter subscribers&lt;/font&gt;
   &lt;/li&gt;
   &lt;li&gt;
      &lt;font face="Tahoma"&gt;people who’ve signed your petitions&lt;/font&gt;
   &lt;/li&gt;
   &lt;li&gt;
      &lt;font face="Tahoma"&gt;people who have fundraised for you &lt;/font&gt;
   &lt;/li&gt;
   &lt;li&gt;
      &lt;font face="Tahoma"&gt;people who have sponsored your fundraisers &lt;/font&gt;
   &lt;/li&gt;
&lt;/ul&gt;
&lt;font face="Tahoma"&gt;with your list of regular givers. Those people that aren’t giving
via direct debit are a good group to target with email, social networking or even
offline material around the 1st January.&lt;br&gt;
&lt;br&gt;
&lt;b&gt;Ramp up your PPC budget for the month and spend it effectively&lt;/b&gt;: Have you checked
your AdWords scheduling recently? Do you know if your daily budget enables your ads
to be shown 24 hours a day? Do you use bid adjustment to spend your budget at the
most profitable times of day? Failure to do these things may mean your organisation
misses out on a great deal of potential regular givers through a lack of visibility
in search results.&lt;br&gt;
&lt;br&gt;
For many charities, January will be a peak time for getting people to sign up to do
various &lt;b&gt;fundraising events in 2010&lt;/b&gt;. The London Marathon is one particularly
lucrative opportunity. As a result however, competition in search results amongst
charities is extreme. First page bid estimate for “2010 London marathon” in Adwords
right now is $1.25, and $1.50 for “london marathon charity”. Maybe 1 in 100 people
who clicked on your ad for that term would download an application, so &lt;b&gt;now is the
time to investigate the long tail of keywords&lt;/b&gt; for events like this, especially
if your budget is not very big. Keyword research should inform not only your PPC campaigns
but also SEO. Whilst there is little point aiming for a top 3 spot in the “London
Marathon” SERP, you could get a real win optimising around “run the London Marathon
for charity”.&lt;br&gt;
&lt;br&gt;
Finally, a word on &lt;b&gt;improving website performance&lt;/b&gt;, with special regard to acquiring
regular givers. Recent research shows that the way you present amounts of money on
your site affects the number of people who convert. 3 price formats were tested in
the study: 
&lt;br&gt;
&lt;/font&gt;
&lt;ol&gt;
   &lt;li&gt;
      &lt;font face="Tahoma"&gt;Dollars and cents numerical format with a dollar sign ($00.00)&lt;/font&gt;
   &lt;/li&gt;
   &lt;li&gt;
      &lt;font face="Tahoma"&gt;Numerical format without a dollar sign (00.)&lt;/font&gt;
   &lt;/li&gt;
   &lt;li&gt;
      &lt;font face="Tahoma"&gt;Scripted or written-out prices (zero dollars).&lt;/font&gt;
   &lt;/li&gt;
&lt;/ol&gt;
&lt;font face="Tahoma"&gt;It was found that adopting option 2 led to significantly more
acquisition. Even if you have the most convoluted CMS, testing this would not be a
great deal of work. We recommend trying an A/B test using Google Website Optimiser
if you want to improve your site's performance: delivering a percentage increase in
donations would be great way to start your organisation’s year!&lt;br&gt;
&lt;br&gt;
Of course, our top tip is to get in touch with Chameleon Net if you think we could
help you with search marketing or website improvement!&lt;br&gt;
&lt;/font&gt;
&lt;br&gt;
&lt;p&gt;
&lt;/p&gt;
&lt;img width="0" height="0" src="http://www.chameleonnet.co.uk/blog/aggbug.ashx?id=673b1152-db1a-46bc-ba1f-e815c2b359c4" /&gt;</description>
      <comments>http://www.chameleonnet.co.uk/blog/CommentView,guid,673b1152-db1a-46bc-ba1f-e815c2b359c4.aspx</comments>
      <category>Charity;Events;Non-profit;Online Marketing;PPC;Web Usability</category>
    </item>
    <item>
      <trackback:ping>http://www.chameleonnet.co.uk/blog/Trackback.aspx?guid=4b5c12b2-c0a0-4e27-bd9f-65730f352169</trackback:ping>
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      <dc:creator>richardk@chameleonnet.co.uk (Rich Kirk)</dc:creator>
      <wfw:comment>http://www.chameleonnet.co.uk/blog/CommentView,guid,4b5c12b2-c0a0-4e27-bd9f-65730f352169.aspx</wfw:comment>
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      <title>‘Tis the season to be social</title>
      <guid>http://www.chameleonnet.co.uk/blog/PermaLink,guid,4b5c12b2-c0a0-4e27-bd9f-65730f352169.aspx</guid>
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      <pubDate>Fri, 18 Dec 2009 15:26:34 GMT</pubDate>
      <description>&lt;img border="0" src="http://www.chameleonnet.co.uk/blog/content/binary/the_battle_of_christmas_2009_small.JPG"&gt; 
&lt;br&gt;
&lt;br&gt;
&lt;p&gt;
   This week will go down as another milestone in the development of social media, with
   a major news story being shaped by hundreds of thousands of web users across popular
   networking sites. 
   &lt;br&gt;
   &lt;br&gt;
   Unless you live under a particularly well hidden rock, you’ll know that right now,
   across the nation, a campaign is being waged to ensure that “Killing In The Name”
   by Rage Against The Machine is Christmas #1, and that “Geordie Jer Mcelderry” and
   his X Factor overlords are left crying into their turkey dinners. 
   &lt;br&gt;
   &lt;br&gt;
   The scale of this challenge is worth thinking about: The X Factor final was watched
   by 18 million people. Mcelderry’s record should clear 500K copies this week, as the
   faceless masses up and down the nation rush to buy “wor Jer” for their Nan. Other
   record companies like Universal, with endless resources, don’t even bother to compete. 
   &lt;br&gt;
   &lt;br&gt;
   So how have a husband and wife team managed to mobilise around 1 million people and
   leave the most powerful man in music helpless? 
   &lt;br&gt;
   &lt;br&gt;
   • Audience - Tracy &amp; Jon are tapping into a rich seam of support; those that Tommy
   Morello called “the silent majority”, who dislike the constant stream of manufactured
   pop X Factor spawns. Brits have always loved an underdog, and many people find the
   arrogance of the X Factor winner expecting a #1 reason enough to get behind an alternative.
   The group’s core is urban, young, and in the main educated, loyal to music outside
   of pop, and are perfect for amplifying the campaign’s message as they are extremely
   social literate. 
   &lt;br&gt;
   &lt;br&gt;
   • Community - The inclusiveness of the campaign allowed it to develop momentum. Most
   people will join the facebook group before downloading, and the activity of this group
   clearly communicates the “wonderful dose of anarchy” RATM4XMAS represents (e.g. “just
   went to HMV and hid all the copies of Joe’s single”). You’re not just downloading
   a record, but being a co-conspirator. 
   &lt;br&gt;
   &lt;br&gt;
   • Product - Whilst the song might not be “Christmassy” enough, its popularity proves
   how good a choice it was. The infamous final refrain is a perfect rallying cry for
   the target audience, and it’s been popular with fans of alternative music for nearly
   20 years - meaning a large potential support base. The juxtaposition of KITN and “The
   Climb” by Mcelderry is almost hilarious - listen to them back to back and try not
   to snigger. Finally, by linking up with homeless charity Shelter, RATM4XMAS exhibits
   a softer side and broadens its appeal and advocacy base dramatically. 
   &lt;br&gt;
   &lt;br&gt;
   The tactics which have naturally occurred in a group this dedicated are staggeringly
   sophisticated. Here’s a few I’ve observed: 
   &lt;br&gt;
   &lt;br&gt;
   • Reputation management: constant messages are posted reminding people about messaging
   should they get on radio or TV, many of these read like a set of brand guidelines. 
   &lt;br&gt;
   &lt;br&gt;
   • Crowdsourced marketing collateral: banners, profile ribbons, videos, posters, tee
   shirts, email copy; you name it; someone’s created it! A huge collective body of marketing
   material now exists, with specific messaging for different target groups, and is distributed
   across various platforms round the web. 
   &lt;br&gt;
   &lt;br&gt;
   • Buzz monitoring: The Facebook group’s wall reads like a newsfeed on the campaign
   - each new TV appearance, radio phone in or article is seized upon, including the
   already infamous “radio 5 incident”. Unhelpful or critical articles are quickly highlighted
   and people head off to register their disapproval at source. 
   &lt;br&gt;
   &lt;br&gt;
   • Online PR: Journalists and radio / tv presenters email addresses are added to the
   wall regularly and members are encouraged to get in touch with these people, urging
   them to spread the word through their shows or columns. 
   &lt;br&gt;
   &lt;br&gt;
   • Measurement and forecasting: several members have taken it upon themselves to research
   past Christmas chart battles and armed with this information plus current sales figures
   have forecast the trend in sales for both records until Saturday - for instance recent
   years have shown a surge on Saturday mornings in single sales and action is already
   being mobilised to counter this. 
   &lt;br&gt;
   &lt;br&gt;
   • Social optimisation: members are encouraged to use the share facility to ensure
   that the campaign appears in as many users feeds as possible. 
   &lt;br&gt;
   &lt;br&gt;
   • Focus on conversion rate: the ratio of group members to download sales is under
   constant scrutiny, with the groups profile photo currently geared to make members
   who haven’t shelled out yet do so. Active members use white label message content
   to send reminder messages to random group members about the need to buy the song. 
   &lt;br&gt;
   &lt;br&gt;
   Whatever happens on Sunday (here’s hoping Rage win out!) it’s clear this Facebook
   campaign represents a watershed moment in the battle for dominance between two marketing
   channels: TV and the high street vs. collaborative social networks. 
   &lt;br&gt;
   &lt;br&gt;
   So if you’re looking to improve or launch a social engagement strategy, you could
   do worse than learn from the elements that make up Jon and Tracy Morter’s success. 
&lt;/p&gt;
&lt;img width="0" height="0" src="http://www.chameleonnet.co.uk/blog/aggbug.ashx?id=4b5c12b2-c0a0-4e27-bd9f-65730f352169" /&gt;</description>
      <comments>http://www.chameleonnet.co.uk/blog/CommentView,guid,4b5c12b2-c0a0-4e27-bd9f-65730f352169.aspx</comments>
      <category>Facebook;Online Marketing;Social Networking</category>
    </item>
    <item>
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      <dc:creator>richardk@chameleonnet.co.uk (Rich Kirk)</dc:creator>
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<![endif]-->I
   have been on leave recently, spending some time on the Isle of Skye in the Hebrides. 
   I went up there to try and finally knock off the <a href="http://bigwalksclub.co.uk/bigwalksclub/cuillin_ridge.htm">traverse
   of the Cuillin Ridge</a>, which I would heartily recommend to anyone who likes the
   outdoors, vertical drops of dizzying proportions, and/or bad weather.<br /><br />
   The traverse is something my Dad had wanted to do for years, and with him being 50
   this year, I had arranged for <a href="http://skyehi.co.uk/">a guide</a> to help us.
   This was my 5th attempt and my Dad’s 7th or 8th; around 90% of attempts fail due to
   awful weather, navigational difficulties and/or lack of fitness, so I was anxious
   to give ourselves the best possible chance.<br /><br />
   Hiring the guide was not cheap and so I’d done it as my Dad’s 50th birthday present.
   I’d also got contributions from a lot of his mates to help with the cost. Herein lay
   a problem; how to give something back to everyone who had donated cash so that they
   felt involved in the trip? I decided to live-blog the 2 day traverse, so people could
   chart our progress from their desks or mobiles whilst we were away.<br /><br />
   Using the <a href="http://iphone.wordpress.org/">Wordpress app</a> and my iPhone,
   I was easily able to update <a href="http://mickis50.wordpress.com/">my Dad’s birthday
   blog</a> from the mountains with notes and photos of our progress, even though I only
   had fairly weak GPRS signal at best (the <b>O</b> symbol next to the normal phone
   signal symbol on your iPhone). If I can get signal in <a href="http://maps.google.co.uk/maps?f=q&amp;source=s_q&amp;hl=en&amp;geocode=&amp;q=cuillin+hills&amp;sll=57.215519,-6.203156&amp;sspn=0.140542,0.43602&amp;ie=UTF8&amp;ll=57.21998,-6.214142&amp;spn=0.140525,0.43602&amp;t=p&amp;z=11">the
   Cuillins, which are about as remote as it gets in the UK</a>, then liveblogging must
   be possible across almost all of the UK!<br /><br />
   Happily the whole thing proved to be a real success. I thought only 10-20 people would
   be interested in the blog, but over 200 absolute unique users were recorded on the
   site in a period of 3 days.<br /><br />
   Being new to live-blogging, I found the main benefits were:<br /><br /><ul><li>
         It has left a record of events that is more genuine and ‘raw’ than a circular email
         sent after the event could be.</li><li>
         People are interested in something they can see developing; most people would have
         found out through word of mouth we had completed our challenge and then not been as
         interested in a subsequent  email account of the trip.</li><li>
         Liveblogging seems to be bleeding edge enough to genuinely capture the interest of
         family / friends</li><li>
         Liveblogging and allowing opportunities for realtime feedback ensures the audience
         feels involved; sending a report after the event implies they missed out.</li></ul><br />
   For digital marketers looking to generate interesting content and create buzz around
   a website liveblogging seems to be a great solution, why sit at your desk and force
   yourself to write a blogpost when you could be more interesting in less words by sharing
   your thoughts or experiences live from an event you / your company is involved in?<br /><br /><b>Top tips for your live blog</b>:<br /><br /><ul><li>
         Alert potentially interested audiences about the broadcast in advance, and also send
         a reminder email / tweet at the start of the broadcast, or just after your first live
         entry has been posted.</li><li>
         If you are using Wordpress make sure you use twitter and facebook blog widgets to
         auto-update your wider social networks with an “I’ve just posted xxxx” link whenever
         the blog is updated.</li><li>
         Keep checking your comments / feedback, if your audience is debating the content of
         the liveblog, reflecting that in future posts will make them feel even more involved
         in the event.</li><li>
         Try to keep in mind the wider purpose of your liveblog and website and whilst you
         have an elevated level of attention from them, ensure you suggest things like donating
         / signing up / purchasing from you.</li></ul>
   In case you missed the link earlier you can still <a href="http://mickis50.wordpress.com">check
   out the live blog of our trip here</a>.<br /><br /><p></p><img src="http://www.chameleonnet.co.uk/blog/content/binary/cuillin.jpg" width="450" border="0" height="338" /><img width="0" height="0" src="http://www.chameleonnet.co.uk/blog/aggbug.ashx?id=e3d7456e-241c-4dd9-adac-19f306101cc6" /></body>
      <title>Liveblogging </title>
      <guid>http://www.chameleonnet.co.uk/blog/PermaLink,guid,e3d7456e-241c-4dd9-adac-19f306101cc6.aspx</guid>
      <link>http://www.chameleonnet.co.uk/blog/PermaLink,guid,e3d7456e-241c-4dd9-adac-19f306101cc6.aspx</link>
      <pubDate>Wed, 05 Aug 2009 10:48:43 GMT</pubDate>
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   UnhideWhenUsed="false" QFormat="true" Name="Intense Emphasis"/&gt;
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   UnhideWhenUsed="false" QFormat="true" Name="Subtle Reference"/&gt;
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   UnhideWhenUsed="false" QFormat="true" Name="Book Title"/&gt;
  &lt;w:LsdException Locked="false" Priority="37" Name="Bibliography"/&gt;
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&lt;/xml&gt;&lt;![endif]--&gt;&lt;style&gt;
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&lt;![endif]--&gt;I
have been on leave recently, spending some time on the Isle of Skye in the Hebrides.&amp;nbsp;
I went up there to try and finally knock off the &lt;a href="http://bigwalksclub.co.uk/bigwalksclub/cuillin_ridge.htm"&gt;traverse
of the Cuillin Ridge&lt;/a&gt;, which I would heartily recommend to anyone who likes the
outdoors, vertical drops of dizzying proportions, and/or bad weather.&lt;br&gt;
&lt;br&gt;
The traverse is something my Dad had wanted to do for years, and with him being 50
this year, I had arranged for &lt;a href="http://skyehi.co.uk/"&gt;a guide&lt;/a&gt; to help us.
This was my 5th attempt and my Dad’s 7th or 8th; around 90% of attempts fail due to
awful weather, navigational difficulties and/or lack of fitness, so I was anxious
to give ourselves the best possible chance.&lt;br&gt;
&lt;br&gt;
Hiring the guide was not cheap and so I’d done it as my Dad’s 50th birthday present.
I’d also got contributions from a lot of his mates to help with the cost. Herein lay
a problem; how to give something back to everyone who had donated cash so that they
felt involved in the trip? I decided to live-blog the 2 day traverse, so people could
chart our progress from their desks or mobiles whilst we were away.&lt;br&gt;
&lt;br&gt;
Using the &lt;a href="http://iphone.wordpress.org/"&gt;Wordpress app&lt;/a&gt; and my iPhone,
I was easily able to update &lt;a href="http://mickis50.wordpress.com/"&gt;my Dad’s birthday
blog&lt;/a&gt; from the mountains with notes and photos of our progress, even though I only
had fairly weak GPRS signal at best (the &lt;b&gt;O&lt;/b&gt; symbol next to the normal phone
signal symbol on your iPhone). If I can get signal in &lt;a href="http://maps.google.co.uk/maps?f=q&amp;amp;source=s_q&amp;amp;hl=en&amp;amp;geocode=&amp;amp;q=cuillin+hills&amp;amp;sll=57.215519,-6.203156&amp;amp;sspn=0.140542,0.43602&amp;amp;ie=UTF8&amp;amp;ll=57.21998,-6.214142&amp;amp;spn=0.140525,0.43602&amp;amp;t=p&amp;amp;z=11"&gt;the
Cuillins, which are about as remote as it gets in the UK&lt;/a&gt;, then liveblogging must
be possible across almost all of the UK!&lt;br&gt;
&lt;br&gt;
Happily the whole thing proved to be a real success. I thought only 10-20 people would
be interested in the blog, but over 200 absolute unique users were recorded on the
site in a period of 3 days.&lt;br&gt;
&lt;br&gt;
Being new to live-blogging, I found the main benefits were:&lt;br&gt;
&lt;br&gt;
&lt;ul&gt;
   &lt;li&gt;
      It has left a record of events that is more genuine and ‘raw’ than a circular email
      sent after the event could be.&lt;/li&gt;
   &lt;li&gt;
      People are interested in something they can see developing; most people would have
      found out through word of mouth we had completed our challenge and then not been as
      interested in a subsequent&amp;nbsp; email account of the trip.&lt;/li&gt;
   &lt;li&gt;
      Liveblogging seems to be bleeding edge enough to genuinely capture the interest of
      family / friends&lt;/li&gt;
   &lt;li&gt;
      Liveblogging and allowing opportunities for realtime feedback ensures the audience
      feels involved; sending a report after the event implies they missed out.&lt;/li&gt;
&lt;/ul&gt;
&lt;br&gt;
For digital marketers looking to generate interesting content and create buzz around
a website liveblogging seems to be a great solution, why sit at your desk and force
yourself to write a blogpost when you could be more interesting in less words by sharing
your thoughts or experiences live from an event you / your company is involved in?&lt;br&gt;
&lt;br&gt;
&lt;b&gt;Top tips for your live blog&lt;/b&gt;:&lt;br&gt;
&lt;br&gt;
&lt;ul&gt;
   &lt;li&gt;
      Alert potentially interested audiences about the broadcast in advance, and also send
      a reminder email / tweet at the start of the broadcast, or just after your first live
      entry has been posted.&lt;/li&gt;
   &lt;li&gt;
      If you are using Wordpress make sure you use twitter and facebook blog widgets to
      auto-update your wider social networks with an “I’ve just posted xxxx” link whenever
      the blog is updated.&lt;/li&gt;
   &lt;li&gt;
      Keep checking your comments / feedback, if your audience is debating the content of
      the liveblog, reflecting that in future posts will make them feel even more involved
      in the event.&lt;/li&gt;
   &lt;li&gt;
      Try to keep in mind the wider purpose of your liveblog and website and whilst you
      have an elevated level of attention from them, ensure you suggest things like donating
      / signing up / purchasing from you.&lt;/li&gt;
&lt;/ul&gt;
In case you missed the link earlier you can still &lt;a href="http://mickis50.wordpress.com"&gt;check
out the live blog of our trip here&lt;/a&gt;.&lt;br&gt;
&lt;br&gt;
&lt;p&gt;
&lt;/p&gt;
&lt;img src="http://www.chameleonnet.co.uk/blog/content/binary/cuillin.jpg" width="450" border="0" height="338"&gt;&lt;img width="0" height="0" src="http://www.chameleonnet.co.uk/blog/aggbug.ashx?id=e3d7456e-241c-4dd9-adac-19f306101cc6" /&gt;</description>
      <comments>http://www.chameleonnet.co.uk/blog/CommentView,guid,e3d7456e-241c-4dd9-adac-19f306101cc6.aspx</comments>
      <category>Mobile Web;Online Marketing;Web 2.0;What we're up to</category>
    </item>
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      <dc:creator>richardk@chameleonnet.co.uk (Rich Kirk)</dc:creator>
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        <p class="MsoNormal" style="margin: 0cm 0cm 0.0001pt;">
          <font size="2" face="Verdana">Last week at Chamtech09 (our digital trends seminar
      in the City) <a href="http://twitter.com/rich_kirk/statuses/2227720081">I spoke to
      two great audiences</a> on the need to do away with decision-making and assumptions
      when it comes to creating online content. I argued that simple analytics data and
      customer feedback should drive the development of a web presence, and that a marketer’s
      focus should primarily fall on turning more visitors into customers; getting more
      visitors should be of secondary importance.</font>
        </p>
        <p class="MsoNormal" style="margin: 0cm 0cm 0.0001pt;">
          <font size="2" face="Verdana"> </font>
        </p>
        <p class="MsoNormal" style="margin: 0cm 0cm 0.0001pt;">
          <font size="2" face="Verdana">It was great to speak to a bunch of people who could
      obviously see the benefit of this approach, and I hope that I’ll be able to work with
      as many of you as possible in the future.</font>
        </p>
        <p class="MsoNormal" style="margin: 0cm 0cm 0.0001pt;">
          <font size="2" face="Verdana"> </font>
        </p>
        <p class="MsoNormal" style="margin: 0cm 0cm 0.0001pt;">
          <font size="2" face="Verdana">In this post I wanted to expand on a few points I raced
      through on Thursday, especially around the development and operation of a Google Analytics
      (GA) strategy.</font>
        </p>
        <p class="MsoNormal" style="margin: 0cm 0cm 0.0001pt;">
          <font size="2" face="Verdana"> </font>
        </p>
        <h5 class="MsoNormal" style="margin: 0cm 0cm 0.0001pt;">
          <font size="2" face="Verdana">“The
      numbers in my GA reports don’t add up”</font>
        </h5>
        <h5 class="MsoNormal" style="margin: 0cm 0cm 0.0001pt;">
          <font size="2" face="Verdana">
            <br />
          </font>
        </h5>
        <p class="MsoNormal" style="margin: 0cm 0cm 0.0001pt;">
          <font size="2" face="Verdana">There are numerous reasons why GA might not track an
      individual visit. The most common ones are:</font>
        </p>
        <ul>
          <li>
            <font size="2" face="Verdana">User has no java support enabled so GA code is not read
         (&gt;5% of web users)</font>
          </li>
          <li>
            <font size="2" face="Verdana">Users are blocking the first party cookies GA needs
         to place on your computer (&gt;5% of users)</font>
          </li>
          <li>
            <!--[if !supportLists]-->
            <!--[endif]-->
            <font size="2" face="Verdana">Code is not implemented correctly on certain
         pages of your site (Best practice = implement it once in a piece of content that is
         called by every page e.g. the footer)</font>
          </li>
          <li>
            <font size="2" face="Verdana">Code is being interfered with by other javascript on
         the page. Fix this by ensuring the GA code is called before these other scripts.</font>
          </li>
          <li>
            <!--[endif]-->
            <font size="2" face="Verdana">Browser fails to execute the code (increasingly
         problematic as mobile browsers are susceptible to this)</font>
          </li>
          <li>
            <!--[endif]-->
            <font size="2" face="Verdana">Pages are failing to load properly.</font>
          </li>
          <li>
            <!--[endif]-->
            <font size="2" face="Verdana">User bounces before page load completes
         (often explains why your adwords  clicks &gt; visits from adwords). This problem
         is increasing due to mobile browsing growth. Bloated sites often designed for computers
         rather than mobiles and the 3G network are especially vulnerable.</font>
          </li>
        </ul>
        <div align="left">
        </div>
        <div align="left">
        </div>
        <p class="MsoNormal" style="margin: 0cm 0cm 0.0001pt;">
          <font size="2" face="Verdana"> </font>
        </p>
        <p class="MsoNormal" style="margin: 0cm 0cm 0.0001pt;">
          <font size="2" face="Verdana">A common problem arises around unique visitors (aka
      “the hotel problem”) and it can be seized upon by people looking for a reason not
      to invest time in GA as an example of its “inaccuracy” (I know, I’ve been there!).
      Luckily, <a href="http://en.wikipedia.org/wiki/Web_analytics#The_hotel_problem">the
      problem is fully explained and illustrated on Wikipedia</a>, as is the issue of <a href="http://en.wikipedia.org/wiki/Web_analytics#New_visitors_.2B_repeat_visitors_unequal_to_total_visitors">total
      visitors not being equal to new visitors + repeat visitors</a>.</font>
        </p>
        <p class="MsoNormal" style="margin: 0cm 0cm 0.0001pt;">
          <font size="2" face="Verdana"> </font>
        </p>
        <h5 class="MsoNormal" style="margin: 0cm 0cm 0.0001pt;">
          <font size="2" face="Verdana">Link
      tagging</font>
        </h5>
        <p class="MsoNormal" style="margin: 0cm 0cm 0.0001pt;">
          <font size="2" face="Verdana"> </font>
        </p>
        <p class="MsoNormal" style="margin: 0cm 0cm 0.0001pt;">
          <font size="2" face="Verdana">You can track the RoI of every link you put on the web
      by attaching a <b>source </b>(e.g. person / dept), <b>medium</b> (e.g. email / banner
      ad / social campaign), <b>campaign</b> (e.g. twitter competition / april newsletter)
      and an individual <b>content</b> tag to each link. GA allows you to analyse the behaviour
      of users via the individual link they arrived on. Very quickly you can start to attach
      a pounds and pence value to links, campaigns, marketing channels and people within
      your organisation. Who doesn’t want to do that?!</font>
        </p>
        <p class="MsoNormal" style="margin: 0cm 0cm 0.0001pt;">
          <font size="2" face="Verdana"> </font>
        </p>
        <p class="MsoNormal" style="margin: 0cm 0cm 0.0001pt;">
          <font size="2" face="Verdana">You can create these links really easily in excel spreadsheets
      as they all follow the same pattern (links broken down by section for easy viewing,
      obv. this would be one URL string normally):</font>
        </p>
        <p class="MsoNormal" style="margin: 0cm 0cm 0.0001pt;">
          <font size="2" face="Verdana"> </font>
        </p>
        <p class="MsoNormal" style="margin: 0cm 0cm 0.0001pt;">
          <b>
            <font size="2" color="#ff0000" face="Verdana">www. ursite.com/</font>
            <font size="2" face="Verdana">?</font>
          </b>
        </p>
        <p class="MsoNormal" style="margin: 0cm 0cm 0.0001pt;">
          <b>
            <font size="2" color="#ffa500" face="Verdana">utm_source=xxx</font>
            <font size="2" face="Verdana">
              <br />
            </font>
          </b>
        </p>
        <p class="MsoNormal" style="margin: 0cm 0cm 0.0001pt;">
          <b>
            <font size="2" face="Verdana">&amp;</font>
            <font size="2" color="#008000" face="Verdana">utm_medium=yyy</font>
            <font size="2" face="Verdana">
              <br />
            </font>
          </b>
        </p>
        <p class="MsoNormal" style="margin: 0cm 0cm 0.0001pt;">
          <b>
            <font size="2" face="Verdana">&amp;</font>
            <font size="2" color="#800080" face="Verdana">utm_campaign=zzz</font>
            <font size="2" face="Verdana">
              <br />
            </font>
          </b>
        </p>
        <p class="MsoNormal" style="margin: 0cm 0cm 0.0001pt;">
          <b>
            <font size="2" face="Verdana">&amp;</font>
            <font size="2" color="#0000ff" face="Verdana">utm_content=123</font>
          </b>
        </p>
        <p class="MsoNormal" style="margin: 0cm 0cm 0.0001pt;">
          <font size="2" face="Verdana">
            <br />
          </font>
        </p>
        <p class="MsoNormal" style="margin: 0cm 0cm 0.0001pt;">
          <font size="2" face="Verdana">In each case you would want to make the utm_content
      tag an individual descriptor for that link. E.g. if I was going to send out a Chameleon
      Net newsletter containing a link to our blog the link would be (again, broken down
      for easy viewing):</font>
        </p>
        <p class="MsoNormal" style="margin: 0cm 0cm 0.0001pt;">
          <font size="2" face="Verdana"> </font>
        </p>
        <p class="MsoNormal" style="margin: 0cm 0cm 0.0001pt;">
          <b>
            <font size="2" color="#ff0000" face="Verdana">http://www.chameleonnet.co.uk/blog/default.aspx</font>
            <font size="2" face="Verdana">?</font>
            <font size="2" color="#ffa500" face="Verdana">
              <br />
            </font>
          </b>
        </p>
        <p class="MsoNormal" style="margin: 0cm 0cm 0.0001pt;">
          <b>
            <font size="2" color="#ffa500" face="Verdana">utm_source=chamnet_marketing</font>
            <font size="2" face="Verdana">
              <br />
            </font>
          </b>
        </p>
        <p class="MsoNormal" style="margin: 0cm 0cm 0.0001pt;">
          <b>
            <font size="2" face="Verdana">&amp;</font>
            <font size="2" color="#008000" face="Verdana">utm_medium=email</font>
            <font size="2" face="Verdana">
              <br />
            </font>
          </b>
        </p>
        <p class="MsoNormal" style="margin: 0cm 0cm 0.0001pt;">
          <b>
            <font size="2" face="Verdana">&amp;</font>
            <font size="2" color="#800080" face="Verdana">utm_campaign=june_newsletter</font>
            <font size="2" face="Verdana">
              <br />
            </font>
          </b>
        </p>
        <p class="MsoNormal" style="margin: 0cm 0cm 0.0001pt;">
          <b>
            <font size="2" face="Verdana">&amp;</font>
            <font size="2" color="#0000ff" face="Verdana">utm_content=blog_home</font>
          </b>
        </p>
        <p class="MsoNormal" style="margin: 0cm 0cm 0.0001pt;">
          <font size="2" face="Verdana"> </font>
        </p>
        <p class="MsoNormal" style="margin: 0cm 0cm 0.0001pt;">
          <font size="2" face="Verdana">Within the GA dashboard, under traffic sources &gt;
      campaigns, you can quickly compare the successes and failings of different source,
      medium, and campaign tags. Then you can easily drill down to the individual content
      tags for more granular detail. For each tag you’ll be able to see a host of metrics,
      most importantly goal conversions, but also bounce rate, time on site, and of course
      visits/visitors/unique visitors.</font>
        </p>
        <p class="MsoNormal" style="margin: 0cm 0cm 0.0001pt;">
          <font size="2" face="Verdana"> </font>
        </p>
        <p class="MsoNormal" style="margin: 0cm 0cm 0.0001pt;">
          <font size="2" face="Verdana">Pretty neat huh? </font>
        </p>
        <p class="MsoNormal" style="margin: 0cm 0cm 0.0001pt;">
          <font size="2" face="Verdana"> </font>
        </p>
        <h5 class="MsoNormal" style="margin: 0cm 0cm 0.0001pt;">
          <font size="2" face="Verdana">“My
      goals are hard to track”</font>
        </h5>
        <p class="MsoNormal" style="margin: 0cm 0cm 0.0001pt;">
          <font size="2" face="Verdana"> </font>
        </p>
        <p class="MsoNormal" style="margin: 0cm 0cm 0.0001pt;">
          <font size="2" face="Verdana">A number of Chameleon’s clients are charities or NGOs,
      whose website in many cases provide information rather than make a sale or get an
      email sign up. For these organisations simply getting someone to read a page is the
      goal online; the real conversion, i.e. that person taking action, occurs offline in
      the real world. Goal tracking still has a lot to offer, and maybe you need to think
      about how your site and your offline conversions interact: e.g. display a unique phone
      number so you can track how many calls your site is generating. </font>
        </p>
        <p class="MsoNormal" style="margin: 0cm 0cm 0.0001pt;">
          <font size="2" face="Verdana"> </font>
        </p>
        <p class="MsoNormal" style="margin: 0cm 0cm 0.0001pt;">
          <font size="2" face="Verdana">Another idea might be to flip the situation and instead
      of focussing on where people are going within your site look at where they are coming
      from. If you have particular traffic sources that send traffic which tends to bounce
      out of the site straight away, isolate that traffic and look at its top landing pages.
      There may well be an obvious disconnect between the content on those pages and the
      traffic source / audience. </font>
        </p>
        <p class="MsoNormal" style="margin: 0cm 0cm 0.0001pt;">
          <font size="2" face="Verdana"> </font>
        </p>
        <p class="MsoNormal" style="margin: 0cm 0cm 0.0001pt;">
          <font size="2" face="Verdana">Alternatively, you can look to diversify the traffic
      sources for your site. <a href="http://twitter.com">Social</a><a href="http://facebook.com"> networks</a> are
      the web’s watering holes and you can easily (and cheaply) search for and enter conversations
      around your campaigns. We advise on developing landing pages aimed at audiences you
      don’t normally target and the process of entering these online conversations. GA will
      be able to let you know if you’ve developed a new audience and whether they are exploring
      your site beyond the landing pages you have set up. </font>
        </p>
        <p class="MsoNormal" style="margin: 0cm 0cm 0.0001pt;">
          <font size="2" face="Verdana"> </font>
        </p>
        <p class="MsoNormal" style="margin: 0cm 0cm 0.0001pt;">
          <font size="2" face="Verdana">**********</font>
        </p>
        <p class="MsoNormal" style="margin: 0cm 0cm 0.0001pt;">
          <font size="2" face="Verdana"> </font>
        </p>
        <p class="MsoNormal" style="margin: 0cm 0cm 0.0001pt;">
          <font size="2" face="Verdana">Phew, long post. Hope these tips help you and your digital
      marketing teams. </font>
        </p>
        <p class="MsoNormal" style="margin: 0cm 0cm 0.0001pt;">
          <font size="2" face="Verdana"> </font>
        </p>
        <p class="MsoNormal" style="margin: 0cm 0cm 0.0001pt;">
          <font size="2" face="Verdana">Remember; your site is made up of <b>sources</b>, (your
      audiences: get granular by using segmentation) <b>behaviour </b>(the content they
      browse) and most importantly; <b>defined goals</b>. Without goals your site has no
      purpose: identify the pages that your user sees when they’ve done what you wanted
      them to do, then work back through your funnel.</font>
        </p>
        <p class="MsoNormal" style="margin: 0cm 0cm 0.0001pt;">
          <font size="2" face="Verdana">
            <br />
          </font>
        </p>
        <p class="MsoNormal" style="margin: 0cm 0cm 0.0001pt;">
          <font size="2" face="Verdana">Hit me up in the comments below if you've got issues
      you want answering!</font>
          <br />
        </p>
        <p>
        </p>
        <img width="0" height="0" src="http://www.chameleonnet.co.uk/blog/aggbug.ashx?id=5ddeea68-0b98-4716-9d73-b823f3ee3a09" />
      </body>
      <title>Analytics &gt; Assumptions</title>
      <guid>http://www.chameleonnet.co.uk/blog/PermaLink,guid,5ddeea68-0b98-4716-9d73-b823f3ee3a09.aspx</guid>
      <link>http://www.chameleonnet.co.uk/blog/PermaLink,guid,5ddeea68-0b98-4716-9d73-b823f3ee3a09.aspx</link>
      <pubDate>Thu, 25 Jun 2009 11:58:42 GMT</pubDate>
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&lt;p class="MsoNormal" style="margin: 0cm 0cm 0.0001pt;"&gt;
   &lt;font size="2" face="Verdana"&gt;Last week at Chamtech09 (our digital trends seminar
   in the City) &lt;a href="http://twitter.com/rich_kirk/statuses/2227720081"&gt;I spoke to
   two great audiences&lt;/a&gt; on the need to do away with decision-making and assumptions
   when it comes to creating online content. I argued that simple analytics data and
   customer feedback should drive the development of a web presence, and that a marketer’s
   focus should primarily fall on turning more visitors into customers; getting more
   visitors should be of secondary importance.&lt;/font&gt;
&lt;/p&gt;
&lt;p class="MsoNormal" style="margin: 0cm 0cm 0.0001pt;"&gt;
   &lt;font size="2" face="Verdana"&gt;&amp;nbsp;&lt;/font&gt;
&lt;/p&gt;
&lt;p class="MsoNormal" style="margin: 0cm 0cm 0.0001pt;"&gt;
   &lt;font size="2" face="Verdana"&gt;It was great to speak to a bunch of people who could
   obviously see the benefit of this approach, and I hope that I’ll be able to work with
   as many of you as possible in the future.&lt;/font&gt;
&lt;/p&gt;
&lt;p class="MsoNormal" style="margin: 0cm 0cm 0.0001pt;"&gt;
   &lt;font size="2" face="Verdana"&gt;&amp;nbsp;&lt;/font&gt;
&lt;/p&gt;
&lt;p class="MsoNormal" style="margin: 0cm 0cm 0.0001pt;"&gt;
   &lt;font size="2" face="Verdana"&gt;In this post I wanted to expand on a few points I raced
   through on Thursday, especially around the development and operation of a Google Analytics
   (GA) strategy.&lt;/font&gt;
&lt;/p&gt;
&lt;p class="MsoNormal" style="margin: 0cm 0cm 0.0001pt;"&gt;
   &lt;font size="2" face="Verdana"&gt;&amp;nbsp;&lt;/font&gt;
&lt;/p&gt;
&lt;h5 class="MsoNormal" style="margin: 0cm 0cm 0.0001pt;"&gt;&lt;font size="2" face="Verdana"&gt;“The
   numbers in my GA reports don’t add up”&lt;/font&gt;
&lt;/h5&gt;
&lt;h5 class="MsoNormal" style="margin: 0cm 0cm 0.0001pt;"&gt;&lt;font size="2" face="Verdana"&gt;
   &lt;br&gt;
   &lt;/font&gt;
&lt;/h5&gt;
&lt;p class="MsoNormal" style="margin: 0cm 0cm 0.0001pt;"&gt;
   &lt;font size="2" face="Verdana"&gt;There are numerous reasons why GA might not track an
   individual visit. The most common ones are:&lt;/font&gt;
&lt;/p&gt;
&lt;ul&gt;
   &lt;li&gt;
      &lt;font size="2" face="Verdana"&gt;User has no java support enabled so GA code is not read
      (&amp;gt;5% of web users)&lt;/font&gt;
   &lt;/li&gt;
   &lt;li&gt;
      &lt;font size="2" face="Verdana"&gt;Users are blocking the first party cookies GA needs
      to place on your computer (&amp;gt;5% of users)&lt;/font&gt;
   &lt;/li&gt;
   &lt;li&gt;
      &lt;!--[if !supportLists]--&gt;
      &lt;!--[endif]--&gt;&lt;font size="2" face="Verdana"&gt;Code is not implemented correctly on certain
      pages of your site (Best practice = implement it once in a piece of content that is
      called by every page e.g. the footer)&lt;/font&gt;
   &lt;/li&gt;
   &lt;li&gt;
      &lt;font size="2" face="Verdana"&gt;Code is being interfered with by other javascript on
      the page. Fix this by ensuring the GA code is called before these other scripts.&lt;/font&gt;
   &lt;/li&gt;
   &lt;li&gt;
      &lt;!--[endif]--&gt;&lt;font size="2" face="Verdana"&gt;Browser fails to execute the code (increasingly
      problematic as mobile browsers are susceptible to this)&lt;/font&gt;
   &lt;/li&gt;
   &lt;li&gt;
      &lt;!--[endif]--&gt;&lt;font size="2" face="Verdana"&gt;Pages are failing to load properly.&lt;/font&gt;
   &lt;/li&gt;
   &lt;li&gt;
      &lt;!--[endif]--&gt;&lt;font size="2" face="Verdana"&gt;User bounces before page load completes
      (often explains why your adwords &amp;nbsp;clicks &amp;gt; visits from adwords). This problem
      is increasing due to mobile browsing growth. Bloated sites often designed for computers
      rather than mobiles and the 3G network are especially vulnerable.&lt;/font&gt;
   &lt;/li&gt;
&lt;/ul&gt;
&lt;div align="left"&gt;
&lt;/div&gt;
&lt;div align="left"&gt;
&lt;/div&gt;
&lt;p class="MsoNormal" style="margin: 0cm 0cm 0.0001pt;"&gt;
   &lt;font size="2" face="Verdana"&gt;&amp;nbsp;&lt;/font&gt;
&lt;/p&gt;
&lt;p class="MsoNormal" style="margin: 0cm 0cm 0.0001pt;"&gt;
   &lt;font size="2" face="Verdana"&gt;A common problem arises around unique visitors (aka
   “the hotel problem”) and it can be seized upon by people looking for a reason not
   to invest time in GA as an example of its “inaccuracy” (I know, I’ve been there!).
   Luckily, &lt;a href="http://en.wikipedia.org/wiki/Web_analytics#The_hotel_problem"&gt;the
   problem is fully explained and illustrated on Wikipedia&lt;/a&gt;, as is the issue of &lt;a href="http://en.wikipedia.org/wiki/Web_analytics#New_visitors_.2B_repeat_visitors_unequal_to_total_visitors"&gt;total
   visitors not being equal to new visitors + repeat visitors&lt;/a&gt;.&lt;/font&gt;
&lt;/p&gt;
&lt;p class="MsoNormal" style="margin: 0cm 0cm 0.0001pt;"&gt;
   &lt;font size="2" face="Verdana"&gt;&amp;nbsp;&lt;/font&gt;
&lt;/p&gt;
&lt;h5 class="MsoNormal" style="margin: 0cm 0cm 0.0001pt;"&gt;&lt;font size="2" face="Verdana"&gt;Link
   tagging&lt;/font&gt;
&lt;/h5&gt;
&lt;p class="MsoNormal" style="margin: 0cm 0cm 0.0001pt;"&gt;
   &lt;font size="2" face="Verdana"&gt;&amp;nbsp;&lt;/font&gt;
&lt;/p&gt;
&lt;p class="MsoNormal" style="margin: 0cm 0cm 0.0001pt;"&gt;
   &lt;font size="2" face="Verdana"&gt;You can track the RoI of every link you put on the web
   by attaching a &lt;b&gt;source &lt;/b&gt;(e.g. person / dept), &lt;b&gt;medium&lt;/b&gt; (e.g. email / banner
   ad / social campaign), &lt;b&gt;campaign&lt;/b&gt; (e.g. twitter competition / april newsletter)
   and an individual &lt;b&gt;content&lt;/b&gt; tag to each link. GA allows you to analyse the behaviour
   of users via the individual link they arrived on. Very quickly you can start to attach
   a pounds and pence value to links, campaigns, marketing channels and people within
   your organisation. Who doesn’t want to do that?!&lt;/font&gt;
&lt;/p&gt;
&lt;p class="MsoNormal" style="margin: 0cm 0cm 0.0001pt;"&gt;
   &lt;font size="2" face="Verdana"&gt;&amp;nbsp;&lt;/font&gt;
&lt;/p&gt;
&lt;p class="MsoNormal" style="margin: 0cm 0cm 0.0001pt;"&gt;
   &lt;font size="2" face="Verdana"&gt;You can create these links really easily in excel spreadsheets
   as they all follow the same pattern (links broken down by section for easy viewing,
   obv. this would be one URL string normally):&lt;/font&gt;
&lt;/p&gt;
&lt;p class="MsoNormal" style="margin: 0cm 0cm 0.0001pt;"&gt;
   &lt;font size="2" face="Verdana"&gt;&amp;nbsp;&lt;/font&gt;
&lt;/p&gt;
&lt;p class="MsoNormal" style="margin: 0cm 0cm 0.0001pt;"&gt;
   &lt;b&gt;&lt;font size="2" color="#ff0000" face="Verdana"&gt;www. ursite.com/&lt;/font&gt;&lt;font size="2" face="Verdana"&gt;?&lt;/font&gt;&lt;/b&gt;
&lt;/p&gt;
&lt;p class="MsoNormal" style="margin: 0cm 0cm 0.0001pt;"&gt;
   &lt;b&gt;&lt;font size="2" color="#ffa500" face="Verdana"&gt;utm_source=xxx&lt;/font&gt;&lt;font size="2" face="Verdana"&gt;
   &lt;br&gt;
   &lt;/font&gt;&lt;/b&gt;
&lt;/p&gt;
&lt;p class="MsoNormal" style="margin: 0cm 0cm 0.0001pt;"&gt;
   &lt;b&gt;&lt;font size="2" face="Verdana"&gt;&amp;amp;&lt;/font&gt;&lt;font size="2" color="#008000" face="Verdana"&gt;utm_medium=yyy&lt;/font&gt;&lt;font size="2" face="Verdana"&gt;
   &lt;br&gt;
   &lt;/font&gt;&lt;/b&gt;
&lt;/p&gt;
&lt;p class="MsoNormal" style="margin: 0cm 0cm 0.0001pt;"&gt;
   &lt;b&gt;&lt;font size="2" face="Verdana"&gt;&amp;amp;&lt;/font&gt;&lt;font size="2" color="#800080" face="Verdana"&gt;utm_campaign=zzz&lt;/font&gt;&lt;font size="2" face="Verdana"&gt;
   &lt;br&gt;
   &lt;/font&gt;&lt;/b&gt;
&lt;/p&gt;
&lt;p class="MsoNormal" style="margin: 0cm 0cm 0.0001pt;"&gt;
   &lt;b&gt;&lt;font size="2" face="Verdana"&gt;&amp;amp;&lt;/font&gt;&lt;font size="2" color="#0000ff" face="Verdana"&gt;utm_content=123&lt;/font&gt;&lt;/b&gt;
&lt;/p&gt;
&lt;p class="MsoNormal" style="margin: 0cm 0cm 0.0001pt;"&gt;
   &lt;font size="2" face="Verdana"&gt;
   &lt;br&gt;
   &lt;/font&gt;
&lt;/p&gt;
&lt;p class="MsoNormal" style="margin: 0cm 0cm 0.0001pt;"&gt;
   &lt;font size="2" face="Verdana"&gt;In each case you would want to make the utm_content
   tag an individual descriptor for that link. E.g. if I was going to send out a Chameleon
   Net newsletter containing a link to our blog the link would be (again, broken down
   for easy viewing):&lt;/font&gt;
&lt;/p&gt;
&lt;p class="MsoNormal" style="margin: 0cm 0cm 0.0001pt;"&gt;
   &lt;font size="2" face="Verdana"&gt;&amp;nbsp;&lt;/font&gt;
&lt;/p&gt;
&lt;p class="MsoNormal" style="margin: 0cm 0cm 0.0001pt;"&gt;
   &lt;b&gt;&lt;font size="2" color="#ff0000" face="Verdana"&gt;http://www.chameleonnet.co.uk/blog/default.aspx&lt;/font&gt;&lt;font size="2" face="Verdana"&gt;?&lt;/font&gt;&lt;font size="2" color="#ffa500" face="Verdana"&gt;
   &lt;br&gt;
   &lt;/font&gt;&lt;/b&gt;
&lt;/p&gt;
&lt;p class="MsoNormal" style="margin: 0cm 0cm 0.0001pt;"&gt;
   &lt;b&gt;&lt;font size="2" color="#ffa500" face="Verdana"&gt;utm_source=chamnet_marketing&lt;/font&gt;&lt;font size="2" face="Verdana"&gt;
   &lt;br&gt;
   &lt;/font&gt;&lt;/b&gt;
&lt;/p&gt;
&lt;p class="MsoNormal" style="margin: 0cm 0cm 0.0001pt;"&gt;
   &lt;b&gt;&lt;font size="2" face="Verdana"&gt;&amp;amp;&lt;/font&gt;&lt;font size="2" color="#008000" face="Verdana"&gt;utm_medium=email&lt;/font&gt;&lt;font size="2" face="Verdana"&gt;
   &lt;br&gt;
   &lt;/font&gt;&lt;/b&gt;
&lt;/p&gt;
&lt;p class="MsoNormal" style="margin: 0cm 0cm 0.0001pt;"&gt;
   &lt;b&gt;&lt;font size="2" face="Verdana"&gt;&amp;amp;&lt;/font&gt;&lt;font size="2" color="#800080" face="Verdana"&gt;utm_campaign=june_newsletter&lt;/font&gt;&lt;font size="2" face="Verdana"&gt;
   &lt;br&gt;
   &lt;/font&gt;&lt;/b&gt;
&lt;/p&gt;
&lt;p class="MsoNormal" style="margin: 0cm 0cm 0.0001pt;"&gt;
   &lt;b&gt;&lt;font size="2" face="Verdana"&gt;&amp;amp;&lt;/font&gt;&lt;font size="2" color="#0000ff" face="Verdana"&gt;utm_content=blog_home&lt;/font&gt;&lt;/b&gt;
&lt;/p&gt;
&lt;p class="MsoNormal" style="margin: 0cm 0cm 0.0001pt;"&gt;
   &lt;font size="2" face="Verdana"&gt;&amp;nbsp;&lt;/font&gt;
&lt;/p&gt;
&lt;p class="MsoNormal" style="margin: 0cm 0cm 0.0001pt;"&gt;
   &lt;font size="2" face="Verdana"&gt;Within the GA dashboard, under traffic sources &amp;gt;
   campaigns, you can quickly compare the successes and failings of different source,
   medium, and campaign tags. Then you can easily drill down to the individual content
   tags for more granular detail. For each tag you’ll be able to see a host of metrics,
   most importantly goal conversions, but also bounce rate, time on site, and of course
   visits/visitors/unique visitors.&lt;/font&gt;
&lt;/p&gt;
&lt;p class="MsoNormal" style="margin: 0cm 0cm 0.0001pt;"&gt;
   &lt;font size="2" face="Verdana"&gt;&amp;nbsp;&lt;/font&gt;
&lt;/p&gt;
&lt;p class="MsoNormal" style="margin: 0cm 0cm 0.0001pt;"&gt;
   &lt;font size="2" face="Verdana"&gt;Pretty neat huh? &lt;/font&gt;
&lt;/p&gt;
&lt;p class="MsoNormal" style="margin: 0cm 0cm 0.0001pt;"&gt;
   &lt;font size="2" face="Verdana"&gt;&amp;nbsp;&lt;/font&gt;
&lt;/p&gt;
&lt;h5 class="MsoNormal" style="margin: 0cm 0cm 0.0001pt;"&gt;&lt;font size="2" face="Verdana"&gt;“My
   goals are hard to track”&lt;/font&gt;
&lt;/h5&gt;
&lt;p class="MsoNormal" style="margin: 0cm 0cm 0.0001pt;"&gt;
   &lt;font size="2" face="Verdana"&gt;&amp;nbsp;&lt;/font&gt;
&lt;/p&gt;
&lt;p class="MsoNormal" style="margin: 0cm 0cm 0.0001pt;"&gt;
   &lt;font size="2" face="Verdana"&gt;A number of Chameleon’s clients are charities or NGOs,
   whose website in many cases provide information rather than make a sale or get an
   email sign up. For these organisations simply getting someone to read a page is the
   goal online; the real conversion, i.e. that person taking action, occurs offline in
   the real world. Goal tracking still has a lot to offer, and maybe you need to think
   about how your site and your offline conversions interact: e.g. display a unique phone
   number so you can track how many calls your site is generating. &lt;/font&gt;
&lt;/p&gt;
&lt;p class="MsoNormal" style="margin: 0cm 0cm 0.0001pt;"&gt;
   &lt;font size="2" face="Verdana"&gt;&amp;nbsp;&lt;/font&gt;
&lt;/p&gt;
&lt;p class="MsoNormal" style="margin: 0cm 0cm 0.0001pt;"&gt;
   &lt;font size="2" face="Verdana"&gt;Another idea might be to flip the situation and instead
   of focussing on where people are going within your site look at where they are coming
   from. If you have particular traffic sources that send traffic which tends to bounce
   out of the site straight away, isolate that traffic and look at its top landing pages.
   There may well be an obvious disconnect between the content on those pages and the
   traffic source / audience. &lt;/font&gt;
&lt;/p&gt;
&lt;p class="MsoNormal" style="margin: 0cm 0cm 0.0001pt;"&gt;
   &lt;font size="2" face="Verdana"&gt;&amp;nbsp;&lt;/font&gt;
&lt;/p&gt;
&lt;p class="MsoNormal" style="margin: 0cm 0cm 0.0001pt;"&gt;
   &lt;font size="2" face="Verdana"&gt;Alternatively, you can look to diversify the traffic
   sources for your site. &lt;a href="http://twitter.com"&gt;Social&lt;/a&gt;&lt;a href="http://facebook.com"&gt; networks&lt;/a&gt; are
   the web’s watering holes and you can easily (and cheaply) search for and enter conversations
   around your campaigns. We advise on developing landing pages aimed at audiences you
   don’t normally target and the process of entering these online conversations. GA will
   be able to let you know if you’ve developed a new audience and whether they are exploring
   your site beyond the landing pages you have set up. &lt;/font&gt; 
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&lt;p class="MsoNormal" style="margin: 0cm 0cm 0.0001pt;"&gt;
   &lt;font size="2" face="Verdana"&gt;Phew, long post. Hope these tips help you and your digital
   marketing teams. &lt;/font&gt;
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   &lt;font size="2" face="Verdana"&gt;Remember; your site is made up of &lt;b&gt;sources&lt;/b&gt;, (your
   audiences: get granular by using segmentation) &lt;b&gt;behaviour &lt;/b&gt;(the content they
   browse) and most importantly; &lt;b&gt;defined goals&lt;/b&gt;. Without goals your site has no
   purpose: identify the pages that your user sees when they’ve done what you wanted
   them to do, then work back through your funnel.&lt;/font&gt;
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&lt;p class="MsoNormal" style="margin: 0cm 0cm 0.0001pt;"&gt;
   &lt;font size="2" face="Verdana"&gt;Hit me up in the comments below if you've got issues
   you want answering!&lt;/font&gt;
   &lt;br&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;/p&gt;
&lt;img width="0" height="0" src="http://www.chameleonnet.co.uk/blog/aggbug.ashx?id=5ddeea68-0b98-4716-9d73-b823f3ee3a09" /&gt;</description>
      <comments>http://www.chameleonnet.co.uk/blog/CommentView,guid,5ddeea68-0b98-4716-9d73-b823f3ee3a09.aspx</comments>
      <category>Events;Higher Education;Non-profit;Online Marketing;Publishing;Web Usability</category>
    </item>
    <item>
      <trackback:ping>http://www.chameleonnet.co.uk/blog/Trackback.aspx?guid=89ea8dbb-15ba-4e1b-8332-d0ab47d5d7aa</trackback:ping>
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      <dc:creator>richardk@chameleonnet.co.uk (Rich Kirk)</dc:creator>
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        <p class="MsoNormal">
          <font size="2" face="Verdana">
            <b>Conversion Rate: The fundamental KPI of your website</b>
          </font>
        </p>
        <p class="MsoNormal">
          <font size="2" face="Verdana"> </font>
        </p>
        <p class="MsoNormal">
          <font size="2" face="Verdana">In an increasingly competitive online environment one
      metric all digital marketers should be focusing their attention on is the conversion
      rate of their own website. By conversion rate we mean the number of visitors who complete
      a desired action vs. the total number of visitors.</font>
        </p>
        <p class="MsoNormal">
          <font size="2" face="Verdana">
            <br />
          </font>
        </p>
        <p class="MsoNormal">
          <font size="2" face="Verdana">
            <i>E.g. If your site sells CDs, and you get 100 visitors,
      of which 2 buy CDs, then your website conversion rate is 2%. </i>
            <br />
          </font>
        </p>
        <p class="MsoNormal">
          <font size="2" face="Verdana">
            <br />
          </font>
        </p>
        <p class="MsoNormal">
          <font size="2" face="Verdana">What we’re talking about is <b>“how many of your visitors
      do what you want them to do?"</b></font>
        </p>
        <p class="MsoNormal">
          <font size="2" face="Verdana"> </font>
        </p>
        <p class="MsoNormal">
          <font size="2" face="Verdana">It’s important to decide on a purpose for each piece
      of marketing collateral you produce, from a button to an entire website. All of your
      efforts should be focused towards making as many people as possible who view that
      piece of collateral fulfill its purpose. Everything has a conversion rate, and not
      only can you measure it, you can give it a pounds and pence value as well.</font>
        </p>
        <p class="MsoNormal">
          <font size="2" face="Verdana"> </font>
        </p>
        <p class="MsoNormal">
          <font size="2" face="Verdana">In order to increase your conversion rates, you need
      to work towards what we call a “conversion culture”. In a conversion culture:</font>
        </p>
        <ul>
          <li>
            <!--[if !supportLists]-->
            <font size="2" face="Verdana">You are committed to using
         analytics, testing and customer feedback to inform decisions about your website’s
         content, and not the opinions / assumptions of internal staff.</font>
          </li>
        </ul>
        <!--[if !supportLists]-->
        <ul>
          <li>
            <font size="2" face="Verdana">You accept that a website is never finished and can
         be constantly improved via tweaking.</font>
          </li>
        </ul>
        <p class="MsoNormal">
          <font size="2" face="Verdana"> </font>
        </p>
        <p class="MsoNormal" style="">
          <font size="2" face="Verdana">
            <b>Why should I bother focusing on Conversion Rate?</b>
            <br />
          </font>
        </p>
        <p class="MsoNormal" style="">
          <font size="2" face="Verdana">
            <br />
          </font>
        </p>
        <p class="MsoNormal" style="">
          <font size="2" face="Verdana">Mainly because it allows you to generate more customers
      without any extra advertising spend. You should make the most of the content and visitors
      you already have, rather than spending more or diversifying in order to boost revenue.
      Even if you do this you aren’t improving profitability.</font>
        </p>
        <p class="MsoNormal" style="">
          <font size="2" face="Verdana">
            <br />
          </font>
        </p>
        <p class="MsoNormal" style="">
          <font size="2" face="Verdana">Increasing conversion rate rather than marketing spend
      means revenue from new sales goes straight into your bottom line. Think about it;
      you haven’t spent anything more on advertising, the cost of sales or overheads… you’ve
      just made more revenue from what you already had.</font>
        </p>
        <p class="MsoNormal" style="">
          <font size="2" face="Verdana">
            <br />
          </font>
        </p>
        <p class="MsoNormal" style="">
          <font size="2" face="Verdana">The profit generated by increased conversion rate may
      allow you to open up new advertising channels not currently feasible. More channels
      means a more stable business. This is especially true if you are currently reliant
      on search engine traffic alone.</font>
        </p>
        <p class="MsoNormal">
          <font size="2" face="Verdana">
            <br />
          </font>
        </p>
        <p class="MsoNormal">
          <font size="2" face="Verdana">Selling online is a ‘winner takes all’ environment.
      Customers may spend a long time choosing where to buy, but very small things are going
      to make them choose one site over another – and it’s only the winning site that gets
      the cash. This is known as the ‘slight edge’ and it’s usually got more to do with
      the buying experience than an item’s price. Increasing conversion rate = gaining the
      ‘slight edge’ over your competitors. </font>
        </p>
        <p class="MsoNormal">
          <font size="2" face="Verdana"> </font>
        </p>
        <p class="MsoNormal">
          <font size="2" face="Verdana">
            <b>How can Chameleon Net help me improve my Conversion
      Rate?</b>
          </font>
        </p>
        <p class="MsoNormal">
          <font size="2" face="Verdana">
            <b>
              <br />
            </b>
          </font>
        </p>
        <p class="MsoNormal">
          <font size="2" face="Verdana">We suggest allowing us to perform a conversion rate
      audit on one of your key customer journeys, from a landing page to completion of the
      desired action. Using your analytics tools and other tracking software we can provide
      a report which will list out where your UI could be improved to make the buying experience
      easier, and also highlight which pages in your customer journey need the most urgent
      attention.</font>
        </p>
        <p class="MsoNormal">
          <font size="2" face="Verdana"> </font>
        </p>
        <p class="MsoNormal">
          <font size="2" face="Verdana">
            <b>Why Chameleon Net?</b>
          </font>
        </p>
        <p class="MsoNormal">
          <font size="2" face="Verdana">
            <b>
              <br />
            </b>
          </font>
        </p>
        <p class="MsoNormal">
          <font size="2" face="Verdana">Although focusing on conversion rate is a relatively
      new online trend, usability and improving customer experiences have been right at
      the heart of our offering since we were founded 10 years ago as a bridge between high-minded
      website designers and technical back-end systems developers.</font>
        </p>
        <br />
        <font size="2" face="Verdana">Several members of staff are accredited by Google for
   the use of Google Analytics, having passed the recently introduced examinations in
   the subject, and we have experience of using Google Website Optimiser; a new tool
   allowing you to quickly perform split and multivariate tests of new content in order
   to determine whether your new content outperforms older material. We've used this
   knowledge recently to help a</font>
        <font size="2" face="Verdana"> major UK firm in
   the tourism sector double the conversion rate of their B2C booking engine.</font>
        <p>
        </p>
        <img width="0" height="0" src="http://www.chameleonnet.co.uk/blog/aggbug.ashx?id=89ea8dbb-15ba-4e1b-8332-d0ab47d5d7aa" />
      </body>
      <title>Focus On... Website Conversion Rates</title>
      <guid>http://www.chameleonnet.co.uk/blog/PermaLink,guid,89ea8dbb-15ba-4e1b-8332-d0ab47d5d7aa.aspx</guid>
      <link>http://www.chameleonnet.co.uk/blog/PermaLink,guid,89ea8dbb-15ba-4e1b-8332-d0ab47d5d7aa.aspx</link>
      <pubDate>Thu, 30 Apr 2009 15:02:33 GMT</pubDate>
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&lt;p class="MsoNormal"&gt;
   &lt;font size="2" face="Verdana"&gt;&lt;b&gt;Conversion Rate: The fundamental KPI of your website&lt;/b&gt;&lt;/font&gt;
&lt;/p&gt;
&lt;p class="MsoNormal"&gt;
   &lt;font size="2" face="Verdana"&gt;&amp;nbsp;&lt;/font&gt;
&lt;/p&gt;
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   &lt;font size="2" face="Verdana"&gt;In an increasingly competitive online environment one
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   &lt;font size="2" face="Verdana"&gt;
   &lt;br&gt;
   &lt;/font&gt;
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   &lt;font size="2" face="Verdana"&gt; &lt;i&gt;E.g. If your site sells CDs, and you get 100 visitors,
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   &lt;br&gt;
   &lt;/font&gt;
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   &lt;font size="2" face="Verdana"&gt;
   &lt;br&gt;
   &lt;/font&gt;
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&lt;p class="MsoNormal"&gt;
   &lt;font size="2" face="Verdana"&gt;What we’re talking about is &lt;b&gt;“how many of your visitors
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&lt;/p&gt;
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   &lt;font size="2" face="Verdana"&gt;&amp;nbsp;&lt;/font&gt;
&lt;/p&gt;
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   &lt;font size="2" face="Verdana"&gt;It’s important to decide on a purpose for each piece
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   efforts should be focused towards making as many people as possible who view that
   piece of collateral fulfill its purpose. Everything has a conversion rate, and not
   only can you measure it, you can give it a pounds and pence value as well.&lt;/font&gt;
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   &lt;font size="2" face="Verdana"&gt;&amp;nbsp;&lt;/font&gt;
&lt;/p&gt;
&lt;p class="MsoNormal"&gt;
   &lt;font size="2" face="Verdana"&gt;In order to increase your conversion rates, you need
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      &lt;!--[if !supportLists]--&gt;&lt;font size="2" face="Verdana"&gt;You are committed to using
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   &lt;/li&gt;
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      &lt;font size="2" face="Verdana"&gt;You accept that a website is never finished and can
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   &lt;/li&gt;
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   &lt;font size="2" face="Verdana"&gt;&amp;nbsp;&lt;/font&gt;
&lt;/p&gt;
&lt;p class="MsoNormal" style=""&gt;
   &lt;font size="2" face="Verdana"&gt;&lt;b&gt;Why should I bother focusing on Conversion Rate?&lt;/b&gt;
   &lt;br&gt;
   &lt;/font&gt;
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&lt;p class="MsoNormal" style=""&gt;
   &lt;font size="2" face="Verdana"&gt;
   &lt;br&gt;
   &lt;/font&gt;
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&lt;p class="MsoNormal" style=""&gt;
   &lt;font size="2" face="Verdana"&gt;Mainly because it allows you to generate more customers
   without any extra advertising spend. You should make the most of the content and visitors
   you already have, rather than spending more or diversifying in order to boost revenue.
   Even if you do this you aren’t improving profitability.&lt;/font&gt;
&lt;/p&gt;
&lt;p class="MsoNormal" style=""&gt;
   &lt;font size="2" face="Verdana"&gt;
   &lt;br&gt;
   &lt;/font&gt;
&lt;/p&gt;
&lt;p class="MsoNormal" style=""&gt;
   &lt;font size="2" face="Verdana"&gt;Increasing conversion rate rather than marketing spend
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   you haven’t spent anything more on advertising, the cost of sales or overheads… you’ve
   just made more revenue from what you already had.&lt;/font&gt;
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&lt;p class="MsoNormal" style=""&gt;
   &lt;font size="2" face="Verdana"&gt;
   &lt;br&gt;
   &lt;/font&gt;
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&lt;p class="MsoNormal" style=""&gt;
   &lt;font size="2" face="Verdana"&gt;The profit generated by increased conversion rate may
   allow you to open up new advertising channels not currently feasible. More channels
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   on search engine traffic alone.&lt;/font&gt;
&lt;/p&gt;
&lt;p class="MsoNormal"&gt;
   &lt;font size="2" face="Verdana"&gt;
   &lt;br&gt;
   &lt;/font&gt;
&lt;/p&gt;
&lt;p class="MsoNormal"&gt;
   &lt;font size="2" face="Verdana"&gt;Selling online is a ‘winner takes all’ environment.
   Customers may spend a long time choosing where to buy, but very small things are going
   to make them choose one site over another – and it’s only the winning site that gets
   the cash. This is known as the ‘slight edge’ and it’s usually got more to do with
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   ‘slight edge’ over your competitors. &lt;/font&gt;
&lt;/p&gt;
&lt;p class="MsoNormal"&gt;
   &lt;font size="2" face="Verdana"&gt;&amp;nbsp;&lt;/font&gt;
&lt;/p&gt;
&lt;p class="MsoNormal"&gt;
   &lt;font size="2" face="Verdana"&gt;&lt;b&gt;How can Chameleon Net help me improve my Conversion
   Rate?&lt;/b&gt;&lt;/font&gt;
&lt;/p&gt;
&lt;p class="MsoNormal"&gt;
   &lt;font size="2" face="Verdana"&gt;&lt;b&gt;
   &lt;br&gt;
   &lt;/b&gt;&lt;/font&gt;
&lt;/p&gt;
&lt;p class="MsoNormal"&gt;
   &lt;font size="2" face="Verdana"&gt;We suggest allowing us to perform a conversion rate
   audit on one of your key customer journeys, from a landing page to completion of the
   desired action. Using your analytics tools and other tracking software we can provide
   a report which will list out where your UI could be improved to make the buying experience
   easier, and also highlight which pages in your customer journey need the most urgent
   attention.&lt;/font&gt;
&lt;/p&gt;
&lt;p class="MsoNormal"&gt;
   &lt;font size="2" face="Verdana"&gt;&amp;nbsp;&lt;/font&gt;
&lt;/p&gt;
&lt;p class="MsoNormal"&gt;
   &lt;font size="2" face="Verdana"&gt;&lt;b&gt;Why Chameleon Net?&lt;/b&gt;&lt;/font&gt;
&lt;/p&gt;
&lt;p class="MsoNormal"&gt;
   &lt;font size="2" face="Verdana"&gt;&lt;b&gt;
   &lt;br&gt;
   &lt;/b&gt;&lt;/font&gt;
&lt;/p&gt;
&lt;p class="MsoNormal"&gt;
   &lt;font size="2" face="Verdana"&gt;Although focusing on conversion rate is a relatively
   new online trend, usability and improving customer experiences have been right at
   the heart of our offering since we were founded 10 years ago as a bridge between high-minded
   website designers and technical back-end systems developers.&lt;/font&gt;
&lt;/p&gt;
&lt;br&gt;
&lt;font size="2" face="Verdana"&gt;Several members of staff are accredited by Google for
the use of Google Analytics, having passed the recently introduced examinations in
the subject, and we have experience of using Google Website Optimiser; a new tool
allowing you to quickly perform split and multivariate tests of new content in order
to determine whether your new content outperforms older material. We've used this
knowledge recently to help a&lt;/font&gt;&lt;font size="2" face="Verdana"&gt; major UK firm in
the tourism sector double the conversion rate of their B2C booking engine.&lt;/font&gt;
&lt;p&gt;
&lt;/p&gt;
&lt;img width="0" height="0" src="http://www.chameleonnet.co.uk/blog/aggbug.ashx?id=89ea8dbb-15ba-4e1b-8332-d0ab47d5d7aa" /&gt;</description>
      <comments>http://www.chameleonnet.co.uk/blog/CommentView,guid,89ea8dbb-15ba-4e1b-8332-d0ab47d5d7aa.aspx</comments>
      <category>Online Marketing;Web Usability</category>
    </item>
    <item>
      <trackback:ping>http://www.chameleonnet.co.uk/blog/Trackback.aspx?guid=fa88dc91-275f-484d-a1e9-d1033f04ab94</trackback:ping>
      <pingback:server>http://www.chameleonnet.co.uk/blog/pingback.aspx</pingback:server>
      <pingback:target>http://www.chameleonnet.co.uk/blog/PermaLink,guid,fa88dc91-275f-484d-a1e9-d1033f04ab94.aspx</pingback:target>
      <dc:creator>surajs@chameleonnet.co.uk (Suraj Shah)</dc:creator>
      <wfw:comment>http://www.chameleonnet.co.uk/blog/CommentView,guid,fa88dc91-275f-484d-a1e9-d1033f04ab94.aspx</wfw:comment>
      <wfw:commentRss>http://www.chameleonnet.co.uk/blog/SyndicationService.asmx/GetEntryCommentsRss?guid=fa88dc91-275f-484d-a1e9-d1033f04ab94</wfw:commentRss>
      <title>International Student Recruitment for HEIs</title>
      <guid>http://www.chameleonnet.co.uk/blog/PermaLink,guid,fa88dc91-275f-484d-a1e9-d1033f04ab94.aspx</guid>
      <link>http://www.chameleonnet.co.uk/blog/PermaLink,guid,fa88dc91-275f-484d-a1e9-d1033f04ab94.aspx</link>
      <pubDate>Mon, 27 Apr 2009 15:23:14 GMT</pubDate>
      <description>&lt;p&gt;
   How to digitally attract, engage with and recruit international students, while mobilising
   your existing students to help with language translation, to overcome cultural barriers
   and give them valuable online marketing work experience.
&lt;/p&gt;
&lt;p&gt;
   There are websites, blogs &amp; social networks such as facebook and twitter, all crying
   out for your prospective students' attention. I'm sure you'll agree that there is
   simply a lot of noise that they are exposed to. For prospective international students,
   that noise online is amplified, as you are competing not just with other UK Higher
   Education Institutions, but also the hundreds of institutions around the world.
&lt;/p&gt;
&lt;p&gt;
   Play this slidecast (7 mins 37 seconds) to get an insight into the 3 stage process
   to run an international Search Engine Optimisation (SEO) campaign at your university
   that spans across 12 to 24 months. The campaign involves forming a team of International
   Student Ambassadors, the creation of an optimised online destination, and digital
   community engagement to attract visitors to your new online destination and raise
   it's profile in search engines.
&lt;/p&gt;
&lt;p&gt;
   The slidecast also touches on a handful of tips to run a successful campaign and gives
   you a glimpse into what's involed in a 3-month international Pay Per Click (PPC) campaign
   if you want more rapid results.
&lt;/p&gt;
&lt;div style="width:425px;text-align:left" id="__ss_1338233"&gt;&lt;a href="http://www.slideshare.net/surajshah/international-student-recruitment-for-heis?type=powerpoint" title="International Student Recruitment for HEIs"&gt;International
   Student Recruitment for HEIs&lt;/a&gt; 
   &lt;center&gt;
      &lt;object style="margin:0px" width="425" height="355"&gt;
         &lt;param name="movie" value="http://static.slidesharecdn.com/swf/ssplayer2.swf?doc=internationalstudentrecruitmentslidecast-090424122250-phpapp01&amp;stripped_title=international-student-recruitment-for-heis" /&gt;
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      &lt;/object&gt;
   &lt;/center&gt;
   &lt;div style="font-size:11px;font-family:tahoma,arial;height:26px;padding-top:2px;"&gt;View
      more presentations from &lt;a style="text-decoration:underline;" href="http://www.slideshare.net/surajshah"&gt;Suraj
      Shah&lt;/a&gt;.
   &lt;/div&gt;
&lt;/div&gt;
&lt;img width="0" height="0" src="http://www.chameleonnet.co.uk/blog/aggbug.ashx?id=fa88dc91-275f-484d-a1e9-d1033f04ab94" /&gt;</description>
      <comments>http://www.chameleonnet.co.uk/blog/CommentView,guid,fa88dc91-275f-484d-a1e9-d1033f04ab94.aspx</comments>
      <category>Higher Education;Online Marketing;PPC;Reputation Management;Social Networking</category>
    </item>
    <item>
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      <dc:creator>richardk@chameleonnet.co.uk (Rich Kirk)</dc:creator>
      <wfw:comment>http://www.chameleonnet.co.uk/blog/CommentView,guid,59ff7eab-fe5f-482e-aaae-f8d0d4032393.aspx</wfw:comment>
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      <body xmlns="http://www.w3.org/1999/xhtml">
        <font size="2" face="Verdana">Like everyone
   in the digital marketing space, here at Chameleon Net we are twitter junkies. Even
   our <a href="http://twitter.com/boardofshame">table football has its own feed</a>!
   The phenomenal growth the service has enjoyed over the last 5 – 6 months means that
   Twitter is the platform switched-on marketers are buzzing about right now. However,
   as with any service growing at an exponential rate, there are problems. <a href="http://www.twitip.com/twitter-bubble/">This
   recent article</a> warning of a “Twitter bubble” summed up some of our fears about
   the service and the industry springing up around it. The challenge Chameleon faces
   is to make Twitter part of the range of e-marketing services we offer to clients,
   in a way that can best guarantee a good ROI for both our clients and ourselves.<br /><br />
   Many of our more forward thinking clients have expressed an interest in developing
   a Twitter account, and as a result this week we launched <a href="http://twitter.com/driversjonas">Drivers
   Jonas on Twitter</a>. DJ is a commercial property consultancy turning over nearly
   £100m per year and employing over 700 staff, yet they remain remarkably agile when
   it comes to marketing their website. We're excited about this project because we feel
   that with the right aims and expectations, a B2B Twitter feed can easily harness all
   the best aspects of Micro-blogging.<br /><br />
   As a B2B company Drivers Jonas is using Twitter to provide the company with a more
   human face than their corporate website can, as well as develop their reputation as
   a ‘thought leader’ within the property industry. We believe that in time, being active
   on Twitter will help Drivers Jonas unearth business leads, connect and interact with
   potential new recruits (especially undergraduates), as well as doing more routine
   things like publicising DJ events. One thing Drivers Jonas recognises is that Twitter
   isn’t a marketplace in which to sell, it’s a watering hole at which they can meet
   their stakeholders; something I believe is vital to good big-business tweeting.<br /><br />
   We’ve also envisaged that in the absence of a DJ blog (which would be time consuming
   and difficult to operate in line with internal compliance procedures) the Twitter
   feed could be used as a rapid response in the case of a major PR event. This flexibility
   is something many B2B companies would love to have; for some blogging is the answer,
   but for marketers at larger companies getting sign-off for a controversial blog post
   is ‘worst nightmare’ territory. Twitter restricts you to 140 characters, and at the
   same time, restricts the barriers to getting a message out into the public domain.<br /><br />
   I hope to blog again with more on this project as it develops, as I think it will
   provide some interesting insights into ‘corporate tweeting’. In the meantime, if your
   company thinks they could benefit from being on Twitter, but want a helping hand building
   a business case and launching an account, get in touch.<br /></font>
        <br />
        <p>
        </p>
        <img width="0" height="0" src="http://www.chameleonnet.co.uk/blog/aggbug.ashx?id=59ff7eab-fe5f-482e-aaae-f8d0d4032393" />
      </body>
      <title>Twitter For B2B Websites</title>
      <guid>http://www.chameleonnet.co.uk/blog/PermaLink,guid,59ff7eab-fe5f-482e-aaae-f8d0d4032393.aspx</guid>
      <link>http://www.chameleonnet.co.uk/blog/PermaLink,guid,59ff7eab-fe5f-482e-aaae-f8d0d4032393.aspx</link>
      <pubDate>Fri, 06 Mar 2009 11:27:39 GMT</pubDate>
      <description>&lt;font size="2" face="Verdana"&gt;Like everyone in the digital marketing space, here at
Chameleon Net we are twitter junkies. Even our &lt;a href="http://twitter.com/boardofshame"&gt;table
football has its own feed&lt;/a&gt;! The phenomenal growth the service has enjoyed over
the last 5 – 6 months means that Twitter is the platform switched-on marketers are
buzzing about right now. However, as with any service growing at an exponential rate,
there are problems. &lt;a href="http://www.twitip.com/twitter-bubble/"&gt;This recent article&lt;/a&gt; warning
of a “Twitter bubble” summed up some of our fears about the service and the industry
springing up around it. The challenge Chameleon faces is to make Twitter part of the
range of e-marketing services we offer to clients, in a way that can best guarantee
a good ROI for both our clients and ourselves.&lt;br&gt;
&lt;br&gt;
Many of our more forward thinking clients have expressed an interest in developing
a Twitter account, and as a result this week we launched &lt;a href="http://twitter.com/driversjonas"&gt;Drivers
Jonas on Twitter&lt;/a&gt;. DJ is a commercial property consultancy turning over nearly
£100m per year and employing over 700 staff, yet they remain remarkably agile when
it comes to marketing their website. We're excited about this project because we feel
that with the right aims and expectations, a B2B Twitter feed can easily harness all
the best aspects of Micro-blogging.&lt;br&gt;
&lt;br&gt;
As a B2B company Drivers Jonas is using Twitter to provide the company with a more
human face than their corporate website can, as well as develop their reputation as
a ‘thought leader’ within the property industry. We believe that in time, being active
on Twitter will help Drivers Jonas unearth business leads, connect and interact with
potential new recruits (especially undergraduates), as well as doing more routine
things like publicising DJ events. One thing Drivers Jonas recognises is that Twitter
isn’t a marketplace in which to sell, it’s a watering hole at which they can meet
their stakeholders; something I believe is vital to good big-business tweeting.&lt;br&gt;
&lt;br&gt;
We’ve also envisaged that in the absence of a DJ blog (which would be time consuming
and difficult to operate in line with internal compliance procedures) the Twitter
feed could be used as a rapid response in the case of a major PR event. This flexibility
is something many B2B companies would love to have; for some blogging is the answer,
but for marketers at larger companies getting sign-off for a controversial blog post
is ‘worst nightmare’ territory. Twitter restricts you to 140 characters, and at the
same time, restricts the barriers to getting a message out into the public domain.&lt;br&gt;
&lt;br&gt;
I hope to blog again with more on this project as it develops, as I think it will
provide some interesting insights into ‘corporate tweeting’. In the meantime, if your
company thinks they could benefit from being on Twitter, but want a helping hand building
a business case and launching an account, get in touch.&lt;br&gt;
&lt;/font&gt;
&lt;br&gt;
&lt;p&gt;
&lt;/p&gt;
&lt;img width="0" height="0" src="http://www.chameleonnet.co.uk/blog/aggbug.ashx?id=59ff7eab-fe5f-482e-aaae-f8d0d4032393" /&gt;</description>
      <comments>http://www.chameleonnet.co.uk/blog/CommentView,guid,59ff7eab-fe5f-482e-aaae-f8d0d4032393.aspx</comments>
      <category>Online Marketing;Reputation Management;Social Networking;Twitter;Web 2.0;What we're up to</category>
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      <dc:creator>surajs@chameleonnet.co.uk (Suraj Shah)</dc:creator>
      <wfw:comment>http://www.chameleonnet.co.uk/blog/CommentView,guid,72d497e5-4773-42c6-92a9-4f197bddbae5.aspx</wfw:comment>
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      <slash:comments>1</slash:comments>
      <title>Seminar on Digital Student Recruitment - an overview</title>
      <guid>http://www.chameleonnet.co.uk/blog/PermaLink,guid,72d497e5-4773-42c6-92a9-4f197bddbae5.aspx</guid>
      <link>http://www.chameleonnet.co.uk/blog/PermaLink,guid,72d497e5-4773-42c6-92a9-4f197bddbae5.aspx</link>
      <pubDate>Wed, 25 Feb 2009 11:36:38 GMT</pubDate>
      <description>&lt;p&gt;
   Chameleon Net held a seminar on Digital Student Recruitment for the higher education
   sector yesterday, Tuesday 24th February 2009.
&lt;/p&gt;
&lt;p&gt;
   Drew Davies, Head of Online Marketing at Chameleon Net spoke about Search Engine Optimisation
   (SEO) strategies for student recruitment.
&lt;/p&gt;
&lt;p&gt;
   Helen Aspell, Head of Digital at the Equality and Human Rights Commission and former
   Head of Digital Marketing at University of Southampton, spoke about User Experience,
   the heart of an engaging digital presence.
&lt;/p&gt;
&lt;p&gt;
   Drew Davies then spoke about Protecting Your Online Brand, where he shared a case
   study of the work Chameleon Net has done with Barnardo's UK on their opinion-polarising
   "Break the Cycle" campaign.
&lt;/p&gt;
&lt;center&gt;
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   &lt;/object&gt;
&lt;/center&gt;
&lt;p&gt;
   The seminar was well-received with feedback such as "Very useful &amp; thought provoking",
   "Excellent - one of the best I've been to", "Impressive venue and tasty danish pastries
   in the break!", "Stimulating &amp; Exciting", "Very well organised &amp; professional", "Engaging
   &amp; felt very current" and "Very interesting, frightening &amp; enlightening!"
&lt;/p&gt;
&lt;p&gt;
   More on Chameleon Net's work in the higher education sector can be found at &lt;a href="http://www.chameleonnet.co.uk/education"&gt;www.chameleonnet.co.uk/education&lt;/a&gt;
&lt;/p&gt;
&lt;img width="0" height="0" src="http://www.chameleonnet.co.uk/blog/aggbug.ashx?id=72d497e5-4773-42c6-92a9-4f197bddbae5" /&gt;</description>
      <comments>http://www.chameleonnet.co.uk/blog/CommentView,guid,72d497e5-4773-42c6-92a9-4f197bddbae5.aspx</comments>
      <category>Events;Higher Education;Online Marketing;Reputation Management;Social Networking;Web 2.0</category>
    </item>
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      <dc:creator>rossm@chameleonnet.co.uk (Ross Miles)</dc:creator>
      <wfw:comment>http://www.chameleonnet.co.uk/blog/CommentView,guid,4af56aae-dcc1-4151-862d-0817bca7475b.aspx</wfw:comment>
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      <slash:comments>1</slash:comments>
      <title>The Rise of Twitter</title>
      <guid>http://www.chameleonnet.co.uk/blog/PermaLink,guid,4af56aae-dcc1-4151-862d-0817bca7475b.aspx</guid>
      <link>http://www.chameleonnet.co.uk/blog/PermaLink,guid,4af56aae-dcc1-4151-862d-0817bca7475b.aspx</link>
      <pubDate>Tue, 17 Feb 2009 15:22:22 GMT</pubDate>
      <description>&lt;p&gt;
   &lt;font face=Tahoma color=#000000&gt;Social Media is a fast-growing and rapidly evolving
   beast, and the latest website to be the darling of the Google Generation is micro-blogging
   site Twitter. The idea is simple, you have 140 characters, including spaces, to answer
   the question- &lt;strong&gt;&lt;em&gt;What are you doing now?&lt;/em&gt;&lt;/strong&gt; This however, as with
   all things Web 2.0, doesn’t tell the full story. Twitter acts as a bulletin board
   as well, where titbits of information, via links, can be shared between users. UK
   Celebrities such as Jonathon Ross, Stephen Fry and John Cleese are all advocates,
   and Barack Obama used it during his election campaign to motivate the masses (he has
   over 144,000 followers). Twitter has seen its popularity grow 10-fold in the UK in
   the past year and traffic rise 750% in the US where it is know a more visited site
   than Digg. As I write this blog post just under 2 million tweets are being submitted
   worldwide every day! &lt;/font&gt;
&lt;/p&gt;
&lt;p&gt;
   &lt;font face=Tahoma color=#000000&gt;&lt;/font&gt; 
&lt;/p&gt;
&lt;p&gt;
   &lt;font color=#000000&gt;&lt;font face=Tahoma&gt;Whilst to ‘outsiders’ it might seem a trivial
   and almost pointless service, only for users with high levels of deluded self-importance,
   but Twitter played notable roles during a several significant events in the past 4
   months. The part Twitter played in providing break-neck speed updates on the Mumbai
   terror attacks in November led Forbes Magazine to write &lt;strong&gt;Mumbai: Twitter’s
   Moment&lt;/strong&gt;. Before News services had broken the event on television Tweeps such
   as &lt;/font&gt;&lt;a href="http://twitter.com/rakesh314"&gt;&lt;font face=Tahoma&gt;@rakesh314 &lt;/font&gt;&lt;/a&gt;&lt;font face=Tahoma&gt;posted &lt;em&gt;“I'm
   hearing news of gun-firing in Mumbai. Can anyone confirm?”&lt;/em&gt;. Updates from people
   involved even led to an internet myth that the terrorists themselves were following
   events on Twitter itself to counter the actions of the forces sent in to stop them. &lt;/font&gt;&lt;/font&gt;
&lt;/p&gt;
&lt;p&gt;
   &lt;font face=Tahoma color=#000000&gt;&lt;/font&gt; 
&lt;/p&gt;
&lt;p&gt;
   &lt;font color=#000000&gt;&lt;font face=Tahoma&gt;The much more recent plane crash into the Hudson
   River was another example of Tweeps providing a rapid reaction. One Twitterer, &lt;/font&gt;&lt;a href="http://twitter.com/jkrums"&gt;&lt;font face=Tahoma&gt;@jkrums&lt;/font&gt;&lt;/a&gt;&lt;font face=Tahoma&gt;,
   took a picture of the half-submerged aircraft with passengers standing on the wing
   from a passing-by ferry which quickly went viral and eventually landed him an interview
   on CNBC. Others tweeted about how they stood watching the drama from their office
   blocks. What was the most notable though was the integrity of the tweet-reporting
   which cited accurate numbers and stories relating to the event as information about
   what had happened disseminated among users. &lt;/font&gt;&lt;/font&gt;
&lt;/p&gt;
&lt;p&gt;
   &lt;font face=Tahoma color=#000000&gt;&lt;/font&gt; 
&lt;/p&gt;
&lt;p&gt;
   &lt;font color=#000000&gt;&lt;font face=Tahoma&gt;As great as all this impartiality and interactivity
   sounds, how can Twitter serve the business community? And that’s exactly the point,
   this notion of impartial interactivity. Twitter provides a transparent window into
   an organisation for the consumer, a portal in which to directly interact. Several
   brands are using it as such a device to. &lt;/font&gt;&lt;a href="http://twitter.com/ScottMonty"&gt;&lt;font face=Tahoma&gt;@ScottMonty &lt;/font&gt;&lt;/a&gt;&lt;font face=Tahoma&gt;is
   the face of car manufacturer, Ford, on Twitter (who have multiple employee accounts)
   and says &lt;em&gt;“It’s part of a larger social media strategy to humanize the Ford brand
   and put consumers in touch with Ford employees”&lt;/em&gt;. Lisa Kim &lt;/font&gt;&lt;a href="http://twitter.com/Americanapparel"&gt;&lt;font face=Tahoma&gt;@AmericanApparel &lt;/font&gt;&lt;/a&gt;&lt;font face=Tahoma&gt;is
   the Website Manager for American Apparel and is another advocate of Twitter as a way
   of increasing customer care, &lt;em&gt;“We saw a tweet from someone who received less than
   stellar customer service at a store in Canada &amp; we got in touch with them to sort
   it out.”&lt;/em&gt; Children’s Charity Barnardo’s used Twitter alongside their blog to engage
   the media storm around their controversial ‘Break the cycle’ ad campaign (managed
   by Chameleon Net) so successfully that Barnardo’s own staff kept abreast of the situation
   by following the charity’s own Twitter feed. Higher Education Institutions are now
   looking at using Twitter as a Personal Learning Network in which students can ask
   questions of their peers and teachers in order to increase feedback and accessibility. &lt;/font&gt;&lt;/font&gt;
&lt;/p&gt;
&lt;p&gt;
   &lt;font face=Tahoma color=#000000&gt;&lt;/font&gt; 
&lt;/p&gt;
&lt;p&gt;
   &lt;font face=Tahoma color=#000000&gt;Twitter is quickly evolving to become fundamental
   in the development of any digital strategy and with its thrust into the UK lime-light
   thanks to varying celebrity endorsements, its popularity is only set to grow. Businesses
   need to educate themselves and start twittering soon or risk being left behind by
   more media-savvy rivals.&lt;/font&gt;
&lt;/p&gt;
&lt;p&gt;
   &lt;font face=Tahoma&gt;&lt;/font&gt; 
&lt;/p&gt;
&lt;p&gt;
   &lt;font face=Tahoma size=1&gt;CREDIT TO:&lt;br&gt;
   &lt;br&gt;
   &lt;/font&gt;&lt;a href="http://www.brandrepublic.com/Revolution/News/875017/Celebs-start-tweeting-Twitters-UK-popularity-rises-10-fold-year/"&gt;&lt;font face=Tahoma size=1&gt;http://www.brandrepublic.com/Revolution/News/875017/Celebs-start-tweeting-Twitters-UK-popularity-rises-10-fold-year/&lt;/font&gt;&lt;/a&gt;
&lt;/p&gt;
&lt;p&gt;
   &lt;a href="http://nielsen-online.com/blog/2009/01/16/tweeting-the-us-airways-flight-1549-plane-crash/"&gt;&lt;font face=Tahoma size=1&gt;http://nielsen-online.com/blog/2009/01/16/tweeting-the-us-airways-flight-1549-plane-crash/&lt;/font&gt;&lt;/a&gt;
&lt;/p&gt;
&lt;p&gt;
   &lt;a href="http://popacular.com/gigatweet/analytics.php"&gt;&lt;font face=Tahoma size=1&gt;http://popacular.com/gigatweet/analytics.php&lt;/font&gt;&lt;/a&gt;
&lt;/p&gt;
&lt;p&gt;
   &lt;a href="http://www.nytimes.com/2008/09/07/magazine/07awareness-t.html"&gt;&lt;font face=Tahoma size=1&gt;http://www.nytimes.com/2008/09/07/magazine/07awareness-t.html&lt;/font&gt;&lt;/a&gt;
&lt;/p&gt;
&lt;p&gt;
   &lt;a href="http://www.bbc.co.uk/blogs/technology/2008/12/twitter_the_mumbai_myths.html"&gt;&lt;font face=Tahoma size=1&gt;http://www.bbc.co.uk/blogs/technology/2008/12/twitter_the_mumbai_myths.html&lt;/font&gt;&lt;/a&gt;
   &lt;br&gt;
&lt;/p&gt;
&lt;img width="0" height="0" src="http://www.chameleonnet.co.uk/blog/aggbug.ashx?id=4af56aae-dcc1-4151-862d-0817bca7475b" /&gt;</description>
      <comments>http://www.chameleonnet.co.uk/blog/CommentView,guid,4af56aae-dcc1-4151-862d-0817bca7475b.aspx</comments>
      <category>Online Marketing;Reputation Management;Social Networking;Twitter;Web 2.0</category>
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      <dc:creator>jeremyd@chameleonnet.com (Jeremy Davis)</dc:creator>
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      <title>Audio Books – Who’s Listening?</title>
      <guid>http://www.chameleonnet.co.uk/blog/PermaLink,guid,4baddf85-4d4e-4623-8aa1-d223fdd69952.aspx</guid>
      <link>http://www.chameleonnet.co.uk/blog/PermaLink,guid,4baddf85-4d4e-4623-8aa1-d223fdd69952.aspx</link>
      <pubDate>Mon, 10 Nov 2008 15:12:18 GMT</pubDate>
      <description>&lt;link rel="File-List" href="file:///C:%5CDOCUME%7E1%5CJEREMY%7E1%5CLOCALS%7E1%5CTemp%5Cmsohtmlclip1%5C01%5Cclip_filelist.xml"&gt;
&lt;link rel="themeData" href="file:///C:%5CDOCUME%7E1%5CJEREMY%7E1%5CLOCALS%7E1%5CTemp%5Cmsohtmlclip1%5C01%5Cclip_themedata.thmx"&gt;
&lt;link rel="colorSchemeMapping" href="file:///C:%5CDOCUME%7E1%5CJEREMY%7E1%5CLOCALS%7E1%5CTemp%5Cmsohtmlclip1%5C01%5Cclip_colorschememapping.xml"&gt;
&lt;!--[if gte mso 9]&gt;&lt;xml&gt;
 &lt;w:WordDocument&gt;
  &lt;w:View&gt;Normal&lt;/w:View&gt;
  &lt;w:Zoom&gt;0&lt;/w:Zoom&gt;
  &lt;w:TrackMoves/&gt;
  &lt;w:TrackFormatting/&gt;
  &lt;w:DoNotShowRevisions/&gt;
  &lt;w:DoNotPrintRevisions/&gt;
  &lt;w:DoNotShowMarkup/&gt;
  &lt;w:DoNotShowComments/&gt;
  &lt;w:DoNotShowInsertionsAndDeletions/&gt;
  &lt;w:DoNotShowPropertyChanges/&gt;
  &lt;w:PunctuationKerning/&gt;
  &lt;w:ValidateAgainstSchemas/&gt;
  &lt;w:SaveIfXMLInvalid&gt;false&lt;/w:SaveIfXMLInvalid&gt;
  &lt;w:IgnoreMixedContent&gt;false&lt;/w:IgnoreMixedContent&gt;
  &lt;w:AlwaysShowPlaceholderText&gt;false&lt;/w:AlwaysShowPlaceholderText&gt;
  &lt;w:DoNotPromoteQF/&gt;
  &lt;w:LidThemeOther&gt;EN-US&lt;/w:LidThemeOther&gt;
  &lt;w:LidThemeAsian&gt;X-NONE&lt;/w:LidThemeAsian&gt;
  &lt;w:LidThemeComplexScript&gt;X-NONE&lt;/w:LidThemeComplexScript&gt;
  &lt;w:Compatibility&gt;
   &lt;w:BreakWrappedTables/&gt;
   &lt;w:SnapToGridInCell/&gt;
   &lt;w:WrapTextWithPunct/&gt;
   &lt;w:UseAsianBreakRules/&gt;
   &lt;w:DontGrowAutofit/&gt;
   &lt;w:SplitPgBreakAndParaMark/&gt;
   &lt;w:DontVertAlignCellWithSp/&gt;
   &lt;w:DontBreakConstrainedForcedTables/&gt;
   &lt;w:DontVertAlignInTxbx/&gt;
   &lt;w:Word11KerningPairs/&gt;
   &lt;w:CachedColBalance/&gt;
  &lt;/w:Compatibility&gt;
  &lt;w:BrowserLevel&gt;MicrosoftInternetExplorer4&lt;/w:BrowserLevel&gt;
  &lt;m:mathPr&gt;
   &lt;m:mathFont m:val="Cambria Math"/&gt;
   &lt;m:brkBin m:val="before"/&gt;
   &lt;m:brkBinSub m:val="&amp;#45;-"/&gt;
   &lt;m:smallFrac m:val="off"/&gt;
   &lt;m:dispDef/&gt;
   &lt;m:lMargin m:val="0"/&gt;
   &lt;m:rMargin m:val="0"/&gt;
   &lt;m:defJc m:val="centerGroup"/&gt;
   &lt;m:wrapIndent m:val="1440"/&gt;
   &lt;m:intLim m:val="subSup"/&gt;
   &lt;m:naryLim m:val="undOvr"/&gt;
  &lt;/m:mathPr&gt;&lt;/w:WordDocument&gt;
&lt;/xml&gt;&lt;![endif]--&gt;
&lt;!--[if gte mso 9]&gt;&lt;xml&gt;
 &lt;w:LatentStyles DefLockedState="false" DefUnhideWhenUsed="true"
  DefSemiHidden="true" DefQFormat="false" DefPriority="99"
  LatentStyleCount="267"&gt;
  &lt;w:LsdException Locked="false" Priority="0" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Normal"/&gt;
  &lt;w:LsdException Locked="false" Priority="9" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="heading 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 7"/&gt;
  &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 8"/&gt;
  &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 9"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="toc 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="toc 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="toc 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="toc 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="toc 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="toc 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="toc 7"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="toc 8"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="toc 9"/&gt;
  &lt;w:LsdException Locked="false" Priority="35" QFormat="true" Name="caption"/&gt;
  &lt;w:LsdException Locked="false" Priority="10" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Title"/&gt;
  &lt;w:LsdException Locked="false" Priority="1" Name="Default Paragraph Font"/&gt;
  &lt;w:LsdException Locked="false" Priority="11" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Subtitle"/&gt;
  &lt;w:LsdException Locked="false" Priority="0" Name="Hyperlink"/&gt;
  &lt;w:LsdException Locked="false" Priority="22" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Strong"/&gt;
  &lt;w:LsdException Locked="false" Priority="20" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Emphasis"/&gt;
  &lt;w:LsdException Locked="false" Priority="59" SemiHidden="false"
   UnhideWhenUsed="false" Name="Table Grid"/&gt;
  &lt;w:LsdException Locked="false" UnhideWhenUsed="false" Name="Placeholder Text"/&gt;
  &lt;w:LsdException Locked="false" Priority="1" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="No Spacing"/&gt;
  &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading"/&gt;
  &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List"/&gt;
  &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid"/&gt;
  &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List"/&gt;
  &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading"/&gt;
  &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List"/&gt;
  &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid"/&gt;
  &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 2 Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1 Accent 1"/&gt;
  &lt;w:LsdException Locked="false" UnhideWhenUsed="false" Name="Revision"/&gt;
  &lt;w:LsdException Locked="false" Priority="34" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="List Paragraph"/&gt;
  &lt;w:LsdException Locked="false" Priority="29" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Quote"/&gt;
  &lt;w:LsdException Locked="false" Priority="30" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Intense Quote"/&gt;
  &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2 Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 2 Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1 Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2 Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 2 Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1 Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2 Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 2 Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1 Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2 Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 2 Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1 Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2 Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 2 Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1 Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2 Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="19" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Subtle Emphasis"/&gt;
  &lt;w:LsdException Locked="false" Priority="21" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Intense Emphasis"/&gt;
  &lt;w:LsdException Locked="false" Priority="31" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Subtle Reference"/&gt;
  &lt;w:LsdException Locked="false" Priority="32" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Intense Reference"/&gt;
  &lt;w:LsdException Locked="false" Priority="33" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Book Title"/&gt;
  &lt;w:LsdException Locked="false" Priority="37" Name="Bibliography"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" QFormat="true" Name="TOC Heading"/&gt;
 &lt;/w:LatentStyles&gt;
&lt;/xml&gt;&lt;![endif]--&gt;&lt;style&gt;
&lt;!--
 /* Font Definitions */
 @font-face
	{font-family:"Cambria Math";
	panose-1:2 4 5 3 5 4 6 3 2 4;
	mso-font-charset:0;
	mso-generic-font-family:roman;
	mso-font-pitch:variable;
	mso-font-signature:-1610611985 1107304683 0 0 159 0;}
@font-face
	{font-family:Verdana;
	panose-1:2 11 6 4 3 5 4 4 2 4;
	mso-font-charset:0;
	mso-generic-font-family:swiss;
	mso-font-pitch:variable;
	mso-font-signature:536871559 0 0 0 415 0;}
@font-face
	{font-family:Times-Bold;
	panose-1:0 0 0 0 0 0 0 0 0 0;
	mso-font-charset:0;
	mso-generic-font-family:auto;
	mso-font-format:other;
	mso-font-pitch:auto;
	mso-font-signature:3 0 0 0 1 0;}
 /* Style Definitions */
 p.MsoNormal, li.MsoNormal, div.MsoNormal
	{mso-style-unhide:no;
	mso-style-qformat:yes;
	mso-style-parent:"";
	margin:0cm;
	margin-bottom:.0001pt;
	line-height:140%;
	mso-pagination:widow-orphan;
	font-size:10.0pt;
	mso-bidi-font-size:12.0pt;
	font-family:"Verdana","sans-serif";
	mso-fareast-font-family:"Times New Roman";
	mso-bidi-font-family:"Times New Roman";
	color:#333333;
	letter-spacing:.2pt;}
a:link, span.MsoHyperlink
	{mso-style-unhide:no;
	mso-ansi-font-size:11.0pt;
	font-family:"Verdana","sans-serif";
	mso-ascii-font-family:Verdana;
	mso-hansi-font-family:Verdana;
	color:#377399;
	text-underline:#2DA5D0;
	text-decoration:underline;
	text-underline:single;}
a:visited, span.MsoHyperlinkFollowed
	{mso-style-noshow:yes;
	mso-style-priority:99;
	color:purple;
	mso-themecolor:followedhyperlink;
	text-decoration:underline;
	text-underline:single;}
.MsoChpDefault
	{mso-style-type:export-only;
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&lt;![endif]--&gt;My
Dimbleby mission continues. Seriously, David, look over your shoulder and you will
see me there…albeit with the need of the Hubble telescope.&lt;br&gt;
&lt;br&gt;
I was invited to be a panel member for The Bookseller’s “&lt;a href="http://www.thebookseller.com/documents/UserContributed/file/Audio%20Programme%20Oct%2022.pdf"&gt;Audio
Revolution 2008&lt;/a&gt;” – a one-day Publishing industry seminar focussing on all things
audio book-related.&lt;br&gt;
&lt;br&gt;
My session was the last of the day and I must say that it showed in some of the faces
but nonetheless Jo Henry chaired an interesting discussion about how audio books could/should
be marketed. 
&lt;br&gt;
&lt;br&gt;
I was representing the web marketing side of things, with Tony Lynch of &lt;a href="http://www.gospoken.com/"&gt;Gospoken&lt;/a&gt; making
an excellent case for the viability of audio books on mobile phones and Madeline Milne
of &lt;a href="http://www.emusic.com/"&gt;e-Music&lt;/a&gt; discussing the success of their subscription-based
download model.&lt;br&gt;
&lt;br&gt;
It was difficult to do justice to this very broad topic in fifty minutes and I was
very surprised at how few questions the panel got from the floor. I think this represented
a general feeling that I got from the afternoon. No one was really talking about marketing
audio books. By which I mean getting them out there and selling them.&lt;br&gt;
&lt;br&gt;
I spent the afternoon thinking that audio books are like this little-known secret
and it surprises me that the industry isn’t shouting about them more. I mean, they
are really great!&lt;br&gt;
&lt;br&gt;
I was speaking to one of our recent recruits at Chameleon Net – young, early twenties,
bright – and, as if it was the most normal thing in the world, he said “I don’t like
reading books, but I really like audio books. I wouldn’t read a book on the train
but I just put on an audio book – it’s great.”&lt;br&gt;
&lt;br&gt;
And there it was…a new market for publishers. So why, I wonder, isn’t the industry
shouting from the rooftops about this amazing format that means people who don’t like
reading can enjoy books? I mean, some people are just mainly auditory – that’s how
they like to learn and that’s how they like to consume information.&lt;br&gt;
&lt;br&gt;
Surely the industry should be running massive campaigns about audio books?! Publishers
should be giving some away as tasters…get people using them! 
&lt;br&gt;
&lt;br&gt;
I think if the publishing industry could unite, get over all the internal issues like
audio book rights, royalties, investment in recordings, etc and just get the message
of audio books out there, the response would be huge! Just get people aware of them,
using them, liking them. There’s a market out there and most of them don’t think about
audio books. And they are not all old women and travelling sales reps.&lt;br&gt;
&lt;br&gt;
So, “quit your whingeing” I hear you cry “and do something to help”. Ok then, I will.
Here are my top ten tips for marketing and selling audio books:&lt;br&gt;
&lt;br&gt;
1.&amp;nbsp;&amp;nbsp; &amp;nbsp;Get all over social networks – they are still the fastest growing
sites in the UK and your target market is using them every day. Sometimes for hours
and often when they should be working. Create groups, use Facebook advertising, run
competitions, give-aways (i.e. free downloads)&lt;br&gt;
&lt;br&gt;
2.&amp;nbsp;&amp;nbsp; &amp;nbsp;Use ePR (or an agency that knows how to use it :)) to target
key influential bloggers and get them blogging about you and your products. Credibility
online is everything and all votes are not created equal. Make powerful friends and
work together.&lt;br&gt;
&lt;br&gt;
3.&amp;nbsp;&amp;nbsp; &amp;nbsp;Get all over search engines. By which I mean Google. They have
nearly 90% of UK searches and 94% of people use it, all of whom are qualified as having
an informational need (otherwise they wouldn’t be searching). Where else would you
want to advertise? Do this by PPC ads and also by optimising for organic search results
(see below).&lt;br&gt;
&lt;br&gt;
4.&amp;nbsp;&amp;nbsp; &amp;nbsp;Optimise for natural search. This gets its own number coz it’s
so important. It’s by far the best ROI when it comes to search engine marketing and
every day that you don’t do it and your competitors do, the lower you will show up
in the searches. In natural SEO, doing nothing just means you keep getting lower.
More of this below….&lt;br&gt;
&lt;br&gt;
5.&amp;nbsp;&amp;nbsp; &amp;nbsp;Use metadata: use target key words to describe your audio files
and make sure they are on optimised pages: page titles, H1 tags, alt tags, copy, etc.
SE’s can’t listen to audio books (yet…I’m not kidding, speech recognition software
is getting better and Google may soon be able to index the spoken word) so give them
lots of thematically-relevant content to help them.&lt;br&gt;
&lt;br&gt;
6.&amp;nbsp;&amp;nbsp; &amp;nbsp;Think Accessibility. Audio books have a perfect market in people
with visual impairments. Make sure your site works for screen readers. If you’re not
sure, get an audit (“from us” is the answer to your next question).&lt;br&gt;
&lt;br&gt;
7.&amp;nbsp;&amp;nbsp; &amp;nbsp;Speaking of sites…get a good one. There’s no point spending time
and money marketing products if your site is rubbish at converting visitors to customers.
You’ll lose sales and damage your brand in the process. Make sure your site makes
buying mind-numbingly easy. Joyful even. People should leave your site happier than
when they arrived. If not, your site is letting you and them down. I mean, nobody
likes to be made to work hard to buy something – it’s just not polite.&lt;br&gt;
&lt;br&gt;
8.&amp;nbsp;&amp;nbsp; &amp;nbsp;Don’t worry about DRM. There are so few audio books out there
that there is not much of a market in illegal copies 9unlike music). It’s about creating
the market at the moment – better to have a million audio books out there with 10
per cent buying them than ten thousand with 100% of them buying. DRM can always be
adopted later.&lt;br&gt;
&lt;br&gt;
9.&amp;nbsp;&amp;nbsp; &amp;nbsp;Create added-value content. Like extras on DVDs…publishers can
offer something more than the retailers…exclusive interviews with the author, an introduction,
an otherwise unpublished epi/prologue, etc. This will really help the ePR and build
buzz.&lt;br&gt;
&lt;br&gt;
10.&amp;nbsp;&amp;nbsp; &amp;nbsp;Sell ‘em direct. Find out what your customers like and talk
to them about it. Don’t let Amazon have all the fun.&lt;br&gt;
&lt;br&gt;
&lt;br&gt;
Of course audio books are part of a seismic shift in the Publishing sector that is
happening in order to adapt to digital content and multiple delivery platforms and
formats. 
&lt;br&gt;
&lt;br&gt;
For an excellent analysis of these changes, I recommend Sara Lloyd’s insightful article
“&lt;a href="http://thedigitalist.net/wp-content/uploads/2008/05/a-book-publishers-manifesto-for-the-21st-century.pdf"&gt;A
book publisher’s manifesto for the 21st century&lt;/a&gt;”. 
&lt;br&gt;
&lt;br&gt;
If you are a publisher and want to know more of our thoughts on this and other Publishing-related
topics, you may want to attend our free seminar: &lt;a href="http://www.chameleonnet.co.uk/Publishers"&gt;Quick
Web Wins for Publishers&lt;/a&gt;, on Tuesday 25th November at London Chamber of Commerce,
EC4. There’ll be exclusive content and an opportunity to ask us questions.&lt;br&gt;
&lt;br&gt;
&lt;p class="MsoNormal" style="margin-left: 3pt;"&gt;
   &lt;span style="" lang="EN-GB"&gt;
   &lt;o:p&gt;&lt;/o:p&gt;
   &lt;/span&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;/p&gt;
&lt;img width="0" height="0" src="http://www.chameleonnet.co.uk/blog/aggbug.ashx?id=4baddf85-4d4e-4623-8aa1-d223fdd69952" /&gt;</description>
      <comments>http://www.chameleonnet.co.uk/blog/CommentView,guid,4baddf85-4d4e-4623-8aa1-d223fdd69952.aspx</comments>
      <category>Facebook;Online Marketing;PPC;Social Networking;Web 2.0</category>
    </item>
    <item>
      <trackback:ping>http://www.chameleonnet.co.uk/blog/Trackback.aspx?guid=61fdc8f8-7db6-420b-880f-562a222f2ade</trackback:ping>
      <pingback:server>http://www.chameleonnet.co.uk/blog/pingback.aspx</pingback:server>
      <pingback:target>http://www.chameleonnet.co.uk/blog/PermaLink,guid,61fdc8f8-7db6-420b-880f-562a222f2ade.aspx</pingback:target>
      <dc:creator>stephen@actualmarketing.co.uk (Steve Thorn)</dc:creator>
      <wfw:comment>http://www.chameleonnet.co.uk/blog/CommentView,guid,61fdc8f8-7db6-420b-880f-562a222f2ade.aspx</wfw:comment>
      <wfw:commentRss>http://www.chameleonnet.co.uk/blog/SyndicationService.asmx/GetEntryCommentsRss?guid=61fdc8f8-7db6-420b-880f-562a222f2ade</wfw:commentRss>
      <title>The President of New Media</title>
      <guid>http://www.chameleonnet.co.uk/blog/PermaLink,guid,61fdc8f8-7db6-420b-880f-562a222f2ade.aspx</guid>
      <link>http://www.chameleonnet.co.uk/blog/PermaLink,guid,61fdc8f8-7db6-420b-880f-562a222f2ade.aspx</link>
      <pubDate>Thu, 23 Oct 2008 11:33:27 GMT</pubDate>
      <description>&lt;p class=MsoNormal style="MARGIN: 0cm 0cm 0pt"&gt;
   &lt;b style="mso-bidi-font-weight: normal"&gt;&lt;span style="FONT-FAMILY: 'Arial','sans-serif'; mso-ansi-language: EN-GB"&gt;&lt;font color=#000000&gt;&lt;font face=Verdana&gt;&lt;?xml:namespace prefix = o ns = "urn:schemas-microsoft-com:office:office" /&gt;The
   President of New Media&lt;o:p&gt;&lt;/o:p&gt;
   &lt;/font&gt;&lt;/font&gt;&lt;/span&gt;&lt;/b&gt;
&lt;/p&gt;
&lt;p class=MsoNormal style="MARGIN: 0cm 0cm 0pt"&gt;
   &lt;span style="FONT-FAMILY: 'Arial','sans-serif'; mso-ansi-language: EN-GB"&gt;
   &lt;o:p&gt;
      &lt;font face=Verdana color=#000000&gt;&amp;nbsp;&lt;/font&gt;
   &lt;/o:p&gt;
   &lt;/span&gt;
&lt;/p&gt;
&lt;p class=MsoNormal style="MARGIN: 0cm 0cm 0pt"&gt;
   &lt;span style="FONT-FAMILY: 'Arial','sans-serif'; mso-ansi-language: EN-GB"&gt;&lt;font color=#000000&gt;&lt;font face=Verdana&gt;Maybe
   it’s my age but for the first time ever I’ve found myself following the developments
   of the US Presidential Elections.&lt;o:p&gt;&lt;/o:p&gt;
   &lt;/font&gt;&lt;/font&gt;&lt;/span&gt;
&lt;/p&gt;
&lt;p class=MsoNormal style="MARGIN: 0cm 0cm 0pt"&gt;
   &lt;span style="FONT-FAMILY: 'Arial','sans-serif'; mso-ansi-language: EN-GB"&gt;
   &lt;o:p&gt;
      &lt;font face=Verdana color=#000000&gt;&amp;nbsp;&lt;/font&gt;
   &lt;/o:p&gt;
   &lt;/span&gt;
&lt;/p&gt;
&lt;p class=MsoNormal style="MARGIN: 0cm 0cm 0pt"&gt;
   &lt;span style="FONT-FAMILY: 'Arial','sans-serif'; mso-ansi-language: EN-GB"&gt;&lt;font color=#000000&gt;&lt;font face=Verdana&gt;With
   just&amp;nbsp;five days to go, the coverage on the BBC has been up to its usual standards,
   but I’ve been intrigued enough by the characters of the main players to have a look
   at their websites and see how they’re using the web to spread their message.&lt;o:p&gt;&lt;/o:p&gt;
   &lt;/font&gt;&lt;/font&gt;&lt;/span&gt;
&lt;/p&gt;
&lt;p class=MsoNormal style="MARGIN: 0cm 0cm 0pt"&gt;
   &lt;span style="FONT-FAMILY: 'Arial','sans-serif'; mso-ansi-language: EN-GB"&gt;
   &lt;o:p&gt;
      &lt;font face=Verdana color=#000000&gt;&amp;nbsp;&lt;/font&gt;
   &lt;/o:p&gt;
   &lt;/span&gt;
&lt;/p&gt;
&lt;p class=MsoNormal style="MARGIN: 0cm 0cm 0pt"&gt;
   &lt;span style="FONT-FAMILY: 'Arial','sans-serif'; mso-ansi-language: EN-GB"&gt;&lt;font face=Verdana color=#000000&gt;Arriving
   at the McCain site, &lt;/font&gt;&lt;a href="http://www.johnmccain.com/"&gt;&lt;font face=Verdana&gt;www.johnmccain.com&lt;/font&gt;&lt;/a&gt;&lt;font color=#000000&gt;&lt;font face=Verdana&gt;,
   I was greeted with a streamed video of the hopeful candidate that opens with the words
   (rather worryingly seeing as he’s also a Republican), “The last eight years haven’t
   worked very well have they?”&lt;o:p&gt;&lt;/o:p&gt;
   &lt;/font&gt;&lt;/font&gt;&lt;/span&gt;
&lt;/p&gt;
&lt;p class=MsoNormal style="MARGIN: 0cm 0cm 0pt"&gt;
   &lt;span style="FONT-FAMILY: 'Arial','sans-serif'; mso-ansi-language: EN-GB"&gt;
   &lt;o:p&gt;
      &lt;font face=Verdana color=#000000&gt;&amp;nbsp;&lt;/font&gt;
   &lt;/o:p&gt;
   &lt;/span&gt;
&lt;/p&gt;
&lt;p class=MsoNormal style="MARGIN: 0cm 0cm 0pt"&gt;
   &lt;span style="FONT-FAMILY: 'Arial','sans-serif'; mso-ansi-language: EN-GB"&gt;&lt;font face=Verdana color=#000000&gt;Unfortunately
   there isn’t a Sarah Palin gallery online (I did search for one, perhaps another indication
   of my advancing years) and I got quickly bored with the site and wandered off into
   the Web to see what else I could find. The most engaging item was the Republicans’
   YouTube video satirising the ‘holiness’ of the Obama campaign (see more at &lt;/font&gt;&lt;a href="http://news.bbc.co.uk/1/hi/technology/"&gt;&lt;font face=Verdana&gt;http://news.bbc.co.uk/1/hi/technology/&lt;/font&gt;&lt;/a&gt;&lt;font color=#000000&gt;&lt;font face=Verdana&gt;)
   being currently embroiled in a row over copyright.&lt;o:p&gt;&lt;/o:p&gt;
   &lt;/font&gt;&lt;/font&gt;&lt;/span&gt;
&lt;/p&gt;
&lt;p class=MsoNormal style="MARGIN: 0cm 0cm 0pt"&gt;
   &lt;span style="FONT-FAMILY: 'Arial','sans-serif'; mso-ansi-language: EN-GB"&gt;
   &lt;o:p&gt;
      &lt;font face=Verdana color=#000000&gt;&amp;nbsp;&lt;/font&gt;
   &lt;/o:p&gt;
   &lt;/span&gt;
&lt;/p&gt;
&lt;p class=MsoNormal style="MARGIN: 0cm 0cm 0pt"&gt;
   &lt;span style="FONT-FAMILY: 'Arial','sans-serif'; mso-ansi-language: EN-GB"&gt;&lt;font face=Verdana color=#000000&gt;Heading
   on over to the Democratic camp, I found &lt;/font&gt;&lt;a href="http://www.barackobama.com"&gt;&lt;font face=Verdana&gt;www.barackobama.com&lt;/font&gt;&lt;/a&gt;&lt;font color=#000000&gt;&lt;font face=Verdana&gt; much
   more new media savvy with lots of exciting, dynamic web content including BarrackTV,
   the RoadBlog, Obama Mobile, the choice of sixteen social network links and a button
   inviting me to ‘Donate Today and receive a free Obama car magnet’!&lt;o:p&gt;&lt;/o:p&gt;
   &lt;/font&gt;&lt;/font&gt;&lt;/span&gt;
&lt;/p&gt;
&lt;p class=MsoNormal style="MARGIN: 0cm 0cm 0pt"&gt;
   &lt;span style="FONT-FAMILY: 'Arial','sans-serif'; mso-ansi-language: EN-GB"&gt;
   &lt;o:p&gt;
      &lt;font face=Verdana color=#000000&gt;&amp;nbsp;&lt;/font&gt;
   &lt;/o:p&gt;
   &lt;/span&gt;
&lt;/p&gt;
&lt;p class=MsoNormal style="MARGIN: 0cm 0cm 0pt"&gt;
   &lt;span style="FONT-FAMILY: 'Arial','sans-serif'; mso-ansi-language: EN-GB"&gt;&lt;font face=Verdana color=#000000&gt;Obama
   has also used new media to target likely pockets of supporters including the Latino
   vote - &lt;/font&gt;&lt;a href="http://www.vivaobama08.com/"&gt;&lt;font face=Verdana&gt;www.vivaobama08.com&lt;/font&gt;&lt;/a&gt;&lt;font color=#000000&gt;&lt;font face=Verdana&gt; features
   perhaps the only Mariachi song to include a mention of healthcare legislation.&lt;o:p&gt;&lt;/o:p&gt;
   &lt;/font&gt;&lt;/font&gt;&lt;/span&gt;
&lt;/p&gt;
&lt;p class=MsoNormal style="MARGIN: 0cm 0cm 0pt"&gt;
   &lt;span style="FONT-FAMILY: 'Arial','sans-serif'; mso-ansi-language: EN-GB"&gt;
   &lt;o:p&gt;
      &lt;font face=Verdana color=#000000&gt;&amp;nbsp;&lt;/font&gt;
   &lt;/o:p&gt;
   &lt;/span&gt;
&lt;/p&gt;
&lt;p class=MsoNormal style="MARGIN: 0cm 0cm 0pt"&gt;
   &lt;span style="FONT-FAMILY: 'Arial','sans-serif'; mso-ansi-language: EN-GB"&gt;&lt;font color=#000000&gt;&lt;font face=Verdana&gt;All
   good multimedia stuff. Not only that, but whatever the outcome Barack will go down
   in history as the first President to use video game advertising to spread the message
   (‘Guitar Hero’ and ‘Burnout Paradise’). This is aimed at a target audience of 18-34
   year olds in 10 key States before the election.&lt;o:p&gt;&lt;/o:p&gt;
   &lt;/font&gt;&lt;/font&gt;&lt;/span&gt;
&lt;/p&gt;
&lt;p class=MsoNormal style="MARGIN: 0cm 0cm 0pt"&gt;
   &lt;span style="FONT-FAMILY: 'Arial','sans-serif'; mso-ansi-language: EN-GB"&gt;
   &lt;o:p&gt;
      &lt;font face=Verdana color=#000000&gt;&amp;nbsp;&lt;/font&gt;
   &lt;/o:p&gt;
   &lt;/span&gt;
&lt;/p&gt;
&lt;p class=MsoNormal style="MARGIN: 0cm 0cm 0pt"&gt;
   &lt;span style="FONT-FAMILY: 'Arial','sans-serif'; mso-ansi-language: EN-GB"&gt;&lt;font face=Verdana color=#000000&gt;And
   finally, a 10-second search on YouTube came up with the song “I’ve got a crush on
   Obama” which has so far received 10 million views. A truly terrible video, only lifted
   by the magnificent lyric halfway through: “You’re into border security, let’s break
   the border ‘tween you and me”.&lt;span style="mso-spacerun: yes"&gt;&amp;nbsp; &lt;/span&gt;Enjoy. &lt;/font&gt;&lt;a href="http://uk.youtube.com/watch?v=wKsoXHYICqU"&gt;&lt;font face=Verdana&gt;http://uk.youtube.com/watch?v=wKsoXHYICqU&lt;/font&gt;&lt;/a&gt;&lt;/span&gt;
&lt;/p&gt;
&lt;img width="0" height="0" src="http://www.chameleonnet.co.uk/blog/aggbug.ashx?id=61fdc8f8-7db6-420b-880f-562a222f2ade" /&gt;</description>
      <comments>http://www.chameleonnet.co.uk/blog/CommentView,guid,61fdc8f8-7db6-420b-880f-562a222f2ade.aspx</comments>
      <category>Online Marketing;Press;Web 2.0;YouTube</category>
    </item>
    <item>
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      <dc:creator>lucie@actualmarketing.co.uk (Lucie Bickerdike)</dc:creator>
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      <body xmlns="http://www.w3.org/1999/xhtml">
        <p>
      Like Suraj, I’ve been thinking a lot about online PR recently. 
   </p>
        <p>
      Public Relations traditionally holds a reputation management role, making sure its
      organisation is kept in the public eye, regarded positively and protected from the
      damage caused by public criticism. Crucially, the internet offers companies the opportunity
      to engage with their target audiences in new and exciting, more productive ways –
      but it also gives consumers a platform from which to vent about poor experiences,
      and negative reports can spread like wildfire. I need say no more than ‘Dell Hell’.
   </p>
        <p>
      This topic was touched upon by one of the speakers at a CIPR conference I attended
      this week, and the Q&amp;A session was indicative of how wary much of the PR industry
      still is on the subject of online PR. One exec said that her company had so far omitted
      any online activity from their communications strategies, but that they had realised
      they really should get involved. However, her particular organisation was subject
      to a certain amount of public criticism. Her question was this: if we begin communicating
      with our audience online, will we be opening ourselves up to more criticism and will
      we in fact be focusing people on the negative story?
   </p>
        <p>
      Of course, the answer was this. People are talking about you online, positively or
      negatively, anyway – would you rather stick your head in the sand and let the conversation
      go on without you, or engage in it and take some control of the messages being circulated?
   </p>
        <p>
      I think an important point to make about PR is that it’s not always just about the
      protection and management of company reputation. Yes, a company’s reputation is arguably
      its most valuable asset – after all, consumers listen to each other and if they’re
      all slagging you off you’re unlikely to make enough money to survive. But PR can also
      be used to communicate with customers on a more equal level, where you’re not trying
      to impose your own interpretation of their needs upon them, but really listening to
      them and building their feedback into your product or service.
   </p>
        <p>
      The internet offers some exciting possibilities for companies wanting to place customer
      requirements at the centre of their business. If you do it right, you can get valuable
      feedback from your target audience that would cost you thousands in focus groups and
      surveys. Perhaps this is the most valuable PR opportunity presented by new media at
      the moment.
   </p>
        <p>
      The fact remains that organisations can no longer hide from the fact that the web
      now has the power to make or break them. The ‘blogosphere’ should be ignored at their
      peril.
   </p>
        <img width="0" height="0" src="http://www.chameleonnet.co.uk/blog/aggbug.ashx?id=6697ba06-b8e4-49ad-8f2c-34151810f17e" />
      </body>
      <title>The Blogosphere: Friend and Foe</title>
      <guid>http://www.chameleonnet.co.uk/blog/PermaLink,guid,6697ba06-b8e4-49ad-8f2c-34151810f17e.aspx</guid>
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      <pubDate>Tue, 14 Oct 2008 10:57:30 GMT</pubDate>
      <description>&lt;p&gt;
   Like Suraj, I’ve been thinking a lot about online PR recently. 
&lt;/p&gt;
&lt;p&gt;
   Public Relations traditionally holds a reputation management role, making sure its
   organisation is kept in the public eye, regarded positively and protected from the
   damage caused by public criticism. Crucially, the internet offers companies the opportunity
   to engage with their target audiences in new and exciting, more productive ways –
   but it also gives consumers a platform from which to vent about poor experiences,
   and negative reports can spread like wildfire. I need say no more than ‘Dell Hell’.
&lt;/p&gt;
&lt;p&gt;
   This topic was touched upon by one of the speakers at a CIPR conference I attended
   this week, and the Q&amp;amp;A session was indicative of how wary much of the PR industry
   still is on the subject of online PR. One exec said that her company had so far omitted
   any online activity from their communications strategies, but that they had realised
   they really should get involved. However, her particular organisation was subject
   to a certain amount of public criticism. Her question was this: if we begin communicating
   with our audience online, will we be opening ourselves up to more criticism and will
   we in fact be focusing people on the negative story?
&lt;/p&gt;
&lt;p&gt;
   Of course, the answer was this. People are talking about you online, positively or
   negatively, anyway – would you rather stick your head in the sand and let the conversation
   go on without you, or engage in it and take some control of the messages being circulated?
&lt;/p&gt;
&lt;p&gt;
   I think an important point to make about PR is that it’s not always just about the
   protection and management of company reputation. Yes, a company’s reputation is arguably
   its most valuable asset – after all, consumers listen to each other and if they’re
   all slagging you off you’re unlikely to make enough money to survive. But PR can also
   be used to communicate with customers on a more equal level, where you’re not trying
   to impose your own interpretation of their needs upon them, but really listening to
   them and building their feedback into your product or service.
&lt;/p&gt;
&lt;p&gt;
   The internet offers some exciting possibilities for companies wanting to place customer
   requirements at the centre of their business. If you do it right, you can get valuable
   feedback from your target audience that would cost you thousands in focus groups and
   surveys. Perhaps this is the most valuable PR opportunity presented by new media at
   the moment.
&lt;/p&gt;
&lt;p&gt;
   The fact remains that organisations can no longer hide from the fact that the web
   now has the power to make or break them. The ‘blogosphere’ should be ignored at their
   peril.
&lt;/p&gt;
&lt;img width="0" height="0" src="http://www.chameleonnet.co.uk/blog/aggbug.ashx?id=6697ba06-b8e4-49ad-8f2c-34151810f17e" /&gt;</description>
      <comments>http://www.chameleonnet.co.uk/blog/CommentView,guid,6697ba06-b8e4-49ad-8f2c-34151810f17e.aspx</comments>
      <category>Blog News;Online Marketing;Social Networking;Web 2.0;Reputation Management</category>
    </item>
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      <dc:creator>jeremyd@chameleonnet.com (Jeremy Davis)</dc:creator>
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      <body xmlns="http://www.w3.org/1999/xhtml">In my ongoing mission to become the David
   Dimbleby of the Web Industry (and beyond?) I recently spent an afternoon chairing
   a “Question Time” style event for movers and shakers in the UK publishing industry:
   “Digitise or Die” was the inaugural annual event run by <a href="http://www.thebookseller.com/">The
   Bookseller</a>, the leading trade publication for the book industry, with the sole
   intention of focusing on the issues facing the book business in the digital age. And
   issues there are. 
   <br /><br />
   Pretty much ever since Gutenberg invented the printing press in 1440, the only way
   you and I could get our hands on a book would be if a Publisher printed it (the only
   way to create multiple copies on anything like a large scale) and a bookseller sold
   it to us. Simple. Oh yes, and of course and author needs to write it. 
   <br /><br />
   So, publishers find authors, groom them, coach them and generally hone their talent
   so as to (hopefully) create not only a great piece of writing but also a rampant commercial
   success. Of course the publishers would have to kiss a few frogs but hey, sometimes
   when you get your prince he turns out to be a darned good catch (JK Rowling, Terry
   Pratchett, Dan Brown anyone?) 
   <br /><br />
   So, that model’s clear: Publisher finds the creative talent, publishes the work, markets
   it, sells it to retailers and then you and I buy it. Hang on a minute…that sounds
   familiar…creative talent…publisher…seller…consumer…Ah yes I’ve got it! It’s the music
   business! 
   <br /><br />
   And that is essentially the problem facing the book business – how to not do what
   the music business did. In the digital age the roles are unclear: anyone can be an
   author (just add talent), publish a book, mass produce it, reach an audience (if it’s
   any good) and distribute it worldwide, absolutely free. 
   <br /><br />
   Perhaps books are just content, and the web is very good at distributing that for
   free. So who’s going to pay for it? Yes, the book business is probably going through
   its biggest change in over 500 years, when Gutenburg, quill in hand, said to himself
   “there MUST be an easier way of doing this!”. Anyway, back to my Dimbleby impersonation....<br /><br />
   With research done and cue cards in hand, off I went. There were several speakers
   in the morning and then my session was in the afternoon. Tension was in the air…what
   does the future hold? speakers included Jason Hanley from Google (who are digitising
   content at a rate of knots) and he aptly demonstrated the speed at which the internet,
   in only 15 years, has been able to reach an audience of 1.5billion – way faster than
   the decades it took TV or radio to reach anything like those numbers. Yes, the internet
   is REALLY good at delivering content.<br /><br />
   All in all the event was developing a fairly dramatic atmosphere and like any drama
   there had to be a bad guy. And there was. Enter, stage left, <a href="http://andrewkeen.typepad.com/">Andrew
   Keen</a>, self proclaimed “Anti-Christ of Silicon Valley” and both irreverently funny
   and deadly serious all at the same time. And his message? That book publishing is
   finished as a business, either for the publishers or the authors. Content has gone
   digital and digital content (as the music business is finding out to its cost) is
   largely free on the web. 
   <br /><br />
   As a popular author himself he should know – most of his money, he says, comes from
   live appearances (c.f. Madonna, Rolling Stones?), not book sales. Although a word
   of qualification here: as far as I know Andrew has one popular book to his name and
   that’s hardly a career. Most creative artists would expect to have to produce a substantial
   body of popular work before they can think about retiring…but I digress. And so to
   the afternoon session.... 
   <br /><br />
   In front of an audience of book industry bods I chair an interesting discussion that
   ranges from the role of the author to the role of the high street bookseller. My fellow
   panellists included <a href="http://andrewkeen.typepad.com/">Andrew Keen</a>, Kieron
   Smith (MD of <a href="http://www.bookrabbit.com">BookRabbit.com</a>) and <a href="http://www.fusionview.co.uk/yang-may-ooi/">Yang
   May Ooi</a>, who introduced interesting ideas about how the nature of storytelling
   has changed with the digital age – maybe the book is a format from another time. 
   <br /><br />
   Our session was then followed by an excellent presentation by our very own Drew Davies
   who gave the audience a whistlestop tour of effective SEO techniques. 
   <br /><br />
   One thing was very plain throughout the day: Change is afoot. There is fear. There
   is excitement, anxiety, confusion and (as in all times of change) opportunity. My
   sense is that there will indeed be winners and losers in the publishing sector over
   the next few years and the landscape may look very different. 
   <br /><br />
   When the dust settles we will see who grasped the opportunities for delivering high
   quality digital products in a way that consumers want. Content is here to stay and
   if it’s good enough I think people will pay for it too. The challenge that faces the
   book business (and the music business) I think is how to position itself so that it
   adds value, not just the mechanism for distributing content. Value is always attractive....<br /><br />
   Next question…ah yes…the man at the back with the yellow tie…yes you, sir! <img width="0" height="0" src="http://www.chameleonnet.co.uk/blog/aggbug.ashx?id=c2dabe97-4ea7-4df3-9cb0-ee0acb7ade2c" /></body>
      <title>Digitise or Die (or “Much Ado About Digital”)</title>
      <guid>http://www.chameleonnet.co.uk/blog/PermaLink,guid,c2dabe97-4ea7-4df3-9cb0-ee0acb7ade2c.aspx</guid>
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      <pubDate>Mon, 11 Aug 2008 15:12:00 GMT</pubDate>
      <description>In my ongoing mission to become the David Dimbleby of the Web Industry (and beyond?) I recently spent an afternoon chairing a “Question Time” style event for movers and shakers in the UK publishing industry: “Digitise or Die” was the inaugural annual event run by &lt;a href="http://www.thebookseller.com/"&gt;The
Bookseller&lt;/a&gt;, the leading trade publication for the book industry, with the sole
intention of focusing on the issues facing the book business in the digital age. And
issues there are. 
&lt;br&gt;
&lt;br&gt;
Pretty much ever since Gutenberg invented the printing press in 1440, the only way
you and I could get our hands on a book would be if a Publisher printed it (the only
way to create multiple copies on anything like a large scale) and a bookseller sold
it to us. Simple. Oh yes, and of course and author needs to write it. 
&lt;br&gt;
&lt;br&gt;
So, publishers find authors, groom them, coach them and generally hone their talent
so as to (hopefully) create not only a great piece of writing but also a rampant commercial
success. Of course the publishers would have to kiss a few frogs but hey, sometimes
when you get your prince he turns out to be a darned good catch (JK Rowling, Terry
Pratchett, Dan Brown anyone?) 
&lt;br&gt;
&lt;br&gt;
So, that model’s clear: Publisher finds the creative talent, publishes the work, markets
it, sells it to retailers and then you and I buy it. Hang on a minute…that sounds
familiar…creative talent…publisher…seller…consumer…Ah yes I’ve got it! It’s the music
business! 
&lt;br&gt;
&lt;br&gt;
And that is essentially the problem facing the book business – how to not do what
the music business did. In the digital age the roles are unclear: anyone can be an
author (just add talent), publish a book, mass produce it, reach an audience (if it’s
any good) and distribute it worldwide, absolutely free. 
&lt;br&gt;
&lt;br&gt;
Perhaps books are just content, and the web is very good at distributing that for
free. So who’s going to pay for it? Yes, the book business is probably going through
its biggest change in over 500 years, when Gutenburg, quill in hand, said to himself
“there MUST be an easier way of doing this!”. Anyway, back to my Dimbleby impersonation....&lt;br&gt;
&lt;br&gt;
With research done and cue cards in hand, off I went. There were several speakers
in the morning and then my session was in the afternoon. Tension was in the air…what
does the future hold? speakers included Jason Hanley from Google (who are digitising
content at a rate of knots) and he aptly demonstrated the speed at which the internet,
in only 15 years, has been able to reach an audience of 1.5billion – way faster than
the decades it took TV or radio to reach anything like those numbers. Yes, the internet
is REALLY good at delivering content.&lt;br&gt;
&lt;br&gt;
All in all the event was developing a fairly dramatic atmosphere and like any drama
there had to be a bad guy. And there was. Enter, stage left, &lt;a href="http://andrewkeen.typepad.com/"&gt;Andrew
Keen&lt;/a&gt;, self proclaimed “Anti-Christ of Silicon Valley” and both irreverently funny
and deadly serious all at the same time. And his message? That book publishing is
finished as a business, either for the publishers or the authors. Content has gone
digital and digital content (as the music business is finding out to its cost) is
largely free on the web. 
&lt;br&gt;
&lt;br&gt;
As a popular author himself he should know – most of his money, he says, comes from
live appearances (c.f. Madonna, Rolling Stones?), not book sales. Although a word
of qualification here: as far as I know Andrew has one popular book to his name and
that’s hardly a career. Most creative artists would expect to have to produce a substantial
body of popular work before they can think about retiring…but I digress. And so to
the afternoon session.... 
&lt;br&gt;
&lt;br&gt;
In front of an audience of book industry bods I chair an interesting discussion that
ranges from the role of the author to the role of the high street bookseller. My fellow
panellists included &lt;a href="http://andrewkeen.typepad.com/"&gt;Andrew Keen&lt;/a&gt;, Kieron
Smith (MD of &lt;a href="http://www.bookrabbit.com"&gt;BookRabbit.com&lt;/a&gt;) and &lt;a href="http://www.fusionview.co.uk/yang-may-ooi/"&gt;Yang
May Ooi&lt;/a&gt;, who introduced interesting ideas about how the nature of storytelling
has changed with the digital age – maybe the book is a format from another time. 
&lt;br&gt;
&lt;br&gt;
Our session was then followed by an excellent presentation by our very own Drew Davies
who gave the audience a whistlestop tour of effective SEO techniques. 
&lt;br&gt;
&lt;br&gt;
One thing was very plain throughout the day: Change is afoot. There is fear. There
is excitement, anxiety, confusion and (as in all times of change) opportunity. My
sense is that there will indeed be winners and losers in the publishing sector over
the next few years and the landscape may look very different. 
&lt;br&gt;
&lt;br&gt;
When the dust settles we will see who grasped the opportunities for delivering high
quality digital products in a way that consumers want. Content is here to stay and
if it’s good enough I think people will pay for it too. The challenge that faces the
book business (and the music business) I think is how to position itself so that it
adds value, not just the mechanism for distributing content. Value is always attractive....&lt;br&gt;
&lt;br&gt;
Next question…ah yes…the man at the back with the yellow tie…yes you, sir! &lt;img width="0" height="0" src="http://www.chameleonnet.co.uk/blog/aggbug.ashx?id=c2dabe97-4ea7-4df3-9cb0-ee0acb7ade2c" /&gt;</description>
      <comments>http://www.chameleonnet.co.uk/blog/CommentView,guid,c2dabe97-4ea7-4df3-9cb0-ee0acb7ade2c.aspx</comments>
      <category>Blog News;Events;Online Marketing;Press;Social Networking;UGC;Web 2.0;What we're up to</category>
    </item>
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      <dc:creator>surajs@chameleonnet.co.uk (Suraj Shah)</dc:creator>
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      <slash:comments>1</slash:comments>
      <body xmlns="http://www.w3.org/1999/xhtml">When you offer a service or sell a product,
   either people are talking about you, or no-one is. If they’re talking about your brand,
   it may be positive or it may be negative. If no-one’s talking about you, perhaps they
   should be. 
   <br /><br />
   There are many examples where a brand’s reputation has been massively damaged, simply
   because a negative mention of a brand snowballed and was not spotted in time. 
   <br /><br />
   One such example is when a blogger from America bought a computer from the large computer
   manufacturer Dell in 2005 and paid for a four year home service support plan. Soon
   after, when the machine needed seeing to, Dell told him to return the computer, which
   left him without the machine for 10 days. When he wrote a short blog post about the
   poor service, it generated over 200 comments within a few days. This then resulted
   in 10 follow up posts and over 2500 comments that sparked so much opinion that it
   led to the phrase “Dell Hell” becoming a household term. Imagine is this post had
   been spotted in time – perhaps the massive damage that the brand received could have
   been limited. 
   <br /><br />
   Following an internal training session on Brand Identity Tracking run by our Head
   of Online Marketing, Drew Davies, I thought I’d write and share a few notes about
   how to discover what people are saying about a particular brand, how that can be tracked
   over time, and how the information can be used to improve brand identity. 
   <br /><h4>Why Do Companies Choose To Track Their Brands? 
   </h4>
   Companies generally want their brand tracked for predominantly one of four reasons:<br /><ol><li>
         New product / service: The company is launching a new product in the marketplace and
         wants to see the attention the brand will be getting online over time.<br /><br /></li><li>
         Bad reviews: A brand has been getting bad reviews on the web, and the company would
         like to see the extent of that damage done to the brand.<br /><br /></li><li>
         Good reviews: The brand is already receiving positive reviews on the web, and the
         company would like to see what is being said and use it to create more products and
         engage with the happy consumers.<br /><br /></li><li>
         No reviews: The brand has been around for a while, but the company feels that nobody’s
         talking about it, and so that company wants to see where their competitors are being
         talked about and work out how to enter those forums. 
         <br /></li></ol><h4>How To Benchmark Your Online Reputation
   </h4>
   We use a three step process here at Chameleon Net to benchmark the online reputation
   of our clients’ brands: 
   <br /><br />
   Step #1: GATHER – scouting the web for mentions of specific keywords relating to the
   brand in question, and recording how positive or negative the conversations are about
   the brand. Keywords here would include variations of the brand name, categories, and
   competitor brand names where appropriate. 
   <br /><br />
   Step #2: ANALYSE – working out what the comments mean according to pre-defined metrics,
   and benchmarking this information over time and against competitors. 
   <br /><br />
   Step #3: ENGAGE – making amends where there are grievances about the brand, and reinforcing
   positive comments about the brand on behalf of the client. 
   <br /><h4>Tracking Your Online Brand Identity – For Free! 
   </h4>
   There are already a number of free tools that companies can use to find out what people
   are saying about their brand online. Tools offered by Google include:<br /><ul><li>
         Google Search: visit <a href="http://www.google.co.uk">http://www.google.co.uk</a>,
         type in the name of the brand into the search box, and see a list of the websites
         that mention your brand. 
         <br /><br /></li><li>
         Google Blog Search: visit <a href="http://blogsearch.google.com">http://blogsearch.google.com</a>,
         type in the name of the brand in the search box, and see a list of the blogs that
         mention your brand, along with the date of when it was mentioned. 
         <br /><br /></li><li>
         Google Alerts: visit <a href="http://www.google.com/alerts">http://www.google.com/alerts</a> and
         sign up for alerts that will notify you by email about the latest web and news pages
         that mention your brand. </li></ul><h4>Limitations of using these free tools for tracking your online brand identity 
      <br /></h4><p>
      If you have a good internal team who have plenty of time on their hands, information
      on conversations about the brand can be gathered fairly simply using the free tools
      listed above. 
      <br /></p><p>
      However, although the tools are good for finding the raw data, that’s where it stops.
      The next step is to analyse the gathered data with metrics to make sense of it, which
      requires a natural human touch. 
      <br /></p><p>
      Recently we tracked the brand identity of one of our clients in the not-for-profit
      sector who wanted to see how they are perceived online. We benchmarked our findings
      over time, and against similar charities in the sector. 
      <br /></p><h4>Engaging: handling negative comments 
      <br /></h4><p>
      So what happens if you discover negatives comments about your brand? What can you
      do to recover from an online reputation crisis?
   </p><p>
      The article at <a href="http://www.marketingpilgrim.com/2008/01/five-steps-for-recovering-from-an-online-reputation-crisis.html">http://www.marketingpilgrim.com/2008/01/five-steps-for-recovering-from-an-online-reputation-crisis.html</a> suggests
      the following steps: 
      <br /></p><ol><li>
         Respond from the top 
      </li><li>
         Admit your mistakes and apologise 
      </li><li>
         Host the conversation 
      </li><li>
         Seek resolution 
      </li><li>
         Turn detractors into evangelists 
         <br /></li></ol><p>
      To recover from even the severest of mistakes, base your crisis communication on sincerity,
      transparency, and consistency. 
      <br /></p><h4>Engaging: encouraging more positive comments 
      <br /></h4><p>
      Suppose you find positive mentions of your brand at the websites and blogs that you
      find, how do you leverage that? 
      <br /></p><p>
      Simply go to those websites and say “thank you” in the comments section. Then suggest
      other innovative ways that your product or service can be used. 
      <br /></p><h4>Engaging: starting a conversation 
      <br /></h4><p>
      Sometimes, you’ll look around the web and find that no-one’s talking about your brand.
      What can you do there to create positive exposure? 
      <br /></p><p>
      Well first highlight where you want to be mentioned, and then build an innovative
      ePR campaign to get more people talking about your brand. 
      <br /></p><p>
      Chameleon Net ran an <a href="http://chameleonnet.co.uk/news_item.aspx?id=47">ePR
      campaign</a> to launch ‘The Survival Kit’ – a cookware kit developed in a collaboration
      between Jamie Oliver and Tefal. <a href="http://chameleonnet.co.uk/contact.aspx">Get
      in touch with us</a> to request our ePR case studies. 
      <br /></p><h4>Is ‘Online Reputation Management’ ethical? 
      <br /></h4><p>
      Some may refer to this process as controlling their message, while others may look
      upon it as ‘gaming the system’. What do you think? Is online reputation management
      ethical? 
   </p><img width="0" height="0" src="http://www.chameleonnet.co.uk/blog/aggbug.ashx?id=b089116c-2713-4c5e-be4f-83cefccab16d" /></body>
      <title>How To Manage Your Online Reputation</title>
      <guid>http://www.chameleonnet.co.uk/blog/PermaLink,guid,b089116c-2713-4c5e-be4f-83cefccab16d.aspx</guid>
      <link>http://www.chameleonnet.co.uk/blog/PermaLink,guid,b089116c-2713-4c5e-be4f-83cefccab16d.aspx</link>
      <pubDate>Tue, 05 Aug 2008 16:29:44 GMT</pubDate>
      <description>When you offer a service or sell a product, either people are talking about you, or no-one is. If they’re talking about your brand, it may be positive or it may be negative. If no-one’s talking about you, perhaps they should be. &lt;br&gt;
&lt;br&gt;
There are many examples where a brand’s reputation has been massively damaged, simply
because a negative mention of a brand snowballed and was not spotted in time. 
&lt;br&gt;
&lt;br&gt;
One such example is when a blogger from America bought a computer from the large computer
manufacturer Dell in 2005 and paid for a four year home service support plan. Soon
after, when the machine needed seeing to, Dell told him to return the computer, which
left him without the machine for 10 days. When he wrote a short blog post about the
poor service, it generated over 200 comments within a few days. This then resulted
in 10 follow up posts and over 2500 comments that sparked so much opinion that it
led to the phrase “Dell Hell” becoming a household term. Imagine is this post had
been spotted in time – perhaps the massive damage that the brand received could have
been limited. 
&lt;br&gt;
&lt;br&gt;
Following an internal training session on Brand Identity Tracking run by our Head
of Online Marketing, Drew Davies, I thought I’d write and share a few notes about
how to discover what people are saying about a particular brand, how that can be tracked
over time, and how the information can be used to improve brand identity. 
&lt;br&gt;
&lt;h4&gt;Why Do Companies Choose To Track Their Brands? 
&lt;/h4&gt;
Companies generally want their brand tracked for predominantly one of four reasons:&lt;br&gt;
&lt;ol&gt;
   &lt;li&gt;
      New product / service: The company is launching a new product in the marketplace and
      wants to see the attention the brand will be getting online over time.&lt;br&gt;
      &lt;br&gt;
   &lt;li&gt;
      Bad reviews: A brand has been getting bad reviews on the web, and the company would
      like to see the extent of that damage done to the brand.&lt;br&gt;
      &lt;br&gt;
   &lt;li&gt;
      Good reviews: The brand is already receiving positive reviews on the web, and the
      company would like to see what is being said and use it to create more products and
      engage with the happy consumers.&lt;br&gt;
      &lt;br&gt;
   &lt;li&gt;
      No reviews: The brand has been around for a while, but the company feels that nobody’s
      talking about it, and so that company wants to see where their competitors are being
      talked about and work out how to enter those forums. 
      &lt;br&gt;
   &lt;/li&gt;
&lt;/ol&gt;
&lt;h4&gt;How To Benchmark Your Online Reputation
&lt;/h4&gt;
We use a three step process here at Chameleon Net to benchmark the online reputation
of our clients’ brands: 
&lt;br&gt;
&lt;br&gt;
Step #1: GATHER – scouting the web for mentions of specific keywords relating to the
brand in question, and recording how positive or negative the conversations are about
the brand. Keywords here would include variations of the brand name, categories, and
competitor brand names where appropriate. 
&lt;br&gt;
&lt;br&gt;
Step #2: ANALYSE – working out what the comments mean according to pre-defined metrics,
and benchmarking this information over time and against competitors. 
&lt;br&gt;
&lt;br&gt;
Step #3: ENGAGE – making amends where there are grievances about the brand, and reinforcing
positive comments about the brand on behalf of the client. 
&lt;br&gt;
&lt;h4&gt;Tracking Your Online Brand Identity – For Free! 
&lt;/h4&gt;
There are already a number of free tools that companies can use to find out what people
are saying about their brand online. Tools offered by Google include:&lt;br&gt;
&lt;ul&gt;
   &lt;li&gt;
      Google Search: visit &lt;a href="http://www.google.co.uk"&gt;http://www.google.co.uk&lt;/a&gt;,
      type in the name of the brand into the search box, and see a list of the websites
      that mention your brand. 
      &lt;br&gt;
      &lt;br&gt;
   &lt;li&gt;
      Google Blog Search: visit &lt;a href="http://blogsearch.google.com"&gt;http://blogsearch.google.com&lt;/a&gt;,
      type in the name of the brand in the search box, and see a list of the blogs that
      mention your brand, along with the date of when it was mentioned. 
      &lt;br&gt;
      &lt;br&gt;
   &lt;li&gt;
      Google Alerts: visit &lt;a href="http://www.google.com/alerts"&gt;http://www.google.com/alerts&lt;/a&gt; and
      sign up for alerts that will notify you by email about the latest web and news pages
      that mention your brand.&amp;nbsp;&lt;/li&gt;
&lt;/ul&gt;
&lt;h4&gt;Limitations of using these free tools for tracking your online brand identity 
   &lt;br&gt;
&lt;/h4&gt;
&lt;p&gt;
   If you have a good internal team who have plenty of time on their hands, information
   on conversations about the brand can be gathered fairly simply using the free tools
   listed above. 
   &lt;br&gt;
&lt;/p&gt;
&lt;p&gt;
   However, although the tools are good for finding the raw data, that’s where it stops.
   The next step is to analyse the gathered data with metrics to make sense of it, which
   requires a natural human touch. 
   &lt;br&gt;
&lt;/p&gt;
&lt;p&gt;
   Recently we tracked the brand identity of one of our clients in the not-for-profit
   sector who wanted to see how they are perceived online. We benchmarked our findings
   over time, and against similar charities in the sector. 
   &lt;br&gt;
&lt;/p&gt;
&lt;h4&gt;Engaging: handling negative comments 
   &lt;br&gt;
&lt;/h4&gt;
&lt;p&gt;
   So what happens if you discover negatives comments about your brand? What can you
   do to recover from an online reputation crisis?
&lt;/p&gt;
&lt;p&gt;
   The article at &lt;a href="http://www.marketingpilgrim.com/2008/01/five-steps-for-recovering-from-an-online-reputation-crisis.html"&gt;http://www.marketingpilgrim.com/2008/01/five-steps-for-recovering-from-an-online-reputation-crisis.html&lt;/a&gt; suggests
   the following steps: 
   &lt;br&gt;
&lt;/p&gt;
&lt;ol&gt;
   &lt;li&gt;
      Respond from the top 
   &lt;li&gt;
      Admit your mistakes and apologise 
   &lt;li&gt;
      Host the conversation 
   &lt;li&gt;
      Seek resolution 
   &lt;li&gt;
      Turn detractors into evangelists 
      &lt;br&gt;
   &lt;/li&gt;
&lt;/ol&gt;
&lt;p&gt;
   To recover from even the severest of mistakes, base your crisis communication on sincerity,
   transparency, and consistency. 
   &lt;br&gt;
&lt;/p&gt;
&lt;h4&gt;Engaging: encouraging more positive comments 
   &lt;br&gt;
&lt;/h4&gt;
&lt;p&gt;
   Suppose you find positive mentions of your brand at the websites and blogs that you
   find, how do you leverage that? 
   &lt;br&gt;
&lt;/p&gt;
&lt;p&gt;
   Simply go to those websites and say “thank you” in the comments section. Then suggest
   other innovative ways that your product or service can be used. 
   &lt;br&gt;
&lt;/p&gt;
&lt;h4&gt;Engaging: starting a conversation 
   &lt;br&gt;
&lt;/h4&gt;
&lt;p&gt;
   Sometimes, you’ll look around the web and find that no-one’s talking about your brand.
   What can you do there to create positive exposure? 
   &lt;br&gt;
&lt;/p&gt;
&lt;p&gt;
   Well first highlight where you want to be mentioned, and then build an innovative
   ePR campaign to get more people talking about your brand. 
   &lt;br&gt;
&lt;/p&gt;
&lt;p&gt;
   Chameleon Net ran an &lt;a href="http://chameleonnet.co.uk/news_item.aspx?id=47"&gt;ePR
   campaign&lt;/a&gt; to launch ‘The Survival Kit’ – a cookware kit developed in a collaboration
   between Jamie Oliver and Tefal. &lt;a href="http://chameleonnet.co.uk/contact.aspx"&gt;Get
   in touch with us&lt;/a&gt; to request our ePR case studies. 
   &lt;br&gt;
&lt;/p&gt;
&lt;h4&gt;Is ‘Online Reputation Management’ ethical? 
   &lt;br&gt;
&lt;/h4&gt;
&lt;p&gt;
   Some may refer to this process as controlling their message, while others may look
   upon it as ‘gaming the system’. What do you think? Is online reputation management
   ethical? 
&lt;/p&gt;
&lt;img width="0" height="0" src="http://www.chameleonnet.co.uk/blog/aggbug.ashx?id=b089116c-2713-4c5e-be4f-83cefccab16d" /&gt;</description>
      <comments>http://www.chameleonnet.co.uk/blog/CommentView,guid,b089116c-2713-4c5e-be4f-83cefccab16d.aspx</comments>
      <category>Online Marketing;UGC;Web 2.0</category>
    </item>
    <item>
      <trackback:ping>http://www.chameleonnet.co.uk/blog/Trackback.aspx?guid=93531aff-5f7c-4f76-b863-e6b94fa2df91</trackback:ping>
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      <dc:creator>daryli@chameleonnet.com (Daryl Irvine)</dc:creator>
      <wfw:comment>http://www.chameleonnet.co.uk/blog/CommentView,guid,93531aff-5f7c-4f76-b863-e6b94fa2df91.aspx</wfw:comment>
      <wfw:commentRss>http://www.chameleonnet.co.uk/blog/SyndicationService.asmx/GetEntryCommentsRss?guid=93531aff-5f7c-4f76-b863-e6b94fa2df91</wfw:commentRss>
      <body xmlns="http://www.w3.org/1999/xhtml">
        <p>
      This month we have re-launched our very own Chameleon Net website with a brand new
      look. When I came on board as Creative Director at the beginning of 2006 one of my
      first tasks was to undertake a re-working of the 'then' current branding. Far from
      throwing away everything that had come before and creating something completely new
      I wanted to capitalise on everything we had already achieved as a company, and the
      recognition we already had within the new media sector. I saw it more as an 'evolution
      of the brand' and in approaching the recent re-design of our website I really wanted
      to stay focused on the principle of evolving our online proposition rather than going
      back to the drawing board.
   </p>
        <p>
      Our development team have spent a lot of time creating a flexible, scalable .NET and
      XML based solution that is robust and easily maintainable. Likewise we have invested
      many man hours, creating relevant copy to achieve a very search engine friendly, accessible
      site. So the design brief was quite simple; Bring the website in line with the current
      branding and communicate our design abilities without effecting any of the underlying
      code or foundation work already undertaken.
   </p>
        <p>
      Interestingly enough this scenario is not uncommon among many of our clients. There
      are of course occasions when their current solution is too old to cost effectively
      salvage technology, but many of our projects have involved existing systems or required
      collaboration with an in-house IT team to effectively re-skin their offering. With
      contemporary standards based development techniques like CSS ( custom style sheets
      ) we can 'skin' just about any system. 
   </p>
        <p>
      So back to the new Chameleon Net offering. We have added a dynamic Content Managed
      Flash Banner to our homepage and in the long term we will be re-tasking this space
      with multiple promotional panels featuring video, animation and motion graphic work
      from the design team. We have further utilised flash, and specifically siFr,
      to convert structural headings ( H2, H3 etc.. ) into our brand font on the fly, 
      whilst retaining an accessible, standards compliant layout for users without the plugin.
   </p>
        <p>
      I hope you like the new look Chameleon site as much as we do, and if you have any
      comments or ideas I would love to hear from you.
   </p>
        <img width="0" height="0" src="http://www.chameleonnet.co.uk/blog/aggbug.ashx?id=93531aff-5f7c-4f76-b863-e6b94fa2df91" />
      </body>
      <title>Chameleon Net Site Evolves.</title>
      <guid>http://www.chameleonnet.co.uk/blog/PermaLink,guid,93531aff-5f7c-4f76-b863-e6b94fa2df91.aspx</guid>
      <link>http://www.chameleonnet.co.uk/blog/PermaLink,guid,93531aff-5f7c-4f76-b863-e6b94fa2df91.aspx</link>
      <pubDate>Wed, 23 Apr 2008 16:01:21 GMT</pubDate>
      <description>&lt;p&gt;
   This month we have re-launched our very own Chameleon Net website with a brand new
   look. When I came on board as Creative Director at the beginning of 2006 one of my
   first tasks was to undertake a re-working of the 'then' current branding. Far from
   throwing away everything that had come before and creating something completely new
   I wanted to capitalise on everything we had already achieved as a company, and the
   recognition we already had within the new media sector. I saw it more as an 'evolution
   of the brand' and in approaching the recent re-design of our website I really wanted
   to stay focused on the principle of evolving our online proposition rather than going
   back to the drawing board.
&lt;/p&gt;
&lt;p&gt;
   Our development team have spent a lot of time creating a flexible, scalable .NET and
   XML based solution that is robust and easily maintainable. Likewise we have invested
   many man hours, creating relevant copy to achieve a very search engine friendly, accessible
   site. So the design brief was quite simple; Bring the website in line with the current
   branding and communicate our design abilities without effecting any of the underlying
   code or foundation work already undertaken.
&lt;/p&gt;
&lt;p&gt;
   Interestingly enough this scenario is not uncommon among many of our clients. There
   are of course occasions when their current solution is too old to cost effectively
   salvage technology, but many of our projects have involved existing systems or required
   collaboration with an in-house IT team to effectively re-skin their offering. With
   contemporary standards based development techniques like CSS ( custom style sheets
   ) we can 'skin' just about any system. 
&lt;/p&gt;
&lt;p&gt;
   So back to the new Chameleon Net offering. We have added a dynamic Content Managed
   Flash Banner to our homepage and in the long term we will be re-tasking this space
   with multiple promotional panels featuring video, animation and motion graphic work
   from the design team. We have&amp;nbsp;further utilised flash, and specifically siFr,
   to convert structural headings ( H2, H3 etc.. ) into our brand font on the fly,&amp;nbsp;
   whilst retaining an accessible, standards compliant layout for users without the plugin.
&lt;/p&gt;
&lt;p&gt;
   I hope you like the new look Chameleon site as much as we do, and if you have any
   comments or ideas I would love to hear from you.
&lt;/p&gt;
&lt;img width="0" height="0" src="http://www.chameleonnet.co.uk/blog/aggbug.ashx?id=93531aff-5f7c-4f76-b863-e6b94fa2df91" /&gt;</description>
      <comments>http://www.chameleonnet.co.uk/blog/CommentView,guid,93531aff-5f7c-4f76-b863-e6b94fa2df91.aspx</comments>
      <category>Blog News;Online Marketing;Press;What we're up to</category>
    </item>
    <item>
      <trackback:ping>http://www.chameleonnet.co.uk/blog/Trackback.aspx?guid=4e86782f-ad57-48b7-bd52-73183cabaad7</trackback:ping>
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      <dc:creator>donnaa@chameleonnet.com (Donna Adams)</dc:creator>
      <wfw:comment>http://www.chameleonnet.co.uk/blog/CommentView,guid,4e86782f-ad57-48b7-bd52-73183cabaad7.aspx</wfw:comment>
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      <slash:comments>1</slash:comments>
      <body xmlns="http://www.w3.org/1999/xhtml">
        <p>
      We are currently running a free offer!
   </p>
        <p>
      If you are running a paid search campaign on Google Adwords then you might be interested
      in our <a href="http://www.chameleonnet.co.uk/ppcaudit.aspx">FREE PPC audit</a>.
   </p>
        <p>
      The audit will include bespoke advice on your Google account structure, the quality
      score and tips on how to make the most of your paid search spend.
   </p>
        <p>
      Take a look at the <a href="http://www.chameleonnet.co.uk/ppcaudit.aspx">audit page </a>for
      more information.
   </p>
        <p>
      Also if you're new to Google sign up for some free adwords vouchers <a href="http://services.google.com/marketing/links/adwords-vouchertrial">here</a>.
   </p>
        <p>
       
   </p>
        <p>
       
   </p>
        <img width="0" height="0" src="http://www.chameleonnet.co.uk/blog/aggbug.ashx?id=4e86782f-ad57-48b7-bd52-73183cabaad7" />
      </body>
      <title>Free PPC Audit</title>
      <guid>http://www.chameleonnet.co.uk/blog/PermaLink,guid,4e86782f-ad57-48b7-bd52-73183cabaad7.aspx</guid>
      <link>http://www.chameleonnet.co.uk/blog/PermaLink,guid,4e86782f-ad57-48b7-bd52-73183cabaad7.aspx</link>
      <pubDate>Wed, 23 Apr 2008 14:25:51 GMT</pubDate>
      <description>&lt;p&gt;
   We are currently running a free offer!
&lt;/p&gt;
&lt;p&gt;
   If you are running a paid search campaign on Google Adwords then you might be interested
   in our &lt;a href="http://www.chameleonnet.co.uk/ppcaudit.aspx"&gt;FREE PPC audit&lt;/a&gt;.
&lt;/p&gt;
&lt;p&gt;
   The audit will include bespoke advice on your Google account structure, the quality
   score and tips on how to make the most of your paid search spend.
&lt;/p&gt;
&lt;p&gt;
   Take a look at the &lt;a href="http://www.chameleonnet.co.uk/ppcaudit.aspx"&gt;audit page &lt;/a&gt;for
   more information.
&lt;/p&gt;
&lt;p&gt;
   Also if you're new to Google sign up for some free adwords vouchers &lt;a href="http://services.google.com/marketing/links/adwords-vouchertrial"&gt;here&lt;/a&gt;.
&lt;/p&gt;
&lt;p&gt;
   &amp;nbsp;
&lt;/p&gt;
&lt;p&gt;
   &amp;nbsp;
&lt;/p&gt;
&lt;img width="0" height="0" src="http://www.chameleonnet.co.uk/blog/aggbug.ashx?id=4e86782f-ad57-48b7-bd52-73183cabaad7" /&gt;</description>
      <comments>http://www.chameleonnet.co.uk/blog/CommentView,guid,4e86782f-ad57-48b7-bd52-73183cabaad7.aspx</comments>
      <category>Online Marketing;PPC</category>
    </item>
    <item>
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      <pingback:server>http://www.chameleonnet.co.uk/blog/pingback.aspx</pingback:server>
      <pingback:target>http://www.chameleonnet.co.uk/blog/PermaLink,guid,ed62a6f2-9c84-4ceb-9ec0-c839f408e2e4.aspx</pingback:target>
      <dc:creator>kelm@chameleonnet.com (Kel Miah)</dc:creator>
      <wfw:comment>http://www.chameleonnet.co.uk/blog/CommentView,guid,ed62a6f2-9c84-4ceb-9ec0-c839f408e2e4.aspx</wfw:comment>
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      <slash:comments>2</slash:comments>
      <title>Email Marketing - A Misconception?</title>
      <guid>http://www.chameleonnet.co.uk/blog/PermaLink,guid,ed62a6f2-9c84-4ceb-9ec0-c839f408e2e4.aspx</guid>
      <link>http://www.chameleonnet.co.uk/blog/PermaLink,guid,ed62a6f2-9c84-4ceb-9ec0-c839f408e2e4.aspx</link>
      <pubDate>Fri, 28 Mar 2008 12:10:05 GMT</pubDate>
      <description>


&lt;p class="MsoNormal"&gt;
   &lt;font color="#000000"&gt;&lt;span lang="EN-US"&gt;It is a misconception that email marketing
   is solely deployed to promote a company and/or its products to random people.&lt;/span&gt;&lt;/font&gt;
&lt;/p&gt;
&lt;p class="MsoNormal"&gt;
   &lt;font color="#000000"&gt;&lt;span lang="EN-US"&gt;Email marketing can be used for:-&lt;/span&gt;&lt;/font&gt;
&lt;/p&gt;
&lt;ul&gt;
   &lt;li&gt;
      &lt;!--[if !supportLists]--&gt;&lt;font color="#000000"&gt;&lt;span style="" lang="EN-US"&gt;&lt;span style=""&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;; font-style: normal; font-variant: normal; font-weight: normal; font-size: 7pt; line-height: normal; font-size-adjust: none; font-stretch: normal;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span lang="EN-US"&gt;Welcoming
      people&lt;/span&gt;&lt;/font&gt;
      &lt;!--[endif]--&gt;
   &lt;/li&gt;
   &lt;li&gt;
      &lt;!--[if !supportLists]--&gt;&lt;font color="#000000"&gt;&lt;span style="" lang="EN-US"&gt;&lt;span style=""&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;; font-style: normal; font-variant: normal; font-weight: normal; font-size: 7pt; line-height: normal; font-size-adjust: none; font-stretch: normal;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span lang="EN-US"&gt;Gathering
      more user information &lt;/span&gt;&lt;/font&gt;
      &lt;!--[endif]--&gt;
   &lt;/li&gt;
   &lt;li&gt;
      &lt;!--[if !supportLists]--&gt;&lt;font color="#000000"&gt;&lt;span style="" lang="EN-US"&gt;&lt;span style=""&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;; font-style: normal; font-variant: normal; font-weight: normal; font-size: 7pt; line-height: normal; font-size-adjust: none; font-stretch: normal;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span lang="EN-US"&gt;Engage
      with past/present/future customers&lt;/span&gt;&lt;/font&gt;
      &lt;!--[endif]--&gt;
   &lt;/li&gt;
   &lt;li&gt;
      &lt;!--[if !supportLists]--&gt;&lt;font color="#000000"&gt;&lt;span style="" lang="EN-US"&gt;&lt;span style=""&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;; font-style: normal; font-variant: normal; font-weight: normal; font-size: 7pt; line-height: normal; font-size-adjust: none; font-stretch: normal;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span lang="EN-US"&gt;Cross
      and up sell&lt;/span&gt;&lt;/font&gt;
      &lt;!--[endif]--&gt;
   &lt;/li&gt;
   &lt;li&gt;
      &lt;!--[if !supportLists]--&gt;&lt;font color="#000000"&gt;&lt;span style="" lang="EN-US"&gt;&lt;span style=""&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;; font-style: normal; font-variant: normal; font-weight: normal; font-size: 7pt; line-height: normal; font-size-adjust: none; font-stretch: normal;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span lang="EN-US"&gt;Maintaining
      customer loyalty&lt;/span&gt;&lt;/font&gt;
      &lt;!--[endif]--&gt;
   &lt;/li&gt;
   &lt;li&gt;
      &lt;font color="#000000"&gt;&lt;span style="" lang="EN-US"&gt;&lt;span style=""&gt;&lt;span style="font-family: &amp;quot;Times New Roman&amp;quot;; font-style: normal; font-variant: normal; font-weight: normal; font-size: 7pt; line-height: normal; font-size-adjust: none; font-stretch: normal;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span lang="EN-US"&gt;Asking
      customers to refer their friends and family to a service or product&lt;/span&gt;&lt;/font&gt;
   &lt;/li&gt;
&lt;/ul&gt;
&lt;p class="MsoNormal" style="margin-left: 0.5in; text-indent: -0.25in;"&gt;
   &lt;!--[if !supportLists]--&gt;
   &lt;!--[endif]--&gt;
&lt;/p&gt;
&lt;p class="MsoNormal"&gt;
   &lt;font color="#000000"&gt;&lt;span lang="EN-US"&gt;
   &lt;o:p&gt;&lt;/o:p&gt;
   As an example I recently purchased a printer online from a well known company, part
   of the transaction involved me giving my email address. A few months later I got an
   email from this company asking me if I would be interested in purchasing ink cartridges
   for my new printer, they enclosed details of their latest offer on ink cartridges.
   They had obviously done their research because a few days after receiving the email
   my printer indicated it was low on ink! So I found the email they sent, followed the
   links and purchased a new set of ink cartridges as well as some more paper.&lt;/span&gt;&lt;/font&gt;
&lt;/p&gt;
&lt;p class="MsoNormal"&gt;
   &lt;font color="#000000"&gt;&lt;span lang="EN-US"&gt;
   &lt;o:p&gt;&lt;/o:p&gt;
   This example demonstrates how the company engaged with me, gathered information about
   how frequently I require new ink, cross and up sell a relative product and ensured
   I did not defect to a competitor when purchasing my ink cartridges.&lt;/span&gt;&lt;/font&gt;
&lt;/p&gt;
&lt;p class="MsoNormal"&gt;
   &lt;font color="#000000"&gt;&lt;span lang="EN-US"&gt;
   &lt;o:p&gt;&lt;/o:p&gt;
   Email newsletters and email updates are also valuable methods of retaining customer
   loyalty and brand awareness. Newsletters and updates can be sent, daily, weekly, monthly,
   or a frequency defined by the user. These newsletters and updates are also a useful
   tool t remain engaged with a user even once they have completed a transaction with
   a brand. &lt;/span&gt;&lt;/font&gt;
&lt;/p&gt;
&lt;p class="MsoNormal"&gt;
   &lt;font color="#000000"&gt;&lt;span lang="EN-US"&gt;
   &lt;o:p&gt;&lt;/o:p&gt;
   Another form of email marketing, known as “Triggered Email Marketing” is what one
   of our clients has implemented on their e-commerce platform. The basic idea is, when
   a customer wishes to purchase a product which is out of stock they can click a link
   called “Alert me when back in stock”, so that when the product is back in stock the
   user will receive an email alerting them about it with a direct link to complete the
   purchase. John Lewis also have this feature enabled on their website they have dubbed
   it the “£4 million button” because this feature has generated £4 million pounds worth
   of sales since its implementation.&lt;/span&gt;&lt;/font&gt;
&lt;/p&gt;
&lt;p class="MsoNormal"&gt;
   &lt;font color="#000000"&gt;&lt;span lang="EN-US"&gt;
   &lt;o:p&gt;&lt;/o:p&gt;
   Email marketing does not have to be about random people receiving random sales emails.
   Email marketing can be very personalized and tailored to individuals, no longer is
   email marketing a “one size fits all” method of direct marketing it is much more 1
   to 1. Also, to generate sales an email does not necessarily have to directly promote
   products or services. &lt;/span&gt;&lt;/font&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;/p&gt;
&lt;img width="0" height="0" src="http://www.chameleonnet.co.uk/blog/aggbug.ashx?id=ed62a6f2-9c84-4ceb-9ec0-c839f408e2e4" /&gt;</description>
      <comments>http://www.chameleonnet.co.uk/blog/CommentView,guid,ed62a6f2-9c84-4ceb-9ec0-c839f408e2e4.aspx</comments>
      <category>Online Marketing</category>
    </item>
    <item>
      <trackback:ping>http://www.chameleonnet.co.uk/blog/Trackback.aspx?guid=81c329d9-bb9e-4a7f-8af5-1c84180c7e6a</trackback:ping>
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      <dc:creator>donnaa@chameleonnet.com (Donna Adams)</dc:creator>
      <wfw:comment>http://www.chameleonnet.co.uk/blog/CommentView,guid,81c329d9-bb9e-4a7f-8af5-1c84180c7e6a.aspx</wfw:comment>
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      <title>Chameleon Stands Out....On Facebook!</title>
      <guid>http://www.chameleonnet.co.uk/blog/PermaLink,guid,81c329d9-bb9e-4a7f-8af5-1c84180c7e6a.aspx</guid>
      <link>http://www.chameleonnet.co.uk/blog/PermaLink,guid,81c329d9-bb9e-4a7f-8af5-1c84180c7e6a.aspx</link>
      <pubDate>Tue, 26 Feb 2008 12:02:47 GMT</pubDate>
      <description>&lt;p class=MsoNormal style="MARGIN: 0cm 0cm 0pt"&gt;
   &lt;span lang=EN-GB style="mso-ansi-language: EN-GB"&gt;&lt;font color=#000000&gt;&lt;font face=Arial&gt;&lt;?xml:namespace prefix = st1 ns = "urn:schemas-microsoft-com:office:smarttags" /&gt;Having
   just got back from my round the world, (well, 
   &lt;st1:country-region w:st="on"&gt;Vietnam&lt;/st1:country-region&gt;
   and 
   &lt;st1:country-region w:st="on"&gt;
      &lt;st1:place w:st="on"&gt;Cambodia&lt;/st1:place&gt;
   &lt;/st1:country-region&gt;&lt;?xml:namespace prefix = o ns = "urn:schemas-microsoft-com:office:office" /&gt;
   ) charity travels. I arrived back at work and like any good employee, headed straight
   for Facebook. 
   &lt;o:p&gt;&lt;/o:p&gt;
   &lt;/font&gt;&lt;/font&gt;&lt;/span&gt;
&lt;/p&gt;
&lt;p class=MsoNormal style="MARGIN: 0cm 0cm 0pt"&gt;
   &lt;span lang=EN-GB style="mso-ansi-language: EN-GB"&gt;
   &lt;o:p&gt;
      &lt;font face=Arial color=#000000&gt;&amp;nbsp;&lt;/font&gt;
   &lt;/o:p&gt;
   &lt;/span&gt;
&lt;/p&gt;
&lt;p class=MsoNormal style="MARGIN: 0cm 0cm 0pt"&gt;
   &lt;span lang=EN-GB style="mso-ansi-language: EN-GB"&gt;&lt;font color=#000000&gt;&lt;font face=Arial&gt;I
   am really excited about Facebook this year (especially now I’ve posted the &lt;a href="http://www.daysechain.com/video-blogs.html"&gt;video
   blogs&lt;/a&gt; from my trip.) 
   &lt;o:p&gt;&lt;/o:p&gt;
   &lt;/font&gt;&lt;/font&gt;&lt;/span&gt;
&lt;/p&gt;
&lt;p class=MsoNormal style="MARGIN: 0cm 0cm 0pt"&gt;
   &lt;span lang=EN-GB style="mso-ansi-language: EN-GB"&gt;
   &lt;o:p&gt;
      &lt;font face=Arial color=#000000&gt;&amp;nbsp;&lt;/font&gt;
   &lt;/o:p&gt;
   &lt;/span&gt;
&lt;/p&gt;
&lt;p class=MsoNormal style="MARGIN: 0cm 0cm 0pt"&gt;
   &lt;span lang=EN-GB style="mso-ansi-language: EN-GB"&gt;&lt;font color=#000000&gt;&lt;font face=Arial&gt;Actually
   it’s the advertising on Facebook that’s really caught my eye.&lt;/font&gt;&lt;/font&gt;&lt;/span&gt;
&lt;/p&gt;
&lt;p class=MsoNormal style="MARGIN: 0cm 0cm 0pt"&gt;
   &lt;span lang=EN-GB style="mso-ansi-language: EN-GB"&gt;&lt;font color=#000000&gt;&lt;font face=Arial&gt;&lt;/font&gt;&lt;/font&gt;&lt;/span&gt;&amp;nbsp;
&lt;/p&gt;
&lt;p class=MsoNormal style="MARGIN: 0cm 0cm 0pt"&gt;
   &lt;span lang=EN-GB style="mso-ansi-language: EN-GB"&gt;&lt;font color=#000000&gt;&lt;font face=Arial&gt;I’ve
   been checking out Facebook’s advertising interface and the list of targeting parameters
   is endless, gender, location, relationship status, political views, workplaces and
   stated interests to name but a few!&amp;nbsp; &lt;/font&gt;&lt;/font&gt;&lt;/span&gt;&lt;span lang=EN-GB style="mso-ansi-language: EN-GB"&gt;&lt;font color=#000000&gt;&lt;font face=Arial&gt;And,
   for each parameter you add, a calculation is made on how may people you will be targeting.
   The whole process is quick, simple and so very attractive to the eyes of an online
   marketer.&lt;span style="mso-spacerun: yes"&gt;&amp;nbsp; &lt;/span&gt;– You can even choose your
   favoured pricing model (CPM / CPC.)&lt;o:p&gt;&lt;/o:p&gt;
   &lt;/font&gt;&lt;/font&gt;&lt;/span&gt;
&lt;/p&gt;
&lt;p class=MsoNormal style="MARGIN: 0cm 0cm 0pt"&gt;
   &lt;span lang=EN-GB style="mso-ansi-language: EN-GB"&gt;
   &lt;o:p&gt;
      &lt;font face=Arial color=#000000&gt;&amp;nbsp;&lt;/font&gt;
   &lt;/o:p&gt;
   &lt;/span&gt;
&lt;/p&gt;
&lt;p class=MsoNormal style="MARGIN: 0cm 0cm 0pt"&gt;
   &lt;span lang=EN-GB style="mso-ansi-language: EN-GB"&gt;&lt;font color=#000000&gt;&lt;font face=Arial&gt;Seen
   as Facebook advertising is still relatively new I predict that costs will be low and
   conversion rates will be good. Mix that with the fact that campaigns are highly targeted
   and you’ll be bound to see some great ROI.&lt;o:p&gt;&lt;/o:p&gt;
   &lt;/font&gt;&lt;/font&gt;&lt;/span&gt;
&lt;/p&gt;
&lt;p class=MsoNormal style="MARGIN: 0cm 0cm 0pt"&gt;
   &lt;span lang=EN-GB style="mso-ansi-language: EN-GB"&gt;
   &lt;o:p&gt;
      &lt;font face=Arial color=#000000&gt;&amp;nbsp;&lt;/font&gt;
   &lt;/o:p&gt;
   &lt;/span&gt;
&lt;/p&gt;
&lt;p class=MsoNormal style="MARGIN: 0cm 0cm 0pt"&gt;
   &lt;span lang=EN-GB style="mso-ansi-language: EN-GB"&gt;&lt;font color=#000000&gt;&lt;font face=Arial&gt;In
   order to jump on the Facebook advertising bandwagon you’ll need a Facebook Page. I
   have just set &lt;a href="http://www.facebook.com/pages/Chameleon-Net-Web-Solutions-Agency/8930124045?ref=ts"&gt;Chameleon
   Net up with our very own page – Take a look.&lt;o:p&gt;&lt;/o:p&gt;
   &lt;/a&gt;&lt;/font&gt;&lt;/font&gt;&lt;/span&gt;
&lt;/p&gt;
&lt;p class=MsoNormal style="MARGIN: 0cm 0cm 0pt"&gt;
   &lt;span lang=EN-GB style="mso-ansi-language: EN-GB"&gt;
   &lt;o:p&gt;
      &lt;font face=Arial color=#000000&gt;&amp;nbsp;&lt;/font&gt;
   &lt;/o:p&gt;
   &lt;/span&gt;
&lt;/p&gt;
&lt;p class=MsoNormal style="MARGIN: 0cm 0cm 0pt"&gt;
   &lt;span lang=EN-GB style="mso-ansi-language: EN-GB"&gt;&lt;font color=#000000&gt;&lt;font face=Arial&gt;It’s
   important to remember not to just use the page as a stepping stone to allow you access
   to the advertising features.&lt;span style="mso-spacerun: yes"&gt;&amp;nbsp; &lt;/span&gt;A page must
   be managed and kept up to date.&lt;span style="mso-spacerun: yes"&gt;&amp;nbsp; &lt;/span&gt;Once
   you have your page Facebook users can become fans of your company, service or product.
   The Page then acts as a great way to interact with, and contact your customers and
   also spread the word amongst their friends. 
   &lt;o:p&gt;&lt;/o:p&gt;
   &lt;/font&gt;&lt;/font&gt;&lt;/span&gt;
&lt;/p&gt;
&lt;p class=MsoNormal style="MARGIN: 0cm 0cm 0pt"&gt;
   &lt;span lang=EN-GB style="mso-ansi-language: EN-GB"&gt;
   &lt;o:p&gt;
      &lt;font face=Arial color=#000000&gt;&amp;nbsp;&lt;/font&gt;
   &lt;/o:p&gt;
   &lt;/span&gt;
&lt;/p&gt;
&lt;p class=MsoNormal style="MARGIN: 0cm 0cm 0pt"&gt;
   &lt;span lang=EN-GB style="mso-ansi-language: EN-GB"&gt;&lt;font color=#000000&gt;&lt;font face=Arial&gt;As
   with a Facebook profile, Facebook pages also have many features such as adding RSS
   feeds, linking del.ici.ous accounts, galleries, videos, events etc.&lt;o:p&gt;&lt;/o:p&gt;
   &lt;/font&gt;&lt;/font&gt;&lt;/span&gt;
&lt;/p&gt;
&lt;p class=MsoNormal style="MARGIN: 0cm 0cm 0pt"&gt;
   &lt;span lang=EN-GB style="mso-ansi-language: EN-GB"&gt;
   &lt;o:p&gt;
      &lt;font face=Arial color=#000000&gt;&amp;nbsp;&lt;/font&gt;
   &lt;/o:p&gt;
   &lt;/span&gt;
&lt;/p&gt;
&lt;p class=MsoNormal style="MARGIN: 0cm 0cm 0pt"&gt;
   &lt;span lang=EN-GB style="mso-ansi-language: EN-GB"&gt;&lt;font color=#000000&gt;&lt;font face=Arial&gt;I
   really urge you to take a look and try out Facebook (I didn’t mean for that to rhyme!)&lt;o:p&gt;&lt;/o:p&gt;
   &lt;/font&gt;&lt;/font&gt;&lt;/span&gt;
&lt;/p&gt;
&lt;p class=MsoNormal style="MARGIN: 0cm 0cm 0pt"&gt;
   &lt;span lang=EN-GB style="mso-ansi-language: EN-GB"&gt;
   &lt;o:p&gt;
      &lt;font face=Arial color=#000000&gt;&amp;nbsp;&lt;/font&gt;
   &lt;/o:p&gt;
   &lt;/span&gt;
&lt;/p&gt;
&lt;p class=MsoNormal style="MARGIN: 0cm 0cm 0pt"&gt;
   &lt;span lang=EN-GB style="mso-ansi-language: EN-GB"&gt;&lt;font color=#000000&gt;&lt;font face=Arial&gt;Check
   out the &lt;a href="http://www.facebook.com/pages/Chameleon-Net-Web-Solutions-Agency/8930124045?ref=ts"&gt;Chameleon
   Net Facebook Page&lt;/a&gt; for inspiration and if you need any tips, why not post a question
   on our discussion board.&lt;o:p&gt;&lt;/o:p&gt;
   &lt;/font&gt;&lt;/font&gt;&lt;/span&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;/p&gt;
&lt;img width="0" height="0" src="http://www.chameleonnet.co.uk/blog/aggbug.ashx?id=81c329d9-bb9e-4a7f-8af5-1c84180c7e6a" /&gt;</description>
      <comments>http://www.chameleonnet.co.uk/blog/CommentView,guid,81c329d9-bb9e-4a7f-8af5-1c84180c7e6a.aspx</comments>
      <category>Facebook;Online Marketing;Social Networking</category>
    </item>
    <item>
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      <dc:creator>kelm@chameleonnet.com (Kel Miah)</dc:creator>
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      <slash:comments>1</slash:comments>
      <title>“Facebook” ad platform to be popular in 2008</title>
      <guid>http://www.chameleonnet.co.uk/blog/PermaLink,guid,504ff90a-207d-4ba1-b55e-58443b0531b9.aspx</guid>
      <link>http://www.chameleonnet.co.uk/blog/PermaLink,guid,504ff90a-207d-4ba1-b55e-58443b0531b9.aspx</link>
      <pubDate>Tue, 08 Jan 2008 11:00:02 GMT</pubDate>
      <description>

&lt;p class="MsoNormal"&gt;
   &lt;font color="#000000" face="Verdana" size="2"&gt;&lt;span lang="EN-US"&gt;2007 showed phenomenal
   growth for “Facebook”, by the end of the year it had 7.6M active 
   &lt;st1:place w:st="on"&gt;
      &lt;st1:country-region w:st="on"&gt;UK&lt;/st1:country-region&gt;
   &lt;/st1:place&gt;
   users, that’s 12.5% of the population. With so many active users participating on
   the social networking site some form of advertising system to target these users was
   inevitable.&lt;/span&gt;&lt;/font&gt;
&lt;/p&gt;
&lt;p class="MsoNormal"&gt;
   &lt;font color="#000000" face="Verdana" size="2"&gt;&lt;span lang="EN-US"&gt;
   &lt;o:p&gt;&lt;/o:p&gt;
   Social networks such as Facebook create groups of niche users by gathering some personal
   information about them, such as hobbies, interests, marital status, and age. This
   information is primarily used to provide users with a compelling and interactive experience,
   but they also help build an advertising profile.&lt;/span&gt;&lt;/font&gt;
&lt;/p&gt;
&lt;p class="MsoNormal"&gt;
   &lt;font color="#000000" face="Verdana" size="2"&gt;&lt;span lang="EN-US"&gt;
   &lt;o:p&gt;&lt;/o:p&gt;
   What these niche groups create is the opportunity to target very specific audiences
   with relevant ads which they may find interesting. As an advertiser you would expect
   more ROI or a higher click through rate if your ads were being served to pre qualified
   traffic.&lt;/span&gt;&lt;/font&gt;
&lt;/p&gt;
&lt;p class="MsoNormal"&gt;
   &lt;font color="#000000" face="Verdana" size="2"&gt;&lt;span lang="EN-US"&gt;
   &lt;o:p&gt;&lt;/o:p&gt;
   Facebook’s ad platform consists of 3 major types of platforms, Facebook Pages, Facebook
   Social ads, and Facebook Beacon. &lt;/span&gt;&lt;/font&gt;
&lt;/p&gt;
&lt;ul style="margin-top: 0in;" type="disc"&gt;
   &lt;li class="MsoNormal" style=""&gt;
      &lt;font color="#000000" face="Verdana" size="2"&gt;&lt;b style=""&gt;&lt;span lang="EN-US"&gt;Facebook
      Pages&lt;/span&gt;&lt;/b&gt;&lt;span lang="EN-US"&gt; - &lt;/span&gt;&lt;span style="line-height: 140%;" lang="EN-US"&gt;allows
      brands to have profile pages on in the same way that users have them.&lt;o:p&gt;&lt;/o:p&gt;
      &lt;/span&gt;&lt;/font&gt;
   &lt;/li&gt;
   &lt;li class="MsoNormal" style=""&gt;
      &lt;font color="#000000" face="Verdana" size="2"&gt;&lt;b style=""&gt;&lt;span style="line-height: 140%;" lang="EN-US"&gt;Facebook
      Social Ads&lt;/span&gt;&lt;/b&gt;&lt;span style="line-height: 140%;" lang="EN-US"&gt; - allows advertisers
      to use the full range of profile information to target people by age, gender, relationship
      status, location, and so on.&lt;o:p&gt;&lt;/o:p&gt;
      &lt;/span&gt;&lt;/font&gt;
   &lt;/li&gt;
   &lt;li class="MsoNormal" style=""&gt;
      &lt;font color="#000000" face="Verdana" size="2"&gt;&lt;b style=""&gt;&lt;span style="line-height: 140%;" lang="EN-US"&gt;Facebook
      Beacon&lt;/span&gt;&lt;/b&gt;&lt;span style="line-height: 140%;" lang="EN-US"&gt; - is a widget-like
      system being adopted on 44 third party partner sites. Activities on sites using Beacon
      will flow back into a Facebook user's News Feed or Mini-Feed, allowing their friends
      to know some of what they did at that site.&lt;o:p&gt;&lt;/o:p&gt;
      &lt;/span&gt;&lt;/font&gt;
   &lt;/li&gt;
&lt;/ul&gt;
&lt;p class="MsoNormal"&gt;
   &lt;font color="#000000" face="Verdana" size="2"&gt;&lt;span style="line-height: 140%;" lang="EN-US"&gt;
   &lt;o:p&gt;&lt;/o:p&gt;
   The basic principle of the advertising platform is similar to conventional platforms,
   using Cost Per Click (CPC) and Cost Per Impression (CPM) pricing models.&lt;o:p&gt;&lt;/o:p&gt;
   &lt;/span&gt;&lt;/font&gt;
&lt;/p&gt;
&lt;p class="MsoNormal"&gt;
   &lt;font color="#000000" face="Verdana" size="2"&gt;&lt;span lang="EN-US"&gt;
   &lt;o:p&gt;&lt;/o:p&gt;
   I can imagine a lot of 
   &lt;st1:place w:st="on"&gt;
      &lt;st1:country-region w:st="on"&gt;UK&lt;/st1:country-region&gt;
   &lt;/st1:place&gt;
   advertisers experimenting and trialing the Facebook ad system, and just as Facebook
   demonstrated phenomenal growth in 2007 I believe their ad system will prove very popular
   in 2008.&lt;/span&gt;&lt;/font&gt;
&lt;/p&gt;
&lt;p class="MsoNormal"&gt;
   &lt;font color="#000000" face="Verdana" size="2"&gt;&lt;span lang="EN-US"&gt;
   &lt;o:p&gt;&lt;/o:p&gt;
   I expect users to be highly receptive to these form of ads, my first impressions are
   that the ads to not lower the user experience and because the ads are highly targeted
   the users see them less as advertising and more as recommendations.&lt;/span&gt;&lt;/font&gt;
&lt;/p&gt;
&lt;p class="MsoNormal"&gt;
   &lt;font color="#000000" face="Verdana" size="2"&gt;&lt;span lang="EN-US"&gt;
   &lt;o:p&gt;&lt;/o:p&gt;
   If one of the user’s hobbies is listed as reading comic books and Formula 1 racing,
   then ads for Formula 1 merchandise and reviews about the newest comic book will be
   seen as recommendations rather than traditional advertising.&lt;/span&gt;&lt;/font&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;/p&gt;
&lt;img width="0" height="0" src="http://www.chameleonnet.co.uk/blog/aggbug.ashx?id=504ff90a-207d-4ba1-b55e-58443b0531b9" /&gt;</description>
      <comments>http://www.chameleonnet.co.uk/blog/CommentView,guid,504ff90a-207d-4ba1-b55e-58443b0531b9.aspx</comments>
      <category>Facebook;Online Marketing;Social Networking;Web 2.0</category>
    </item>
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      <dc:creator>andrewd@chameleonnet.com (Drew Davies)</dc:creator>
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      <slash:comments>1</slash:comments>
      <title>Online Marketing Predictions for 2008 </title>
      <guid>http://www.chameleonnet.co.uk/blog/PermaLink,guid,972b40b3-6de2-4e87-9da1-5359d902d6a8.aspx</guid>
      <link>http://www.chameleonnet.co.uk/blog/PermaLink,guid,972b40b3-6de2-4e87-9da1-5359d902d6a8.aspx</link>
      <pubDate>Mon, 07 Jan 2008 14:57:44 GMT</pubDate>
      <description>&lt;span lang=EN-GB&gt;With some major shake-ups in the Online Marketing world over the
last twelve months, 2008 looks set to be a balance of new strategy and contingency.
As PPC advertisers grow in number, an increasingly crowded marketplace will force
some to experiment with more niche engines to ensure a return while the search engines
will all be tweaking their natural algorithms every which way they can (&lt;a href="http://www.marketingpilgrim.com/2008/01/google-soon-to-recognize-text-in-images.html"&gt;Google
patenting new image reading technology&lt;/a&gt; for example&lt;a href="http://www.marketingpilgrim.com/2008/01/google-soon-to-recognize-text-in-images.html"&gt;&lt;span style="LINE-HEIGHT: 140%"&gt;&lt;/span&gt;&lt;/a&gt;).
2008 is going to be a year of surprises, but let’s see if we can foresee a few trends:&amp;nbsp;&lt;/span&gt; 
&lt;p class=MsoNormal&gt;
   &lt;b&gt;&lt;span lang=EN-GB&gt;&lt;a href="http://www.chameleonnet.co.uk/email.aspx"&gt;&lt;?xml:namespace prefix = o /&gt;Email&lt;o:p&gt;&lt;/o:p&gt;
   &lt;/a&gt;&lt;/span&gt;&lt;/b&gt;
   &lt;br&gt;
   &lt;span lang=EN-GB&gt;With the effort and skill it takes to ensure email lists are clean
   and the communications get through, we might see more companies providing an RSS (Really
   Simple Syndication) / blog alternative to email broadcasts allowing technically savvy
   recipients to source the info as they want it, avoiding “inbox overload” with a demographic
   quick to unsubscribe. 
   &lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;
   &lt;/span&gt;
&lt;/p&gt;
&lt;p class=MsoNormal&gt;
   &lt;a href="http://www.chameleonnet.co.uk/ppc.aspx"&gt;&lt;b&gt;&lt;span lang=EN-GB&gt;PPC (Pay Per
   Click Advertising)&lt;o:p&gt;&lt;/o:p&gt;
   &lt;/span&gt;&lt;/b&gt;
   &lt;br&gt;
   &lt;/a&gt;&lt;span lang=EN-GB&gt;Yahoo’s much needed PPC Platform update last year has paved the
   way for Advertisers - distrustful of the clunky old system - to head back for a look,
   especially if they’re finding it increasingly expensive over at Google. Yahoo’s new
   Platform is in some ways a carbon copy of Adwords, however there are cheap clicks
   for the diligent, and the similarity between the two systems will make it easier to
   duplicate PPC campaigns across the Engines. 
   &lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;
   &lt;/span&gt;
&lt;/p&gt;
&lt;p class=MsoNormal&gt;
   &lt;a href="http://www.chameleonnet.co.uk/seo.aspx"&gt;&lt;b&gt;&lt;span lang=EN-GB&gt;SEO (Search Engine
   Optimisation)&lt;o:p&gt;&lt;/o:p&gt;
   &lt;/span&gt;&lt;/b&gt;
   &lt;br&gt;
   &lt;/a&gt;&lt;span lang=EN-GB&gt;Future Proofing for SEO has always seemed an oxymoron, but 2008
   will be the year sustainability gets serious. Forward thinking companies with a history
   of search engine marketing should look at their on-going strategy to ensure a synergy
   between process and results. Can in-house or agency teams make effective changes quickly
   (especially after Algorithmic updates)? How will new copy evolve and be optimised?
   What are the long term link-bait goals?&amp;nbsp; 
   &lt;o:p&gt;&lt;/o:p&gt;
   &lt;/span&gt;&lt;?xml:namespace prefix = st1 /&gt;
   &lt;st1:placename w:st="on"&gt;
      &lt;b&gt;&lt;span lang=EN-GB&gt;
      &lt;br&gt;
      &lt;br&gt;
      &lt;a href="http://www.chameleonnet.co.uk/web_strategy.aspx"&gt;Link&lt;/a&gt;&lt;/span&gt;&lt;/b&gt;
   &lt;/st1:placename&gt;
   &lt;b&gt;&lt;span lang=EN-GB&gt;&lt;a href="http://www.chameleonnet.co.uk/web_strategy.aspx"&gt; 
   &lt;st1:placetype w:st="on"&gt;Building&lt;/st1:placetype&gt;
   &lt;/a&gt;
   &lt;o:p&gt;&lt;/o:p&gt;
   &lt;/span&gt;&lt;/b&gt;
   &lt;br&gt;
   &lt;span lang=EN-GB&gt;With Google stepping up the war on link buying, Link Builders will
   branch off into two camps – increasingly covert campaigns on one side and transparent
   link strategies on the other. Covert will mean closed door link “arrangements” between
   sites, especially in engineering those all important editorial links. Of course there
   are high risks to this approach, which leads us nicely to the more ethical option… 
   &lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;
   &lt;/span&gt;
&lt;/p&gt;
&lt;p class=MsoNormal&gt;
   &lt;a href="http://www.chameleonnet.co.uk/web_strategy.aspx"&gt;&lt;b&gt;&lt;span lang=EN-GB&gt;ePR
   (Online PR)&lt;o:p&gt;&lt;/o:p&gt;
   &lt;/span&gt;&lt;/b&gt;
   &lt;br&gt;
   &lt;/a&gt;&lt;span lang=EN-GB&gt;Already a vital tool when building online influence for our clients,
   2008 will see ePR recognised as that must-have ingredient when sourcing links from
   highly credible websites and blogs. Avoiding the money-for-links trap, ePR puts the
   emphasis on relationships and trust, connecting key influencers with content and opportunities
   for mutually beneficial results. 
   &lt;o:p&gt;&lt;/o:p&gt;
   &lt;/span&gt;
&lt;/p&gt;
&lt;p&gt;
&lt;/p&gt;
&lt;img width="0" height="0" src="http://www.chameleonnet.co.uk/blog/aggbug.ashx?id=972b40b3-6de2-4e87-9da1-5359d902d6a8" /&gt;</description>
      <comments>http://www.chameleonnet.co.uk/blog/CommentView,guid,972b40b3-6de2-4e87-9da1-5359d902d6a8.aspx</comments>
      <category>Online Marketing;PPC</category>
    </item>
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